Staircase Art

Dior, The First Thirteen Diors, 1953. Image size is 22" x 22" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Ea...

Dior, The First Thirteen Diors, 1953. Image size is 32" X 32" (for 36" X 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Ea...

Dior, The First Thirteen Diors, 1953. Image size is 16" x 16" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Ea...

Dior, Model Vamps in Black Suit, 1954. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editio...

Dior, Model Vamps in Black Suit, 1954. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited edi...

Dior, The First Thirteen Diors, 1953. Image size is 40" x 40" (for 44" x 44" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Ea...

Romance Heroine in White Satin Fath on Stairs, Wide -- Photographed in 1953 at the French country estate, Corbeville, the Irish beauty Anne Gunning poses ...

Salon Dior Portobello Red Gown -- A Christian Dior dress, which was photographed for the September 1954 issue of LIFE at a Paris couture show. Image size is 4...

Salon Dior Portobello Red Gown -- A Christian Dior dress, which was photographed for the September 1954 issue of LIFE at a Paris couture show. Image size is 1...

Salon Dior Portobello Red Gown -- A Christian Dior dress, which was photographed for the September 1954 issue of LIFE at a Paris couture show. Image size is 2...

Salon Dior Portobello Red Gown -- A Christian Dior dress, which was photographed for the September 1954 issue of LIFE at a Paris couture show. Image size is 3...

Salon Dior Portobello Red Gown -- A Christian Dior dress, which was photographed for the September 1954 issue of LIFE at a Paris couture show. Image size is 1...

Brigitte Bardot in Braids, Side View, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of Bardot should have been used as a cover for LIFE, but LIFE, alas, did not have Mark’s vision. Another variation was instead used by the American Society of Magazine Photographers in 1959, as the cover of their industry magazine “Infinity.” Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of Brigitte Bardot in braids. She is sitting at the end of a stone staircase...

Chanel Sits on Stairs with Unidentified Woman, 1957 -- Mark Shaw's informal, grainy, black and white images of Coco Chanel were created using an unobtrusive 35mm camera and film proc...

Coco Sits on Her Mirrored Stares, 1957 -- Chanel sits on her famous mirrored stairs observing the crowd below. Mark Shaw's informal, grainy, black and white images of Coco Chanel wer...

Brigitte Bardot in Braids, Side View, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of ...

Brigitte Bardot Sultry, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of Bardot should ...

Brigitte Bardot in Braids, Side View, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of ...

Brigitte Bardot in Braids, Side View, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of ...

Brigitte Bardot Sultry, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of Bardot should ...

Brigitte Bardot in Braids, Side View, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of ...

Brigitte Bardot Braids Crossed Ankles, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of...

Coco Sits on Her Mirrored Stairs, 1957 -- Chanel sits on her famous mirrored stairs observing the crowd below. Mark Shaw's informal, grainy, black and white images of Coco Chanel wer...

Brigitte Bardot Braids Crossed Ankles, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of...

Brigitte Bardot Braids Crossed Ankles, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of...

Coco Sits on Her Mirrored Stairs, 1957 -- Chanel sits on her famous mirrored stairs observing the crowd below. Mark Shaw's informal, grainy, black and white images of Coco Chanel wer...

Brigitte Bardot Braids Crossed Ankles, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of...

Chanel Sits on Stairs with Unidentified Woman, 1957 -- Mark Shaw's informal, grainy, black and white images of Coco Chanel were created using an unobtrusive 35mm camera and film proc...

Chanel Sits on Stairs with Unidentified Woman, 1957 -- Mark Shaw's informal, grainy, black and white images of Coco Chanel were created using an unobtrusive 35mm camera and film proc...

Coco Sits on Her Mirrored Stairs, 1957 -- Chanel sits on her famous mirrored stairs observing the crowd below. Mark Shaw's informal, grainy, black and white images of Coco Chanel wer...

edition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

Inspired by the drama of chiaroscuro painting by Caravaggio, Mitchell Funk captures figures on the steps of Bryant Park in Manhattan. Unified by the late golden rays of the sun and t...

Veteran photographer Mitchell Funk is a man of many different styles. In this gold and grey post-impressionist photograph of Central Park during a snowstorm, Funk captures the moody atmospheric scene which is punctuated by the 19th-century stone staircase of Bethesda Terrace...

An abstracted view of the Art Institute of Chicago's Grand Staircase. The lone sculpture fictionally represents an armed officer pointing a gun at an absent figure. [b. 1977 – New York, NY ::: lives & works – New Haven, CT] CHRIS BARNARD received his BA from Yale and his MFA from The University of Southern California (USC) in Los Angeles. Having previously held faculty positions at Denison University, Indiana University, and USC, Barnard is currently associate professor of art at Connecticut College in New London. Barnard’s work has been shown in solo and group exhibitions in Los Angeles, New York, Chicago, and New Haven, among other locations, and can be found in public and private collections nationally and internationally. His work is represented by Fred Giampietro Gallery in New Haven, where he and his partner live. artist statement In my work I focus on white supremacy’s relationship to the privileged spaces of my experiences, such as private art and educational institutions. Amidst widening gaps in wealth and opportunity, discussions about race, power, justice and representation—across visual culture broadly—seem more relevant than ever. In many of my compositions, which reference real sites, I have inserted fictional elements to raise questions about the allegiances and priorities of these institutions, as well as people—including myself—who have benefitted from, or continue to support them. The resulting works are representational, but through gestural passages and color and surface manipulation, I aim to suggest instability, corrosion and decay. In the end, I strive to make engaging paintings that suggest dissonance and ambivalence, that entice and challenge viewers, just as painting them does for me. These paintings are rooted in my contemplating Whiteness and emerge from wrestling with the politics of painting—the connections and gaps between painting and lived experience. They also reflect: a love of paint, the act of painting, and the power of the painted image; a regard for practitioners past and present, as well as those for whom practice has not been possible; and an admission of painting’s complicity with hegemonic power. As always, my process remains driven by questions. In this case, questions like: What role does painting play in the face of concrete social crises? How can my paintings respectfully incorporate¬—rather than exploit—relevant and thought-provoking content and imagery? What does it mean to think about racism, dehumanization, injustice, etc., and then to paint such pictures, and in particular as a straight, White man? These questions and this body of work owe much to the work of others, and most acutely to four scholars’ books in particular: The History of White People, by Nell Irvin Painter; Ebony and Ivy: Race, Slavery, and the Troubled History of America’s Universities by Craig Steven Wilder; The New Jim Crow: Mass Incarceration in the Age of Colorblindness, by Michelle Alexander; and White Rage, by Carol Anderson...

Juan Garaizabal is a Spanish conceptual artist born in Madrid, 1971. He has accrued international recognition for his monumental public sculptures. His illuminated Urban Memories str...

Armin Amirian Passive Role-04, 2007 Digital C Print 30 x 20 cm 11 3/4 x 7 7/8 in Edition of 3 plus 2 artist's proofs (#1/3)

Mykonos Windmill is a lithograph on paper with an image size of 3.75 x 2.75 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and ribb...

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Stepwell, India, 2002 - Steve McCurry (Colour Landscape Photography) Signed and affixed with photographer's edition label and numbered on reverse Digital c-type print 20 x 24 inches ...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

They are three distinctly different people. They are living in their own little personal world but yet share the same space. New Yorkers lost in thought and though apart they descen...

Staired Down is a limited edition color photograph, depicting a staged interior scene of a mannequin falling down a set of stairs, in a light green and pink decorated room. Edition ...

Stéphane COUTURIER (*1957, France) E1027+ 123 – Villa Eileen Gray – Photo #3, 2021-2022 C-Print Sheet 110 x 155 cm (43 3/10 × 61 in.) Edition of 5 Framed print Born in 1957 in Neuil...

Myrtie Cope is inspired by the works of Richard Pare, Ezra Stoller, Berenice Abbott and Abelardo Morrell. This listing is for a framed photograph. Edition of 5. Additional unframed s...

Myrtie Cope is inspired by the works of Richard Pare, Ezra Stoller, Berenice Abbott and Abelardo Morrell. This listing is for an unframed photograph. Edition of 5. Framing options an...

The city that boasts the most Victorian Houses San Francisco and the best of them are the That Painted Ladies. The Color Purple . San Francisco Victori...

Myrtie Cope is an Atlanta photographer with a focus on architecture and nature. Her ongoing project photographing historic theatres in the Southeast - “Second Act” -was exhibited at the Atlanta Photography Group Gallery in May 2017. Other recent exhibits include "The Poetry of Trees" at Smyrna Public Library Art Gallery, and "Okefenokee" at Judie Jacobs Gallery, as well as being included in numerous group exhibitions. Cope completed the Summer Intensive and Advanced Intensive certificate program at Rocky Mountain School...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'The river embraced me', 2016 C–type print 56 × 56 cm (22 × 22 in.) Edition of 3 Print only, Signed by the artist This photog...

Walter Strobl opens a new chapter in his explorations of the neverending tension between stillness and movement. Strobl´s vibrant nudes capture women in movement: they are there and gone again, letting the pictoral space pulsate with both the presence and absence of the outlines of their bodies. He paints women with a keen interest in the lived experience of the body, avoiding clichees in his depictions. The viewer is excluded from this inner sensation, but it is precisely the privacy of the model`s slumber that permits us to revel in our own proprioception. His cityscapes and still lives tell their...

Last House Standing, Original Acrylic Cityscape Painting on Canvas, 2013 20" x 24" x 1.5" (HxWxD), acrylic on canvas This impressionist cityscape ac...

The painter and sculptor Martín Carral studied Fine Arts at the University of Barcelona. Carral has been painting gravitational waves for many years, an expanding universe of abyssal...

The second piece in the series dedicated to Casa Milà, known as La Pedrera, by Gaudí. This painting captures a detailed view of the buttress of one of the rooftop towers, highlightin...

Kevin Frank statement: For me, combining the techniques of the ancient Greco-Roman painters with those of the old and new masters help to create unique modern images. As with all enc...

4 photographs from up and coming Michigan based photographer, Joseph Glaub. Depicting the Beaver Island Ferry, the commercial buildings of Birmingham an...

The pursuit for something new, unique forms and compositions, found in our everyday exterior environments are the subjects that are consistently sought after as the major contributor...

20"x 24" available unframed This photograph depicts a look down a stairwell at Greystone Park Hospital, from a central perspective showing the cascading stairs as they recede int...

Available unframed ink on paper, 8"x10" Jesse Lambert was born in Hudson, NY and grew up in rural New Hampshire and New York City. Jesse received a BFA from Cooper Union and a MF...

Sasha Bezzubov’s photographic approach has developed through diverse series that address the contemporary condition and explore the nature of the document. Sasha Bezzubov uses a larg...