Sky Art

Artist Statement For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...

Artist Statement For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

ROBERT KENNETH WHITE (b. 1950) – "EVENING PASSAGE" Oil on Canvas ⚜ Signed ⚜ Frameless Display A MEDITATIVE LANDSCAPE AT DAY’S END "Evening Passage" presents a quiet transitional mom...

An original oil painting on fine cotton canvas portraying a beautiful summers day on the beach. The distant sea sparkles under the bright sky of the day while gentle waves make their...

The Autumn Arrives - Contrasts of colour, contrast of temperatures, contrasts of feelings ... That's Autumn. We love it for the colors and for the odors but we hate it because it's t...

Black and white fine art panorama landscape photography. Cypress trees in a hilly landscape in Ireland. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered b...

Gerald Berghammer - Black and white seascape photography of a rocky shoreline with a cloudy sky over the water. Archival pigment ...

North Texas: Plowed Field, Patricia by Peter Brown presents a sublime scene. The plowed, warm toned dirt stretches far into the horizon, leading to the bright blue sky. Lush green grass frames the edge of the soil. Archival Pigment Print Image size: 19.25 x 24 in. Paper size: 22 x 26 inches. Edition of 25. Signed and numbered in black ink on print margin by Peter Brown. From Peter Brown's series, Hometown Texas. Available in additional sizes, limited to a single edition of 25 prints: 11 x 14 in. $1400 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

This photographic artwork depicts a miniature sunset seascape constructed by Stephen Dorsett from colored pencils and acrylic. A brilliant white sun glows within a saturated red sky,...

Blue Mountains is a photographic artwork depicting a miniature mountain landscape constructed by Stephen Dorsett from pillow stuffing and standardized tests. Snow-covered blue peaks ...

Summer pastel on paper 6 x 6inches 12 x 12 inches 2023

Edward Minoff graduated with honors from NYU's Tisch School of the Arts. Throughout his high school and college years he studied painting and sculpture at the Art Students League of ...

Archival Pigment Print Signed, titled and dated in pencil on verso Image size: 7 x 7.13 in. Mat size: 20 x 16 in. From the series, Call Me Lola Loli Kantor is a photo-based artist a...

Marsh Flight, Steady My Steed, limited edition photograph, archival, signed and numbered I present unspoken stories that illustrate fleeting moments in time and which are intended t...

Lake Sillustani sits at over 4000m above sea level in the high altiplano of Peru. Overlooking the lake on a raised plateau a series of tall Incan Funerary towers dominate the lansdca...

Valters Kupers ( 1948-2018 ) Sea. 1993, masonite, oil, 92.5x85.5 cm Calm realistic seascape with rocky shore.

Blue Skies Ahead by Michael Sanders [2022] An original mixed-media painting by Michael Sanders. 90 x 90 cm deep edge canvas painted around the edges and ready to hang. Original Acr...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper *please note this artwork can be made up to 99" x 44" - HUGE! It can also be printed at any ...

'Sunset Beach' a highly detailed portrait painting of a sunset beach, oranges, blues and sand colours. Ignacio Trelis is a Spanish contemporary painter and gallery owner. Origina...

Sepia toned gelatin silver print Image size: approx. 8 x 8 in. Mat size: 20 x 16 in. Signed, dated and numbered in pencil on mount margin Signed, titled, negative date, print date an...

Editions of 12. Mounting and framing not included in price.

"Sunset at Chatham" is a minimalist landscape painting depicting subtle shifts of color from purple to orange, descending into a yellow sun behind clouds. a deep green landscape with...

Distant light by Caroline McMillian [2021] original Oil on canvas Image size: H:76.5 cm x W:76.5 cm Complete Size of Unframed Work: H:76.5 cm x W:76.5 cm x D:3.8cm Sold Unframed Ple...

Signed, dated and numbered in pencil on recto Signed, titled, dated and numbered in pencil on verso Silver gelatin print Edition of 25

Almost daily between 1993 and 2004, Alejandro Cartagena would commute on a suburban bus from Monterrey to the suburban city of Juarez and back. Working at his family’s restaurant, he...

Almost daily between 1993 and 2004, Alejandro Cartagena would commute on a suburban bus from Monterrey to the suburban city of Juarez and back. Working at his family’s restaurant, he...

It changes with the light in the room! In her semi-abstract compositions, reflective metallic backgrounds in silvery pearl, gold, and blue acrylic paint represent sunlight and provid...

It changes with the light in the room! In her semi-abstract compositions, reflective metallic backgrounds in silvery pearl, gold, and blue acrylic paint represent sunlight and provid...

An original silver gelatin print by Robert Vavra, nationally acclaimed equine photographer.

Days Like These ii [2021] limited_edition Screenprint Edition number 15 Image size: H:60cm cm x W:60cm cm Complete Size of Unframed Work: H:65cm cm x W:65cm cm x D:400gsmcm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Days Like these ii is the second in a series of coastal print...

Mixed media, photography and acrylic paint on canvas. One of a kind. O. Devan paints that which he doesn't really see. His camera captures a second in time, as if he stops at his tracks and takes a step back to embrace that particular second in time and space. Devan's works are eternal; he does not pretend to reinvent the wheel in his paintings but to redefine it. The skies, the ocean, clouds and cityscapes are for anyone to recreate, but capturing these layers that surround the image is where Devan's genius lies. Layers of paint on photography...

Photography on canvas. Limited Edition 2/10 O. Devan paints that which he doesn't really see. His camera captures a second in time, as if he stops at his tracks and takes a step back to embrace that particular second in time and space. Devan's works are eternal; he does not pretend to reinvent the wheel...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Cry of the gulls by Caroline McMillan Davey [2021] original Oil on canvas Image size: H:76.5 cm x W:76.5 cm Complete Size of Unframed Work: H:76.5 cm x W:76....

Tall, fragile grasses rise in delicate lines, their fine silhouettes dancing softly against a glowing horizon. The sea beyond is barely defined, just a suggestion beneath the fading ...

Hyomon, Study 1, Hokkaido, Japan is a black and white, limited edition photograph by photographer Michael Kenna. Michael Kenna is a master of contemporary photography. Known for c...

To the Beach by Ann Burnham [2021] limited_edition linocut Edition number 1-10 Image size: H:20cm cm x W:20cm cm Complete Size of Unframed Work: H:40cm cm x W:40cm cm x D:2mmcm Sold...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

By The Light II by Charlotte Elizabeth [2021] original Acrylic paint on canvas Image size: H:100 cm x W:100 cm Complete Size of Unframed Work: H:100 cm x W:100 cm x D:3.5cm Sold ...

Photographer Mark Klett is best known for cool, impersonal images of desert landscapes in the American Southwest, taken from a similar vantage points and under similar lighting condi...

Michael Sanders A Bright Day Large Canvas Print Edition of 50 Sold Unframed Size: H 80cmx W80cm Limited edition canvas prints by Michael Sanders. These stunning prints are created u...

Through The Dune Grass [2020] Original Landscapes and seascapes Oil on canvas Complete Size of Unframed Work: H:61 cm x W:76 cm x D:2cm Frame Size: H:69 c...

Cloud Gazing Through Trees By Amanda Horvath [2021] Original Acrylics on canvas Image size: H:76 cm x W:76 cm Complete Size of Unframed Work: H:76 cm x W:76 cm x D:3.5cm Sold Unframe...

This painting is a gentle metaphor for support and hope. The deep dark fields meet the bright light of the horizon, which seems to hold and envelop the space with calm. Pastel shades...

Adele Riley I Can Hear the Sea Original Landscape Painting Acrylic Paint and Ink on Boxed Canvas Canvas Size: H 30cm x W 30cm D 5cm Framed Size: H 35cm x W 35cm x D 5.5cm Sold Framed in a White Oak Float Frame Please note that insitu images are purely an indication of how a piece may look I can hear the sea, is an original contemporary landscape painting by Adele Riley. Adele Riley artist...

Swimming Pool On The Beach 1981- Slim Aarons Estate Stamped Edition The pool at the Meridian Club, owned by Ginny and Bill Cowles, on the Turks and Caicos islands, March 1981 20 x ...

Tropical Mustique 1989 - Slim Aarons Estate Stamped Pierre Vincent Marais holidays with friends on the island of Mustique in the Grenadines, February 1989 20 x 24" inches / 51 x 61...

The American landscape – endless skies, calming waters and the varied shores of the East and West coasts - are Cople’s passion and she travels far and wide to capture her subjects. “I love painting the landscape en plein air. In the outdoors, exposed to the sun, wind and rain, you can incorporate not only what you see, but also the sounds and the smells of the landscape. All of this lets me convey the sense of wonder I feel at the subject,” says Cople. Undeterred by nature’s extremes, Cople has painted in blizzards in the Wasatch Mountains...

Contemporary minimalist aerial landscape photograph of orange summer sunset against blue mountains Archival digital print, Edition of 25 (#369) Image size 19.3 x 29 inches with 2 inc...

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, they have a story to tell. As metaphorical portraits, they suggest the essence of a person, rather than offer any literal interpretation. I like to think of these as visual vignettes that suggest half-remembered, fragmented dream worlds. They borrow from the past, my fugitive and skewed memories of that past, and fleeting moments in time. These multi-layered prints and the frequent use of toy and pinhole cameras offer a sense of movement and fluidity. The repeated layerings are meant to add a tonality and saturated richness, yet each layer also serves to remove all the hard, clearly defined edges and sharp clarity. A softness and ambiguity results— much the way we see and remember. I choose to print in 19th century hand-applied printing processes. These antique printing...

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, ...

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, ...

Sunshine after the Rain was inspired from my many trips to the East Coast, particularly the Suffolk coast. The gold leaf capturing the light and sands following a long down pour, ref...

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, ...

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, ...

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, ...

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, ...

Patricia Galagan’s photography often concerns the aftermath of upheaval in the landscape. Her work has been shown at Blue Sky Gallery in Portland, Oregon, the New Mexico Museum of Ar...

Patricia Galagan’s photography often concerns the aftermath of upheaval in the landscape. Her work has been shown at Blue Sky Gallery in Portland, Oregon, the New Mexico Museum of Ar...