Road Art

An original cityscape by Colorado artist, Jim Beckner.

Norman Parkinson The Italian Collections, Three Little Black Dresses, Fashions by Capucci, Florence for Queen Magazine, 1961 Three Little Black Dresses, Florence 1961 Silver gelatin...

An extremely scarce impression from the artist's own collection. Etching on watermarked antique laid J Whatman Japon paper, 14 1/2 x 7 5/8 inches ( 368 x 195 mm), full margins. Signe...

Memory Sequence (Stay) - 2006 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 2314. No...

Title: Mid Century French Pastel Drawing of Garden with Olive Trees and Cottage Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 19.75 (height) x ...

Gold Leaf Pendants Duo Jewelry Design circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on tracing paper unframed left design overall pape...

Work on canvas Molded frame in gilded wood 69 x 56 x 4 cm

Pascual Fresquet Almurin (1930) - View of Barcelona Spain - Oil on canvas Oil measures 46x55 cm. Frame measures 65x74 cm. Painter born in Hospitalet del Llobregat in 1930. Self-tau...

Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...

Medium: original etching. Catalogue reference: Sanchez and Seydoux 1912-10. Published in Paris in 1912 for Gazette des Beaux-Arts. This is a fine impression printed in sepia ink on c...

"Crossing Over" by Clyde Steadman (United States) is a handmade cityscape painting that is unframed, but ready to hang.

Medium: Oil on Canvas Sight Window 28.00" x 22.00" Signature: Signed Lower Right

Navona Square - Rome is an original artwork realized by Giuseppe Malandrino. Original print in etching technique. Hand-signed by the artist in pencil on the lower right corner. Nu...

Mitzy Renooy Cuban Street 70 x 65 cm Frame included in price, size with frame: 75 x 70 cm Dutch artist Mitzy Renooy, a former camera woman for national television, did follow art ac...

Watercolor Painting with St. Petersburg city - a city landscape about one warm day in beautiful St. Petersburg. Warm shades of ochre, contrasting shadows, an impressionist-style city...

Anguillara Palace in Rome - Vintage Postcard is a colored vintage postcard realized in the 1980s. Copyright and information on the rear. Good conditions, aged with foxing.

Bugs is a unique painting by contemporary artist Guillaume Chansarel. The painting is made with ink and acrylic on old book pages mounted on canvas, dimensions are 65 × 92 cm (25.6 ×...

Last Dance 4 - Signed limited edition archival pigment print, 2011 - Edition of 5 Formula 1 , Preseason test, 2011 , Barcelona, Spain. Michael Schumacher's last appearance in th...

1955: John Bryant with his AC sports car in Kinnerton Place, London SW1, Printed Later. His passenger is Margaret McAulay. 40 x 40 inches $3950 30 x 30 inches $3350 20 x 20 inches $3000 Complimentary dealer shipping to your framer, worldwide. Undercurrent Projects is pleased to offer this vibrant photograph, printed by the Slim Aarons estate. It is part of the estate's only official limited run, of 150. Estate stamp embossed on recto, hand numbered in ink on recto, with certificate of authenticity from the estate (not a secondary gallery licensing from the estate). Increasingly heralded for his influence, Slim Aarons (1916-2006) made a career out of photographing "attractive people doing attractive things in attractive places." Aarons is known for his iconic images of Hollywood glamour and luxurious people, places and lifestyles. Undercurrent Projects offers premium quality photographic prints from the Slim Aarons Archive, owned and housed by Getty Images. All photographs are printed and authorized by the Getty Images Gallery, London. Photographs are printed utilizing the original transparency held at the archive source. Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun. Slim Aarons is noted for his documentation of the Beautiful People over 50 years, encompassing high society, celebrity, aristocracy, and the jet set. He was born and raised in New York City and New Jersey and later New Hampshire. He took up photography as a teenager. At the age of eighteen, he enlisted in the U. S. Army and was later appointed official photographer at the United States Military Academy at West Point. During World War II he served as an army combat photographer for Yank magazine in Europe, North Africa, and the Middle East. After the war he became a freelance photojournalist, first based in Hollywood, then Rome, then New York. His photographs appeared in many magazines, including Life, Holiday, Town & Country, Look, Venture, and Travel & Leisure. His first book A Wonderful Time (1974) is considered a classic. * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Slide show includes a close-up of the Slim Aarons estate's stamp. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Internal: Slim Aarons Vintage Sport, Vintage Car photography, Sports Car Photography

An original watercolour scene by Hamilton Maxwell RWS (1830-1923). Market Day in Dinan. Well presented in a wash line mount and gilt effect frame. Signed to the lower left. On waterc...

Painting size with frame: 9"x13" Painting size without frame: 16 1/4"x20 1/4" This rare urban watercolor painting by Bernard Corey captures a quiet city alleyway in winter, a notab...

Eve Nethercott, American (1925 - 2015) - Brussels (P5.30), Year: circa 1950, Medium: Ink and Watercolor on Paper, Size: 14 x 11 in. (35.56 x 27.94 cm), Description: This uniq...

This captivating landscape depicts a stretching urban view of rooftops and gardens, with red brick buildings and chimneys punctuating the skyline. Unsigned.

Putting aside his usual black and white palette, Hiroshi Watanabe uses color in his attempt to tell an unbiased story of North Korean culture and everyday life in "Ideology in Paradi...

This photograph by Slava Mogutin is offered by CLAMP in New York City. Skins’ Boots, Berlin 2000/2010 Signed, titled, dated, and numbered, verso Cibac...

"Jodphur Market" is a colorful example of Bryan Mark Taylor's modern approach to Impressionism. This beautiful oil on panel captures the mood and feel of the Indian market with the ...

Black and white fine art cityscape - landscape photography. Winter Scenery in Central Park, New York City, USA. Archival pigment ink print, edition of 9. Signed, titled, dated and nu...

This black-and-white photograph captures the iconic Hollywood Boulevard in the 1960s, offering a snapshot of the bustling street scene. The view from inside a car shows a variety of ...

Bowles, Thomas III (after John Donowell) John Bowles & Richard Wilkinson, 1751. Steel engraving with extensive hand coloring in watercolor on cream wove paper, 10 1/4 x 16 inches (...

St Jean Pied de Port (South West France) signed by Regine David (female French artist, 1910-2018) oil painting on board, unframed measures: 15 x 18 inches condition: the painting is ...

Ari Gradus, Israeli (1943 - ) - Old New York, Year: 1980, Medium: Lithograph, signed in pencil, Edition: AP, Image Size: 18 x 26 inches, Size: 22 in. x 30 in. (55.88 cm x 76.2 c...

Mid 20th Century drawing and watercolour of Rue St Rustique in Paris. The drawing is titled and signed bottom left but the signature is as yet undeciphered. Unframed but with a cut card mount. A charming view of one of the oldest streets in Montmartre and Paris leading up to the iconic Sacré-Coeur Basilica. The artist has captured all the charm of this treasured view. They have shown a mastery of their art and wonderful handling of the drawing and watercolour. A lovely evocative painting that would grace any collection or interior. This street in the old village of Montmartre, which existed before the eleventh century as a path, later became an alley that served as a boundary between the seigneuries of Saint-Denis and Montmartre. Called "rue Notre-Dame" around 1516, it is indicated on the map of Jouvin de Rochefort of 1672 as a road. It was classified as part of the Parisian road network by a decree of 23 May...

Silkscreen on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the album, Numbers, 1968. Published by the Edition Domberger, Stuttgart, and G...

Work on cardboard Wooden frame and gilded plaster 32.5 x 42 x 4 cm

Painting of House-  Vintage Photo is a black and white photograph of the mid-20th century. Good conditions and aged.

Oil on Unstretched Canvas 30 x 24 in, Signed by Artist Good Condition

"Seattle Nocturne" is rich with color and texture, and is an excellent example of Pil Ho Lee's modern approach to Impressionism. Included is a custom black wood frame chosen by the ...

This artwork titled "Cornbread In The Netherlands 2021 Shield" is an original artwork by Cornbread made of acrylic paint on a retired Amsterdam street sign. The piece measures 80cm /...

Silver Gelatine Print by Erich Andres, 1957. This black-and-white photograph from 1957 captures the bustling Plaza de España in Barcelona, Spain. In the foreground, a grand traffic ...

Stone Ruins signed by Georges Bordonave (French contemporary) dated 1954 oil painting on canvas, unframed unframed: 20 x 24 inches condition: very good provenance: from a large priv...

Artist: Louis del Bianco (French b.1925), signed Title: Venice, a tranquil backwater canal. Medium: oil painting on canvas, unframed Size: paint...

Old French Buildings by Regine David (female French artist, 1910-2018) oil painting on canvas, unframed measures: 16 x 13 inches condition: the painting is in very sound and presenta...

Signed, numbered, and with extensive dedication to the artist Norman Kent. Titled in lower margin in another hand. Really, no one could draw on a lithograp...

In American Motel Signs Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the n...

Etching on antique cream laid paper with a partial watermark, 9 5/8 x 4 1/4 inches (246 x 109 mm); full margins. Signed and dated "1928" in pencil, lower margin. Inscribed "Street in Porto Maurizio...

A charming scene depicting the cobbled streets of a German town. The artist captures the neighbouring 'Neuhaus' chocolate shop and lace shop and their decorative shop windows using s...

Purple Door, Montana is a Photographic Color Print on Hahnemuhle Paper in this size of 20" x 24" in an edition of 10. Michael Ormerod was a British photographer with a distinct and ...

Work on wood

Incorporating a border, a window effect, invites the viewer to take an intimate glimpse into a rare ethereal moment of a tranquil Sunday morning approaching downtown Los Angeles. Ilana Bloch is a well-regarded artist, teacher, juror and active member of the Los Angeles art...

Oil on cardboard. Very good condition except for some minor losses on edges.

Citroen - Signed limited edition archival pigment print, Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free an...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Near la Samaritaine is a unique painting by contemporary artist Guillaume Chansarel. The painting is made with ink and acrylic on old book pages mounted on canvas, dimensions are 120...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. "Kissing Booth, Fright Nights, West Palm Beach, 2017...

In the sun-drenched south, Ashkhabad rises like a mirage—white marble buildings, verdant parks, and avenues lined with cypress and roses. Once a desert outpost, today it is a thrivin...

Joost Verhagen Mount Magnet Dust 100 x 140 cm Acrylic and Oilpaint on canvas Shipping on a roll in a tube we can offer, worldwide, for free. We also ship worldwide in a wooden crat...

Angie Jennings Cold Drinks Archival Pigment Print Year: 2024 Visible Size: 10 x 15.125 inches Framed: 14 x 19.75 inches Signed: On Label COA provided *Black frame with standard ple...

Michael Mardikes Benton walking dog (Thomas Hart Benton Plate #6) Year: 1956, 2021 Pigment Ink on Archival Paper Photograph Image Size: 19x13.5 in Paper Size: 22x17 in Edition: Unique Monogrammed by hand Label signed and numbered by Estate Representative COA provided by Authorizing Body Additional COA provided by representing Gallery Ref.: 924802-908 Image included in the exhibition An Artist at Home in America: Michael Mardikes’ Photographs of Thomas Hart Benton at the Kansas City Public Library (November 20, 2021-May 15, 2022) One night in late 2020, as Nick Vedros was leaving the home of his Aunt Myrt and Uncle Michael Mardikes, his aunt suddenly asked him, “What are we going to do with all the negatives?” The noted Kansas City photographer was not sure what his 89-year-old aunt was talking about, until she handed him a notebook filled with more than 1000 negatives chronicling Thomas Hart Benton at home and in his studio. They had been filed away for almost seven decades. This startling discovery was the inspiration for the exhibition, “An Artist at Home in America: Michael Mardikes’ Photographs of Thomas Hart Benton” on view at the Kansas City Public Library Central Library. The exhibition is a must-see, not just for fans of Thomas Hart Benton but for devotees of exemplary photojournalism. Of the 1,080 photographs Mardikes took, only four had been published in an article he wrote for “This Month in Kansas City” magazine in 1966. The others were never printed, nor was their existence common knowledge. Although Vedros had been aware of his uncle’s assignment with Benton, he was stunned to discover that so much additional material existed. Vedros, who decided at age 12 to become a photographer himself after seeing his uncle’s work, was determined to organize an exhibition, and was especially interested in doing it as quickly as possible given his uncle’s advanced age and increasing frailty. Collaborating with Dan White, a photographer, master printer and friend since their time together at the University of Missouri journalism school, they selected 34 images to be printed and framed, researching the details with Steve Sitton, the director of the Thomas Hart Benton Home and Studio Historic Site. Michael Mardikes had had a brief career as a commercial photographer before going on to work in management at the Ford Motor Company and later at UMKC. He made the acquaintance of Benton through Eugene Pyle, a former student of Benton’s and Mardikes’ photography instructor at the Art Institute. In 1955, Benton asked Mardikes to photograph him; Mardikes visited Benton 35 to 40 times, over a period of a few months in late 1955 and early 1956. Sitton told Vedros that not only was Mardikes’ amount of access incredible, but that the resulting body of work was unmatched. As the project progressed, Benton became focused on a mural commission for the River Club in 1956. Henry Adams, preeminent Benton scholar and former curator at The Nelson-Atkins Museum of Art, provided some context for this particular work: “The commission to paint ‘Traders at Westport Landing’ came at a low point in Benton’s career, 1956, and initiated the late phase of Benton’s mural paintings. It was the first of a series of murals depicting the exploration and settlement of the west, which culminated in the Truman Library mural, which was completed in 1962. All these murals feature trading and friendly contact with the Indians, rather than conflict, and are arresting in their bright color and meticulous rendering of carefully researched detail. The River Club, which commissioned ‘Traders at Westport Landing,’ overlooks the Missouri River and has a panoramic view very similar to the one in Benton’s painting.” This group of black and white photos not only documents the artist’s working process but also reveals other aspects of his daily life: one memorable image reveals Rita Benton massaging her husband’s stiff shoulders after a long day in his studio. Other images show members of the River Club board visiting Benton’s studio to check on the progress of the mural. One charming image captures a candid moment of Rita Benton and Myrt Mardikes as they collaborated in the Benton kitchen making chicken kapama for their husbands. Nan Chisholm Nan Chisholm is an art consultant and appraiser of 19th- and 20th-century paintings. After a long association with Sotheby’s, she founded her own business in 2003. She has appeared as a fine art appraiser...

'Channel One Recording Studio Jamaica' by Alain Le Garsmeur Channel 1, Reggae recording studios, Kingston, Jamaica 1983. A gorgeously observed scen...

Chiesa di S. Marcello is a black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions and aged margins wi...