Staircase Art

Brigitte Bardot in Braids, Side View, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of ...

Brigitte Bardot in Braids, Side View, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of ...

Brigitte Bardot Sultry, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of Bardot should ...

Chanel Sits on Stairs with Unidentified Woman, 1957 -- Mark Shaw's informal, grainy, black and white images of Coco Chanel were created using an unobtrusive 35mm camera and film proc...

Brigitte Bardot Braids Crossed Ankles, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of...

Coco Sits on Her Mirrored Stairs, 1957 -- Chanel sits on her famous mirrored stairs observing the crowd below. Mark Shaw's informal, grainy, black and white images of Coco Chanel wer...

Brigitte Bardot Braids Crossed Ankles, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of...

Coco Sits on Her Mirrored Stairs, 1957 -- Chanel sits on her famous mirrored stairs observing the crowd below. Mark Shaw's informal, grainy, black and white images of Coco Chanel wer...

Brigitte Bardot Braids Crossed Ankles, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of...

Brigitte Bardot Braids Crossed Ankles, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of...

Coco Sits on Her Mirrored Stairs, 1957 -- Chanel sits on her famous mirrored stairs observing the crowd below. Mark Shaw's informal, grainy, black and white images of Coco Chanel wer...

Chanel Sits on Stairs with Unidentified Woman, 1957 -- Mark Shaw's informal, grainy, black and white images of Coco Chanel were created using an unobtrusive 35mm camera and film proc...

Chanel Sits on Stairs with Unidentified Woman, 1957 -- Mark Shaw's informal, grainy, black and white images of Coco Chanel were created using an unobtrusive 35mm camera and film proc...

Four East Village down-and-out derelicts and apparent friends sit on a step and engage in a lively chat. They are smoking and drinking. Street Photographer Mitchell Funk captures the...

The ephemeral nature of fleeting light is captured in Kodachrome in this early color photograph taken in 1971. The work is signed, dated, and numbered 3/15 lower right recto, other s...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

edition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

Edition of 10 + 3 APs - only APs left in this size Dye sublimated on aluminum Please inquire for additional sizes Born in San Francisco in 1966, Mark Stephen Kornbluth was raised in...

Street Photographer Mitchell Funk shoots an upward view of an old walkup in Hell's Kitchen with golden glittering light against a hot sky. The warm colors vaguely allude to the distr...

Veteran photographer Mitchell Funk is a man of many different styles. In this gold and grey post-impressionist photograph of Central Park during a snowstorm, Funk captures the moody atmospheric scene which is punctuated by the 19th-century stone staircase of Bethesda Terrace...

The Progressive Farmer magazine cover, January 1958 This dynamic scene of a mid-century New Year's Eve party captures the excitement across generations. While adults eagerly anticipate midnight, children watch from the staircase, and an older couple in the background enjoys a quiet moment together at the buffet table. Sarnoff's use of diagonals brings the scene to life, and the inclusion of noisemakers evokes the festive atmosphere. Created as a cover for the January 1958 issue of The Progressive Farmer, this is a prime example of Sarnoff's vibrant style. Approximate Date: 1958 Medium: Oil on Board Signature: Signed Lower Right Size: 25.00" x 22.00" Exhibited: Masters of the Golden Age: Harvey Dunn and His Students South Dakota Art Museum, Brookings, South Dakota May 5, 2015 - September 13, 2015 Norman Rockwell Museum...

An abstracted view of the Art Institute of Chicago's Grand Staircase. The lone sculpture fictionally represents an armed officer pointing a gun at an absent figure. [b. 1977 – New York, NY ::: lives & works – New Haven, CT] CHRIS BARNARD received his BA from Yale and his MFA from The University of Southern California (USC) in Los Angeles. Having previously held faculty positions at Denison University, Indiana University, and USC, Barnard is currently associate professor of art at Connecticut College in New London. Barnard’s work has been shown in solo and group exhibitions in Los Angeles, New York, Chicago, and New Haven, among other locations, and can be found in public and private collections nationally and internationally. His work is represented by Fred Giampietro Gallery in New Haven, where he and his partner live. artist statement In my work I focus on white supremacy’s relationship to the privileged spaces of my experiences, such as private art and educational institutions. Amidst widening gaps in wealth and opportunity, discussions about race, power, justice and representation—across visual culture broadly—seem more relevant than ever. In many of my compositions, which reference real sites, I have inserted fictional elements to raise questions about the allegiances and priorities of these institutions, as well as people—including myself—who have benefitted from, or continue to support them. The resulting works are representational, but through gestural passages and color and surface manipulation, I aim to suggest instability, corrosion and decay. In the end, I strive to make engaging paintings that suggest dissonance and ambivalence, that entice and challenge viewers, just as painting them does for me. These paintings are rooted in my contemplating Whiteness and emerge from wrestling with the politics of painting—the connections and gaps between painting and lived experience. They also reflect: a love of paint, the act of painting, and the power of the painted image; a regard for practitioners past and present, as well as those for whom practice has not been possible; and an admission of painting’s complicity with hegemonic power. As always, my process remains driven by questions. In this case, questions like: What role does painting play in the face of concrete social crises? How can my paintings respectfully incorporate¬—rather than exploit—relevant and thought-provoking content and imagery? What does it mean to think about racism, dehumanization, injustice, etc., and then to paint such pictures, and in particular as a straight, White man? These questions and this body of work owe much to the work of others, and most acutely to four scholars’ books in particular: The History of White People, by Nell Irvin Painter; Ebony and Ivy: Race, Slavery, and the Troubled History of America’s Universities by Craig Steven Wilder; The New Jim Crow: Mass Incarceration in the Age of Colorblindness, by Michelle Alexander; and White Rage, by Carol Anderson...

Mykonos Windmill is a lithograph on paper with an image size of 3.75 x 2.75 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and ribb...

They are three distinctly different people. They are living in their own little personal world but yet share the same space. New Yorkers lost in thought and though apart they descen...

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

The city that boasts the most Victorian Houses San Francisco and the best of them are the That Painted Ladies. The Color Purple . San Francisco Victori...

Myrtie Cope is inspired by the works of Richard Pare, Ezra Stoller, Berenice Abbott and Abelardo Morrell. This listing is for a framed photograph. Edition of 5. Additional unframed sizes are available. Myrtie Cope is an Atlanta photographer with a focus on architecture and nature. Her ongoing project photographing historic theatres in the Southeast - “Second Act” -was exhibited at the Atlanta Photography...

Signed and dated on lower right, numbered on verso, 3/15 , other size available, unframed

Acrylic painting by Anne Finkelstein. Anne Finkelstein’s work is primarily digital photographic montage or painting of the city landscape. Combining disparate view-points she create...

17.5" x 25.5" Unframed Limited Edition Giclee of 50 Hand Signed by Bruce Pittman

Myrtie Cope is inspired by the works of Richard Pare, Ezra Stoller, Berenice Abbott and Abelardo Morrell. This listing is for a framed photograph. Edition of 5. Additional unframed s...

Myrtie Cope is inspired by the works of Richard Pare, Ezra Stoller, Berenice Abbott and Abelardo Morrell. This listing is for an unframed photograph. Edition of 5. Framing options an...

Myrtie Cope is an Atlanta photographer with a focus on architecture and nature. Her ongoing project photographing historic theatres in the Southeast - “Second Act” -was exhibited at the Atlanta Photography Group Gallery in May 2017. Other recent exhibits include "The Poetry of Trees" at Smyrna Public Library Art Gallery, and "Okefenokee" at Judie Jacobs Gallery, as well as being included in numerous group exhibitions. Cope completed the Summer Intensive and Advanced Intensive certificate program at Rocky Mountain School...

Last House Standing, Original Acrylic Cityscape Painting on Canvas, 2013 20" x 24" x 1.5" (HxWxD), acrylic on canvas This impressionist cityscape ac...

MASSIMO LISTRI Reggia di Caserta IV, Italy, 1994 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inches 180 x 225 cm Edition of 5 Fram...

Between 2001 and 2004, the artist produced a series of oil paintings on panel using as a motif the roof of the Casa Milà, better known as La Pedrera, in Barcelona, one of the most em...

The fourth of the artwork in the series dedicated to Gaudí's Casa La Pedrera presents an angular perspective of the iconic rooftops that crown this Modernist Art Nouveau monument fro...

N°1151 2017 Photography Inkjet print on paper Edition 2/7 (limited edition of 7) 80 x 80 cm Signed, with certificate Jean-Paul Baret's créations are part of the continuité ...

4 photographs from up and coming Michigan based photographer, Joseph Glaub. Depicting the Beaver Island Ferry, the commercial buildings of Birmingham an...

Kevin Frank statement: For me, combining the techniques of the ancient Greco-Roman painters with those of the old and new masters help to create unique modern images. As with all enc...

Available unframed ink on paper, 8"x10" Jesse Lambert was born in Hudson, NY and grew up in rural New Hampshire and New York City. Jesse received a BFA from Cooper Union and a MF...

Signed, numbered and inscribed with title on label fixed to reverse Digital c-type print 50 x 40 inches Edition of 5 Gregory Halpern’s series King, Queen, Knave was photographed ove...

Michael WOLF (1954 – 2019, Germany) Paris Rooftops 07, 2014 C–print Sheet 172.7 x 121.9 cm (68 x 48 in.) Edition of 9, plus 2 AP; Ed. no. 2/9 Michael Wolf ...

JOHN Yuyi (*1991, Taiwan) A Daily Life in Tokyo 4, 2019 Archival Pigment Print Sheet 90 x 60 cm (36 x 24 in.) Edition of 6, plus 2 AP; Ed. no. 1/6 John Yuyi (*1991, Taiwan) is known...

Yoshinori MIZUTANI (*1987, Japan) colors 030, 2013 Archival pigment print on Hahnemuhle Fine Art Baryta paper 27 x 18 cm (10 5/8 x 7 1/8 in.) Edition of 5 plus 2 AP; Ed. no. 2/5 prin...

Stéphane COUTURIER (*1957, France) Les Nouveaux Constructeurs, Sète Sadi Carnot-01, 2018 Cibachrome Sheet: 59 x 70 cm (23 1/4 x 27 1/2 in.) Frame: 63 x 74 x 4 cm (24 3/4 x 29 1/8 x 1...

Photographer Greg Lotus' work can be found regularly in the pages of Italian Vogue, Vanity Fair, GQ, L'Uomo Vogue, and W magazine.

A prismatic rainbow symbolic of the Gay Flag crowns a pair of purple San Francisco Victorians, adding color and meaning. The whole image exudes a sense of joy...

Sculpture of a businessman in the "corner office" Edition of 7

Bronze sculpture by Jim Rennert Edition of 9

LOUIS MARCOUSSIS (1883-1941) (Ludwik Kazimierz Wladyslaw Markus) 1878 or 1883 Łódź, Poland – 1941, Cusset, France (Polish/French) Title: Frontispiece for Planches de Salut, 19...

Plant Shadows Mijas is an Original Painting by Eleanor Woolley. This painting was sketched in Mijas and finished in the Studio in Gloucestershire. Walking back down from the Monaster...

The painter and sculptor Martín Carral studied Fine Arts at the University of Barcelona. Carral has been painting gravitational waves for many years, an expanding universe of abyssal...

The painter and sculptor Martín Carral studied Fine Arts at the University of Barcelona. Carral has been painting gravitational waves for many years, an expanding universe of abyssal...

The painter and sculptor Martín Carral studied Fine Arts at the University of Barcelona. Carral has been painting gravitational waves for many years, an expanding universe of abyssal...

The painter and sculptor Martín Carral studied Fine Arts at the University of Barcelona. Carral has been painting gravitational waves for many years, an expanding universe of abyssal...

The painter and sculptor Martín Carral studied Fine Arts at the University of Barcelona. Carral has been painting gravitational waves for many years, an expanding universe of abyssal...

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