Stencil Art

ink drawing on paper blind contour drawing, artists self-portrait

Acrylic paint on cut paper pasted on paper Signed and dated lower left Unique work

AMERICA MARTIN "James Baldwin No.1 Unframed" Ink on Paper 14" x 11" A portion of each sale will be donated to the ACLU + NAACP JoAnne Artman Gallery proudly introduces America Mart...

Artist: Dan May (American, 1955-) Title: "Nude with Dogs" *Signed and numbered by May in pencil lower left Year: 2005 Medium: Original Screenprint on unbranded white wove paper Limit...

Artist: Dan May (American, 1955-) Title: "Reclining Nude (Black)" *Signed and numbered by May in pencil lower left Year: 1995 Medium: Original Screenprint on unbranded white wove paper Limited edition: 45/50 Printer: the artist May himself, Oakland, CA Publisher: the artist May himself, Oakland, CA Sheet size: 20.25" x 24" Image size: 11.38" x 17.13" Condition: In excellent condition Notes: Titled and dated by May in pencil lower right. Biography: Dan May is an American painter and printmaker born on March 11, 1955 in San Francisco, CA. Raised in aesthetic surroundings heavily influenced by his architect father, May grew up learning to view all things with an eye for design, color, and shape. At age 5, he remembers his father cutting up a book of drawings by Henri Matisse and hanging them on the walls of their home. The French master Matisse as well as Richard Diebenkorn and David Hockney are his favorite art influences. He began his first attempts at painting at age 15, and later began to experiment with printmaking, teaching himself various techniques such as woodblock printing, etching, silkscreen printing, and monoprinting. Monoprinting soon became May's medium of choice due to its wide range of expression and spontaneity that he felt other techniques lacked. May - "With monoprinting, you can only work a piece for as a long as the paint stays wet, so the resulting print has a feeling of movement and immediacy. I also like how monoprinting allows the brush strokes to transfer a transparent light quality to the print. For me, this is a technique that bridges drawing...

Woodcut, 2020. Signed in pencil, numbered from the edition of 20.

Ink on paper Helen Warner is a British artist born in 1978 who lives and works in Southampton, UK. She studied Art, Sport Studies and Human Biology at co...

Vik Muniz 1961-present Brazilian Andy Warhol, from the Pictures of Ink series Cibachrome print on photographic paper This work by Vik Muniz, the contemporary Brazilian artist ren...

Uncovering abstractions by moving my camera while I take the photo. :: Photograph :: Color :: This piece comes with an official certificate of authenticity signed by the artist :: R...

Still Image Motion Photography. :: Photograph :: Color :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: S...

Mouvement (story) is a fine-art pigment print on Hahnemühle cotton paper, part of the Storybodies series in which the artist investigates the practice of portraiture through self-sho...

TECHNICAL INFORMATION Shepard Fairey Corporate Violence for Sale 2011 Screenprint 24 x 18 in. Edition 109 of 450 Pencil signed and numbered Condition: This work is in excellent con...

Donald Baechler Thistle; 1999 Lithograph 43 1/2 x 21 3/4 inches Signed and dated in the lower right Numbered from the edition of 75 in the lower left Published by Brooke Alexander, I...

Unstretched giclee on canvas. Hand signed and numbered by the artist. Edition of 35. Image size when stretched is approx 14 x 14 inches. Unstretched canvas size is 19 x 19 inches. ...

Pintura acrilica en bastidor de madera sobre soporte de tela. Se suministra con los cantos acabados listo para ser colgado. Lleva una capa de barniz para evitar el polvo y la humed...

Pintura acrilica en bastidor de madera sobre soporte de tela. Se suministra con los cantos acabados listo para ser colgado. Lleva una capa de barniz para evitar el polvo y la humed...

Pintura acrilica en bastidor de madera sobre soporte de tela. Se suministra con los cantos acabados listo para ser colgado. Lleva una capa de barniz para evitar el polvo y la humed...

The work was inspired by the great and only John Lennon. For me, he is the inspirer and teacher, musician, philosopher - artist. John is all that humanity is capable of in the good sense of the word. The artwork is painted with high quality Italian acrylic paints on an Italian canvas stretched on a wooden frame. Has wall hanging system...

Portfolio of ten 1-color etchings, hand-pulled on 300 gsm Somerset Satin White fine art paper. Edition 10/40. Plate size 9 x 9 in. Paper size 13 x 13 in.

Chris Bors No Redeeming Social Value 2013 Acrylic on canvas 43 1/2 x 34 in.

Richard Scudder, Giraffe - In Black & White. Hand Signed And Numbered By The Artist. Black & White Serigraph :: Hand Printed Work :: Modern :: This piece comes with an official ce...

"Lennon" is a painting by Maestro Vlado Vesselinov. About the painting: Style and Technic: POP ART, Contemporary, Acrylic, Oil on canvas The pain...

"The Masked Reader" is an original ink drawing signed in the lower right by the artist David Barnett. It depicts an abstracted face and figure in black lines. 9 1/2" x 12 1/2" art ...

edition 1/20 BARBARA KUEBEL is a Daphne, AL-based artist who uses oil and pencil for her works on paper and on canvas. She was born and raised in Austria and earned two art degrees ...

Bambi "Madonna" 2013; Screenprint on Somerset soft wove paper 44 x 30 inches Edition of 90 Unframed Bambi is the pseudonym of a contemporary British street artist. Her works focuses ...

Ink drawing of two female figures and a bull's head, depicting the myth of Europa and the bull.

A man in a business suit in a boxing ring. Edition of 10

Famed printer Mourlot describes the years-long development of this collaboration between the poet René Char and the artist; the project grew from an "Understanding between Georges Br...

Charles Paine 1895 - 1967 Evening Nursery Gouache Signed upper right with monogram Image size: 3 × 3 inches Acid free mount and black frame Perhaps best known for his iconic London ...

A man in a business suit juggling balls. Edition of 10

The artist says of the inspiration in her latest work . . . Moving to Washington, DC in 2016 changed me. The unraveling of this country's leadership elicited a strong, visceral rea...

Edition of 8 Signed, titled and numbered From the series: Vietnam Remembrances After receiving his MFA at the University of Texas in 1966, Don Schol was drafted into the Army and be...

With the simplest of line akin to a drawing by Matisse, Alex Katz renders Ada (Black & Purple) in elegant simplicity. Created in 2022 as an original two-color woodcut in an edition ...

Bret Reilly’s “Crumpled” series seamlessly intertwines the ethereal essence of Impressionism with the dreamlike distortion of surrealism, blurring the lin...

Bret Reilly’s “Crumpled” series seamlessly intertwines the ethereal essence of Impressionism with the dreamlike distortion of surrealism, blurring the lin...

Bret Reilly’s “Crumpled” series seamlessly intertwines the ethereal essence of Impressionism with the dreamlike distortion of surrealism, blurring the lin...

ROY LICHTENSTEIN (1923-1997) The piece is signed 'rf Lichtenstein', dated, and numbered 75/100 in pencil along the lower margin. The printer and publisher, Gemini G.E.L., Los Angele...

24 x 20.75 in (60.96 x 52.70 cm)

24 x 20.75 in (60.96 x 52.70 cm)

24 x 20.75 in (60.96 x 52.70 cm)

24 x 20.75 in (60.96 x 52.70 cm)

Alex Katz was born in Brooklyn, New York in 1927. In 1928, at the outset of the Depression, his family moved to St. Albans, a diverse suburb of Queens that had sprung up between the two wars. Katz was raised in St. Albans by his Russian parents. His mother had been an actress and possessed a deep interest in poetry and his father, a businessman, also had an interest in the arts. Katz attended Woodrow Wilson High School for its unique program that allowed him to devote his mornings to academics and his afternoons to the arts. In 1946, Katz entered The Cooper Union Art School in Manhattan, a prestigious college of art, architecture, and engineering. At The Cooper Union, Katz studied painting under Morris Kantor and was trained in Modern art theories and techniques. Upon graduating in 1949, Katz was awarded a scholarship for summer study at the Skowhegan School for Painting and Sculpture in Maine, a grant that he would renew the following summer. During his years at Cooper Union, Katz had been exposed primarily to modern art and was taught to paint from drawings. Skowhegan exposed him to painting from life, which would prove pivotal in his development as a painter and remains a staple of his practices today. Katz explains that Skowhegan’s plein air painting gave him “a reason to devote my life to painting.” Katz’s first one-person show was held at the Roko Gallery in 1954. Katz had begun to develop greater acquaintances with the New York School and their allies in the other arts; he counted amongst his friends’ figurative painters Larry Rivers and Fairfield Porter, photographer Rudolph Burckhardt, and poets John Ashbery, Edwin Denby, Frank O’Hara, and James Schuyler. From 1955 to 1959, usually following a day of painting, Katz made small collages of figures in landscapes from hand-colored strips of delicately cut paper. In the late 1950s, he moved towards greater realism in his paintings. Katz became increasingly interested in portraiture, and painted his friends and his wife and muse, Ada. He embraced monochrome backgrounds, which would become a defining characteristic of his style, anticipating Pop Art and separating him from gestural figure painters and the New Perceptual Realism. In 1959, Katz made his first cutout, which would grow into a series of flat “sculptures;” freestanding or relief portraits that exist in actual space. In the early 1960s, influenced by films, television, and billboard advertising, Katz began painting large-scale paintings, often with dramatically cropped faces. In 1965, he also embarked on a prolific career in printmaking. Katz would go on to produce many editions in lithography, etching, silkscreen, woodcut and linoleum cut. After 1964, Katz increasingly portrayed groups of figures. He would continue painting these complex groups into the 1970s, portraying the social world of painters, poets, critics, and other colleagues that surrounded him. He began designing sets and costumes for choreographer Paul Taylor in the early 1960s, and he has painted many images of dancers throughout the years. In the 1980s, Katz took on a new subject in his work: fashion models in designer clothing. In the late 1980s and 1990s, Katz focused much of his attention on large landscape paintings, which he characterizes as “environmental.” Rather than observing a scene from afar, the viewer feels enveloped by nearby nature. Katz began each of these canvases with “an idea of the landscape, a conception,” trying to find the image in nature afterwards. In his landscape paintings, Katz loosened the edges of the forms, executing the works with greater painterliness than before in these allover canvases. In 1986, Katz began painting a series of night pictures—a sharp departure from the sunlit landscapes he had previously painted, forcing him to explore a new type of light. Variations on the theme of light falling through branches appear in Katz’s work throughout the 1990s and into the 21st century. At the beginning of the new millennium, Katz also began painting flowers in profusion, covering canvases in blossoms similar to those he had first explored in the late 1960s, when he painted large close-ups of flowers in solitude or in small clusters. More recently Katz began painting a series of dancers and one of nudes, which was the subject of a 2011 exhibition at the Kestnergesellschaft in Hanover. Katz’s work continues to grow and evolve today. Alex Katz's work has been the subject of more than 200 solo exhibitions and nearly 500 group exhibitions internationally since 1951. In 2010, Alex Katz Prints was on view at the Albertina Museum in Vienna, which showed a retrospective survey of over 150 graphic works from a recent donation to the museum by Katz of his complete graphic oeuvre. The National Portrait Gallery in London presented an exhibition titled Alex Katz Portraits. In June 2010, The Farnsworth Art Museum in Rockland, Maine opened Alex Katz: New Work, exhibiting recent large-scale paintings inspired by his summers spent in Maine. Katz was also represented in a show at the Metropolitan Museum of Art, New York, curated by Marla Prather, entitled Facing the Figure: Selections from the Permanent Collection, 2010. In 2009-2010, Alex Katz: An American Way Of Seeing was on view at the Sara Hildén Art Museum, Tampere, Finland; Musée Grenoble, Grenoble, France; and the Museum Kurhaus Kleve, Kleve, Germany. In 2007, Alex Katz: New York opened at the Irish Museum of Modern Art, Dublin, Ireland. The show, which included approximately 40 paintings and aquatints, was the first exhibition to concentrate primarily on Katz’s relationship with his native city. The Jewish Museum, New York, presented Alex Katz Paints Ada in 2006-2007, an exhibition of 40 paintings focused on Katz’s wife, Ada, dating from 1957 to 2005. It coincided with an exhibition devoted to Katz’s paintings of the 1960s at PaceWildenstein, Alex Katz: The Sixties, on view from April 27 through June 17, 2006 at 545 West 22nd Street. Alex Katz in Maine, an exhibition of landscapes and portraits made over six decades, opened at The Farnsworth Art Museum and Wyeth...

Alex Katz (b. 1927) Ada Portfolio, 2017 (30/40), 2017 1-color etching, hand-pulled on 300 gsm Somerset Satin White fine art paper 13 x 13 in

Born in Liverpool, England, Julian Lennon began his artistic trajectory at a young age with an inherent talent for playing musical instruments. Those talents would soon broaden into ...

The set "Porcelain Beauty" consists of 6 porcelain enamel artworks on aluminum plate. Alex Katz was life-long influenced by advertising e.g. the Ame...

"Beauty 5" is from Alex Katz' Beauty series. The topic "beauty" is a very important one for Katz. His whole body of work is due to beauty and it is a reminiscence to his wife Ada, to...

"Flags" is a stunning woodcut from 2013. It is a very stylized view over a wide flower meadow. Typically, Katz is using a clear and straight color palette. It is beautiful to see how...

Created by Alex Katz in 2018, Laura 2 is an original etching, hand-signed in pencil and numbered, the artwork measures 42 x 42 in. (107 x 107 cm), unframed, fr...

Created by the Alex Katz in 2018, Laura x4 is a photoengraving and aquatint on Saunders Waterford paper. Hand-signed in pencil and numbered, the artwork measures 42 x 168 in. (107 x ...

THERE IS A WOMAN IN EVERY COLOR is a hand pulled limited edition relief print created using linocut, woodcut, and silkscreen printmaking techniques on white archival printmaking pape...

'White Diamond Dust' by Hunt Slonem, 2022. Oil and acrylic with diamond dust on canvas, 36 x 48 in. This painting features Slonem's signature bunnies outlined in black over a white, diamond dusted background. Considered one of the great colorists of his time, Slonem’s neo-expressionist paintings feature an exuberant and bold, fauvist palette to emphasize his beloved menagerie of animals. Through the application of lavish, lush colors, Slonem’s painterly style continues to be fresh and innovative bordering on Pop Art aesthetics. Depicting his signature motifs of repeating whimsical animal imagery, the artist’s devotion to nature and its inhabitants are apparent. Born in Kittery, Maine in 1951, Hunt Slonem graduated with a Bachelor of Arts degree in Painting and Art History from Tulane University in New Orleans, Louisiana. Slonem later attended the prestigious Skowhegan School of Painting and Sculpture in Maine, where he was exposed to influential artists from the New York area including Alex Katz, Alice Neel, Richard Estes, Jack Levine, Louise Nevelson and Al Held. This exposure played a pivotal role in Slonem’s artistic career, as it aided in his decision to move to New York in 1973. Since 1977, Slonem has had over 250 solo exhibitions at prestigious galleries. Museums, both domestic and international, have collected his work, among them Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation, and the New Orleans Museum of Art. His work has been exhibited globally, including in Madras, Quito, Venice, Gustavia, San...

Larry from Men in the Cities 1983 Signed and dated in pencil, l.r. Lithograph (Edition of 48) 72 x 36 inches (182.9 x 91.4 cm) Contact gallery for price. This work is offered by ...

"HEROINE, 2011" is a Steel Mesh painted sculpture by sculptor David Begbie. Since his graduation in 1982 he has worked almost exclusively with the human form, although has often pro...

Agent X Sasaki (Pink) Offset Lithograph Date: 2020 Size: 30 x 20 inches Edition 125 Signed COA provided Agent X is an emerging artist who creates experimental multimedia collages a...

Agent X Sasaki (Gold) Offset Lithograph Date: 2020 Size: 30 x 20 inches Edition 125 Signed COA provided Agent X is an emerging artist who creates experimental multimedia collages a...

Agent X Sasaki (Blue) Offset Lithograph Date: 2020 Size: 30 x 20 inches Edition 125 Signed COA provided Agent X is an emerging artist who creates experimental multimedia collages a...

Artist: Mimmo Paladino, Italian (1948 - ) Title: Muto Year: 1984 Medium: Etching and aquatint in colors with mink fur collage, signed and numbered in pencil Edition: 17/35 Size: 60.5...

Best known for his paintings of cakes, pies, pastries, and toys, Wayne Thiebaud hadn’t planned on becoming a visual artist. He apprenticed as a cartoonist at Walt Disney studios and ...