Staircase Art

Brigitte Bardot Sultry, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of Bardot should ...

M.C. ESCHER (1898-1972) The Impossible Staircase, 2008 Facsimile after the original woodcut from 1935 Signed in the plate Numbered / 450 copies (the number you can see can be differ...

This photo is printed on an archival pigment print and then mounted on a 1/4" Plexiglas and comes ready to hang.

Bij het klimmen van de zon Sunset Oil Painting on Canvas Architecture In Stock MICHIEL SCHRIJVER His paintings are like voyages of discovery. The buildings and landscapes on Schrijv...

50 x 46.3 inches ed. of 10 $6,000 60 x 55.6 inches ed. of 7 $9,000 70 x 64.8 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format ph...

Archival Pigment Print - MOUNTED AND FRAMED 60 x 75 inches – edition of 5 Ask us for custom framing options. CHROMA presents David Burdeny EUROPE series. Limited edition prints, w...

Original story illustration for the conclusion of “Blue Marigolds: The Mad, Sweet Dreams of Youth Come True” by Helen Topping Miller for Good Housekeeping, published June 1934, pages...

HANS WITHOOS (Rotterdam, The Netherlands) LE GRAND FINALE 40 x 60 inches - Edition of 9 Fine art inkjet print on special paper rag, on Dibond Mounted and Framed Hans Withoos care...

Frameless. Artwork Information: "Combarro, Galicia" by Rafael Duran Benet Title: Combarro, Galicia Artist: Rafael Duran Benet (1931-2015) Medium: Oil on canvas Dimensions: 46...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Photo taken inside the San Carlo Church of Milan. Marcelo Soulé (Buenos Aires, 1958) trained at the Artistic Lyceum and the Brera Academy in Milan. He l...

Kaplica by Gina Soden [2014] limited_edition and hand signed by the artist Digital photograph on Baryta paper Edition number 9 Image size: H:70.02 cm x W:105 cm Complete Size of...

Antique American oil painting of a southern courtyard by Charles Baskerville Jr (1896 - 1994). Oil on canvas, circa 1950. Signed. Displayed ...

Photography is a means of artistic expression; the scene before me is always the starting point of an adventure. My artworks are inspired by a contemplative gaze: each shot is not ju...

"Bleak House 4-5-20" is an architectural watercolor painting featuring hues of blue, tan, pink and green. Kathryn Keller is inspired by the works of Georg...

I wish to confront the documentary tradition of Western photography by creating work that merges the realistic with the abstract. By intentionally questioning my own artistic allegia...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

A grand neoclassical staircase recedes toward a ornate doorway at the vanishing point, its warm terracotta walls and white marble steps rendered with confident, painterly realism. Tw...

Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, December 2, 1950 The Post described, “One night Art Editor Stuart was having a party. His three boys came downstairs four times and were conducted back up by their mother. The next time they came down, Papa Stuart waxed excited, firmly conveyed them aloft himself, and they did not show up again. Stuart was warmly congratulated on his success as a father. When the party broke up, the youngest lad was found asleep on the stairs. Stuart claims that the older ones never did come down again, but this was probably because they merely went to sleep in their beds from natural causes. George Hugehes has painted some other people’s offspring, to get over the idea that children all over America are eager to improve their minds by listening to sophisticated conversation.” (The Saturday Evening Post, December 2, 1950, p. 3) Exhibited: Norman Rockwell Museum...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. Photographer Ludwig Favre's affinity for shooting California is deeply tied to nostalgi...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In her ninth solo show at the Robin Rice Gallery, veteran artist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook, a babbling brook running through the property. The classic architecture of the house is offset by uniquely quirky interiors designed by the English-born Patricia and her husband, Anthony Cotsifas, which generate an otherworldly existence within the estate. “Peabrook is my Neverland,” Heal states, in reference to J.M. Barrie’s Peter Pan. “It is a fictional place often described as a metaphor for eternal childhood.” Heal hopes that, with just a visit to the gallery and a little imagination, you, too, can see Peabrook. Her use of the large format, now-extinct Polaroid film for her black and white photographs, and the warm soft colors found in many of the other pieces of the collection, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter, including mythical creatures and extensive taxidermy, complete the “magical” representation of Heal’s home that she strove to depict. The simply framed 4” x 5”, 5” x 7” and 8” x 10” photographs sit within large mattes, in keeping with the classical quality of her images. “I really wanted to work in film again, and this project seemed the right one to do it with,” says Heal, who lists Sarah Moon and André Kertesz as artistic inspirations. The dark and mysterious invitational image, “Willow”, depicts a portrait of a hooded woman, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden. The earth-toned image contains the unpredictable streaked effect of developed instant film. In another image, entitled “Sitting Room”, we see a positive image of a film negative. Most notable is the hanging rhinoceros head towering impressively over two antique sitting chairs...

Photography is a means of artistic expression; the scene before me is always the starting point of an adventure. My artworks are inspired by a contemplative gaze: each shot is not ju...

Photography is a means of artistic expression; the scene before me is always the starting point of an adventure. My artworks are inspired by a contemplative gaze: each shot is not ju...

Domestic Vacations: The Dutch proverb "a Jan Steen household" originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous f...

6159 Oversized framed oil painting of Jazz musical instruments. Signed

Fire Escape By Stuart Möller A view of a fire escape on the side of a New York City building, New York. 20 x 30" inches / 51 x 76 cm paper size Archival pigment print Unframed (fr...

A young boy walking in the narrow alleys of the town of Chefchaouen in Morocco. :: Photograph :: Black & White :: This piece comes with an official certificate of authenticity signe...

From the “I Want To Break Free” video, Queen. Men as women, 1984. Photo by Globe Archives Paper size 24 x 24" / 61 x 61cm Unframed Archival Pigment Print Certificate of authenticit...

Very well executed oil on canvas painting of a French countryside view by J.S. Dorange. Signed lower right. Condition is very good. Circa 1920. The style is academic with more of an...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

My blue series of paintings, studies of the many shades of blue, it looks so amazing with black outline and white highlights. So many blues, so little time, cerulean, cobalt, ultrama...

Beach Huts, seaside photography by Richard Heeps, captured this in one of his favourite areas of the UK, Norfolk on the east coast not too far from...

Lithograph on paper. Hand signed and numbered in pencil. Edition of 25. Very good condition.

This black-and-white photograph, taken in 1952 in Paris along the Seine River, captures a tranquil and picturesque moment. In the foreground, a man wearing a light-colored straw hat ...

Oil on canvas

John Baldessari (June 17, 1931 - January 2, 2020, American) Two Figures: One Leaping, One Reacting 2005 Photolithograph and lithograph with embossing and debossing on wove paper 22 1...

Drawing size: 50 x 37.5 cm Paper size: 74 x 58 cm Sara Menon was born in 1985 in Palmanova and lives and works in Aquileia, in the province of Udine. She specialized in the restoration of paintings and wooden sculptures in Mantua, a profession she still pursues today, while continuing to experiment with other art forms such as painting, sculpture and illustration. Her passion and activity as a naturalistic and scientific illustrator began in 2002, when she collaborated with medical examiner Gianpiero Ceci, producing a series of anatomical-surgical plates to accompany her publications, mainly related to the field of obstetrics and gynecology. In 2010, through the European Institute of Design in Milan, she had the opportunity to meet and get to know the illustrator Massimo Demma, who allowed her to refine the method and painting techniques used in scientific investigation and the rendering of natural data, as well as further knowledge in the field of naturalistic illustration. She had the opportunity to publish some naturalistic plates for the publishing house Il Prato...

Print: 10/23/98

1960s oil on board painting of a Paris street scene by Nicola Ortis Poucette. The painting is signed bottom right. Presented in modern white gloss frame. A charming French mid century oil painting...

Archival Pigment Print - Unframed - Ask us for custom framing options. Signed by the artist 55 x 44 inches – edition of 10 Extinction Nocturne newest series by David Burdeny. This...

This painting titled "Daddy I See You" is an original artwork by Mamus Esiebo made of acrylic on canvas. The piece measures 35"h x 35.5"w and is signed by the artist. Mamus Esiebo, ...

Ed: 28/300 Paper glue to cardboard Dimension with frame : 145 x 83.5 x 3.7 cm This captivating painting depicts an interior space marked by a striking interplay of light and shadow. ...

Artist: Ferjo Title: Serenity Size: 30 x 40 Inches Medium: Giclee on Canvas Edition: AP Year: 2003 Notes: Hand Signed on Front. Stretched. Gallery COA Included. Custom Framed...

19 x 24 inch digital chromogenic print Edition 15 +3AP Signed, titled, dated and editioned on frame label provided Neal Slavin, a native New Yorker, began photographing groups i...

Michael WOLF (1954 – 2019, Germany) Transparent City #25, 2007 C–print Sheet 121.9 x 162.5 cm (48 x 64 in.) Edition of 9, plus 2 AP; Ed. no. 4/9 Prin...

AP2 of 5 editions with 2 AP's. Malou da Cunha Bang (b. 1982) graduated with a BFA in 2014 and a MFA in 2016 from The Royal Institute of Art in Stockholm. She lives and works in Cope...

Hiroshi Yoshida, 'Chion-in Temple Gate (Sunset)' from the series 'Eight Scenes of Cherry Blossoms (Sakura hachi dai: Sakura mon)', color woodblock print, 1935. Signed in brush 'Yoshida' and in pencil 'Hiroshi Yoshida'. A superb, early impression, with fresh colors; the full sheet with margins, on cream Japan paper; an area of slight toning in the top right sheet corner, not affecting the image, otherwise in excellent condition. Marked with a jizuri (self-printed) seal, upper left margin. Self-published by the artist. Image size 9 5/8 x 14 3/4 inches (444 x 375 mm); sheet size 10 7/8 x 16 inches (276 x 406 mm). Archivally sleeved, unmatted. Provenance: M. Nakazawa, Tokyo. Literature: Japanese Landscapes of the 20th Century (Hotei Publishing calendar), 2001, May. Collections: Honolulu Museum of Art, Museum of Fine Arts, Boston. ABOUT THE IMAGE Located in Kyoto, Chionin is the main temple of the Jodo sect of Japanese Buddhism, one of the most popular Buddhist sects in Japan, having millions of followers. The Sanmon Gate, Chionin's entrance gate, standing 24 meters tall and 50 meters wide, it is the largest wooden temple gate in Japan and dates back to the early 1600s. Behind the gate, a broad set of stairs leads to the main temple grounds. ABOUT THE ARTIST Painter and printmaker Yoshida Hiroshi (1876-1950) is regarded as one of the greatest artists of the Japanese 'shin hanga' (New Print) movement. Yoshida was born as the second son of Ueda Tsukane in Kurume, Fukuoka Prefecture, a schoolteacher from an old samurai family. In 1891 he was adopted by his art teacher Yoshida Kasaburo in Fukuoka and took his surname. In 1893 he went to Kyoto to study painting, and the following year to Tokyo to join Koyama Shotaro's Fudosha private school; he also became a member of the Meiji Fine Arts Society. These institutions taught and advocated Western-style painting, greatly influencing Yoshida’s artistic development. In 1899 Yoshida had his first American exhibition at Detroit Museum of Art (now Detroit Institute of Art), making the first of many visits to the US and Europe. In 1902 he helped reorganize the Meiji Fine Arts Society, renaming it the Taiheiyo-Gakai (Pacific Painting...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

The Progressive Farmer magazine cover, January 1958 This dynamic scene of a mid-century New Year's Eve party captures the excitement across generations. While adults eagerly anticipate midnight, children watch from the staircase, and an older couple in the background enjoys a quiet moment together at the buffet table. Sarnoff's use of diagonals brings the scene to life, and the inclusion of noisemakers evokes the festive atmosphere. Created as a cover for the January 1958 issue of The Progressive Farmer, this is a prime example of Sarnoff's vibrant style. Approximate Date: 1958 Medium: Oil on Board Signature: Signed Lower Right Size: 25.00" x 22.00" Exhibited: Masters of the Golden Age: Harvey Dunn and His Students South Dakota Art Museum, Brookings, South Dakota May 5, 2015 - September 13, 2015 Norman Rockwell Museum...

Story illustration for “Julie” by Frederick Orin Bartlett for The Saturday Evening Post, published August 14, 1920, page 7. The full caption reads: “‘Julie, do you love me?’ She ...

Museum quality print of The Beatles, taken on stage in Tokyo, Japan, by photographer Robert Whitaker. The Beatles ascend the steps to the stage at Tokyo's Nippon Budokan for a matin...

Lithograph on paper. Hand Signed and numbered. Edition of 125 pieces of which 25 in Roman Numbers. Very good condition.

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 31.00" x 24.25;" Framed 37.00" x 30.00" Cover of the December 23rd, 1939 issue of The Saturday Evening Post. Literatu...

L’étoile, from the series Fantômes, 2025. © Diana Markosian / Aperture Framed and Signed Magnum/Aperture square print sale Diana Markosian takes an intimate approach to her photogr...

Etching realized by Antonio Saliola in 1990s. Titled and signed in pencil. Very good condition.

Artist Comments
A corridor in a public space hosts a series of windows. Their rhythmic repetition adds a sense of movement, while the harmonious color scheme of beige, grey, ...

Atrium is a limited-edition photograph by British contemporary artist Gina Soden. This photograph is sold unframed as a print only. It is available in 3 dimensions: *54.8 cm × 44.64...

Title: Along the Wall Medium: Oil on canvas Size: 23.5 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This ...

Etching on cream laid paper, 1930. 7 1/2 x 3 7/8 inches (190 x 970 mm), full margins. Signed and inscribed "Edition 100" in pencil, lower margin. In very good condition with minor s...

GL 10-23 is a limited-edition photograph by French contemporary artist Riccardo Varini. This photograph is sold unframed as a print only. It is available in only one size: *45 × 30...