Staircase Art

Brigitte Bardot in Braids, Side View, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of ...

Brigitte Bardot Braids Crossed Ankles, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of...

Brigitte Bardot in Braids, Side View, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of ...

Brigitte Bardot Sultry, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of Bardot should ...

Brigitte Bardot in Braids, Side View, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of ...

Brigitte Bardot Braids Crossed Ankles, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of...

Brigitte Bardot Braids Crossed Ankles, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of...

Brigitte Bardot Braids Crossed Ankles, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of...

Coco Sits on Her Mirrored Stairs, 1957 -- Chanel sits on her famous mirrored stairs observing the crowd below. Mark Shaw's informal, grainy, black and white images of Coco Chanel wer...

Coco Sits on Her Mirrored Stairs, 1957 -- Chanel sits on her famous mirrored stairs observing the crowd below. Mark Shaw's informal, grainy, black and white images of Coco Chanel wer...

Coco Sits on Her Mirrored Stairs, 1957 -- Chanel sits on her famous mirrored stairs observing the crowd below. Mark Shaw's informal, grainy, black and white images of Coco Chanel wer...

Chanel Sits on Stairs with Unidentified Woman, 1957 -- Mark Shaw's informal, grainy, black and white images of Coco Chanel were created using an unobtrusive 35mm camera and film proc...

Chanel Sits on Stairs with Unidentified Woman, 1957 -- Mark Shaw's informal, grainy, black and white images of Coco Chanel were created using an unobtrusive 35mm camera and film proc...

Caroline de Piedoue is a French artist born in 1954 who lives & works in Berchères-sur-Vesgre, Eure-et-Loire, France. Her theme of her paintings is largely urban but also beach scene...

Oil on canvas

Stéphane COUTURIER (*1957, France) E1027+ 123 – Villa Eileen Gray – Photo #3, 2021-2022 C-Print Sheet 110 x 155 cm (43 3/10 × 61 in.) Edition of 5 Framed print Born in 1957 in Neuil...

Acrylic on canvas Elena Borstein currently lives and works in New York City and the Adirondack Mountains. Born in Hartford, Connecticut, She received her B.S. Degree from Skidmore C...

Signed on bottom right

Inspired by the drama of chiaroscuro painting by Caravaggio, Mitchell Funk captures figures on the steps of Bryant Park in Manhattan. Unified by the late golden rays of the sun and t...

Original cover for Liberty magazine, published October 17, 1931. As Lil’s Aunt Ruby, a “social gadabout” and “blithe widow of many years’ standing” arrives at the Jenkins family home for a visit, Sandy tries to hide his irritation once he sees the massive amount of luggage she had in tow. Aunt Ruby shows off an enormous new diamond ring and coyly announces she is to be married that fall and that her new fiance would be arriving shortly. As Lil scrambles up some hors d’oeuvres and cocktails, Sandy hears a car pull up to the house and is shocked to discover that Aunt Ruby’s future husband is none other than Sandy’s boss! (Liberty magazine, October 17, 1931, p. 37) “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine cover...

Juan Garaizabal is a Spanish conceptual artist born in Madrid, 1971. He has accrued international recognition for his monumental public sculptures. His illuminated Urban Memories str...

Armin Amirian Passive Role-04, 2007 Digital C Print 30 x 20 cm 11 3/4 x 7 7/8 in Edition of 3 plus 2 artist's proofs (#1/3)

Four East Village down-and-out derelicts and apparent friends sit on a step and engage in a lively chat. They are smoking and drinking. Street Photographer Mitchell Funk captures the...

The city that boasts the most Victorian Houses San Francisco and the best of them are the That Painted Ladies. The Color Purple . San Francisco Victori...

Born in Stuttgart, Germany, André Rau has always had a strong inclination towards the visual arts from young age. From Germany, André moved to Paris and begun his formal training in photography assisting Peter Lindbergh. With a remarkable path, today André is acknowledged as among the most established beauty and fashion photographers of our time. Diverse and inspiring, his imagery covers a variety of impressive material. However, André is internationaly renowned for his insightful and powerful celebrity portraits. André continues to live in Paris, but travels extensively to capture such legendary icons as Meryl Streep, Catherine Deneuve, Penelope Cruz, Salma Hayek, Jennifer Lopez, Brad Pitt or George Clooney. In addition to shooting numerous memorable covers for such international publications as Vogue, Vanity Fair, GQ or Elle André has also contributed to the album covers of Jennifer Lopez, Celine Dion, Patricia Kaas or Johnny Hallyday among others. Furthermore his images have appeared in international advertising campaigns as YSL, Dior, Celine, L´Oréal, Estée Lauder and Lancôme. Amongst his various platforms André Rau´s work has appeared in exhibitions and collections around the world. His portraits opened at Serge Sorokko...

Taulé was born in 1945 in Sabadell, Barcelona. His father imparted the taste for painting to Antoni as a boy as the young artist watched him paint. After his primary studies, he began studying architecture in Barcelona and graduated in 1970. In 1965, he arrived in Paris and worked in architectural firms. It was Sartre's Paris, the construction of Unesco, the year of Le Corbusier's death and the end of Chandigarh, the French Cinematheque and Antonioni's films. Since the age of 14, he has never stopped painting and made his first personal exhibition in 1966 at the Academie de Belles Arts in Sabadell. Upon receiving his degree in architecture, he worked on the construction of l’Université autonome de Barcelone for a year. In 1971, he was asked to work on the development of a large shipyard on the small island of Formentera. There he met Laetitia Ney of Elchingen, who he would go on to marry. He devoted himself entirely to painting, and Formentera, like Paris, became one of his favorite places in both his life and to work. His first exhibition in Paris was in 1975 with Mathias Fels, presented to him by Hervé Télémaque—showing many paintings of his young daughter Djamilla, then three years old. The exhibition was titled, Espace hors temps (Space out of Time), with a foreword by Alain Jouffroy. In 1976, Taulé exhibited Contre-Jour (Against Day) at Fabien Boulakia on rue Bonaparte with a preface by Gérald Gassiot-Talabot and in Barcelona at the Aimé Maeght gallery—an exhibition visited by Joan Miró and Alexander Calder. In 1977, he exhibited at the Beaubourg gallery, with then associates Nahon and Trigano. In 1983, he met Jorge Luis Borges and Julio Cortázar, who wrote the novella Fin d’étape (End of Stage) for Taulé That same year, he was named Chevalier de l’Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters) by Jack Lang...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'The river embraced me', 2016 C–type print 56 × 56 cm (22 × 22 in.) Edition of 3 Print only, Signed by the artist This photog...

edition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

An abstracted view of the Art Institute of Chicago's Grand Staircase. The lone sculpture fictionally represents an armed officer pointing a gun at an absent figure. [b. 1977 – New York, NY ::: lives & works – New Haven, CT] CHRIS BARNARD received his BA from Yale and his MFA from The University of Southern California (USC) in Los Angeles. Having previously held faculty positions at Denison University, Indiana University, and USC, Barnard is currently associate professor of art at Connecticut College in New London. Barnard’s work has been shown in solo and group exhibitions in Los Angeles, New York, Chicago, and New Haven, among other locations, and can be found in public and private collections nationally and internationally. His work is represented by Fred Giampietro Gallery in New Haven, where he and his partner live. artist statement In my work I focus on white supremacy’s relationship to the privileged spaces of my experiences, such as private art and educational institutions. Amidst widening gaps in wealth and opportunity, discussions about race, power, justice and representation—across visual culture broadly—seem more relevant than ever. In many of my compositions, which reference real sites, I have inserted fictional elements to raise questions about the allegiances and priorities of these institutions, as well as people—including myself—who have benefitted from, or continue to support them. The resulting works are representational, but through gestural passages and color and surface manipulation, I aim to suggest instability, corrosion and decay. In the end, I strive to make engaging paintings that suggest dissonance and ambivalence, that entice and challenge viewers, just as painting them does for me. These paintings are rooted in my contemplating Whiteness and emerge from wrestling with the politics of painting—the connections and gaps between painting and lived experience. They also reflect: a love of paint, the act of painting, and the power of the painted image; a regard for practitioners past and present, as well as those for whom practice has not been possible; and an admission of painting’s complicity with hegemonic power. As always, my process remains driven by questions. In this case, questions like: What role does painting play in the face of concrete social crises? How can my paintings respectfully incorporate¬—rather than exploit—relevant and thought-provoking content and imagery? What does it mean to think about racism, dehumanization, injustice, etc., and then to paint such pictures, and in particular as a straight, White man? These questions and this body of work owe much to the work of others, and most acutely to four scholars’ books in particular: The History of White People, by Nell Irvin Painter; Ebony and Ivy: Race, Slavery, and the Troubled History of America’s Universities by Craig Steven Wilder; The New Jim Crow: Mass Incarceration in the Age of Colorblindness, by Michelle Alexander; and White Rage, by Carol Anderson...

Medium: Oil on Board Dimensions: 28.00" x 20.00" Signature: Signed Lower Right

Mykonos Windmill is a lithograph on paper with an image size of 3.75 x 2.75 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and ribb...

Edition of 10 + 3 APs - only APs left in this size Dye sublimated on aluminum Please inquire for additional sizes Born in San Francisco in 1966, Mark Stephen Kornbluth was raised in...

Veteran photographer Mitchell Funk is a man of many different styles. In this gold and grey post-impressionist photograph of Central Park during a snowstorm, Funk captures the moody atmospheric scene which is punctuated by the 19th-century stone staircase of Bethesda Terrace...

They are three distinctly different people. They are living in their own little personal world but yet share the same space. New Yorkers lost in thought and though apart they descen...

Staired Down is a limited edition color photograph, depicting a staged interior scene of a mannequin falling down a set of stairs, in a light green and pink decorated room. Edition ...

Myrtie Cope is inspired by the works of Richard Pare, Ezra Stoller, Berenice Abbott and Abelardo Morrell. This listing is for a framed photograph. Edition of 5. Additional unframed sizes are available. Myrtie Cope is an Atlanta photographer with a focus on architecture and nature. Her ongoing project photographing historic theatres in the Southeast - “Second Act” -was exhibited at the Atlanta Photography...

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Myrtie Cope is inspired by the works of Richard Pare, Ezra Stoller, Berenice Abbott and Abelardo Morrell. This listing is for a framed photograph. Edition of 5. Additional unframed s...

Myrtie Cope is inspired by the works of Richard Pare, Ezra Stoller, Berenice Abbott and Abelardo Morrell. This listing is for an unframed photograph. Edition of 5. Framing options an...

Myrtie Cope is an Atlanta photographer with a focus on architecture and nature. Her ongoing project photographing historic theatres in the Southeast - “Second Act” -was exhibited at the Atlanta Photography Group Gallery in May 2017. Other recent exhibits include "The Poetry of Trees" at Smyrna Public Library Art Gallery, and "Okefenokee" at Judie Jacobs Gallery, as well as being included in numerous group exhibitions. Cope completed the Summer Intensive and Advanced Intensive certificate program at Rocky Mountain School...

Spring in Venice 11.0 x 14.0 x 0.75, 0.5 lbs Acrylic Hand signed by artist Artist's Commentary: "This painting is from from a collection from my whirlwind trip through Europe. V...

The painter and sculptor Martín Carral studied Fine Arts at the University of Barcelona. Carral has been painting gravitational waves for many years, an expanding universe of abyssal...

Last House Standing, Original Acrylic Cityscape Painting on Canvas, 2013 20" x 24" x 1.5" (HxWxD), acrylic on canvas This impressionist cityscape ac...

Photo taken inside the Royal Palace of Milan. Marcelo Soulé (Buenos Aires, 1958) trained at the Artistic Lyceum and the Brera Academy in Milan. He lives...

Kevin Frank statement: For me, combining the techniques of the ancient Greco-Roman painters with those of the old and new masters help to create unique modern images. As with all enc...

4 photographs from up and coming Michigan based photographer, Joseph Glaub. Depicting the Beaver Island Ferry, the commercial buildings of Birmingham an...

Acrylic painting by Anne Finkelstein. Anne Finkelstein’s work is primarily digital photographic montage or painting of the city landscape. Combining disparate view-points she create...

Available unframed ink on paper, 8"x10" Jesse Lambert was born in Hudson, NY and grew up in rural New Hampshire and New York City. Jesse received a BFA from Cooper Union and a MF...

Sasha Bezzubov’s photographic approach has developed through diverse series that address the contemporary condition and explore the nature of the document. Sasha Bezzubov uses a larg...

Michael WOLF (1954 – 2019, Germany) Paris Rooftops 07, 2014 C–print Sheet 172.7 x 121.9 cm (68 x 48 in.) Edition of 9, plus 2 AP; Ed. no. 2/9 Michael Wolf ...

JOHN Yuyi (*1991, Taiwan) A Daily Life in Tokyo 4, 2019 Archival Pigment Print Sheet 90 x 60 cm (36 x 24 in.) Edition of 6, plus 2 AP; Ed. no. 1/6 John Yuyi (*1991, Taiwan) is known...

Signed, numbered and inscribed with title on label fixed to reverse Digital c-type print 50 x 40 inches Edition of 5 Gregory Halpern’s series King, Queen, Knave was photographed ove...

Yoshinori MIZUTANI (*1987, Japan) colors 030, 2013 Archival pigment print on Hahnemuhle Fine Art Baryta paper 27 x 18 cm (10 5/8 x 7 1/8 in.) Edition of 5 plus 2 AP; Ed. no. 2/5 prin...

Stéphane COUTURIER (*1957, France) Les Nouveaux Constructeurs, Sète Sadi Carnot-01, 2018 Cibachrome Sheet: 59 x 70 cm (23 1/4 x 27 1/2 in.) Frame: 63 x 74 x 4 cm (24 3/4 x 29 1/8 x 1...

A prismatic rainbow symbolic of the Gay Flag crowns a pair of purple San Francisco Victorians, adding color and meaning. The whole image exudes a sense of joy...

Photographer Greg Lotus' work can be found regularly in the pages of Italian Vogue, Vanity Fair, GQ, L'Uomo Vogue, and W magazine.

The ephemeral nature of fleeting light is captured in Kodachrome in this early color photograph taken in 1971. The work is signed, dated, and numbered 3/15 lower right recto, other s...

Sculpture of a businessman in the "corner office" Edition of 7

Bronze sculpture by Jim Rennert Edition of 9