Text Art

Lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published in 1854. Good condition...

Woodcut on mulberry paper, variable edition. 18½ x 24½ inches. Edition of 6. Framing is additional $350.

Interior Design by Josine Vignon (French 1922-2022) signed pastel/watercolor on paper, unframed painting: 10 x 16 inches good condition provenance: from the artists estate, France ...

Medium: original lithograph. This lithograph was printed in 1956 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Moses Parts the Red Sea & Receives the Ten Commandments - Leaflet from the 1497 'Pirate' Nuremberg Chronicles The Nuremberg Chronicles were first published in 1493 by Anton Koberg...

Lithograph on grand vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, La Liberté des Mers, 1959. Published by Maeght Édite...

Open and Limited Edition 
Silver Gelatin Prints
Hand Signed by Bob Gruen Please contact us for inquiries of desired size: 8" x 10" Unframed
Open Edition 11" x 14" Unframed
Open Edit...

David Shrigley The Paper Weighs Nothing, 2014 Lithograph on paper 22 2/5 × 15 in 57 × 38 cm Edition of 100 Hand-signed and numbered Published...

This original illustration was used in Toby Tyler or Ten Weeks with a Circus by James Otis. Published in 1937 by The John C. Winston Company - "The Children's Bookshelf" series. The ...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

Figure and child by Guy Nicod (French 1923 - 2021) watercolour on artist paper, unframed painting : 8 x 5.5 inches provenance: artists estate, France condition: very good and sound ...

78.7 x 115 cm Signed and dated in pencil, numbered from the edition of 50.

Six color screenprint and photoscreenprint. Signed and numbered out of 125 in pencil by Kitaj in the top right corner. Printed at Kelpra Studio, London and published by Marlborough ...

Bob Dylan & The Band, Hollywood Sportatorium, Pembrook Pines, FLA 1974 Signed limited edition photographic print by Blaise Hayward from his series “Tickets Please” These editioned ...

Interesting and well-drawn French late 19th-century landscape sketch in pen and ink . Emile Cagniart was born in Paris where he would remain for his sixty years. Like many young asp...

Linda Stein, Profile Flying 446.002 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.002 is from Linda Stein's Profiles series--drawings, collages and painting...

Original Winston Churchill Poster Lithograph 51 x 40 cm c.1940-1945 "Never in the field of human conflict have so many owed so much to so few." ...

Medium: original lithograph. This lithograph was printed in 1957 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. Johnson Hs. & Guest Hs. is an exact replica of an art history slide made in the 1950s picturing Philip Johnson’s Glass House. The slide has been replicated digitally on a much larger scale (23” x 23”) and like the original is made of a cardboard mount that contains a color transparency. The original slide is faded from years of use and most of the color, other than red, has been bleached out. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

This exquisite lithograph by David Hockney (born 1937), titled Letter F, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...

KAWS (American, b. 1974) Die Welt, 2025 Medium: Archival pigment print on paper Dimensions: 57.3 × 40.2 cm (22 3/5 × 15 4/5 in) Edition of 100: Hand-signed and numbered Condition: Mint

Medium: original lithograph. Printed in 1955 and published in Milan by Groupe Espace for the rare Documenti d'Arte d'Oggi. Size: 12 1/2 x 8 1/2 inches (318 x 218 mm). Signed in the p...

Ink and gouache with gold heightening on fibrous, brown laid paper with a Jaipur Court Fee tax stamp in purple ink, 13 3/8 x 8 3/4 inches (340 x 222 mm). Toning, handling creases and...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled Acrobate Aile (Winged Acrobat), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of Lo...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Bacchante assise (Seated Bacchante), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), originates ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Femmes et Singes (Women and Monkeys), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates fro...

La Tentation de Saint-Antoine is a complete set of 24 original lithographs realized by Odilon Redon and published by Ambrose Vollard in 1896, This is the...

Original EXPO ’74 World’s Fair Spokane, USA calendar. Archival linen backed and in excellent condition, ready to frame. As a World’s Fair calendar, you would expect this item to be r...

This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 68 (Plate 68), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

Sku: BK7053 Artist: Jean-Paul Riopelle Title: Riopelle (ETE) Year: 1967 Signed: No Medium: Book Paper Size: 8.75 x 7.5 inches ( 22.225 x 19.05 cm ) Image Size: 8.75 x 7.5 inches ( 22...

Complete set of 20 color lithographs in a beautiful burgundy board with ties, plate-signed by Magritte and numbered from the edition of 275. The lithograph features the dry stamp...

Elton John, Dodger Stadium, Los Angeles, CA. 1975 Print Signed limited edition photographic print by Blaise Hayward from his series “Tickets Please” These editioned digital pigment...

By Thierry Noir Thierry Noir is a French artist best known for being one of the first to paint on the Berlin Wall in the 1980s. His bold, colorful, cartoon-like figures became iconi...

Title: Original French Poster Artwork for Gala de Saint-Cyr à l’Opéra by Anne Marie Migette Perard (French 1902-1977) Signed: Verso Medium: Watercolor on unframed paper Size: 24.5 in...

Jean COCTEAU (1889-1963) Spain, Captivating Flamenco, 1971 Original Lithograph Signed in the plate Limited edition of 200 unnumbered copies INFORMATION: Original lithograph publis...

Sakti Burman - Untitled Watercolour on Paper 30 x 20 inches Born : 1935 Kolkata Education : 1956 Government College of Arts and Crafts in Kolkata and the Ecole Nationale des Beaux ...

Image dimensions: 22.5 x 19 cm. Editions of 50 pieces (XVIII / L). Published in the Portfolio "La Prière". Signed and numbered on bottom left in pencil.

Original Title: " Chi i Piedi Lecca di Fanfani Senatore sarà Domani" (Whoever licks Fanfani's feet will be Senator tomorrow). China ink drawing realized by Maccari in 1865 ca. Hand...

This blue and white sculpture titled "Hotel Tudor" is an original artwork by Drew Leshko made of paper, acrylic, basswood, and pastel. This pi...

THis artwork "Pink Lady" 1989, is an acrylograph on hand made paper by noted Mexican artist Byron Galves, 1941-2009. It is hand signed, dated and numbered 64/150 in white pencil by the artist.The artwork size is 28.5 x 15.5 inches, paper sheet size is 32 x 23.85 inches, framed size is 44 x 36 inches. Beautifully custom framed in a wooden silver frame, with dark purple backing and bevel. It is in excellent condition, the frame have some small minor restorations, barely visible. About the artist: Byron Gálvez (October 28, 1941 – October 27, 2009) was a Mexican artist who was primarily known for his painting but also created sculpture, including monumental works. He was born in rural Hidalgo state, to a father who played jazz music and read literature, a rarity in 1930s rural Mexico. However, it exposed Gálvez to culture, even though this led to an interest in visual art rather than musing or writing. He went to Mexico City to study art at both the undergraduate and graduate level, but never completed his degrees, opting instead to begin career after his coursework. Before his first individual exhibition, his work was criticized by Justino Fernández, but all of the paintings were sold in advance to foreign buyers including American actor Vincent Price, who called Gálvez a “Mexican Picasso.” Gálvez then managed to replace the forty five paintings for the exhibition in a week. Since then he had individual and collective exhibitions in Mexico, the United States and other parts of the world. He concentrated on painting, which he is better known for, in the 1970s and 1980s, but moved on to sculpture, including monumental works later in his career. Recognitions for Gálvez's work include membership in the Salón de la Plástica Mexicana, a retrospective at the Palacio de Bellas Artes and two books published about his life. Gálvez was born in Mixquiahuala, Hidalgo and described his childhood as happy, and would not have changed it. His father, Roberto Gálvez, was a farmer and merchant, who was a music and literature enthusiast, a rarity is 1930s rural Mexico. His father played the violin in the town's jazz band, which had almost all classical instruments, making it similar to bands in New Orleans. They even composed new pieces. The artist was named after Lord Byron, and his brothers, Eliot, Aníbal and Dante, after his father's reading preferences This meant that Gálvez grew up in an environment that encouraged the enjoyment of the arts. However, instead of music or literature, Gálvez stated that his earliest memories related to his attraction to art and that he always wanted to be a painter. The difficulties of farm life convinced him that he needed an education and would have to move to Mexico City in order to go to school. At age sixteen he left home for the capital to study painting at the Escuela Nacional de Artes Plásticas, not knowing what the study would entail. It was far more rigorous than he expected, with thirteen-hour school days leaving only weekends to earn money to live on.[3] He did his undergraduate studies from 1958 to 1962, then continued with the graduate courses from 1962 to 1964, specializing in painting. He did much of his studies under teachers such as Luis Nishizawa, Fernando Castro Pacheco, Francisco Moreno Capdevila, Santos Balmori, Antonio Rodríguez Luna and Antonio Ramírez. The last teacher taught him to love his studies above all else and he submitted himself to the academic rigor. This led him to become attracted to the Cubism of Picasso, and felt that the artist has opened roads which could be taken and widened. Although he specialized in painting, his interest in sculpture was also evident at this time as he was a founding member of a metal sculpture workshop at the institution along with Armando Ortega and Baltazar Martinez.[2][5] Although he completed his coursework, he did not finish the other requirements needed for the degree, instead opting to start his career. Gálvez married once to art dealer Eva Beloglovsky.The couple first met in 1973, but did not meet again until two years later, when Beloglovsky bought one of his paintings and sold two more through her art gallery. At first it was a working relationship, and then evolved into a romantic one. During their marriage, they worked on a number of projects together such as multi-media presentations and charity benefits. The couple remained together until Galvez's death. Although he began and developed much of his career in Mexico City, in his later life, the artist moved back to his rural hometown. Gálvez constructed a house and studio on the edge of a ravine in which flows the Moctezuma River. The structure has glass walls positioned for maximum light and a privileged view of a local landmark, a hill called El Elefante. Gálvez's work included painting, sculpture, etching, lithography, and drawing.[4] For Galvez, art was spiritual and disconnected with physical logic, when only aesthetics mattered. Female figures are common, and often are sensual. He work has been influenced by the Cubism of Picasso and Georges Braque, by African and Oceanic folk art and by pre-Columbian sculpture. He preferred large scale works often bigger than seven by seven feet. He painted while listening to classical, jazz and occasionally, rock music. Galvez's work experienced periods in which different artistic currents dominated including expressionism, abstract art and mixtures of the two. In his work, he tried to achieve a balance between figurative and abstract expression. The first stage of his painting was figurative expressionism, then abstract expressionism, under strong influence of Carlos Mérida, Rufino Tamaho, Santos Balmori, Kandinsky, Wifredo Lam and Picasso, along with some from classical painters such as Rembrandt and Caravaggio. Then for some time, he practiced abstract art, but then felt the need to draw human bodies again, especially female ones because he felt it allowed him better expression. Around 1980, he moved on to geometric figurativism, marked by the “Woman” exhibit at the Museum of Modern Art. This has also been describes as “pure chromatic constructivism. He considered himself primarily a sculptor and painted in that fashion. The work of Byron Galves is held in numerous corporate and private collections Galvez died at age 67 at Inglés Observatorio Hospital from a heart attack. His ashes were deposited a year after his death to the side of one of the sculptures at his home in Mixquiahuala. During his career, he exhibited individually and collectively in over sixty venues in Mexico, various cities in the United States, Europe and Latin America. In 1964, he had his first individual exhibition at the ENAP Gallery, after showing in collective exhibitions at the Palacio de Bellas Artes and private galleries along with more prominent painters such as José Chávez Morado, Alfredo Zalce, José Clemente Orozco, Diego Rivera, Carlos Orozco Romero and David Alfaro Siqueiros. Before the opening of this exhibit, his work was severely criticized by art historian Justino Fernández. Despite this, the paintings for the exhibit were bought in advance, most by American actor Vincent Price, who called Gálvez a “Mexican Picasso.” The paintings were taken out of the country one week before the exhibit, but Gálvez was not concerned about not having paintings for the show, rather he was satisfied about his work being recognized and supported.He managed to create forty five more paintings in the remaining time in order to have the exhibit. After this individual exhibit, Gálvez had over 55 more over he career, along with participated in other 75 collective exhibits. Important exhibits include the Solar 68 collective exhibition at the Palacio de Bellas Artes (1968), the Sterenberg Galleries, Chicago (1972), Eye Corporation in various US cities (1973), Polyforum Cultural Siqueiros (1978), Museo de Arte Moderno in Mexico City (1982), Harcourts Contemporary Gallery in San Francisco (1983, 1990), Art-Forum Gallery in Mexico City (1984), Bishop Gallery in Phoenix (1989), Merryl Chase Gallery in Washington, DC (1991, 1992), Suhan Galleries in San Diego (1992), Misrachi Gallery (1994) and San Francisco Theater in Pachuca (1995) .[4][2] After his death, the Secretaría de Relaciones Exteriores sponsored an exhibition of his work in Tainan, Taiwan in 2011. His works can be found in major collections in both Mexico and the United States. The strongest demand has been for his figurative work especially that produced later in his life. Gálvez also created murals and sculptures, both small and monumental. His first mural was sculpted done in 1968 in Los Angeles. However, most of his monumental work was produced later in his career as he concentrated on painting in the 1970s and 1980s. These include a mural at the National Conservatory of Music in Mexico City (1970), a thirty-foot high sculpture in Unidad Morelos in Mexico City (1971), a hand hammered copper triptych for a private residence in Mexico City (1984), a sculpted door for a private residence (1985), a sculpture for a private home in New York (1986), Reclined Torso at the Hotel Nikko Mexico (1998), Torso I a five-foot high sculpture for the city of Pachuca (1999), Torso II a nineteen foot high sculpture at the Altiva Building, Mexico City (1999), Millenium, a bronze sculpture/fountain at the highway entrance to Pachuca (2000), a sculpture garden for Mixquiahuala, Hidalgo (2005) and the master plan and central mosaic for the David Ben Gurion Cultural Park in Pachuca (2007). The park project, the last before his death, included not only the creation of the central mosaic, the largest pedestrian mural in the world at 345,000f, but also the design of the 65-acre park itself. His other activities included the teaching of drawing at his alma mater, the creation of a program for the radio ministry of Mexico in 1973, participation in a documentary about lithography in Mexico in 1980 and the creation of several special programs for the office Radio...

Maquette for L'Asino is an original mixed media drawing in pencil and pen realized by Gabriele Galantara, the state of preservation of the artwork is good. The artworks represent a ...

PS 243 La Contrebasse d'Ingres Such as Odalisque from Ingres or the photography composition from Man Ray, the most important point is the round shape of the body. The pale body shap...

This piece titled "$5 Haircuts" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, and pastel by Drew Leshko. This piece measures 10"h x .75"w x 8...

Miguel Castro Leñero (Mexico, 1956) 'Caballo de Batalla II', 2020 engraving on paper Intaglio 300 g. 29.8 x 47.3 in. (75.5 x 120 cm.) Edition of 30 ID: CAM-102 Unframed

Relaxing Woman is a drawing on paper realized by Jean-Luis Forain in the Late 19th Century. Pencil drawing. Monogrammed in pencil on the lower. Good conditions. Louis Henri Forai...

Linda Stein, Profile Flying 446.156 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.156 is from Linda Stein's Profiles series--drawings, collages and paintin...

'Sir Walter Raleigh' Steel engraving, by H Robinson after Zucchero. Sir Walter Raleigh (c. 1553 – 1618) was an English statesman, soldier, writer and explorer. One of the most nota...

Linda Stein, Profile Flying 446.154 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.154 is from Linda Stein's Profiles series--drawings, collages and paintin...

Joanna Mrozowska Born in 1976 in Warsaw. Studied in the Department of Painting in the Academy of Fine Arts in Warsaw; she graduated with a Master’s degree in painting, with the cycle...

Medium: original lithograph. This lithograph was printed in 1956 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

View of Vancouver, Canada - September 6, 1893 - is an original vintage black and white photo realized as part of a journey throughout the world performed by Prince Franz Ferdinand vo...

Ginger Williams Cook says of her work... My previous solo exhibition, entitled Abundance of Apollo: The Celestial Gods, Goddesses, and Heroes of Greek Mythology, served as a point o...

Linda Stein, Profile Flying 446.042 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.042 is from Linda Stein's Profiles series--drawings, collages and paintin...

"Ghosted" is a limited edition print by Jordan Plain printed on archival paper. This piece measures 21"h x 21"w framed and is shipped in the pictured white frame. Edition of 5. Jor...

Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and ...

Bernard BUFFET (1928-1999) Women's Games : Ode en son Honneur, 1970 Original lithograph Unsigned On vellum 75 x 55 cm (c. 30 x 22") References : Bernard Buffet - Lithographe / Mou...

Ronald SEARLE (1920-2011) The Book Lover, 1973 Original lithograph Signed in the plate On paper 60 x 45 cm (c. 23.6 x 17.7 in) INFORMATION : Lithograph produced for the poster of t...

Victor Vasarely (1906-1997) - Sicomar Silkscreen / Serigraph from 1989. Edition of 250. Dimensions of work: 28 x 22.5 cm The work is in Excellent condition. Fast and secure ship...

Title: French Mid 20th Century Exhibition Poster Study for WWII Normandy Landings by Anne Marie Migette Perard (French 1902-1977) Medium: Watercolor and ink on unframed paper Size: 19.75 inches (height) x 25.5 inches (width) Condition: As is normal with unframed works on paper there are some minor old creases or paper edge curls/ tears - all of which should be covered over or smoothed out once framed; generally very good and sound. Provenance: as with all the works we have by this artist, it has come from the artists estate in France. Description: This rare and historically resonant piece by Anne Marie Migette Perard is a hand-painted exhibition poster study commemorating the Débarquement—the D-Day landings of World War II. Titled Exposition sur le Débarquement, this draft appears to have been created for a local or regional tourism office (Pavillon du Tourisme) for an event running from 24 May to 3 July. Rendered in expressive watercolor and ink, the piece features bold text, explosive orange and yellow bursts symbolizing the intensity of battle, and the Cross of Lorraine—a widely recognized emblem of Free France and French resistance during the war. The backdrop suggests the beaches of Normandy, blending into a sky of smoke and movement. This work is likely an original design proposal or exhibition concept piece, making it a unique find for collectors of WWII memorabilia...

This unique sculpture by Clifford Singer features a combination of silkscreen on Sintra and a hand-painted black wood lathed wheel. The intricate design showcases Singer's innovative...