Plant Art

'Orange Tulips' watercolor on paper. Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. Inter...

This supremely elegant photograph illustrates why Imogen Cunningham’s botanical pictures are a keystone of modernist photography. In the 1920s, Cunnin...

Frank Corso Biography American, b. 1952 Frank Corso was born in Syracuse New York. Taking a keen interest in art at a very early age, he was inspired to draw and paint the landscape...

This is a monochromatic rendering of branches of the native Californian madrone tree. There are two shades of the same green, the darker leaves being the thin slightly translucent fi...

Wonderful American Regionalism landscape painted in the style of Grant Wood and Dale Nichols circa 2000. Faint illegible signature lower left corner. Condition: Good; professionall...

A pair of peonies in a delicate color. This painting will fit perfectly into any interior thanks to its delicate and light shades. :: Painting :: Photorealism :: This piece comes wit...

Photo-realist still life painting of a green lotus leaf with brown decays edges against a soft grey background "Lotus Number Thirty", painted by Frank DePietro...

Signed lower right, 'Olga' for Her Imperial Highness, Olga Alexandrovna, Grand Duchess of Russia and painted circa 1925. Provenance: Formerly in the ...

ARTIST: Salvador Dali TITLE: La Joie de Vivre MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions d'Art de Francony EDITION NUMBER: 75/150 MEASUREME...

Warm Evening with Tea" is a painting permeated with soft light and the aroma of a summer garden. Lush flowers in a vase seem to whisper stories of quiet evenings, and a cup of tea s...

Black and white fine art minimalist landscape photography. The dark hedges, mystical avenue of trees in north Ireland. Archival pigment ink print, edition ...

Just feel warm summer wind. The painting is created en plein-air. The artwork is author's and original. It's signed on the front and also titled and signed on the back. The painting...

Jeff Faust draws from the rich tradition of highly illusionistic canvases, where the eye perceives a sophisticated depth. Faust's ability to blend the ordinary with a touch of the ex...

Stephanie Richards b. 1978 Cornflowers and Sashiko Cloth oil on board 30 x 30.3 cm 11 3/4 x 11 7/8 in signed with initials "My works are composed o...

A scenic September, Vermont summer landscape by artist Harold Haydon. The oil on Masonite painting is dated 1964. Image size: 18" x 23". Framed size: 22" x 27". Estate stamped ...

Stella Jae 心 (Xin) 2024 Oil on canvas Size: 31.49 x 23.62 x inches (80 x 60 cm) Signed by hand COA provided *Framing options are available. Please inquiry. Stella J Richey is an i...

Gouache on paper This artwork is offered by ClampArt, located in New York City Born in California, John Button (1929-1982) was educated at University of California, Berkeley. After...

This colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Ephemerum Virginianu flore Purpureo, B. Ephemer...

Judd Mercer's (US based) "Through the Trees" is an gouache painting that depicts the dense brush of a forest growing with large trees Bio/artist statement: Judd Mercer is a waterc...

Fairy Forest in the Fog Study 1, Portugal - no. 21303 Prints are made to order in limited editions on Hahnemuehle Photo Rag Baryta. Each print is stamped on the back and signed and n...

Acquired by the gallery directly from the artist

This is a rare 17th century engraving of a plant entitled "Citamerdu" by the Dutch botanist Hendrik van Rheede tot Drakenstein, plate 21 from his 'Hortus Indicus Malabaricus' (Garden of Malabar), published in Amsterdam in 1686 by Johann van Someren. The engraving depicts the Citamerdu plant, also known as Tinospora cordifolia plant or Amrita and Guduchi. It is a deciduous plant with heart-shaped leaves, greenish flowers, and pea-shaped fruits. Rheede's 19th century publication featured illustrations of exotic plants and fruits labelled with script in the upper right corner in Latin, Malay, Arabic, and Sanskrit. Hortus Indicus Malabaricus is believed to be the earliest comprehensive published work on the flora of Asia and the tropics. The 17th century treatise featured important illustrations of 740 plants of the region, including Indian medicinal plants. The engraving is printed on 17th century laid, chain-linked paper, watermarked with an elaborate crown design. The sheet measures 15.75" high by 18.75" wide. There is a central fold, as issued. There are a few small spots, but the print is otherwise in excellent condition. There are additional Rheede botanical engravings from his 'Hortus Indicus Malabaricus' publication that are listed on my 1stdibs storefront and online website. These would make for an impressive display grouping. A discount is available for purchase of two or more of the prints. Hendrik Adriaan van...

Landscape is a pen drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a little white paper. No signature, dated on the lower right corner.. Rey...

Willard Dixon, Sky Presence, painted in 2000 in oil on canvas. The etherial Bay Area cascading hillside painting displays a gentle warmth and tranqui...

This double-page lithograph from Derrière le Miroir (DLM) No. 170, by René Bazaine, features abstract forms that evoke natural elements such as foliage, water, or geological structur...

Christine Ravaux, Belgian (1961 - 2021) - Ivy, Year: 2002, Medium: Mezzotint, signed, numbered and dated in pencil, Edition: 41/100, Image Size: 4.25 x 4.25 inches, Frame Size: ...

Jon Doran's "Dahlias and Dark Green" (2022) is an exquisite oil painting on panel that captures the lush vibrancy of a floral arrangement. This original still-life artwork features r...

In creating this painting, I sought to blend the tranquility of impressionism with the vibrant energy of pop art, all while maintaining a grounding in realism. The majestic tree, bat...

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Stramonia Aegyptiaca foetida semine pallido flore albo duplici triplicive...

Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: LIV, LV, LVI, & LVII. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...

"Caduceus", recognized as a universal medical symbol, in this bronze representation by James N. Muir has become an Angel of Healing bringing love and peace to the earth and all of it...

Work on canvas

Yana Beylinson's (US based) "Autumn Mums" is an original, handmade still-life oil painting that depicts a vase with large white, pink, and yellow flowers. About the artist: Yana is ...

'Lily No.3' Cotton canvas print from limited edition of 5. (Does not come with streatch bars, only canvas print) Monocolour analogue floral photography. Made using a large format...

Title: French Watercolor of "Château de Langeais" with Historical Street Scene by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, unfram...

Along the North Norfolk costal paths during the summer months Rachael takes inspiration from the big skies and countryside. Using a number of photographs she creates one painting focusing on the colours and shapes of the beautiful wild grasses and flowers. Her use of bright colour and lively technique gives a fresh and cheerful sentiment to the work. Rachael Dalzell...

This oil painting captures the quiet elegance of a birch forest in winter. The vertical rhythm of slender white trunks, accented with delicate shades of blue and violet, creates a ca...

Milton Derr Spring, 1982 Signed lower right; titled and dated verso Oil on canvas 26 x 28 inches Provenance Acquired by descent from the artist to the present owner Milton Derr wa...

This piece is framed measuring 33 by 27 inches. Based in Carrollton, Georgia, Erin Dixon is a mixed media artist whose work bridges realism and surrealism. Her work is often heavily...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Cardboard Year: 2025 Style: Impressionism Title: Sunflowers Size: 12" x 16" x ...

Artist: Shapoval Ivan Leontyevich Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Impressionism Year: 2000 Title: Winter Day Size: 41.5" x ...

The beauty of nature's rhythm is captured in this black and white landscape photograph of a forest of Aspen trees by American photographer and film maker, John Henry Johnson (America...

Lily Pads in Tranquil Waters by Regine David (female French artist, 1910-2018) pastel painting on artist paper painting: 13 x 16 inches condition: This painting is in excellent condi...

Title: Autumn Lotus III Medium: Oil on canvas Size: 19 x 21 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 ...

Artist: Mishurovski V.V. Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Impressionism Year: 2021 Title: Lilac still life Size: 31.5" x 27....

Orange Grove Landscape, 1941, gouache on illustration board, 14 inches x 18 inches (image), 22 x 26 inches (framed) signed and dated lower right, newly framed with museum glazing ...

'Sunflowers in a Tall Vase' watercolor on paper. Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and ...

This contemporary abstract impressionist landscape painting, enriched with elements of expressionism and brut art, is a creation by French artist Natalya Mougenot. Titled "Almond Tre...

These are the silhouettes of the native Californian Matilija Poppy also known as giant tree poppies and Coulter's Poppy. They grow over 4 feet tall and appear each year in summer. ...

Landscape is an original oil painting on canvas, realized by the British artist George William Mote (1832-1909). Hand-signed and dated in red oil color on lower right corner "G.W. M...

Marc BRUYAS Lyon, 1821 - 1896 Oil on canvas 32 x 23 cm (42 x 33 cm with frame) Signed and dated lower left “Bruyas / December 1863” Beautiful carved and gilded wooden frame from the...

This original poster by Robert Rauschenberg was created for the Lincoln Center New York Philharmonic's 150th Anniversary on December 7, 1992. Printed by ULAE, it is part of an editio...

'The Banana Plantation Guadeloupe', oil on canvas, by Robert Humblot (1959). In 1959, when the artist visited French Guadeloupe, he painted several colo...

The Espagne Baléares travel poster, created circa 1950 by the artist Morell, captures the idyllic charm and allure of Spain’s Balearic Islands. This poster is part of a post-war peri...

A bouquet of light peonies in the blue vase will never leave you indifferent, this artwork will give you a sense of harmony and lyrical mood, the picture will become a wonderful gift...

Provence Olive Groves by Josine Vignon (French 1922-2022) signed on front and back oil painting on canvas, unframed canvas: 15 x 21.5 inches Colors: Green colors, black, brown, bei...

'Calla Lily' watercolor on paper. Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. Internat...

Captivating color image of Hollywood pinup star Rita Hayworth sunbathing, circa 1939. Rita Hayworth was an American actress, dancer, and pin-up girl. She achieved fame in the 1940s ...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...