Spire Art

A quiet street in Xi’an beneath soft sky. A young lad pedals his bicycle along the road, passing a red-painted building rich with traditional charm. Behind it rises an elegant pago...

Randy Peyton (1958 - present) San Antonio Artist Image Size: 40 x 30 Frame Size: 41 x 31 Medium: Oil on Canvas Dated 2005 "Morning Light on San Fernando ...

Attributed to Antony Vandyke Copley Fielding (1787 - 1855) Dinan Tour de l’Horloge (Dinan Clock Tower) Watercolour 28 x 21 cm A spirited watercolour of Dinan, Brittany. Dinan's famo...

John Shelley is known for his dream-like, symbolist paintings of quintessentially British countryside, exemplified by this work, The White Cottages. Depicting to semi-detached cottag...

Sebastian Cruset

(American, 1859-1943) 

Title: View of Brooklyn
 Date: July 7, 1928
 Medium: Oil on board 
Size: 6 ¼ x 9 inches
 Markings: Dated and initialed on the lower left.
 ...

Oil on canvas Ahn Sung Kyu is a Korean artist born in 1966 who lives and works in Suwon, South Korea. Sung-Kyu is an artist who has intensively focused o...

Fernando Natalici: John Waters, Baltimore, 1985 John Waters was born in 1946 in Baltimore, where he continues to live and work. Exhibitions include the Wex...

An original silver gelatin black and white photography postcard by Albert Monier, Paris. A view of Notre Dame Cathedral in Paris, circa 1950. Features: The original silver gelatin pr...

This original lithograph is hand signed in pencil b artist "Ulrich Hubner" at the lower left cotner. It is also signed and dated in the plate. The work is hand numbered in pencil No...

A Large, Striking 1930s Modern Painting of the Historic St. Louis Cathedral in Jackson Square, New Orleans by Notable Chicago Artist, Walter Burt Adams (Am. 1903-1990). A painterly view of the historic landmark and park located in the heart of the French Quarter of New Orleans, Louisiana. Completed circa 1938 during one of the artist's painting trips to New Orleans, and most likely painted in the quiet hours after dawn before any pedestrians or sight-seers walk the typically bustling city square. Artwork size: 36 x 30 inches, oil on canvas (framed size: 36 1/2 x 30 1/2 inches). Unsigned. Provenance: Estate of the artist. Walter Burt Adams was a dedicated painter of the American Scene and a singular personality among his peers in the Chicago Modern Art community. His no-nonsense manner, devotion to his craft and sardonic sense of humor characterize a man whose paintings capture life in and around Chicago between the early 1920s and the late 1970s. Born in Kenosha, Wisconsin just after the turn of the last century, Walter Burt Adams spent his childhood in Fargo, North Dakota and began his artistic education there through a correspondence cartooning class as a boy. After finishing high school in Fargo, Adams moved to Chicago in 1922 in order to enroll at the school of the Art Institute of Chicago. Adams’ instruction at the school with artists such as George Oberteuffer, Frederick V. Poole, Charles Wilimovsky...

This artwork titled "Marienplatz, Munich" 1925 is an original etching by noted Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist. The plate mark (im...

Man Carrying Board - Impressionistic Brazilian Landscape Scene Beautiful gouache landscape painting by Reynaldo Manzke (Brazilian b. 1906 d. 1980.) A man walks along a wall, holding...

Dufza - Paris - Conciergerie - Original Handsigned Etching Circa 1940 Handsigned in pencil Dimensions: 20 x 25 cm

"Le Paysage Avec Une Eglise" by Louis Abel-Truchet is an original oil on canvas and measures 24x32 inches. The impressionistic landscape has a white church standing behind purple and...

Nestor Fruge (1916-2012). Pirate's Alley, French Quarter, New Orleans, ca. 1970. Watercolor on paper, 14.5 x 20.5 inches. Measuring 21.5 x 27.5 inches framed. Born in Bayou L...

An original silver gelatin black and white photography postcard by Albert Monier. Artistic view of the Montmartre district in Paris, 1955. In the background is the dome of the Sacré-...

Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation num...

Title: Yunnan Scenery Series VI Medium: Oil on canvas Size: 31 x 25 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Yea...

H.N. Han Han Hsiang-Ning (Chinese b.1939) New York Skyline 1980 From the Cityscape Portfolio Pencil signed, dated and marked PP 4/25 in the margin Color lithograph on Somerset. Pape...

(New York: John Taylor Arms, 1930) Etching on antique cream laid paper with a fancy "G" watermark, 7 1/8 x 16 1/2 inches (182 x 442 mm), full margins. Signed, dated and inscribed "Ed. 70" in pencil, lower margin. From a total edirion of 81 plus 5 trial proofs. Printed by Henry E. Carling. Number 18 from the Italian Series. A superb impression of this scarce print, with all of the subtleties and details of the reflections in the water printing clearly. [Fletcher 232] [Illustrated: Page 192, Arms, Dorothy Noyes, "Hilltowns and Cities of Northern Italy"]. Along with his constant companion and wife, Dorothy Noyes, Arms spent decades exploring and documenting gothic structures throughout Europe. Noyes, an accomplished travel writer, had gifted Arms an etching set...

Portfolio 2008

A unique original silver gelatin black and white photograph by Press Agency ROL, Paris. February 1929, Notre Dame Cathedral and the Ile de la Cité. Features: Original silver gelatin ...

Title: French Village Church Rooftops Ink and Coloured Pen Landscape Study Artist: Bernard Labbe (French, mid 20th century) Medium: Ink and coloured felt-tip pen on paper, unframed S...

Reginald Marsh, 'A Morning in May', etching, 1936, edition 100 (Whitney, 1969), Sasowsky 169. Unsigned as published; numbered '89/100' in pencil. A superb, richly-inked impression, ...

Artist Comments
Warm sunlight bathes a monastery and lavender fields. Lush green hills rise in the background, framing the peaceful scene. The artwork depicts the Abbey of Se...

Rebecca Skinner’s “Saint Olaf Church II” is a 14 x 11 inch contemporary black and white photograph of an abandoned, weathered wooden church with peeling paint and boarded windows und...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of ‘Fundevogel’. This etching is from the Brothers Grimm tale of ‘Fundevoge...

Title: Historic Miniature Watercolor of English Country Church with Gravestones by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements:...

Chromogenic Print by David Drebin Price for UNFRAMED limited edition print Certificate of Authenticity signed by the artist Ask us for framing options Print size: 30 x 45 inches (76...

Band on the Bridge - Part of London Collection by Contemporary British Artist, Angela Wakefield Art measures 24 x 18 inches Frame measure 29 x 23 inches Angela Wakefield has twice...

View of the Cathedral of Rouen is an original lithograph artwork realized by an Anonymous engraver of the 19th century. Printed in the series of "France Pittoresque". Good conditio...

Etching on handmade cream laid paper, 3 1/2 x 4 1/4 inches (890 x 108 mm), full margins. Signed, dated and inscribed "III" in pencil, lower margin. Edition of 150, third state (of th...

Title French Town Church Spire Architectural Ink Wash Painting Artist Bernard Labbe French mid 20th century Medium Ink and watercolour wash on artist paper unframed Size 11.75 (Heigh...

This artwork titled "Quai aux Fleurs" 1922 in an original soft ground etching with aquatint on paper by noted Czech artist Tavik Frantisek Simon, 1877-...

Venice, Hotel Danieli and the Riva degli Schiavoni – Large Period Photograph, circa 1890-1905 Large photographic print mounted on card. Photograph: 35 × 26 cm Card mount: 44 × 31 cm...

These works were printed in November 1967 by Fernand Mourlot, master lithographer in Paris.

This painting is in excellent condition and has only been shown in a gallery. Marcel Demagny was born in 1949 in Nancy, France. He graduated from the Nancy School of Architecture in...

Etching in brownish black ink on cream laid paper, 8 1/4 x 4 1/4 inches (209 x 111 mm), full margins. Signed (illegibly) in pencil, lower right margin. In good condition with a print...

Title: Astbury Church English Village Gothic Architecture Watercolour Painting Artist: L W Rowe, 20th century Medium: Watercolour on paper, unframed Size: 8.25 x 11.75 inches Signatu...

View Of Rome is a vintage black and white photograph realized in the early 20th Century. Good conditions. A historical testimonial of the cityscape through the art of photography c...

Chicago: A. Ackermann & Son, Inc., 1930. Aquatint with engraving on heavy wove paper with a deckle edge, 15 1/8 x 12 inches (384 x 304 mm); sheet 24 1/2 x 17 1/2 inches (622 x 445 m...

Etching on laid paper, 13 1/2 x 7 1/2 (343 x 191); sheet 16 1/2 x 11 inches (420 x 280 mm), full margins. Signed and dated by Arms in the lower right corner. From the edition of 150 ...

MONT SAINT-MICHEL is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archiv...

Alençon by Ludovic-Rodo Pissarro (1878-1952) Watercolour on paper 22 x 31 cm (8 ⁵/₈ x 12 ¹/₄ inches) Signed with Estate stamp lower left, LR Inscribed an...

Artist: Vahram Meliqsetyan Title: Armenian Church (Kecharis) Medium: Oil on Canvas Year: 2024 Style: Impressionism Dimensions: 27.5" x 21.5" x 0.8" inch (70 x 54 x 2cm) Presentation:...

This artwork titled "The Governor Palace, Williamsburg Series" 1940 is an original etching on paper by noted American artist Samuel V. Chamberlain, 1895-1...

A superb impression on Japon paper, one of only three proofs. Etching on handmade Japon paper with a deckle edge, 13 1/8 x 9 7/8 inches (333 x 252 mm); sheet 18 1/4 x 13 3/4 inches ...

Etching on cream laid paper with a deckle edge and with an unidentified watermark with an "AL" inside an ovoid cartouche with a garter and buckle (likely English 19th century), 9 1/2...

Excellent condition. No restorations. Signed low-left.

Aquatint with hand coloring in oil color on smooth wove paper, 10 1/2 x 14 5/8 inches (266 × 370 mm), full margins. Moderate mat tone, scattered spots of light brown discoloration in...

An excellent impression from an edition of only three proofs. Etching on antique watermarked Arches laid Japon paper with a deckle edge, 8 x 12 1/2 inches (204 x 318 mm); sheet 12 1...

“St. Michael’s in Brooklyn, c. 1944” by Ernest Fiene (1894-1965) New York City served as an endless source of inspiration for Fiene, who often captured street scenes like this one i...

Title: British Impressionist Watercolor of a Sunlit Riverside Village Scene By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dimensions...

This finely detailed lithograph by Richard Haas depicts Lower Manhattan with Trinity Church rising at its center—an architectural jewel framed by the dense geometry of surrounding hi...

In my artwork, I poured emotions into every oil stroke, aiming to capture a sublime blend of fine art, impressionism, and realism. The historic essence whispers through the textured ...

A fine impression on antique watermarked paper. Etching on antique blueish-gray antique laid paper with an unknown crown watermark, 10 1/2 x 6 7/8 inches ( 268 x 175 mm); sheet 13 3...

A superb impression of a scarce proof on rare paper. Etching on blue laid watermarked "Hand Made" paper, 7 3/8 x 3/14 inches (188 x 83 mm); sheet 11 1/2 x 8 1/4 inches (292 x 209 mm...

Midnight Church Scene by Jean Fourie (1927-2015), signed initials French artist, painting in the Champagne region of France double sided oil painting on thin card, unframed board: 1...

'St. Mark's Church on the Bowery', aquatint with etching, edition not stated but small, 1932. Signed in pencil. Signed in the plate lower left and titled in the plate lower right. A superb, atmospheric impression, on cream wove paper, with full margins (1 1/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 9 3/4 x 7 3/8 inches (248 x 187 mm); sheet size 13 1/8 x 10 inches (333 x 254 mm). Impressions of this work are held in the collections of the Princeton University Art Museum and the Five College Museums. ABOUT THE ARTIST Born in Vienna, Leon Dolice left a secure position in the family business to pursue his artistic interests. He began his art education in his teens and early twenties when he traveled through Europe to study the works of the Old Masters. He immigrated to America in 1920 and made his home in Manhattan. As a printmaker, he chose as his subjects the architecture, back streets, dock scenes, and other aspects of New York City life that were being overtaken by the modern world. In 1950, learning of the coming demolition of the Third Avenue El, Dolice created a series of Third Avenue and other New York City landmarks that were threatened with extinction. His images from that period provide a record of a New York that has passed into history. During his lifetime, Dolice exhibited throughout Europe and the United States. Retrospectives of his work include a one-man show of his graphic work at Tribeca Gallery, New York; the traveling exhibition ‘Vintage New York’ with the New Rochelle Council on the Arts; and the Hofstra Museum, Hempstead. Dolice's works are in the permanent collections of the Museum of the City of New York, the National Gallery of Art, the New York Historical Society, Georgetown University, the Philadelphia Print Club, and the New York Public Library, as well as private and corporate collections. ABOUT ST. MARKS CHURCH St. Mark's Church in-the-Bowery is a parish of the Episcopal Church located at 131 East 10th Street, at the intersection of Stuyvesant Street and Second Avenue in the East Village neighborhood of Manhattan in New York City. The property has been the site of continuous Christian worship since the mid-17th century, making it New York City's oldest site of continuous religious practice. The structure is the second-oldest church building in Manhattan. In 1651, Petrus Stuyvesant, Director General of New Netherland, purchased land for a bowery or farm from the Dutch West India Company and, by 1660, built a family chapel at the present-day site of St. Mark's Church. Stuyvesant died in 1672 and was interred in a vault under the chapel. Stuyvesant's great-grandson, Petrus "Peter" Stuyvesant, sold the chapel property to the Episcopal Church for $1 in 1793, stipulating that a new chapel be erected to serve Bowery Village, the community which had coalesced around the Stuyvesant family chapel. In 1795, the cornerstone of the present-day St. Mark's Church was laid, and the fieldstone Georgian-style church, built by the architect and mason John McComb Jr., was completed and consecrated on May 9, 1799.[4] Alexander Hamilton provided legal aid in incorporating St. Mark's Church as the first Episcopal parish independent of Trinity Church in New York City. By 1807, the church had as many as two hundred worshipers at its summer services, with 70 during the winter. While the 19th century saw St. Mark's Church grow through its many construction projects, the 20th century was marked by community service and cultural expansion. Today, the rectory houses the Neighborhood Preservation Center, the Greenwich Village Society for Historic Preservation, and the Historic Districts Council, as well as other preservation and community organizations such as the Poetry Project, the Millennium Film Workshop, and the Danspace Project. St Mark's has supported an active artistic community since the 19th century. In 1919, poet Kahlil Gibran was appointed a member of the St. Mark's Arts Committee, and the next year, the two prominent Indian statues, "Aspiration" and "Inspiration" by sculptor Solon Borglum...

This artwork titled "Cologne (Koln) Promenade, Germany" c.1950 is a color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed n pencil by the artist, ins...