Plant Art

Deer in a Wooded Landscape Oil on canvas 33 x 40 inches (83.8 x 101.6 cm) Framed dimensions: 44 1/2 x 51 in Provenance Sotheby's, New York, May 27, 1993, lot 170; Godel Fine Art, N...

Green Fields by Josine Vignon (French 1922-2022) signed oil painting on canvas, unframed canvas: 20 x 24 inches Colors: Green colors, blue and beige. overall good condition. Pro...

Bathed in the gentle glow of morning light, beauty of a birch woodland coming to life. A vibrant carpet of wildflowers, long shadows and richly textured palette knife work invite the...

Artist Comments
Seen from a car traveling along Route 40 West in Colorado, the landscape rises toward the Continental Divide, bringing the snow-covered peaks of the high countr...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Gerolamo Navarra Large Floral Still Life Oil Painting, 19th Century. Oil on canvas. Signed on the base of the vase. Artwork: 93 × 79 cm (36.6 × 31.1 in.). Framed: 113 × 98 cm (44.5 ×...

A vibrant celebration of nature. This oil painting captures a lush floral arrangement with an enthusiastic energy. Bold red petals dominate the composition. They swirl with a rhythmi...

Luxembourg Gardens, Paris Figures by the Fountain Signed French Oil Painting French School, late 20th century signed lower left & verso oil on canvas, unframed Canvas: 26 x 32 inch...

Somewhere between the mountains and the sky between the wild flowers and the coming rain I understood some things belong together not because they are the same but because the world ...

Paper Size: 27 x 38 inches ( 68.58 x 96.52 cm ) Image Size: 25 x 38 inches ( 63.5 x 96.52 cm ) Framed: No Condition: A: Mint Additional Details: High quality, elegant capture ...

This is an architectural painting from my series of mid-century modern architecture. I love the clean lines and geometric patterns, including a swimming pool and a sunny feel. The co...

Nicholas Trofimuk is a fine art photographer and Master Printer whose work spans black-and-white landscapes, archival pigment color prints, and his signature "Vibographs." Raised in ...

Artist: Purvis Young Title: Two Faces Medium: Original Oil on Board Size: 50.75" x 21" Year: c. 2000-2008 Inscription: Signed "Young" on front Condition: In the style of found art wi...

'Les Alyscamps Arles', watercolour on art paper, by Yves Brayer (1977). This term has its origins and is related to the Elysian Fields, also called Elysium, which is the final restin...

This vintage silver gelatin print is signed and dated in pencil on the front of the mount. Likely printed in the 1970s. From the collection of Robert K. Byers, who was Brett Weston...

2018 marks the centenary anniversary of Ferdinand Hodler’s death. In that 100 years time, the art world’s esteem of this important artist has proved fickle. It has shifted from extolling his artistic merits during his lifetime to showing something of a feigned disdain- more reflective of the world political order than a true change of heart for Hodler’s work. After years of Hodler being all but a footnote in the annals of art history and generally ignored, finally, the pendulum has righted itself once again. Recent retrospective exhibitions in Europe and the United States have indicated not only a joyful rediscovery of Hodler’s art but a firm conviction that his work and world view hold particular relevance today. DAS WERK FERDINAND HODLERS is not only a collection of printed work reflecting the best of all of his painted work created up to 1914 just before the outbreak of World War I, the portfolio itself is an encapsulation of Hodler’s ethos, Parallelisme. Hodler developed his philosophy of Parallelisme as a unifying approach to art which strips away detail in search of harmony. By means of abstraction, symmetry and repetition, Hodler sought ways to depict Nature’s essence and her fundamental, universal order. He believed these universal laws governing the natural, observable world extend to the spiritual realm. Symbolist in nature with Romantic undertones, his works are equally portraits of these universal concepts and feelings governing all life as they are a visual portrait in the formal sense. Whether his subject is a solitary tree, a moment in battle, mortal fear, despair, the awe inspired by a vast mountain range, a tender moment or even the collective conviction in a belief, Hodler unveils this guiding principle of Parallelisme. Several aspects of Hodler’s portfolio reinforce his tenets of Parallelisme. The Table of Contents clearly preferences a harmonious design over detail. The two columns, consisting of twenty lines each, list the images by order of appearance using their German titles. The abbreviated titles are somewhat cryptic in that they obscure the identities of the sitters. Like the image Hodler presents, they are distillations of the sitter without any extraneous details. This shortening was also done in an effort to maintain a harmonious symmetry of the Table of Contents, themselves, and keep titles to a one-line limit. The twenty-fourth title: “Bildnis des Schweizerischen Gesandten C.” was so long, even with abbreviation, that it required two lines; so, for the sake of maintaining symmetry, the fortieth title: “Bauernmadchen” was omitted from the list. This explains why the images are not numbered. Hodler’s reasoning is not purely esoteric. Symmetry and pattern reach beyond mere formal design principles. Finding sameness and imposing it over disorder goes to the root of Hodler’s identity and his art. A Swiss native, Hodler was bi-lingual and spoke German and French. Each printed image, even number forty, have titles in both of Hodler’s languages. Certainly, there was a market for Hodler’s work among francophones and this inclusion may have been a polite gesture to that end; however, this is the only place in the portfolio which includes French. With German titles at the lower left of each image, Hodler’s name at bottom center and corresponding French titles at the lower right of each image, there is a harmony and symmetry woven into all aspects of the portfolio. This holds true for the page design, as it applies to each printed image and as it describes the Swiss artist himself. Seen in this light, Hodler’s portfolio of printed work is the epitome of Hodler’s Parallelisme. DAS WERK FERDINAND HODLERS is also one of the most significant documents to best tell the story of how Hodler, from Switzerland, became caught between political cross-hairs and how the changing tides of nations directly impacted the artist during his lifetime as well as the accessibility of his art for generations to come. The Munich-based publisher of the portfolio, R. Piper & Co., Verlag, plays a crucial role in this story. Publishing on a wide range of subjects from philosophy and world religion to music, literature and the visual arts; the publisher’s breadth of inquiry within any one genre was equal in scope. Their marketing strategy to publish multiple works on Hodler offers great insight as to what a hot commodity Hodler was at that time. R.Piper & Co.’s Almanach, which they published in 1914 in commemoration of their first ten years in business, clearly illustrates the rapid succession- strategically calculated for achieving the deepest and broadest impact - in which they released three works on Hodler to hit the market by the close of 1914. DAS WERK FERDINAND HODLERS was their premier publication. It preceded C.A. Loosli’s Die Zeichnungen Ferdinand Hodlers, a print portfolio after 50 drawings by Hodler which was released in Autumn of 1914 at the mid-level price-point of 75-150 Marks; and a third less expensive collection of prints after original works by Hodler, which had not been included in either of the first two portfolios, was released at the end of that year entitled Ferdinand Hodler by Dr. Ewald Bender. The title and timing of DAS WERK FERDINAND HODLERS' debut leaves little doubt as to the connection it has with another avant-garde portfolio of art prints, Das Werk Gustav Klimts, released in 5 installments from 1908 -1914 by Galerie Miethke in Vienna. Hodler, himself, was involved in Klimt’s ground-breaking project. As the owner of Klimt’s 1901 painting, “Judith with the Head of Holifernes” which appears as the ninth collotype print in the second installment of Das Werk Gustav Klimts, Hodler was obliged to grant access of the painting to the art printers in Vienna for them to create the collotype sometime before 1908. Hodler had been previously invited in 1904 to take part in what would be the last exhibition of the Vienna Secession before Klimt and others associated with Galerie Miethke broke away. In an interview that same year, Hodler indicated that he respected and was impressed by Klimt. Hodler’s esteem for Klimt went beyond the art itself; he emulated Klimt’s method aimed at increasing his market reach and appeal to a wider audience by creating a print portfolio of his painted work. By 1914, Hodler and his publisher had the benefit of hindsight to learn from Klimt’s Das Werk publication. Responding to the sluggish sales of Klimt’s expensive endeavor, Hodler’s publisher devised the same diversified 1-2-3 strategy for selling Hodler’s Das Werk portfolio as they did with regards to all three works on Hodler they published that year. For their premium tier of DAS WERKS FERDINAND HODLERS, R. Piper & Co. issued an exclusive Museum quality edition of 15 examples on which Hodler signed each page. At a cost of 600 Marks, this was generally on par with Klimt’s asking price of 600 Kronen for his Das Werk portfolio. A middle-tiered Preferred edition of 30, costing somewhat less and with Hodler’s signature only on the Title Page, was also available. The General edition, targeting the largest audience with its much more affordable price of 150 Marks, is distinguishable by its smaller size. Rather than use the subscription format Miethke had chosen for Klimt’s portfolios which proved to have had its challenges, R. Piper & Co. employed a different strategy. In addition to instantly gratifying the buyer with all 40 of the prints comprising DAS WERK FERDINAND HODLERS and the choice among three price points, they advertised in German journals a fourth possibility of ordering single prints from them directly. These printed images are easily discernible from the three complete folio editions. The paper size of the single purchased images is of the larger format like the Museum and Preferred editions, measuring 65 h x 50 w cm; however, the paper itself is the same copper print paper used in the General edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer of Hodler’s art. They astutely recognized the potential for profitability and the importance, therefore, of having proprietary control over his graphic works. R. Piper & Co. owned the exclusive printing rights to Hodler’s best work found in their three publications dating from 1914. That same year, a competing publication out of Weimar entitled Ferdinand Hodler: Ein Deutungsversuch von Hans...

Into the Woods - 21st Century Contemporary Photographic Nature Print - Black & White Polaroid Into the Woods is a beautiful example of Pia Clodi's ability to inject beauty and sent...

A.D. Greer (1904-1998) Austin Artist Image Size: 43 x 67 Frame Size: 51 x 75 Medium: Oil on Canvas "Small Falls" Signed Biography A. D. Greer (1904-1998) A.D. Greer (Austin Artist) ...

This artwork "Yellow Flowrer" c.1990, is an acrylic painting on handmade paper by noted American artist Mona Dukess, 1936-2025. It is signed at the lower right corner by the artist. ...

Josine Vignon (French 1922-2022) ...

Yayoi Kusama Grapes In The City, 1989 Screenprint Hand signed in English, titled in Kanji, dated 1989 lower right Numbered 21/100 lower left sheet: 53.5 by 61 cm image: 45.5 by 53 cm...

Cosmos 47 by Karine Laval is a Limited Edition Chromogenic Print Cosmos 47 is available in this size of 16" x 20" from a Limited Edition of 9 prints Cosmos represents a new chapte...

"Sniffer" Black & White Photograph 29.5" x 24" in Ltd. Ed 2/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by the ...

"Where Evening Rests" is an oil on canvas painting by Michael Magrin. The scene shows a quiet landscape at dusk with a line of trees stretching across the middle of the picture. The ...

In this contemporary landscape painting in oil on panel, a peaceful summer scene is set, beautifully capturing the idyllic feel of a field of wildflowers in early August Signed, date...

This piece, "Walk Along the Park" by Miguel Peidro is an 20x35 original oil painting on canvas. This painting depicts a dirt path in peak autumn season, with bright orange an red fo...

Artist Comments
The smooth bark of a madrone tree in warm tones of orange, copper, and a hint of red stands out against the leafy green foliage. A broad stretch of shore reveal...

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

British printmaker and artist Wendy Jean Holt (1948–2025) was known for her distinctive etchings and aquatints, produced primarily during the late 1970s and 1980s. Her work combined ...

Judd Mercer (American, b. 1982) "Vanishing Point," 2025 Oil 8 x 10 in (20.32 x 25.4 cm) Unframed, but ready to hang. Snow-laden spruce crowd both sides of a clearing, their dark gre...

Lindenlure is a color pigment ink photograph, limited edition, signed and numbered by Julie Blackmon. I guess my work is kind of a love letter to the ...

A curve in a s steep path in woods that disappear into morning mist. These are the foggy woods in the hills of Oakland, across the bay from San Francisco. This is a photograph print...

The School of Hard Knocks is a lithograph on paper, 7.25 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 129/275 (there were also 100 Roman a...

Size of sheet is ca. 21 x 29.5 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It com...

"You Hang Up First" Photograph 30" x 24" in Limited Ed. of 7 by Aaron Mcpolin Medium: Archival Giclee Print Signed and numbered by the artist. Comes with COA issued by the artist ...

Five huge pale blue agapanthus flowers against a deep midnight blue sky. Every botanical cyanotype the artist makes is a unique monotype. There is no way to reproduce exactly the sam...

Flowers - Carlo De Tommasi Italia 2011 - Oil on canvas cm. 80x50 In this precious oil painting, Carlo De Tommasi is inspired by the compositions of the Dutch Balthasar van der Ast...

Palm Springs Palm Trees V (Californication) - 2019 20x20cm, Edition of 10 plus 2 Artist Proofs. Archivall C-Print, based on the Polaroid. Certificate and Signature label. Artis...

Since I have long been fascinated by colored glass and stained glass, in this work, I explored the effect of blending brushstrokes of different colors and the stylized representation...

A beautiful mid 20th century French naif oil on canvas depicting two skiers in a snow covered mountain landscape, by Maurice Loirand. Lovely painting of a rare subject! Maurice Loir...

Artist Comments
Slender white trees grow in a wooded area in Harriman State Park, New York. Brown and orange leaves bring the colors of autumn into the scene. Loose brushwork a...

This acrylic landscape by Pat Service captures a roadside view of summer in the countryside. Signed to lower right. Highly regarded as one of Canada’s finest landscape artists, Pat ...

Colour materic screen printing on paper, edited in 1985. Limited edition of 125 copies, numbered as PA (Prova d'Artista) (Artist's proof) in lower left corner.
 Hand-signed by artist...

Artist: Bill Sullivan Title: Flowers Medium: Serigraph Signed: Hand Signed Edition: Edition of 200 Measurements: 22" x 30" Condition: Excellent. This piece has been stored in a ...

#10282-a Lake Erie, Buffalo, New York, USA 2011/2023 Signed in black ink, verso Archival pigment print 6 x 6 inches, sheet 5.25 x 2.25 inches, image This work is offered by CLAMP...

An evocative original oil painting by American artist Ethel Magafan (1916–1993), Hillside captures the quiet beauty of an autumn landscape in Colorado. Painted in 1946, this atmosphe...

Paris: Cadart, 1873. Etching with engraving on white wove paper, 9 1/4 x 12 1/2 inches (235 x 318 mm); sheet 10 3/4 x 14 3/4 inches (274 x 375 mm), full margins. In very good condi...

2021 Laminated giclée print on aluminium composite panel 120 x 96 cm Edition 213 of 760 Signed on a label attached to the reverse in the middle Heni Editions Catalogue Number: H9-2...

Original elaborate floral bouquet oil on canvas painting by the German artist Reinhard Michel. Signed Lowe right by the artist. Condition is very good. Circa 1960. Original gold o...

A curve in a s steep path in woods that disappear into morning mist. These are the foggy woods in the hills of Oakland, across the bay from San Francisco. This is a photograph print...

The painting depicts an elegant sprig of Lamprocapnos spectabilis—commonly known as "bleeding heart." The central element of the piece is an arched stem from which distinctive, styli...

David Lee, Chinese (1944 - ) - Fleurs et Papillon, Year: circa 1985, Medium: Poster, Image Size: 18 x 26 inches, Size: 22.75 x 31 in. (57.79 x 78.74 cm), Description: David Le...

A solemn peace permeates this landscape, painted in oil on canvas by an unidentified British master at the end of the 19th century. The painting transports the viewer to the pictures...

Horizontal photo-realist still life painting on canvas of green lotus leaves on a light grey background 'Lotus Number Fifteen' by Frank Depietro, made i...

This original oil painting beautifully captures the serene yet vibrant atmosphere of a wild poppy field bathed in the warm, glowing light of a setting sun. Measuring 30×40 cm, the ar...

Jasmine is my father's favorite shrub, and the one by his house is simply incredibly beautiful. Almost all of my jasmines were inspired by the bush near his home. I always find it de...

All my life I have held a fascination with the animal kingdom, which began in my childhood growing up on a farm and extended into my adult years. On some inexplicable level I feel a ...

As your gaze lingers on one of Sally K’s paintings, you notice how Sally’s brush strokes add playfulness and life to the canvas, incorporating unexpected images and shapes of flowers, or abstract color combinations to convey the vibrant beauty of a woman’s hair. Sally K was born in Ohio following her family’s emigration from Lebanon. Shortly after her birth, her family moved to Saudi Arabia, where she stayed until she was 14. Sally then attended high school and college in Beirut, where she graduated with a BA in Fine Arts with distinction from the Lebanese American University of Beirut. In 2013, Sally and her family moved back to the United States and she now works out of her studio in California. This vibrant 46-inch high by 79-inch wide painting is created with acrylic paint on canvas. It is stretched, wired, and ready to hang. This floral figurative artwork is signed by the artist on the front of the artwork. The sides are a continuation of the painting and it does not require framing. Free local Los Angeles area delivery. Convenient U.S. and global shipping available. A certificate of authenticity issued by the art gallery is included. The focus of Sally’s portraits is contemporary women. Her style merges characteristics of abstract expressionism with realism and portrait painting to convey, not just the beauty of women, but their confidence and strength as well. They are women that are alluring, flirtatious, and demure, with femininity that Sally imbues with what she describes as the “sensuality, independence, and confidence you see in strong women.” Sally’s portraits of women are intensely personal. “The women I paint are an extension of me, of what I feel, how I process my surroundings, my thoughts, my angers, my pleasures. They’re the confident strong women that I strive to be. Sometimes tough and daring, sometimes shy and reserved, but always self-assured and determined; they represent what captivates me in other women; the qualities I admire, and strengths that I strive to gain.” Sally draws inspiration from photography, pop culture, and fashion as well as artists ranging from Willem de Kooning and Jackson Pollock to Gustav Klimt. Her highly regarded paintings have been featured in group and solo shows in Beirut, Dubai, Italy, and the USA. REPRESENTATION Artspace Warehouse, Los Angeles, USA EXHIBITIONS 2024 Affordable Art Fair, New York, NY 2024 Artspace Warehouse, Los Angeles, CA 2024 Affordable Art Fair, Austin, TX 2023 Artspace Warehouse, Los Angeles, CA 2022 “Identity with a Chance of Imperfection”, Artspace Warehouse, Los Angeles, CA 2022 “Saturate Euphoria”, Artspace Warehouse, Los Angeles, CA 2021 Affordable Art Fair New York, NY 2021 “Splatters of Life”, Artspace Warehouse, Los Angeles, CA 2020 LA Art Show, CA 2020 Art Palm Springs, CA 2019 Affordable Art Fair Hong Kong 2019 Affordable Art Fair New York 2019 Artspace Warehouse, Los Angeles, CA 2018 "Colored Whipped Cream," Artspace Warehouse, Los Angeles, CA 2018 Threshold Art Gallery, Los Angeles, CA 2018 484 North Gallery, Laguna Beach 2013 Beirut Art Beat 2009 Lebanese Artists Association 2009 Gallery Surface Libre 2008 Lebanese Painters...

Sunburst by American artist Robert Daughters is a close up of a group of wild sunflowers in yellows and greens. A limited edition print number 62...

Shape We Leave Behind is a large-scale black and white photographic work by Ugne Pouwell, presented in a limited edition of 10 at 100 × 150 cm. Set against an exposed shoreline, the...