Text Art

Medium: original lithograph. Printed in Paris in 1957 at the Mourlot Freres atelier. Size: 8 3/4 x 6 inches (225 x 150 mm). Jean Cocteau executed this original lithograph to depict a...

Program for A Bas Le Progres. By Edmond de Concourt 1894. Four-color lithograph. 12 3/4 x 9 7/8" 25 April 1894. Signed in the stone. Rare. Ibels’ images were powerful and heavily ...

Artist: Slonem, Hunt Title: Bamaly Date: 2022 Medium: Oil on wood Unframed Dimensions: 14.5" x 10.5" Framed Dimensions: 17.5" x 14" Signature: Signed by Artist on Verso Editio...

Hand-Embellished Signature LA Hands Print. Blue and White Edition Signed

Federica Patera & Andrea Sbra Perego, bridge language and cosmogony. Starting from a single linguistic element like a verbal root, they trace its evolution around the world and throu...

Minimal art work, fashioned from Japanese samurai :: Painting :: Minimalism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Y...

John Heartfield’s Qui lit la presse bourgeoise devient aveugle et sourd, plus de bandages abrutissants (Whoever Reads the Bourgeois Press Becomes Blind and Deaf—No More Stupefying Ba...

Hunt Slonem (b. 1951) is an internationally celebrated American artist whose vibrant and instantly recognizable works have made him one of the most collectible contemporary painters ...

Color lithograph, edited in 2001 Limited edition of 50 copies
 Signed in pencil by artist in lower right corner and numbered HC in lower left corner 
Paper size: 76.2 x 55.3 cm Very ...

Spray paint on 310gsm South Bank Smooth paper Size 27.55 x 19.7 in (70 x 50 cm) Edition of 6 Screen print and spray paint *Each piece is unique so will slightly differ from the i...

Coffee Espresso Series 2 is an original artwork by Eliza Southwood. It features one cyclist Eliza Southwood cycling prints available for sale with Wychwood art...

Coffee Peloton VII is an original drawing in coffee on paper by artist Eliza Southwood. Featuring a pack of cyclists racing, the artist has noted a link between cycling culture and the love of a good coffee break. Eliza Southwood cycling prints...

James McQueen, It Is What It Is, 2025 Mixed Media, Hand Finished 55.9 x 76.2 cm (22 x 30 in) Hand Signed and Hand Finished by the Artwork. This work is complete with handwritten...

Offset lithograph in colors on smooth wove paper. Hand signed lower right by Takashi Murakami. Hand numbered 176/300 lower right. Artwork size 26.75 x 26.75 inches. Frame size 34 x 3...

Marilyn Monroe by Bert Stern (1964) passed out on the bed circa 2009 hand double signed and dated by Bert Stern COA hand signed by bert stern edition of 72 perfect condition

edition 1/5 BARBARA KUEBEL is a Daphne, AL-based artist who uses oil and pencil for her works on paper and on canvas. She was born and raised in Austria and earned two art degrees f...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Picasso created a series of posters at the atelier of Mourlot Freres. The...

Medium: original lithograph. Printed in 1969 for the art revue XXe Siecle (issue no. 33) and published in Paris by San Lazzaro. Size: 12 1/4 x 19 inches (310 x 480 mm). Not signed. ...

Minimal, radical, and unmistakably visceral, this circa 1970 original exhibition poster for Lucio Fontana captures the conceptual power of his groundbreaking Concetto Spaziale series...

Ben Allen Paint Cans Mickey Deluxe 2021 Giclée on Hahnemuehle Velvet Image Size: 33.25 x 33.25 inches (84.46 x 84.46 cm) Sheet Size: 43.75 x 44 inches (111.13 x 111.76 cm) Limited Ed...

Purvis Young (1943 - 2010) Drawing from the 1990's #468 mixed media on paper 10.50 x 8 in

ABOUT THIS PIECE: Untitled (Super) is from Kimberly's "personal moments of happiness" series. LA based photographer Kimberly Genevieve is known for her use of color and interesting c...

Original drawing with pencil by the Master Hand signed , dedicated and dated by the artist Unique piece Professionally framed Provenance ; Catalogued auction french auction...

AMERICA MARTIN "Cesar Chavez" Ink on Paper (Framed/0 34.5" x 17.25" A portion of each sale will be donated to the ACLU + NAACP JoAnne Artman Gallery pro...

"#10, ICE" is part of Jerry Siege's ongoing "Black Belt Color" series. This photograph was taken during his quarantine in Selma during the COVID-19 pandemic. It features rich hues of...

This exquisite lithograph after Chaim Soutine (1893–1943), titled Le Lievre au volet vert (The Hare at the Green Shutter), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Le Lievre au volet vert (The Hare at the Green Shutter), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...

This exquisite lithograph after Chaim Soutine (1893–1943), titled Le Coq (The Rooster), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Unsigned and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Le Coq (The Rooster), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Unsigned and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...

A portion of each sale will be donated to the ACLU + NAACP JoAnne Artman Gallery proudly introduces America Martin’s new series "I See Heroes Everywhere." Addressing the theme of h...

Edition out of 12

Takuma Tanaka is a Japanese contemporary artist born in 1977, who likes to use our consciousness in the world as a prevalent theme in his work. From early childhood, he has always en...

Born in Yorkshire, England in 1964, Harland Miller is a critically acclaimed writer and artist. In both endeavors, books are central to Miller's practice. After exhibiting art thr...

Kerry Smith Kurt Cobain Journals #11 Mixed Media on torn canvas Year: 2022 Size: 27x18in Framed: 32x24in Signed, dated by hand COA provided Ref.: 924802-1619 -----------------------...

This rare original exhibition poster was created for the 1973 Arakawa show at Dayton’s Gallery 12 in Minneapolis and features distinctive stencil typography attributed to Jasper John...

AMERICA MARTIN "Angela Davis" Ink on Paper (Framed) 34.5" x 17.25" A portion of each sale will be donated to the ACLU + NAACP JoAnne Artman Gallery prou...

A wall of Watusi cattle in Kenya. The strength and drama of long-horned African cattle is captured in a mesmerizing interplay of delicate lines and abstract forms, creating a rhythm...

A woman in jewels and a gossamer sari churns butter for ghee. Ink and gouache with gold heightening on fibrous, brown laid paper, with a Jaipur Court Fee tax stamp in purple ink on ...

Medium: Ink and Gouache on Stiff Paper Signature: Signed Lower Right "The Lord's Prayer." Illustration published in the January 1946 edition of Coronet magazine, appearing on the in...

Oasis XI (Sidewinder) - 2005 38x37cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inventory #301...

Pascal Jarrion was born in 1961 in Perpignan, France, a region known for its Catalan culture as well as its influence on artists before him, including Picasso, Van Gogh, and Maillol....

Artist: Slonem, Hunt Title: Dick & Jane Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 12.5" x 10.5" Signature: Signed Edition: Unique Hunt ...

Artist: Slonem, Hunt Title: Max Date: 2024 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed Edition: Unique Hunt Slonem is an...

Artist: Slonem, Hunt Title: Ted Date: 2025 Medium: Oil on wood Unframed Dimensions: 11" x 6" Framed Dimensions: 13.5" x 8.5" Signature: Signed Edition: Unique Hunt Slonem is...

Signed by Artist Lower Right Amoco Oil Advertisements

Bucolic Scene is a beautiful original pencil drawing on ivory-colored paper realized by the Austrian master Oskar Kokoschka, with monogram and autograph ...

Complete portfolio of 4 silkscreens on coventry archival rag paper. Each silkscreen is hand signed and numbered. Red portfolio binder also included. From the edition of 82. Each si...

Takashi Murakami, a pivotal figure in contemporary art, is renowned for his ability to blend traditional Japanese aesthetics with modern pop culture. His 2016 limited edition print, ...

Six color screenprint and photoscreenprint. Signed and numbered out of 125 in pencil by Kitaj in the top right corner. Printed at Kelpra Studio, London and published by Marlborough ...

"ALL WAR IS IN BAD TASTE," Al Diaz, 2022 Silkscreen on 320 gram Coventry Rag paper Dimensions: 14" x 20" Signed and numbered by the Artist in pencil An edition of 50 Al Díaz’s career spans five decades. Born and raised Puerto Rican in New York City, by age 15 he was an influential first-generation subway graffiti artist known as “BOMB-ONE.” His friendship and artistic collaboration with high school schoolmate Jean-Michel Basquiat on SAMO, (a late 70s Avant-garde graffiti tag project) has been noted often in contemporary art history. Díaz later contributed percussion to numerous musical recordings and performances, including Basquiat’s historic 1983 record, “Beat Bop,” (considered to be one of the earliest hip-hop albums...

Art Sz: 19 1/2"H x 21 1/2"W Frame Sz: 25 1/2"H x 26 7/8"W Each card measures 2 1/4" x 3 1/2" The Parker Games Co Ltd London Derby Day race game published by Parker Games’ English...

Etching on chamois-colored laid paper, realized by Dalì in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand s...

The 1957 original exhibition poster titled Pâtes Blanches: Empreintes Originales éditées par Madoura et Gravures Rares by Pablo Picasso is a significant piece that reflects the artist's deep involvement with ceramic art and printmaking during that period. The poster was created to promote an exhibition at Galerie 65 in Cannes, France, showcasing Picasso’s ceramics and rare engravings, with a particular focus on his work with pâtes blanches, or white clay. By the late 1940s, Picasso had become increasingly involved with ceramics, producing a vast number of pieces at the Madoura pottery studio in Vallauris, France. The studio, owned by Georges and Suzanne Ramié, became a creative haven for Picasso, where he could explore new forms of expression beyond painting and sculpture. His work with ceramics brought forth a unique blend of classical forms and modernist abstraction, often infusing traditional pottery with his distinctive artistic style. The term pâtes blanches refers to the white earthenware clay that Picasso used for creating his ceramic pieces. This material allowed him to experiment with various textures and finishes, which he combined with his characteristic line work and engraving techniques. The poster advertises this innovative work, highlighting the original prints and rare engravings that were part of the exhibition. The exhibition at Galerie 65 in Cannes ran throughout the summer of 1957 and offered art lovers and collectors the opportunity to view and acquire some of Picasso's rarest ceramic works and prints. It was a testament to Picasso's versatility as an artist, showcasing his ability to transcend different mediums while maintaining the boldness and originality that defined his career. The poster itself, with Picasso's handwritten details and a depiction of one of his engravings, serves as both a promotional tool and a work of art in its own right. It reflects Picasso's personal touch and his deep connection to the work he produced during this period. Today, this exhibition poster remains a coveted item for collectors of Picasso’s works and 20th-century art, representing a unique moment in Picasso's extensive and varied artistic journey. Original Poster Exhibition - Galerie 65 Cannes...

This original and visually striking artifact from the First World War is a vintage U.S. Marine Corps recruiting poster titled ‘He Did His Duty.' It stands as a testament to the power...

Paper Size: 25 x 33.5 inches ( 63.5 x 85.09 cm ) Image Size: 19.5 x 30.5 inches ( 49.53 x 77.47 cm ) Framed: No Condition: A: Mint Additional Details: Limited edition five colo...

FERRARI FRUSTRATION 2018 Mixed media: Aerosol sprays and oil markers Powerful varnish protects against external damage. 68 cm in diameter Height (with the foot): 89 cm Support: Real ...

Jerry Garcia (Text Dark Star by the Grateful Dead) Handtyped on SCM Widecarriage typewriter 24 x 20 x 18 Typewriter included with the piece

With a swirly goatee and whimsical line work, the figure in this vibrant color lithograph reflects Picasso’s child-like spirit and joyful composition. Created as an advertisement for...

This painting was created to help viewers manifest love. My hope is that my art will serve as a reminder that reality is fluid and flexible and that we can manifest a better future b...

Ink and gouache with gold heightening on fibrous, brown laid paper with a Jaipur Court Fee tax stamp in purple ink, 13 3/8 x 8 3/4 inches (340 x 222 mm). Toning, handling creases and...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Gouache on canvas, mounted on cardboard, Alla Kechedzhan is a Russian writer, artist, photographer born in 1971 who lives and works in Moscow, Russia. She is also the author of educ...