Road Art

Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous...

Geraniums and flowers. French Mid Century oil on canvas view of flowers and a cottage by Edouard Le Saout. The painting is signed bottom right and presented in a custom wood frame. ...

The history of Sci-fi art and illustration has had a rich and storied past. Generation of illustrators and painters have rendered their fantastic ideas on paper and canvas. The decades of the 1920’s - 1940’s saw the imaginative but crudely drawn pulp magazine gouaches of Frank R Paul...

Corner of Clinton and Stanton Streets, 1989 by Tria Giovan From a 6cm x 4.5 cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of...

Artist: Song Shuyu Title: A New Year Medium: Watercolor on Paper Year: 2014 Style: Impressionism Dimensions: 7" x 10.5" x 0.1" inch (18 x 27 x 0.1cm) Presentation: Unframed, Type: O...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Panel Year: 2025 Style: Impressionism, Title: Winter City Size: 14" x 11" x 0....

Title: Venice Street Scene With Figures Market Stalls Tower Original Watercolour Painting By Tony Herbert (1927-2024) Signed: Bottom right corner Medium: Watercolor on paper, unframe...

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Part of his Water City World series, artist Benjamin Xu presents a contemplative exploration of architectural harmony and the quiet flow of passage through a su...

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The painting explores a poetic intersection of historical architecture and fluid natural pathways. It reimagines a traditional, winding canal village through a ...

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The painting presents a geometric view of an ancient coastal town, blending traditional architecture with modernist sensibilities. A large slanting grey wall do...

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The painting presents a tightly cropped geometric scene that explores the quiet relationship between architecture and nature. The close-up focus of a wall, tree...

Josh George's (US based) "Anytime, Anywhere" is an original, handmade mixed media painting that depicts a bustling city street lined with tall buildings and a yellow taxi in the fore...

The painting depicts a typical Venetian courtyard. A house has two windows: one shuttered and one barred. Flaking plaster reveals red brickwork. To the right, laundry hangs to dry ab...

Offset poster realized after Franco Fontana in occasion of the exhibition held at Galleria Rondanini, Rome, in 1979. Publisher’s credit printed lower right. Excellent condition. A...

Artist: Song Shuyu Title: Street Scene Medium: Watercolor on Paper Year: 2015 Style: Impressionism Dimensions: 7" x 10.5" x 0.1" inch (18 x 27 x 0.1cm) Presentation: Unframed, Type:...

The painting is signed on the back Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They ...

Gottfried Salzmann Place de Victoires, Paris, France (Collage, Cityscape, Iconic) Screen Print over Photograph Year: Circa 2010 Size: 11.22 × 7.87 inches (28.5 x 20 cm) Edition: 50 S...

Gaston COPPENS (1909 - 2002) Paris : Moulin Rouge of Montmartre Original watercolor and tempera Bearing the artist stamp on the back On drawing paper 42 x 53 cm (c. 17 x 21 inch) E...

Title: Saint Martin de Castillon Village Houses and Luberon Hills Watercolour Artist: Pierre Neveu (French b.1929) Medium: Watercolour on paper, unframed Signed lower left “P. Neveu”...

In 1975, Jacklin went to live and work in New York City, and his work has subsequently been correspondingly large and ambitious. His oeuvre since 1975 comprises a portrait of parts o...

Fascinated by the watercolor medium as a student, Bareford achieved success early and had his work regularly shown in the exhibitions of the American Watercolor Society, Allied Artis...

Louis Conrad Rosenberg, 'Bowling Green, New York', etching, 1940. Signed in pencil. A superb, richly-inked impression, with all the fine lines printing c...

Watercolor on paper, Diptych Atmosphere -masses of evaporating water in the air- describes Ekaterina Smirnova's paintings best. Working in watercolour, Smirnova has a unique approac...

Ari Gradus, Israeli (1943 - ) - Old Jerusalem Market, Year: 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: AP, Image Size: 26 x 18 inches, Size: 30 in. x 22 i...

Elizabeth Gutman Kaye, younger sister of Adele Gutman Nathan, grew up in the same atmosphere of artistic edification as her siblings. Whereas Adele became a director and writer, Eliz...

Milan, Italy - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed later Available in fou...

Title: Sunlit Street and Stone Houses in Dinant Belgian Riverside Town Study Artist: Pierre Neveu (French b.1929) Medium: Watercolour on card, unframed Size (H x W): 8.25 x 8 inches ...

Large scale photograph from a series of photographic still life observations capturing found conceptual objects and environmental objet trouvé vignettes in European cityscapes Found...

Katharine Hepburn American film star Katharine Hepburn driving along the waterfront with Irene Mayer Selznick at Montego Bay, Jamaica. 48x48" inc...

A fine art giclee print from my original ink drawing of The Circus, Bath with hand applied shimmering 24ct gold leaf. The gold is slightly raised and catches the light beautifully. T...

In American Motel Signs Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the n...

The French City by Michel Kritz (French 1925-1994) oil on canvas, unframed canvas: 32 x 24 inches provenance: private collection, France condition: very good and sound condition

Signed and titled in pencil on print margin. Jack Ridley was born in Dayton, Ohio in 1948. He spent his earliest years at Edwards Air Force in California where he first developed an appreciation of high desert landscapes. His family eventually settled in Ft. Worth, TX, and later Dallas, where Ridley currently lives and works. Ridley has been photographing Texas landscapes in black and white with large format cameras for over thirty years. Traveling to the far ridges of Texas, Ridley sets up camp for weeks at a time, thoughtfully composing and creating timeless images of Texas’ most beautiful natural spaces such as Big Bend National Park, Rio Grande National Park and The Guadalupe Mountains...

**Technical Sheet** **Title:** "Street of the Old Quarter" **Author:** British School, 19th Century **Date:** 1892 **Technique:** Oil on canvas **Dimensions:** 14.17 x 10.63 inc...

A richly textured European old town street scene depicting a narrow cobblestone alley lined with warm ochre and golden facades, leading the eye toward a distant church tower. A solit...

Etching on cream laid watermarked FJ Head paper with a deckle edge, 10 1/4 x 5 3/8 inches (262 x 137 mm); sheet 18 1/8 x 10 1/4 inches (457 x 260 mm), full margins. Signed, titled, d...

Mediterranean Town Square Painting Church Plaza Catalonia Spain Large Oil on Canvas Artist: Josep Moscardó (1953–) Title: Plaza de Santa María, Mataró Year: 2003 Medium: Oil on canv...

In my artwork, I explore the symbolic intersection of journey's end and new beginnings. Using acrylics, I depict a person next to their classic car by a "road ends" sign. The spaciou...

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This impressionist landscape painting captures the final stretch of the interstate before Glenwood Springs in the late evening. A car moves along the winding ro...

Maurice UTRILLO (1883 - 1955) Street of Montmartre Lithograph Printed signature in the plate On vellum Arches This edition is autentified by the blind stamp S.P.A.D.E.M and the blin...

John Little, Canadian, 1928-2024 Printemps Oil on canvas Signed lower right; signed and titled verso Provenance Continental Galleries of Fine Art, Montreal framed For our US cust...

Title: The Alley Medium: Oil on canvas Size: 31 x 27 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting ...

Town Gate of Bruges – Kruispoort Poupaert Lionel Bruges 1900 – 1989 Belgian Painter Bruges School Signature: Signed bottom right Medium: Oil on panel Dimensions: Image size 60 x 71 cm Biography: Poupaert Lionel was born on September 27, 1900 in Bruges. His father was a goldsmith. In 1931 he got married and went to live in the Biezenstraat. He died on February 12, 1989. He was a painter, restorer of paintings and copyist of Flemish Primitives. In 1912 he entered the Bruges Academy of Fine Arts with director Flori Van Acker as his teacher and famed artist. In 1926 the Municipal Council of Bruges appointed him as a teacher at the Bruges Academy. He would remain in this position until 1966, the year he retired. Poupaert turned out to be a solid painter with high qualities. He painted numerous Bruges townscapes and also made portraits of important Bruges figures. In the period 1952-1956, he painted two portraits of guardians and superiors of the convent of Our Lady of the Pottery. In 1955 he collaborated with Jules Fonteyne on the murals of the Church of Christ the King. In 1961 he copied for the second time Memling’s triptych “The Adoration of the Magi” by order of Bruges Naval College who gave it as a gift to the King and Queen of Belgium...

This exquisite woodcut after Maurice Utrillo (1883–1955), titled Montmartre, sous la neige (Montmartre, Under the Snow), from the folio Les Peintres mes amis (The Painters My Friends), originates from the 1965 edition published by Editions d'art Les Heures Claires, Paris, and printed by Atelier Raymond Jacquet, Paris, May 20, 1965. Montmartre, sous la neige (Montmartre, Under the Snow) captures Utrillo’s quiet poetry and emotional depth, translating his painterly vision of Paris into the medium of woodcut. The serene winter streets, rendered with rhythmic precision and tonal restraint, evoke the contemplative stillness that defines Utrillo’s deeply personal view of urban solitude and beauty. Executed as a woodcut on grand velin d'Arches paper, this work measures 15 x 11 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the exceptional standards of Editions d'art Les Heures Claires, Paris, and the master craftsmanship of Atelier Raymond Jacquet, Paris. Artwork Details: Artist: After Maurice Utrillo (1883–1955) Title: Montmartre, sous la neige (Montmartre, Under the Snow), from the folio Les Peintres mes amis (The Painters My Friends), 1965 Medium: Woodcut on grand velin d'Arches paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1965 Publisher: Editions d'art Les Heures Claires, Paris Printer: Atelier Raymond Jacquet, Paris Catalogue raisonne reference: Monod, Luc. Manuel de l’amateur de livres illustrés modernes, 1875–1975. Ides et Calendes, 1992, illustration 11485. Condition: Well preserved, consistent with age and medium Provenance: From the folio Les Peintres mes amis (The Painters My Friends), published by Editions d'art Les Heures Claires, Paris; printed by Atelier Raymond Jacquet, Paris, May 20, 1965 Notes: Excerpted from the folio (translated from the folio), The lithographs by Derain and Van Dongen were printed by Lucien Detruit. Those by Dufy, Matisse, Chagall, Dunoyer de Segonzac, Cavailles, Terechkovitch, and Carzou were printed by Mourlot Freres. Those by Picasso and Buffet were printed by P.-J. Ballon. The lithograph by Miro was printed in the workshop Arte, which also printed, in phototype, the frontispiece. The etchings by Villon and Zadkine were printed by Manuel Robbe. That by Braque was printed by A. and P. Crommelynck. The wood engravings and printing of the illustrations by Vlaminck, Rouault, Pascin, and Utrillo were done by Raymond Jacquet. The texts by Andre Warnod, collected by his daughter Jeanine Warnod, were hand-set in De Roos type, size 24, and printed in Paris on the presses of Daragnes. Printing completed on May 20, 1965. Justification of the edition, III examples on large velin d'Arches containing the original copper plates inked for one intaglio illustration; a proof on silk of two lithographs; the four wood-engraved illustrations, mounted; a color separation of one lithograph; and a complete suite of the illustrations on Arches—numbered I to III. XVI examples on large velin d'Arches containing a proof on silk of two lithographs; the four wood-engraved illustrations, mounted; a color separation of one lithograph; and a complete suite of the illustrations on Arches—numbered IV to XIX. XXI examples on large velin d'Arches containing a proof on silk of two lithographs; the four wood-engraved illustrations, mounted; and a complete suite of the illustrations on Arches—numbered XX to XL. XL examples on large velin d'Arches containing a complete suite of the illustrations on Arches—numbered XLI to LXXX. CLXX examples on large velin d'Arches—numbered LXXXI to CCL. About the Publication: The folio Les Peintres mes amis (The Painters My Friends), published in Paris in 1965 by Editions d'art Les Heures Claires, stands among the most ambitious postwar French printmaking collaborations. Conceived as a celebration of modern art’s greatest masters, the volume unites original graphic works by Utrillo, Vlaminck, Matisse, Picasso, Chagall, Braque, Villon, Derain, Zadkine, Miro, and others, alongside critical essays by Andre Warnod. Each plate was executed under the supervision of Paris’s foremost ateliers—Mourlot Freres, Lucien Detruit, P.-J. Ballon, Manuel Robbe, and Raymond Jacquet—representing the finest techniques of lithography, etching, and woodcut. This luxurious folio exemplifies the artistry and craftsmanship of mid-20th-century French printing, merging text, image, and handcraft into a unified artistic statement. A triumph of the livre d’artiste tradition, it remains a vital record of the enduring creative dialogue between the painters, printers, and publishers who defined the visual culture of their time. About the Artist: Maurice Utrillo (1883–1955) was a French painter whose poetic depictions of Montmartre and Paris transformed the city’s quiet streets, cathedrals, and cafes into enduring symbols of nostalgia and modern beauty. Born in Paris to the artist Suzanne Valadon—model and muse to Pierre-Auguste Renoir and Henri de Toulouse-Lautrec—Utrillo was immersed in art from an early age but led a turbulent life that found solace in painting. Entirely self-taught, he became one of the most distinctive figures of the Paris School, celebrated for his lyrical “White Period” (1909–1914), during which he employed thick impasto and a restrained palette of whites, grays, and ochres to capture the worn facades and atmospheric stillness of Montmartre. Influenced by Paul Cezanne’s structural precision, Vincent van Gogh’s emotional color, and Camille Pissarro’s realism, Utrillo forged a style that blended Impressionist light with Post-Impressionist solidity, expressing solitude, longing, and spiritual calm. He worked amidst the revolutionary ferment of early 20th-century Paris, alongside Pablo Picasso, Amedeo Modigliani, Georges Braque, and Chaim Soutine, yet his art stood apart from their Cubist and Expressionist experiments, focusing instead on evoking emotional truth through representation. Though he shared his generation’s stage with avant-garde icons such as Joan Miro, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, Alexander Calder, Alberto Giacometti, and Man Ray, Utrillo’s paintings offered a poetic counterpoint—a meditative realism that captured the enduring soul of modern life. His mastery of perspective and tonal harmony imbued works like Rue Norvins and Place du Tertre with quiet majesty, transforming ordinary streets into sanctuaries of memory and light. Utrillo’s profound sensitivity influenced later artists including Balthus, Jean Dubuffet, Nicolas de Stael, and Giorgio Morandi, as well as Edward Hopper and Wayne Thiebaud, who echoed his stillness and emotional clarity in their own depictions of urban solitude. His art, now housed in major museums such as the Musee d’Orsay, Centre Pompidou, Metropolitan Museum of Art, and Tate, remains a cornerstone of modern French painting, bridging the lyricism of Impressionism with the introspection of modernism. Revered for his sincerity and mastery of mood, Utrillo stands alongside Picasso, Miro, Dali, Kandinsky, Duchamp, Calder, Giacometti, and Man Ray as a pillar of 20th-century art, his work capturing the eternal poetry of Paris. The highest auction record for Maurice Utrillo was achieved by his masterpiece Rue Norvins a Montmartre (circa 1910), which sold for $4,882,500 USD at Sotheby’s, New York, on November 6, 2011, affirming his enduring legacy as one of the most beloved and collectible painters of his era. Maurice Utrillo Montmartre...

Medium: Oil on Board Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, May 30, 1959. The Post described, “It is so refreshing to get away from...

Title: French Stone Village Street with Steps and Archway Watercolour Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Signed lower right “P. Neveu”...

Title: La Beaume Provence Village Courtyard Watercolor French Modern Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on paper, unframed Signed lower right 'P. N...

Very well executed oil on canvas painting of a French countryside view by J.S. Dorange. Signed lower right. Condition is very good. Circa 1920. The style is academic with more of an...

This painting depicts an ancient Bavarian town at night. A blue night sky dominates the entire scene. The deserted town is illuminated by lanterns. The few windows and display cases ...

London: Charles Joseph Hullmandel, 1842. Lithograph with hand coloring in watercolor on cream wove paper, 17 5/16 x 12 3/16 inches (440 x 309 mm), full margins. Scattered foxing thro...

Screen print on paper. Hand signed and numbered in pen. Edition of 30, in roman numbers. Excellent condition.

Title: Buoux Village Street Stone Houses Provence Watercolour Artist: Pierre Neveu (French b.1929) Medium: Watercolour on paper, unframed Signed lower left “P. Neveu”. Inscribed lowe...

Title: Along the Wall Medium: Oil on canvas Size: 23.5 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This ...

"Street Scene, Sperlonga Italy" is a watercolor by award-winning L.A. artist and architect Thomas W. Schaller. The painting depicts layers of steps, walkways, arches, and windows. Peaceful and alive with light, the streets of Sperlonga Italy lend themselves freely to a heart of adventure and exploration. Thomas's attention to immediate detail reminds the viewer to be present and to soak in every moment as something extraordinary. This architectural watercolor is primarily painted in brown, tan, and blue colors. For more works by Thomas Schaller...

The central focus of the artwork is on an old town, a historic district known for its antiquated architecture, cobbled streets, and a sense of bygone eras. The combination of waterco...

Title: Castellar Village Street Scene Provence Watercolour French Post Impressionist Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artists paper, unframed Size (H x W):...

The central focus of the artwork is on an old town, a historic district known for its antiquated architecture, cobbled streets, and a sense of bygone eras. The combination of waterco...

Fernando Cobo Arcas (Madrid, 1975) Historic Street in Sitges 2002 Medium: Oil on canvas Dimensions: 116 × 73 cm (45.67 × 28.74 in) Framing: Unframed Signature: Signed and dated “F....

Stanton Street View with Cars, 1987 by Tria Giovan From a 6cm x 4.5cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with ...

Archival Pigment Print - Unframed - Ask us for custom framing options. Signed by the artist 44 x 55 inches – edition of 10 Extinction Nocturne newest series by David Burdeny. This...