Tattoo Art

Alexi Torres discusses the relationship between nature and man in a contemporary context emphasizing the interconnectedness of all living things. His works are exceptionally complex, intricately weaving together organic and symbolic elements to create monumental works which challenge the viewer to see beneath the surface into the archetypal qualities of his subjects. He seeks to initiate a dialogue on the effects and power of human thought and behavior on the ever-changing environment, and the need of appreciation of what is. Torres taps into universal collective memory with playful themes and ironic juxtapositions relevant to the contemporary experience. His series range from portraits of ordinary people, cultural, military to a diverse sampling of symbols from popular culture. These images are then reimagined and reconstructed employing a unique multi-layer painting technique. Inspired by the agrarian lifestyle of his friends and family, Torres plants an idea for each new work and harvests it at completion according to the lunar patterns followed by his ancestors in his native Cuba. To record this ritual, each painting is begun and finished on a waning moon and recorded with his signature on the canvas. Alexi Torres was born in 1976 in Bermeja, a small village about 70 miles southeast of Havana, Cuba. From 1989-1991 he studied at Escuela Provicial de Artes in Mantanzas and 1991-1995 at Escuela Nacional de Artes in Havana. Torres has had numerous solo and group exhibitions in the United States and abroad including: UNIX Gallery, New York, 2013 and 2016; Jones Carter Gallery, Lake City, SC, 2016; Marietta Cobb Museum Of Art, Marietta, GA, 2014; DMoMA Lausanne, Switzerland, 2013; Hoover Library, Alabama, 2013; Rush Gallery, New York, 2012; Kai Lin Art, Atlanta, 2012; Scope Miami, 2011-15; Art Miami, 2011-16; LA Art Show; Texas Contemporary; Art South Hampton; Evan Lurie Gallery, 2011; and Naomi Silva Gallery, Atlanta, 2004. Torres’s work can be found in major private and public collections, including the private collections of Will Smith, Los Angeles, CA; Delta Airlines, Atlanta GA; Marietta Cobb Museum of Art, Marietta, GA; Hoover Public Library, Hoover, AL; Museum of Art Matanzas, Cuba; David Mills, San Francisco, CA; Lewis Brisbois Bisgaard & Smith, Atlanta, GA; Ruth Beardsley, Australia; Laura Rathe, Houston, TX; Bernie Marcus, Boca Raton , FL; Trijicon Inc, VA; Law & Moran, Atlanta GA. He is the recipient of the following awards: 2017 Top prize at Art Fields, SC. 2014 People’s Choice Award; Red Clay Survey; Huntsville Museum of Art. 2002 Grand Prize "Mapa Conceptual”, Matanzas, Cuba. 2000 Second Place Roberto Diego...

Signed by the photographer on the front

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...

Set before the grand façade of Badrutt’s Palace in St. Moritz, “Badrutt’s II” is a study in alpine glamour and cinematic cool. Two statuesque figures perch effortlessly on the bonnet...

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certifica...

Time/LIFE stamp

2009 Signed and dated in black ink, verso Archival pigment print 22 x 17 inches, sheet 21 x 16 inches, image

Diane Arbus, Tattooed Man at a Carnival 1970 Estate stamped and signed by Doon Arbus for the Estate of Diane Arbus, verso; Also titled, dated, and numbered, verso Gelatin silver pr...

Excellent Condition

"Squid Tattoo" a black and white close up photographic portrait by Charles Gatewood depicting a man with a Studio stamp in black ink, verso Gelatin silver print 11 x 14 inches, she...

A black and white portrait photograph by Charles Gatewood of a Tattooed Man with Eagle on Chest. Studio stamp in black ink, verso Gelatin silver print 14 x 11 inches, sheet 10.5 x...

A black and white self portrait by Mark Morrisroe printed as a photogravure in 1996. Self Portrait 1980/1996 Editioned in pencil, verso Photogravure (Edition of 46) 16 x 11 inche...

I am King Kong Nigeria, 2017 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 12 Available sizes: Standard Image Size: 37" x 47" Framed Size: 52...

John Cassidy Smith “(14) The Hottest Ass in Town” January 2023 Signed Paper collage 9.5 x 6.5 inches Contact gallery for price.

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...

Unsigned

Unsigned

Signed by the photographer

Set before the grand façade of Badrutt’s Palace in St. Moritz, “Badrutt’s II” is a study in alpine glamour and cinematic cool. Two statuesque figures perch effortlessly on the bonnet...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin...

A wolf advances along a polished bar top, eyes fixed forward, as a cast of hardened outlaws close ranks behind it. In “Breaking Bad”, David Yarrow constructs a cinematic tableau wher...

EMMA SUMMERTON (*1970, Australia) Messages 15:19, 2023 Archival pigment print on Hahnemühle paper in white distance frame Sheet 27.4 x 23.2 cm (10 3/4 x 9 1/8 in.) Frame 28.7 x 24.6 ...

Breaking Bad Joshua Tree, California - 2023 Standard 47" x 84" Large 63" x 118" Edition of 20 "It has taken many years to capture a photograph strong enough to be worthy of the ...

Erica Larkin Gaudet has been fabricating sculptural work for over 30 years. By forging, welding, applying patinas and leafing, she creates ethereal forms that oscillate between abstr...

Signed by the photographer

Signed by the photographer on the verso Please inquire about additional limited sizes and editions

signed by artist

Hot Stones, 2002 Printed By Weldon Color Lab on Fujicolor Crystal Archive Digital Pearl Paper Limited Edition 20x24” ed of 50 30x40” ed of 25 48x60” ed of 12 Hand Signed by Arti...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...

Estate embossment on the front and estate stamped on the reverse

EMMA SUMMERTON (*1970, Australia) Hydrea #010 2020 Archival pigment print on Hahnemühle paper Image 76.2 x 115.6 cm (30 x 45 1/4 in.) Sheet 92.2 x 131.06 cm (36 1/4 x 51 5/8 in.) Edi...

6 panel painting from Scott Campbell.

Amy Winehouse, London - Terry O'Neill (Black and White Photography) Signed and numbered Silver gelatin print 16 x 12 inches - £4,200 20 x 16 inches - £6,000 30 x 20 inches - £9,000 ...

Staley-Wise Gallery offers photographic prints from the Slim Aarons Archive, owned and housed by Getty Images Archive in London. All photographs are printed and authorized by the Get...

The Asylum Seeker, Hermosillo, 2019 - Pieter Hugo (Colour Photography) Signed on reverse Archival pigment print Available in two sizes: 39 1/2 x 29 1/2 in...

Gelatin silver print (Edition of 10) Signed, titled, dated, and numbered in pencil, verso 14 x 11 inches, sheet size 8 x 8 inches, image size This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Pedro Slim’s series of photographs titled “De la calle...

Gelatin silver print Signed, titled, dated, and numbered (2/6) in pencil, verso 20 x 16 inches, sheet This artwork is offered by ClampArt, located in New York City. Joel-Peter Wit...

Los Angeles, USA 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 83 inches 59 x 109 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "About a month ago when I was working out of our studio in Los Angeles, I was in need of a serious haircut. It was a baking hot day and in the interests of time, I thought I could combine it with a supply trip to Samy’s Camera in West Hollywood, which is located on Fairfax. Google quickly threw out a good number of suggestions as to who could undertake the 20 minutes of perfunctory scissor work - which was no real surprise as Fairfax is the embodiment of contemporary hipster culture and barbers are very “now”. I found myself being directed to an established called “The Proper Barbershop” five minutes from Samy’s. Google has never done me such a big favour. As soon as I arrived, I realised that I had been directed to a jewel of a location. The shop was a museum to LA popular culture from the last 40 years - almost no wall space had been spared - the 1920’s barber chairs from Chicago were surrounded by a visual palette as strong as I had seen in any room for some time. The commercial proposition of dudes cutting the hair of people that aspire to be dudes has legs in 2018 and here in front of me - by pure chance - was a category killer barber. The chairs were all full and they had no room for me - indeed, they are full every day and so it become clear that The Proper Barbershop is a West Hollywood institution. Just like the leading restaurants on Melrose a mile to the west, walk in customers are almost always turned away. The destination is hard core - half empty whisky and tequila bottles fight for space with hair product (and generally win that battle). Meanwhile, most of the stylists are covered from the head down in tattoos, whilst the loo is decorated exclusively in heterosexual porn photos. One of the prominent artists in the shots is indeed the wife of the senior stylist - something good customers find out. The barber is something of a monument to the intense liberalism that is integral to the West Hollywood way of life. It may only be 20 minutes from Beverly Hills, but this part of LA, dances to a very different beat. I came home with no change to my middle-aged hair, but the seeds of an idea that evolved with every glass of scotch that night. There was a chance, if I could persuade Vinnie, the owner, to give me access, to capture a powerful staged image of this authentic and symbolic location, but it would need a great deal of planning for me not to let the location down. Earlier this year, I took the shot “The Usual Suspects” in a bar in Montana, and the success of the image fuelled my creative courage. The two venues shared similarities not just in the shape and low lighting of the room, but also in that they were both home to people that lend themselves to stylisation. The next day, I took my production team and my daughter - Jade - to the location (although I spared her a tour of the loo). They all immediately recognised the opportunity and I knew then I had no choice but to cancel existing plans to focus on this project. That’s the way this gig goes, I guess. It’s like a dog with a bone - you see something that is visually transcending and there is an urge to act immediately - not to wait six weeks or even six months. I am not sure whether spontaneity is always a good thing, but when it happens, it tends to be a very powerful emotion. Happily, Vinnie was keen to collaborate - although it was clear that we would have to close the barbers down for a day and that this would not be cheap as his stylists can each take over $600 a day. I knew I needed characters in the image that would highlight the vibrant culture of LA and the hipster vibe of Fairfax. The Compton Cowboys were a starting point - and I knew from the huge success of the 2017 Guinness advert, that they could work with the camera. I thought a 1970’s roller blading disco girl...

Huntsville, Texas, 1968 / Printed 2011 The Walls is a walled penitentiary. It is the oldest unit of the system and is located near the center of the town of Huntsville. Gelatin sil...

This print is signed by the photographer and is in an edition of 30. Please inquire for additional sizes.

This photograph is an Edition of 50. All editions are signed by the photographer. Larger sizes may be available upon request.

This photograph is an Edition of 30. All editions are signed by the photographer. Larger sizes may be available upon request.

This photograph is an edition of 50. See below for other editions available. All editions are signed by the photographer. Larger sizes may be available upon request.

Beauty is only skin deep. But ah! me; freckles go to the bone. ~Mark Twain April, a freckled woman in this series, told me a story from her childhood: One day after playing outsid...