Shoe Art

Aerial view of a parasols shading customers at cafes and restaurants in the Piazza Umberto, on the island of Capri, Italy, in August 1980. Slim Aarons Estate Edition, Certificate o...

Aerial view of a parasols shading customers at cafes and restaurants in the Piazza Umberto, on the island of Capri, Italy, in August 1980. Slim Aarons Estate Edition, Certificate o...

Aerial view of a parasols shading customers at cafes and restaurants in the Piazza Umberto, on the island of Capri, Italy, in August 1980. Slim Aarons Estate Edition, Certificate o...

The waterfront at Porto Ercole, Italy, August 1967. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collector will r...

The waterfront at Porto Ercole, Italy, August 1967. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collector will r...

The waterfront at Porto Ercole, Italy, August 1967. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aa...

10.5 x 16 inches - Edition 3 of 7 with 2 APs framing is an additional $420. Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien...

Archival pigment print Edition 2/5 +2AP MAKiNG iT: the Seattle indie scene, 1992-2008 MAKiNG iT is a celluloid recording of the music scene in Seattle between 1992 and 2008. A sto...

Dimitris Kritsas, a fashionable young couturier, poses among the gleaming white Doric columns of the temple to Poseidon at Sounion, Greece, 1967. Posing with him, four models show off colorful dresses of red, salmon, turquoise, and pastel yellow. This iconic photo depicts a scene of vintage glamour set against a classic Greek blue sky. Slim Aarons Dmitris Kritsas at the Temple to Poseidon, Sounion, Greece Estate Edition of 150 1967, Printed Later 48 x 48 inches $4500 40 x 40 inches $3950 30 x 30 inches $3350 20 x 20 inches $2500 Complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Site Details: The Temple of Poseidon is an ancient Greek temple on Cape Sounion, Greece, dedicated to the god Poseidon. There is evidence of the establishment of sanctuaries on the cape from as early as the 11th century B.C. Sounion’s most prominent temples, the Temple of Athena and the Temple of Poseidon, are however not believed to have been built until about 700 B.C., and their kouroi (freestanding Greek statues of young men) date from about one hundred years later. The material and size of the offerings at the Temple of Poseidon indicate that it was likely frequented by members of the elite and the aristocratic class Approximately 13 kilometers south of Thorikos in the southern most region of Attica, the deme of Sounion is most well known for its sanctuaries of Poseidon and Athena. Its placement at the foot of Attica allowed it to function as a border deme as it could easily been seen by ships nearing Attica. The temple of Poseidon at Sounion was constructed from 444 to 440 BC. This was during the ascendancy of the Athenian statesman Pericles, who also rebuilt the Parthenon in Athens. The temple of Poseidon was built on the ruins of a temple dating from the Archaic period, about which the Greek geographer Strabo noted: "Geraistos [in Euboia] . . . is conveniently situated for those who are sailing across from Asia to Attica since it is near Sounion. It has a sanctuary (hieron) of Poseidon, the most notable of those in that part of the world, and also a noteworthy settlement. The main temple we see today is mainly made out of marble with an intricate taenia (the fancy borders on the ceiling). The marble is an Agrileza marble. The marble used on the Temple of Poseidon at Sounion came from the marble quarries, a place where marble is removed from the earth, in the Agrileza mines. This type of marble was 'coarsed grained' meaning that it had a rougher texture than smooth, shiny marble. As indicated by literary and archaeological evidence, the "leveled summit" on the coast of Cape Sounion was likely a cult site from as early as the end of the eighth century BC. Two cult centers dedicated to Athena and Poseidon respectively are believed to have been established by 700 BC. Subject: The name of Greek fashion designer...

Dimitris Kritsas, a fashionable young couturier, poses among the gleaming white Doric columns of the temple to Poseidon at Sounion, Greece, 1967. Posing with him, four models show off colorful dresses of red, salmon, turquoise, and pastel yellow. This iconic photo depicts a scene of vintage glamour set against a classic Greek blue sky. Slim Aarons Dmitris Kritsas at the Temple to Poseidon, Sounion, Greece Estate Edition of 150 1967, Printed Later 48 x 48 inches $4500 40 x 40 inches $3950 30 x 30 inches $3350 20 x 20 inches $2500 Complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Site Details: The Temple of Poseidon is an ancient Greek temple on Cape Sounion, Greece, dedicated to the god Poseidon. There is evidence of the establishment of sanctuaries on the cape from as early as the 11th century B.C. Sounion’s most prominent temples, the Temple of Athena and the Temple of Poseidon, are however not believed to have been built until about 700 B.C., and their kouroi (freestanding Greek statues of young men) date from about one hundred years later. The material and size of the offerings at the Temple of Poseidon indicate that it was likely frequented by members of the elite and the aristocratic class Approximately 13 kilometers south of Thorikos in the southern most region of Attica, the deme of Sounion is most well known for its sanctuaries of Poseidon and Athena. Its placement at the foot of Attica allowed it to function as a border deme as it could easily been seen by ships nearing Attica. The temple of Poseidon at Sounion was constructed from 444 to 440 BC. This was during the ascendancy of the Athenian statesman Pericles, who also rebuilt the Parthenon in Athens. The temple of Poseidon was built on the ruins of a temple dating from the Archaic period, about which the Greek geographer Strabo noted: "Geraistos [in Euboia] . . . is conveniently situated for those who are sailing across from Asia to Attica since it is near Sounion. It has a sanctuary (hieron) of Poseidon, the most notable of those in that part of the world, and also a noteworthy settlement. The main temple we see today is mainly made out of marble with an intricate taenia (the fancy borders on the ceiling). The marble is an Agrileza marble. The marble used on the Temple of Poseidon at Sounion came from the marble quarries, a place where marble is removed from the earth, in the Agrileza mines. This type of marble was 'coarsed grained' meaning that it had a rougher texture than smooth, shiny marble. As indicated by literary and archaeological evidence, the "leveled summit" on the coast of Cape Sounion was likely a cult site from as early as the end of the eighth century BC. Two cult centers dedicated to Athena and Poseidon respectively are believed to have been established by 700 BC. Subject: The name of Greek fashion designer...

This early 1960s photograph, captured by society photographer Slim Aarons, features skiers enjoy a drink by the Ice Bar at the Hotel Krone in Lech, Austria. This is an estate stampe...

This early 1960s photograph, captured by society photographer Slim Aarons, features skiers enjoy a drink by the Ice Bar at the Hotel Krone in Lech, Austria. This is an estate stampe...

This late 1960s photograph, captured by society photographer Slim Aarons, features the apres-ski in Zermatt, Switzerland. This is an estate stamped and hand numbered edition of 150 ...

This 1960 photograph, captured by society photographer Slim Aarons, features the Ice Bar at the Hotel Krone in Lech, Austria, 1960. The mountain in the background is the Omershorn. ...

This 1960 photograph, captured by society photographer Slim Aarons, features the Ice Bar at the Hotel Krone in Lech, Austria, 1960. The mountain in the background is the Omershorn. ...

This mid-1960s photograph, captured by society photographer Slim Aarons, features a group of skiers stand in line waiting for the ski lift in Vail, Colorado, USA. This is an estate ...

This mid-1960s photograph, captured by society photographer Slim Aarons, features a group of skiers stand in line waiting for the ski lift in Vail, Colorado, USA. This is an estate ...

This mid-1950s photograph, captured by society photographer Slim Aarons, features two female skiers outside the Carroll Reed Ski Service Shop and Check Ro...

Gstaad, Switzerland, Estate Edition, Landscape Photograph This early 1960s landscape photograph, captured by society photographer Slim Aarons, features a helicopter arriving at a mo...

This late 1960s portrait photograph, captured by society photographer Slim Aarons, features Ski 'bum' Alice Clement, a waitress and dishwasher at Stowe, Vermont when not on the slope...

This early 1960s landscape photograph, captured by society photographer Slim Aarons, features skiers in St Moritz, Switzerland, March 1963. This is an estate stamped and hand number...

This early 1960s landscape photograph, captured by society photographer Slim Aarons, features skiers in St Moritz, Switzerland, March 1963. This is an estate stamped and hand number...

This early 1960s landscape photograph, captured by society photographer Slim Aarons, features a signpost indicating various ski slopes and toboggan tracks in the resort of St Moritz,...

This early 1960s landscape photograph, captured by society photographer Slim Aarons, features a signpost indicating various ski slopes and toboggan tracks in the resort of St Moritz,...

This early 1960s photograph, captured by society photographer Slim Aarons, features curlers on a rink, or curling sheet, in St Moritz, Switzerland, March 1963. This is an estate sta...

This early 1960s photograph, captured by society photographer Slim Aarons, features curlers on a rink, or curling sheet, in St Moritz, Switzerland, March 1963. This is an estate sta...

This early 1960s photograph, captured by society photographer Slim Aarons, features curlers on a rink, or curling sheet, in St Moritz, Switzerland, March 1963. This is an estate sta...

This early 1960s photograph, captured by society photographer Slim Aarons, features curlers on a rink, or curling sheet, in St Moritz, Switzerland, March 1963. This is an estate sta...

This early 1960s photograph, captured by society photographer Slim Aarons, features curlers on a rink, or curling sheet, in St Moritz, Switzerland, March 1963. This is an estate sta...

This early 1960s photograph, captured by society photographer Slim Aarons, features curlers on a rink, or curling sheet, in St Moritz, Switzerland, March 1963. This is an estate sta...

This 1960s photograph, captured by society photographer Slim Aarons, features customers at the Ice Bar at the Hotel Krone in Lech, Austria, 1960. This is an estate stamped and hand ...

This 1960s photograph, captured by society photographer Slim Aarons, features customers at the Ice Bar at the Hotel Krone in Lech, Austria, 1960. This is an estate stamped and hand ...

This 1960s photograph, captured by society photographer Slim Aarons, features customers at the Ice Bar at the Hotel Krone in Lech, Austria, 1960. This is an estate stamped and hand ...

Verbier Skiers, Switzerland, Estate Edition, Winter Portrait Photograph This mid-1960s portrait photograph, captured by society photographer Slim Aarons...

Verbier Skiers, Switzerland, Estate Edition, Winter Portrait Photograph This mid-1960s portrait photograph, captured by society photographer Slim Aarons...

This 1970 portrait photograph, captured by society photographer Slim Aarons, features Nelda Linsk (left, in yellow), wife of art dealer Joseph Linsk with guests by the pool at the Li...

This early-1970s photograph, captured by society photographer Slim Aarons, features ladies by the pool at the Kaufmann Desert House in Palm Springs, California, January 1970. From ri...

This early-1970s photograph, captured by society photographer Slim Aarons, features ladies by the pool at the Kaufmann Desert House in Palm Springs, California, January 1970. From ri...

This early-1970s photograph, captured by society photographer Slim Aarons, features ladies by the pool at the Kaufmann Desert House in Palm Springs, California, January 1970. From ri...

This late 1960s group portrait photograph, captured by society photographer Slim Aarons, features young women enjoy a relaxing sunbathe in snowy Gstaad. This is an estate stamped a...

This late 1960s group portrait photograph, captured by society photographer Slim Aarons, features young women enjoy a relaxing sunbathe in snowy Gstaad. This is an estate stamped a...

This late 1960s group portrait photograph, captured by society photographer Slim Aarons, features young women enjoy a relaxing sunbathe in snowy Gstaad. This is an estate stamped a...

Archival pigment print Signed and numbered on label, verso 19 x 13 inches, image (Edition of 10 + 2 APs) 30 x 20 inches, image (Edition of 10 + 2 APs) 40 x 27 inches, image (Editi...

Archival pigment print Signed and numbered on label, verso 13 x 19 inches, image (Edition of 10 + 2 APs) 20 x 30 inches, image (Edition of 10 + 2 APs) 27 x 40 inches, image (Editi...

Gelatin silver print Signed and numbered, verso 20 x 16 inches, sheet (Edition of 25) This photograph is offered by ClampArt, located in New York City. Forty years after he began documenting the country-music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues. Having spent a lifetime around performers and fans, he has been granted access to the high-glamour backstage at the Grand Ole Opry...

Gelatin silver print Signed and numbered, verso 20 x 16 inches, sheet (Edition of 25) This photograph is offered by ClampArt, located in New York City. Forty years after he began documenting the country-music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues. Having spent a lifetime around performers and fans, he has been granted access to the high-glamour backstage at the Grand Ole Opry...

Digital C-print Signed and dated on label, verso 14 x 11 inches (Edition of 5) 24 x 20 inches (Edition of 5) 40 x 30 inches (Edition of 5) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. “There are these two worlds vying for my attention at all times. In one of them this diagnosis has metastasized to the brain and I am no longer able to care for my children. The bank takes over the house and I become an albatross in hands not fully formed. . . In the other world, noise shuts down for a very split second and the smallest fragment of light becomes a pathway to immortality. Color is no longer a placeholder and language no longer a tool. . . You can read this as small moments of clarity or large chunks of confusion. Either way, they mix with the noise and become gaps I long to posses.” — Joshua Lutz The images and text accompanying Joshua Lutz's series, "Mind the Gap...

Archival pigment print Signed, titled, dated, and numbered on label, verso 11 x 11 inches (Edition of 7) 15 x 15 inches (Edition of 5) This photograph is offered by ClampArt, locat...

Digital C-print Stamped and numbered, verso 20 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5) 50 x 60 inches (Edition of 3) This photograph is offered by ClampArt, loc...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 14 x 11 inches, sheet (Edition of 25) 20 x 16 inches, sheet (Edition of 25) 24 x 20 inches, sheet (Edition of...

Gelatin silver print (Edition of 15) Signed, dated, and numbered, verso This artwork is offered by ClampArt, located in New York City. Born in Vinhedo, a small town on the outskirts of Sao Paulo, Brazil, Walter Briski, Jr. began his interests in photography at the age of thirteen. He later moved to the city of Sao Paulo to pursue his passion, and after completing his studies at the Pontificia Universidade Catolica de Campinas, he began his career as a fashion photographer working with top national magazines such as “Brazilian Vogue,” “Brazilian Interview,” and “Trip.” Soon after, Briski moved to New York City in pursuit of advancing his career. In search of strengthening his art, he learned to master the technique of black-and-white printing while employed at a highly ranked film production house. There, he printed works for artists such as Bruce Weber, Annie Leibovitz, Gordon Parks, Matthew Barney, Steven Klein, Steven Meisel, Steven Sebring, and Ellen Von Unwerth. In the midst of printing images that were reproduced in magazines such as “Vogue,” “Harper’s Bazaar,” “W,” “L’Uomo Vogue,” “I.D.,” “Arena,” “The New York Times Magazine,” and “Interview,” he also began printing his own photographs. Briski has had the wonderful opportunity to work with top models and celebrities, including the Brewer twins, Carole King...

edition 1/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

Skiing Holiday, Gstaad, Switzerland, Estate Edition. Winter Portrait Photograph This late 1970s winter landscape photograph, captured by society photographer Slim Aarons, features A...

Skiing Holiday, Gstaad, Switzerland, Estate Edition. Winter Portrait Photograph This late 1970s winter landscape photograph, captured by society photographer Slim Aarons, features A...

Skiing Holiday, Gstaad, Switzerland, Estate Edition. Winter Portrait Photograph This late 1970s winter landscape photograph, captured by society photographer Slim Aarons, features A...

Represented by George Billis Gallery, NYC & LA -- Joseph Piccillo's large-scale canvases contrast masculine and feminine qualities, carefully balancing strength and power beside grac...

Edition 1 of 5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of...

This is an unframed painting from her "Mountain Drag II" series. June Glasson is an artist, illustrator, and designer. She live in Laramie, WY. Her paintings have been exhibited at t...

Oil Painting by Augustus Mulready "Visitors to London" 1844 - 1905 Member of the Cranbrook colony painting figurative street scenes, regular exhibito royal Academy. Oil on board. Sig...

Soul, Hamburg Archival inkjet print on Hahnemühle fine art matte paper. 16 x 20 inches Edition size: 11 Exact dimensions of paper size may vary. Please inquire for additional siz...