Staircase Art

This piece is an original photograph from the original negative, shot by Ted Allan in 1936 and printed at a later date. This photograph depicts American film actress and sex symbol, Jean Harlow...

A young boy walking in the narrow alleys of the town of Chefchaouen in Morocco. :: Photograph :: Black & White :: This piece comes with an official certificate of authenticity signe...

Archival Pigment Print - MOUNTED AND FRAMED 60 x 75 inches – edition of 5 Ask us for custom framing options. CHROMA presents David Burdeny EUROPE series. Limited edition prints, w...

DANNY GALIEOTE On Duty Oil on Canvas 16 x 12 inches 18.5 x 14.5 inches, Framed Danny Galieote has a propensity for capturing the quintessentials of Americana in works that blend re...

Original Oil Painting signed by the Artist in the lower right corner.

Old Days  - Historical Photo is a vintage black and white photograph realized in the mid-20th Century. Good conditions.

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Five original watercolor stage set designs by Lane Halteman, for a lover of theatre, your favorite thespian or just something very unusual and attenti...

Photography is a means of artistic expression; the scene before me is always the starting point of an adventure. My artworks are inspired by a contemplative gaze: each shot is not ju...

Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, December 2, 1950 The Post described, “One night Art Editor Stuart was having a party. His three boys came downstairs four times and were conducted back up by their mother. The next time they came down, Papa Stuart waxed excited, firmly conveyed them aloft himself, and they did not show up again. Stuart was warmly congratulated on his success as a father. When the party broke up, the youngest lad was found asleep on the stairs. Stuart claims that the older ones never did come down again, but this was probably because they merely went to sleep in their beds from natural causes. George Hugehes has painted some other people’s offspring, to get over the idea that children all over America are eager to improve their minds by listening to sophisticated conversation.” (The Saturday Evening Post, December 2, 1950, p. 3) Exhibited: Norman Rockwell Museum...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. In "Dream Deck," Anne Valverde presents a twilight meditation where the art of photography meets the tangible touch of installation. Valverde personally selects and places neon text, a radiant declaration of 'dreams,' onto a tranquil lakeside pier. This glowing script becomes the focal point, blurring the line between the environment and the message it carries. With an artist’s eye for the profound symbiosis between word and world, Valverde chooses the placement and font of the neon text to complement the natural serenity of the dusk-lit waters. The radiant blue of the evening sky mingles with the reflective surface of the lake, creating a seamless blend of color and calm, while the neon installation offers a striking visual contrast — a bridge between the viewer’s reality and the infinite potential of the dream world. The artistry of "Dream Deck" lies in its invitation to pause and ponder, prompted by the glowing invitation to dream, suspended just above the water’s surface. Valverde’s photograph is a carefully orchestrated composition that speaks to the dreamer within, suggesting that within the stillness of nature’s embrace, there is space to dream out loud. This piece is more than a snapshot of a place; it is a deliberate performance of light and typography, a narrative captured in a single, still moment that encourages the viewer to engage with the fluid boundaries of dreams. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

Photography is a means of artistic expression; the scene before me is always the starting point of an adventure. My artworks are inspired by a contemplative gaze: each shot is not ju...

ALEXANDER STOLIN, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South.   Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

Photography is a means of artistic expression; the scene before me is always the starting point of an adventure. My artworks are inspired by a contemplative gaze: each shot is not ju...

Doug Reina is a two-time Pollock-Krasner grant recipient whose studio is in Setauket, New York. Reina is a full-time artist who creates paintings both on location and in his studio o...

Bij het klimmen van de zon Sunset Oil Painting on Canvas Architecture In Stock MICHIEL SCHRIJVER His paintings are like voyages of discovery. The buildings and landscapes on Schrijv...

While "Composition for Film" evokes notable associations with masters of painting and poetry known precisely for their ability to evoke slow time, intimacy, poetry, and introversion ...

This photo is printed on an archival pigment print and then mounted on a 1/4" Plexiglas and comes ready to hang.

Francis Gilbert Trott (British, 20th Century) Newlyn Harbour, Cornwall Oil on canvas, signed lower right Circa 1940–1950 A charming and beautifully atmospheric harbour scene by the ...

Brigitte Bardot Sultry, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of Bardot should ...

Kaplica by Gina Soden [2014] limited_edition and hand signed by the artist Digital photograph on Baryta paper Edition number 9 Image size: H:70.02 cm x W:105 cm Complete Size of...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Paper Size: 36 x 24 inches ( 91.44 x 60.96 cm )?Image Size: 36 x 24 inches ( 91.44 x 60.96 cm )?Framed: No?Condition: A-: Near Mint, very light signs of handling??Additional Details:...

HANS WITHOOS (Rotterdam, The Netherlands) LE GRAND FINALE 40 x 60 inches - Edition of 9 Fine art inkjet print on special paper rag, on Dibond Mounted and Framed Hans Withoos care...

"Bleak House 4-5-20" is an architectural watercolor painting featuring hues of blue, tan, pink and green. Kathryn Keller is inspired by the works of Georg...

Antique American modernist cityscape oil painting. Oil on canvas.

"Lago di Como" Photography Edition 3/5 32" x 24" inch by Lukas Dvorak Pigment print on Epson Fine ART paper 2009 Unframed Ships rolled in a tube ABO...

Original painting on canvas. Hand signed lower front by Ferjo. Canvas size 69.5 x 85 inches. Painting will ship unstretched, rolled in an extra large tube. Artwork is in excellen...

Story illustration for “Julie” by Frederick Orin Bartlett for The Saturday Evening Post, published August 14, 1920, page 7. The full caption reads: “‘Julie, do you love me?’ She ...

Joanne Tod (b. 1953) is a renowned Canadian painter acclaimed for her unwavering approach to realism, technical precision, and critical wit. She is also one of the country's most celebrated living portrait artists. Tod has frequently depicted institutional buildings such as banks, museums, and post offices to explore the architecture of authority and trust. These essential urban institutions shape our lives whether we acknowledge them or not. In her paintings, decorative elements such as columns and classical façades convey importance and permanence, while demanding our respect or even dependence. Tod highlights the aesthetic characteristics of these edifices, showing how power can be conveyed through beauty and awe. This painting is a portrait of the New York Life Insurance building, located at Place d'Armes in Old Montreal. The city was once known as a powerhouse of commerce, particularly in the 19th century, with most of the corporate headquarters based in this area. At the time of completion, circa 1899, this building was the tallest structure in the city and one of the most prestigious office buildings. Today this structure remains impressive, standing out with its striking red sandstone exterior, elegant clock tower and lavish interior. Tod is originally from Montreal, so her Place d'Armes paintings have a special resonance for her. See another painting from the series here. Tod captures the decorative features of the historic building in "New York Life." Painting in her signature realist style, she treats each surface with care, applying thin layers of paint to amplify the brighter hues. The veined marble...

Part of The Nomadic Series. Artist Kristin Llamas spent 13 months traveling and painting in all fifty states. Each painting was inspired by the artist’s personal experiences in that state. From K’s journal… In Cincinnati, Alfonso and I tour the Taft Museum. We like to split up in museums and meet back to talk about our favorite paintings. While walking through the galleries, I realize that we haven’t left each other’s side since the MOCA in Chicago. People always say that the first year with a baby is tough on a marriage, but I wonder what they say about newlyweds living on the road together for a year. I’m convinced that if we can make it through this, we can make it through anything! For now, we do make it to Columbus. We drive through the Brewery District and German Village. Then, we end up at a tucked away place called The Book Loft. Down an uneven brick walkway, the entrance to the Book Loft leads to a thirty-two-room maze of manuscripts. Without exaggeration, one could easily get lost in this labyrinth of literature…of course I do. To help find the exit, there are little stickers and arrows on the floor leading the way out. While we could spend our entire week exploring this bookstore alone, we follow the arrows out and decide to pay homage to Mr. Dave Thomas. I totaled it up and at this point in our trip we have eaten 114 99¢ Wendy’s side salads. The salad is lunch and the container is a paint palette. It only seems fitting to stop and visit the original Wendy’s before leaving Columbia. Every step we take, I scribble another page into my sketchbook and little elements of the state sneak into my composition. We explore the Rock & Roll Hall of Fame in Cleveland, but when we travel to Kent State, time stands still. I run my hand over the bullet hole that has forever scarred a metal sculpture in the lawn. Allison Krause, Jeffrey Miller, Sandra Scheuer and William Schroeder were killed here in the shooting on May 4th 1970 when the National Guard opened fire. Nine students were wounded, with one permanently paralyzed, and several seriously maimed. Today, on the hill where students fled, it is a piece of art which stands as a permanent reminder of that tragic day. The next day is full of lighter journeys as we bounce around to road-side oddities. We walk through a field of cement corn in Dublin, climb a Native American tribute made of stone blocks, and stand in front of an eight story building shaped like a Longaberger basket. As evening closes in, an Amish carriage leads us down the road to Mansfield. We have scheduled to meet with the director of their art center and to our surprise, our arrival feels as if a red carpet has been rolled out for us. We are so used to a humbly appreciating a quick meeting with gallery owners so when The Executive Director of the Mansfield Art Center takes his afternoon off to show us around, you can imagine our surprise. We head with him to the Walnut Lounge for lunch and dive into some fried pickles. I mention the Amish buggies that we’ve seen around and we learn that Ohio currently has the largest Amish population in all of America. Apparently tax breaks on Ohio land has lead to the recent influx of Amish communities from Pennsylvania. That same night, we are invited to attend a Saturday night symphony followed by dinner with some of the director’s friends. As Alfonso plays a few songs around their evening fire, we are asked to present an assembly for the Elementary school and give a talk at an Art Center luncheon. We aren’t difficult to convince, however the cherry on top is that I am given a true studio...

Original story illustration for the conclusion of “Blue Marigolds: The Mad, Sweet Dreams of Youth Come True” by Helen Topping Miller for Good Housekeeping, published June 1934, pages...

Etching realized by Antonio Saliola in 1990s. Titled and signed in pencil. Very good condition.

Auguste Chabaud was born in Nimes, France and attended the Ecole des Beaux-Arts in Avignon and Paris.He lived in the area of Montmarte where he had a studio and painted various scene...

Ed: 28/300 Paper glue to cardboard Dimension with frame : 145 x 83.5 x 3.7 cm This captivating painting depicts an interior space marked by a striking interplay of light and shadow. ...

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 31.00" x 24.25;" Framed 37.00" x 30.00" Cover of the December 23rd, 1939 issue of The Saturday Evening Post. Literatu...

Photography is a means of artistic expression; the scene before me is always the starting point of an adventure. My artworks are inspired by a contemplative gaze: each shot is not ju...

Photography is a means of artistic expression; the scene before me is always the starting point of an adventure. My artworks are inspired by a contemplative gaze: each shot is not ju...

Drawing size: 50 x 37.5 cm Paper size: 74 x 58 cm Sara Menon was born in 1985 in Palmanova and lives and works in Aquileia, in the province of Udine. She specialized in the restoration of paintings and wooden sculptures in Mantua, a profession she still pursues today, while continuing to experiment with other art forms such as painting, sculpture and illustration. Her passion and activity as a naturalistic and scientific illustrator began in 2002, when she collaborated with medical examiner Gianpiero Ceci, producing a series of anatomical-surgical plates to accompany her publications, mainly related to the field of obstetrics and gynecology. In 2010, through the European Institute of Design in Milan, she had the opportunity to meet and get to know the illustrator Massimo Demma, who allowed her to refine the method and painting techniques used in scientific investigation and the rendering of natural data, as well as further knowledge in the field of naturalistic illustration. She had the opportunity to publish some naturalistic plates for the publishing house Il Prato...

M.C. ESCHER (1898-1972) The Impossible Staircase, 2008 Facsimile after the original woodcut from 1935 Signed in the plate Numbered / 450 copies (the number you can see can be differ...

Painting size without frame: 15"x20 1/2" Painting size with frame: 21"x26 1/2" Period Foster Brothers Frame Painting is signed lower right. A lively boardwalk scene by Theresa Ber...

Photography is a means of artistic expression; the scene before me is always the starting point of an adventure. My artworks are inspired by a contemplative gaze: each shot is not ju...

My blue series of paintings, studies of the many shades of blue, it looks so amazing with black outline and white highlights. So many blues, so little time, cerulean, cobalt, ultrama...

Oil on canvas

This series of pieces is the result of an investigation into the use of light as a tool for the representation of reality and image creation. Starting in the 40s, the work of the art...

Hand printed Platinum Print Edition Artist Proof 13x16 Mount

"Street Scene, Sperlonga Italy" is a watercolor by award-winning L.A. artist and architect Thomas W. Schaller. The painting depicts layers of steps, walkways, arches, and windows. Peaceful and alive with light, the streets of Sperlonga Italy lend themselves freely to a heart of adventure and exploration. Thomas's attention to immediate detail reminds the viewer to be present and to soak in every moment as something extraordinary. This architectural watercolor is primarily painted in brown, tan, and blue colors. For more works by Thomas Schaller...

Etching realized by Antonio Saliola in 1990s. Titled and signed in pencil. Very good condition.

A grand neoclassical staircase recedes toward a ornate doorway at the vanishing point, its warm terracotta walls and white marble steps rendered with confident, painterly realism. Tw...

AP2 of 5 editions with 2 AP's. Malou da Cunha Bang (b. 1982) graduated with a BFA in 2014 and a MFA in 2016 from The Royal Institute of Art in Stockholm. She lives and works in Cope...

Lithograph on paper. Hand signed and numbered by artist with pencil. Edition of 25 prints in Roman Numerals plus artist's proof.

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. Photographer Ludwig Favre's affinity for shooting California is deeply tied to nostalgi...

Agitazione is a limited-edition photograph by British contemporary artist Gina Soden. This photograph is sold unframed as a print only. It is available in 2 dimensions: *44,64 × 64...

Rebecca Skinner’s “Looking Up” was photographed at an abandoned asylum and is part of her “Forgotten” series raising mental health awareness. A fisheye lens gives the ornate, iron st...

A contemporary color photograph of a spiral staircase in Rome, Italy by Roberta Fineberg (RF) the artist captures a symmetrical cylindrical stairwell in the Eternal City. For her Ci...

Atrium is a limited-edition photograph by British contemporary artist Gina Soden. This photograph is sold unframed as a print only. It is available in 3 dimensions: *54.8 cm × 44.64...

"Steps", a highly realistic late 20th century watercolor landscape of a staircase in front of a wooden barn by Verne R. Horton (American, 1941-2020), 1986. Horton's background as a technical artist and draftsman is apparent in the fine details of this piece, such as the crisply rendered planks of wood that comprise the barn, the individual pieces of metal that form the railing, and each block of cement that make up the staircase. Horton's meticulous rendering of shadows enhances the sense of realism. Signed and dated "Verne R. Horton '86" lower right. Signed and titled "Steps" on verso. Displayed in a new off-white mat and rustic wood frame with plexiglass. Image size: 13.75"H x 9.75"W. Born February 1, 1941 in Los Angeles, CA, Verne R. Horton went to Los Angeles State College where he earned a degree in pre-architecture. As a young man Verne joined the US Navy, in 1960 and served as a draftsman until 1965. After leaving the Navy, he ended up as a technical artist for North American Aviation. His charge: illustrating publicity pictures for the Apollo space program. After working on the Apollo program for three and a half years, he was lured into the corporate world as a regional manager for New York Life Insurance. Horton said he did virtually no artwork in the 17 years he worked for the insurance company. He ended up earning another degree in insurance and finance from American College in Bryn Mawr, Penn., in 1978. He moved within the company 14 times in 17 years, living in Los Angeles, Hawaii, Arizona and San Francisco. "Then I had an awareness that I had always wanted to be an artist," he said. "It seemed that if I were going to do it, I needed to just do it." He quit his job and became a fine artist. Horton's paintings and sculptures are truly those of a professional. He specializes in 1800s to 1930s Western Americana, but his love is steam era railroad art. "You must have historical accuracy. The worst thing is to have somebody come by and say, 'That's not right," Horton said. "You can't get involved in the history of the railroad without getting to know a community." It was his insistence on historical accuracy and love of railroads that brought him to Carson City...

John Baldessari (June 17, 1931 - January 2, 2020, American) Two Figures: One Leaping, One Reacting 2005 Photolithograph and lithograph with embossing and debossing on wove paper 22 1...

Title: The Great Wall Medium: Oil on canvas Size: 19.5 x 15.75 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This...

Very well executed oil on canvas painting of a French countryside view by J.S. Dorange. Signed lower right. Condition is very good. Circa 1920. The style is academic with more of an...