Spire Art

Andy Warhol "Neuschwanstein" 1987. Offset lithograph & silkscreen on varick rag. The second edition of Neuschwanstein, jointly published by Edition Schellmann, Maximilian Verlag ...

Gerald Berghammer - Color cityscape photo. Cityscape with a historic cathedral, water in the foreground, with pastel-colored buildings along the waterfront. All Gerald Berghammer pr...

Gerald Berghammer - Color cityscape photo. Venetian cityscape with historic buildings and the San Giorgio Maggiore with a tall bell tower on an overcast day. All Gerald Berghammer p...

Gerald Berghammer - Color cityscape photography. View of Venice cityscape featuring Campanile di San Marco, historical buildings, and domed structures. All Gerald Berghammer prints ...

Title: British Impressionist Watercolor of a Countryside Church and Farmhouse Scene By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11...

This is an original vintage oil painting on canvas by Lucile White. The central subject of the artwork is a castle or church, with a grand dome and an elaborate bell tower that pun...

Church landscape by Bernard Labbe (French mid 20th century), signed and dated 1985 , stamped verso Original watercolour/ gouache painting on paper, Overall size: 19.5 x 25.5 inches....

Black and white fine art cityscape - landscape night photography. Eiffel tower at night with light show, Paris, France. Archival pigment ink print, edition of 9. Signed, titled, date...

Gerald Berghammer - B&W photography. Mont Saint-Michel, a historic island with a tall spire and medieval architecture, surrounded by water and clouds. Archival pigment ink print, ed...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21053 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

A quiet street in Xi’an beneath soft sky. A young lad pedals his bicycle along the road, passing a red-painted building rich with traditional charm. Behind it rises an elegant pago...

Gerald Berghammer - B&W Cityscape Photography. St. Mark's Square in Venice, showing the Campanile bell tower, St. Mark's Basilica and historic buildings. Archival pigment ink pr...

Gerald Berghammer - Limited edition of 9. Archival fine art pigment print. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed with 4cm white ...

Artworks sold in perfect condition : Set # 1 composed of 5 Gallery Print 30x40 cm This is an exceptional offer that we are presenting today. For almost four years, here on 1stdibs, a...

Gerald Berghammer - Black and white cityscape photography. Schloss Ort - The historic church surrounded by mist over a lake with docks in the foreground. Archival pigment ink print ...

WEDDING is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arches ...

"After the Rain" is an original painting by Tom Haugomat, made as part of his traveling artist residency with The Jaunt. Traveling from France to Philadelphia, Haugomat was inspired ...

Eiffel Tower Study 13, Paris, France - no. 18117 // Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Ger...

Andy Warhol's Koln Cathedral in blue is part of his later works from the 1980s and early 1990s, reflecting his fascination with iconic imagery and commercial aesthetics. Warhol creat...

An original 20th century etching by artist Richard Beer, signed and titled in graphite below the plate lines. On paper laid to card.

Snow covered Village signed by Georges Bordonave (French contemporary) dated 1986 oil painting on canvas, unframed canvas: 24 x 29 inches condition: very good provenance: from a larg...

A Nestor Fruge watercolor of a French Quarter scene. Born in Bayou Lafourche, Louisiana in 1916, Nestor Hippoyle Fruge spent parts of his painting career ...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Ken Howard RA (1932 - 2022) Hampstead Church (St Stephen...

Christopher Hankey 1963- , is an English born painter, a living artist born in Lancashire who painted landscapes in a variety of locations throughout Europe and at home in Kent....

The Piazza Roma, a square in Cortina d'Ampezzo in the Italian Alps, 1962. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons E...

A superb impression on Japon paper, one of only three proofs. Etching on handmade Japon paper with a deckle edge, 13 1/8 x 9 7/8 inches (333 x 252 mm); sheet 18 1/4 x 13 3/4 inches ...

Bathed in a lucid blue sky, Alberto Pina’s oil painting captures the Chrysler Building rising like a quiet monument amid the canyon of Manhattan streets. Solid blocks of shadowed arc...

Albert Rafols Cullerés (1892-1986) - Landscape - Oil on board Oil measures 27x36 cm. Frame size 33x42 cm. Catalan painter formed the Llotja with Lluis Labarta and Arcadi Más and fon...

(New York: John Taylor Arms, 1930) Etching on antique cream laid paper with a fancy "G" watermark, 7 1/8 x 16 1/2 inches (182 x 442 mm), full margins. Signed, dated and inscribed "Ed. 70" in pencil, lower margin. From a total edirion of 81 plus 5 trial proofs. Printed by Henry E. Carling. Number 18 from the Italian Series. A superb impression of this scarce print, with all of the subtleties and details of the reflections in the water printing clearly. [Fletcher 232] [Illustrated: Page 192, Arms, Dorothy Noyes, "Hilltowns and Cities of Northern Italy"]. Along with his constant companion and wife, Dorothy Noyes, Arms spent decades exploring and documenting gothic structures throughout Europe. Noyes, an accomplished travel writer, had gifted Arms an etching set...

Title: Historic Miniature Watercolor of Christ Church in Clifton by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 4.25 inches (h...

Dated, signed Signature unknown Work on wood Gray wooden frame with golden patina 82 x 997 x 6 cm

Title: British Impressionist Watercolor of Idyllic English Countryside with Church By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11....

Artist: Vahram Meliqsetyan Title: Armenian Church (Kecharis) Medium: Oil on Canvas Year: 2024 Style: Impressionism Dimensions: 25.5" x 20" x 0.8" inch (65 x 50 x 2cm) Presentation: U...

CHURCH IN ROME - Italian oil on canvas painting cm.100x100, Alfonso Pragliola Italia 2010

Title: British Watercolor of Ross-on-Wye Riverside Scene with Spire and Reflections By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Di...

Original 1958 Normandie Le Mont Saint Michel Travel Poster – Authentic French Vintage Art. Acid-free archival linen backed in Grade A condition, ready to frame. Step back into the g...

'St. Mark's Church on the Bowery', aquatint with etching, edition not stated but small, 1932. Signed in pencil. Signed in the plate lower left and titled in the plate lower right. A superb, atmospheric impression, on cream wove paper, with full margins (1 1/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 9 3/4 x 7 3/8 inches (248 x 187 mm); sheet size 13 1/8 x 10 inches (333 x 254 mm). Impressions of this work are held in the collections of the Princeton University Art Museum and the Five College Museums. ABOUT THE ARTIST Born in Vienna, Leon Dolice left a secure position in the family business to pursue his artistic interests. He began his art education in his teens and early twenties when he traveled through Europe to study the works of the Old Masters. He immigrated to America in 1920 and made his home in Manhattan. As a printmaker, he chose as his subjects the architecture, back streets, dock scenes, and other aspects of New York City life that were being overtaken by the modern world. In 1950, learning of the coming demolition of the Third Avenue El, Dolice created a series of Third Avenue and other New York City landmarks that were threatened with extinction. His images from that period provide a record of a New York that has passed into history. During his lifetime, Dolice exhibited throughout Europe and the United States. Retrospectives of his work include a one-man show of his graphic work at Tribeca Gallery, New York; the traveling exhibition ‘Vintage New York’ with the New Rochelle Council on the Arts; and the Hofstra Museum, Hempstead. Dolice's works are in the permanent collections of the Museum of the City of New York, the National Gallery of Art, the New York Historical Society, Georgetown University, the Philadelphia Print Club, and the New York Public Library, as well as private and corporate collections. ABOUT ST. MARKS CHURCH St. Mark's Church in-the-Bowery is a parish of the Episcopal Church located at 131 East 10th Street, at the intersection of Stuyvesant Street and Second Avenue in the East Village neighborhood of Manhattan in New York City. The property has been the site of continuous Christian worship since the mid-17th century, making it New York City's oldest site of continuous religious practice. The structure is the second-oldest church building in Manhattan. In 1651, Petrus Stuyvesant, Director General of New Netherland, purchased land for a bowery or farm from the Dutch West India Company and, by 1660, built a family chapel at the present-day site of St. Mark's Church. Stuyvesant died in 1672 and was interred in a vault under the chapel. Stuyvesant's great-grandson, Petrus "Peter" Stuyvesant, sold the chapel property to the Episcopal Church for $1 in 1793, stipulating that a new chapel be erected to serve Bowery Village, the community which had coalesced around the Stuyvesant family chapel. In 1795, the cornerstone of the present-day St. Mark's Church was laid, and the fieldstone Georgian-style church, built by the architect and mason John McComb Jr., was completed and consecrated on May 9, 1799.[4] Alexander Hamilton provided legal aid in incorporating St. Mark's Church as the first Episcopal parish independent of Trinity Church in New York City. By 1807, the church had as many as two hundred worshipers at its summer services, with 70 during the winter. While the 19th century saw St. Mark's Church grow through its many construction projects, the 20th century was marked by community service and cultural expansion. Today, the rectory houses the Neighborhood Preservation Center, the Greenwich Village Society for Historic Preservation, and the Historic Districts Council, as well as other preservation and community organizations such as the Poetry Project, the Millennium Film Workshop, and the Danspace Project. St Mark's has supported an active artistic community since the 19th century. In 1919, poet Kahlil Gibran was appointed a member of the St. Mark's Arts Committee, and the next year, the two prominent Indian statues, "Aspiration" and "Inspiration" by sculptor Solon Borglum...

'London Bridge' Aquatint by JC Stadler after J Farmington. Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine Stadler (fl London, 1780-1822) was an eng...

Original "Visitez la France: Bretagne" French Travel Poster by Jean Farcia, 1950s. Archival linen-backed with vibrant lithographic colors, it is ready to be framed. See condition b...

Title: Pair of Watercolors of St John the Baptist Horfield and St Mary Redcliffe Church by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measu...

Artist: Vahram Meliqsetyan Title: Armenian Church (Kecharis) Medium: Oil on Canvas Year: 2024 Style: Impressionism Dimensions: 27.5" x 21.5" x 0.8" inch (70 x 54 x 2cm) Presentation:...

Etching on antique cream laid paper, 12 7/8 x 5 1/2 inches (328 x 140 mm), full margins. Signed in pencil, lower margin. Laid down to non-archival board, general age tone and some ma...

This piece captures the serene harmony between tradition and nature. Using oil, I sought to evoke the peaceful rhythm of horse riding against the historic backdrop, blending impressi...

Lyonel Feininger, 'Church with House and Tree (Kirche mit Haus und Baum)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W290 V. Inscribed 'J. F. note paper', in pencil, in the artist’s hand; with the Feininger estate stamp and catalog no. 'W 859' in pencil. Annotated 'W.290 V state 3609' in pencil, in the bottom right sheet corner. A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce. Image size 2 3/8 x 2 3/4 inches; sheet size 10 x 7 5/16 inches. Archivally sleeved, unmatted. Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; NY, NY. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public. Still, he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...

This black-and-white photograph, taken in 1960 by Klaus Redenbacher, shows the Dolmabahçe Mosque on the Bosphorus shoreline in Istanbul. The mosque, with its large central dome and t...

This original 1934 travel poster, created by Swiss artist Bernhard Reber, was commissioned to promote tourism to Berne, the capital of Switzerland. Issued by the Swiss National Touri...

Fernando Natalici: John Waters, Baltimore, 1985 John Waters was born in 1946 in Baltimore, where he continues to live and work. Exhibitions include the Wex...

Etching on handmade cream laid paper, 3 1/2 x 4 1/4 inches (890 x 108 mm), full margins. Signed, dated and inscribed "III" in pencil, lower margin. Edition of 150, third state (of th...

View from the Train, 2019 24" X 40" x 1", oil on canvas This contemporary oil painting depicting a metropolitan view is the work of realist painter Patty Neal. The painting offers an intimate view of the city, as seen from a window, as it peeks from behind two metal structures. The dark browns and bright golds beautifully compliment the dusty blue, gray sky. Neal works highlight everyday city scenes, utilitarian infrastructure, and industrial or electrical apparatus. Artist statement: A life is an accumulation of experiences: visual, emotional and mental. By compartmentalizing these snippets of life we create boundaries. The focus of my work for many years has been the exploration of these various life aspects and how they are bound together or bound from each other. My process is often literally composed of boundaries. I make a painting by putting together multiple panels, or I segment a single panel into separate visual spaces. The works are made up of pieces or elements of city and landscape. While exploring the concepts of boundaries I play with visual “reality.” Sometimes I combine images that are upside down with those that are not and juxtapose images from different contexts. Literal boundaries, such as walls fences, expanses of water and highway median strips are also used. My intent is to invite viewers to look beyond these boundaries to see the possibilities of a connected whole. About the artist: Solo Exhibitions 2011 "Interior/Exterior", Carrie Haddad Gallery, Hudson, New York 2008 ”Landscape Revisited”, 1870 Gallery, Belmont 2005 Nomad Rug Gallery, San Francisco 2004 "Landscapes"@Klein's, San Francisco 2004 "Landscape Renewed," Space 743, San Francisco 2003 Exploding Head...

Title: British Original Watercolor of Church by the Riverside By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 15.25 x 11.25 inches (He...

The picture of NYU was done in 1965 as a collection of photographs for a German book editor. Later a phonebook about NYU was published.

'Durham Cathedral' Wood-engraving after Samuel Read. From 'The Illustrated London News'. Samuel Read was an English illustrator who provided many illust...

Eiffel Tower Study 1, Paris, France - no. 11830 Gerald Berghammer - Limited Edition 1/9. Silver Gelatin Prints, Selenium Toned, Printed 2017 Signed, ...

Artwork #1 / 5 sold in perfect condition printed on baryta heavyweight paper & framed (black metal border) From the collection called "Art 2014", format 30x42 cm. SERIES OF 5 PRINTS + 2 AP Artwork printed later on fine art papers later (2014) from black & white negatives processed in 1962 During the 15 year period in which Fabrizio La Torre...

Pleasant Ridge, 1966-7, oil on board, signed, dated and titled verso, 16 x 24 inches, exhibited: Robert Herrmann, Cincinnati Art Galleries, Cincinnati, OH, March 4 to 28, 2000, no. 1...

Bernard BUFFET Buildings in New York, 1967 Original stone lithograph Printed signature in the plate Printed in Mourlot workshop 71 x 52 cm (c. 28 x 21 in) REFRENCES : Catalog raiso...

Notre Dame Night Study 1, Paris, France - no. 11843// Black and White Fine Art long exposure cityscape photography. Archival pigment ink print, edition of 9. Signed, titled, dated an...

Etching on elaborately watermarked, antique, cream laid Dard Hunter paper, 13 5/8 x 7 1/78 inches (347 x 181 mm), full margins. Signed, titled, dated and inscribed "Ed. 100 II." From...

This finely detailed lithograph by Richard Haas depicts Lower Manhattan with Trinity Church rising at its center—an architectural jewel framed by the dense geometry of surrounding hi...

Artwork # 1 on 5 sold in limited edition in perfect condition This photo was made in 1955, the negative was digitized during the artist's lifetime and the technical parameters (framing, contrast, light, etc.) was approved by him. This is a very high quality fine art prints on 310 gr/m² Fine Art paper with museum quality pigment inks. “ On Broadway, near Trinity Church”, New York December 1955. A rainy Sunday morning, a solitary pedestrian seems to be falling over on the slippery surface. As is always the case with Fabrizio La Torre’s photographs, quite apart from the artistic merit, this picture invites us to speculate what is the story behind it: why this deserted avenue at 11:10 on that particular morning, what was the man in the rain doing, why is that car defiantly parked right underneath a no parking sign...