Text Prints and Multiples

Medium: original lithograph. Printed in 1964 and published by Eberhard Kornfeld in an edition of 2000 for the 1 Cent Life portfolio. Size 16 1/8 x 11 3/8 inches (410 x 288 mm). There...

Page Size: 20 x 24 in. (visible) Frame size : 47 x 32 in. Signed, bottom right. Numbered, Bottom left: 144/200. COA available upon request. Created by Pablo Picasso in 1961, this ic...

Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in an edition of 2500 and published in New York by The Museum of M...

Alekos FASSIANOS Dove of Peace, 2004 Offset Print Printed signature in the plate On vellum 18 x 14 cm (c. 7.1 x 5.5 inch) INFORMATION: Created for the Olympic Games of 2004 in Ath...

Medium: lithograph (after the painting). Printed in 1970 for the art revue Derrière le Miroir (issue number 183) and published in Paris by Maeght. Sheet size: 15 x 11 inches (378 x 2...

Artist: Marc Chagall (1887–1985) Title: Before the Painting (Devant le Tableau) Year: September 1963 Medium: Lithograph on velin paper Paper Size: 12.5 x 9.625 inches (31.75 x 24.45 ...

Carmen Cicero - Untitled (Profile of a Woman) Lithograph on Rives Heavyweight, an English rag paper Pencil signed on the front Numbered 39 on the main colophon page, from the limite...

This is a collage of Le Corbusier’s Realisations and Projects, showcasing his iconic architectural works and innovative designs. Le Corbusier, one of the most influential architects ...

Poster created for a group show held at the American Cultural Center in France, 1979. The show featured works from artists such as Willem de Kooning, Franz Kline, Robert Motherwell a...

Pablo Picasso (1881-1973) - Toros y toreros Lithograph from 1961. The edition of 138/150 on Arches paper. Dimensions of work: 36.8 x 25.7 cm. Hand signed. Publisher: Éditions Ce...

Paper Size: 37 x 47 inches ( 93.98 x 119.38 cm ) Image Size: 37 x 47 inches ( 93.98 x 119.38 cm ) Framed: Yes Condition: A-: Near Mint, very light signs of handling Additional ...

Created by Ed Ruscha in 1988, Hell ½ Way Heaven is a color lithograph on Rives paper. Signed by the artist and numbered within the lithographic plate, the print is annotated 2/100 fr...

Keith Haring ACT UP For Life 1989:
 This rare oversized announcement card, was designed & illustrated by Haring on behalf of the New York-based AIDS activist group AIDS Coalition to...

Medium: original lithograph. Printed in Paris in 1957 at the Mourlot Freres atelier. Size: 9 x 5 3/4 inches (225 x 145 mm). Jean Cocteau executed this original lithograph to depict a...

Medium: original lithograph. Printed in Paris in 1957 at the Mourlot Freres atelier. Size: 8 3/4 x 6 inches (225 x 150 mm). Jean Cocteau executed this original lithograph to depict a...

Picasso La Pique (The Pike) from A los toros avec Picasso, 1961 Lithograph on wove paper. Hand signed lower right Numbered 17/50 lower left Lower left in the print dated and inscribe...

Letter D is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

Georges BRAQUE (1882-1963) Composition with Birds, 1965 Original lithograph (Mourlot workshop) Signed in the plate On vellum 30 x 24 cm (c. 11.8 x 9.4 in) REFERENCES : - Catalog r...

Rodherst Theatre New York Hand Signed by Yoko Ono Limited Edition Lithograph of 1000

Visual Poem is an original Screen Print realized by Ennio Pouchard in 1970. Good condition on a white cardboard. Signature with pencil. Ennio Pouchard is Painter, photographer and...

Complete set of 20 color lithographs in a beautiful burgundy board with ties, plate-signed by Magritte and numbered from the edition of 275. The lithograph features the dry stamp...

Offset lithograph postcard Boldly signed and inscribed in marker by Francis Bacon in his inimitable hand on the verso, signed ca. 1972 This card was published by the Museum of Modern...

This original lithograph in black ink was created by the artist in 1961. From A Los Toros avec Picasso, this lithograph is dated 6.3.61.I in the stone and measures 10 x 13 in. (25.4 ...

17 lithograph prints on wove paper; bound in black paper-covered boards Edition of 350 57 x 40 cm (22.5 x 15.8 in) Signed at bottom of title page Prints in excellent condition. Minor...

Il Mio -Mine is an Offset and screen print realized by Pouchard in the 1970s. Hand signed on the lower left in pencil Good condition.

An 18th century color printed in addition to hand colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering amaranthus p...

The 1957 original exhibition poster titled Pâtes Blanches: Empreintes Originales éditées par Madoura et Gravures Rares by Pablo Picasso is a significant piece that reflects the artist's deep involvement with ceramic art and printmaking during that period. The poster was created to promote an exhibition at Galerie 65 in Cannes, France, showcasing Picasso’s ceramics and rare engravings, with a particular focus on his work with pâtes blanches, or white clay. By the late 1940s, Picasso had become increasingly involved with ceramics, producing a vast number of pieces at the Madoura pottery studio in Vallauris, France. The studio, owned by Georges and Suzanne Ramié, became a creative haven for Picasso, where he could explore new forms of expression beyond painting and sculpture. His work with ceramics brought forth a unique blend of classical forms and modernist abstraction, often infusing traditional pottery with his distinctive artistic style. The term pâtes blanches refers to the white earthenware clay that Picasso used for creating his ceramic pieces. This material allowed him to experiment with various textures and finishes, which he combined with his characteristic line work and engraving techniques. The poster advertises this innovative work, highlighting the original prints and rare engravings that were part of the exhibition. The exhibition at Galerie 65 in Cannes ran throughout the summer of 1957 and offered art lovers and collectors the opportunity to view and acquire some of Picasso's rarest ceramic works and prints. It was a testament to Picasso's versatility as an artist, showcasing his ability to transcend different mediums while maintaining the boldness and originality that defined his career. The poster itself, with Picasso's handwritten details and a depiction of one of his engravings, serves as both a promotional tool and a work of art in its own right. It reflects Picasso's personal touch and his deep connection to the work he produced during this period. Today, this exhibition poster remains a coveted item for collectors of Picasso’s works and 20th-century art, representing a unique moment in Picasso's extensive and varied artistic journey. Exhibition - Galerie 65 Cannes...

Henri Matisse: Colour Lithographs after the Cut-Outs, Framed Print, 1958 In 1941 Matisse underwent abdominal surgery after which he found painting to be physically taxing. Increasi...

Richard Serra Untitled, 1990 Signed and dated lower left, stamped Gemini G.E.L. on the reverse Screen-print on PTI Supra paper 26 1/2 x 19 1/2 inches 430/500 Known for large-scale ...

This original 1933 poster by the artist J. Pillod is a captivating piece of automotive history, advertising Castrol oil with the iconic Bugatti car as its centerpiece. The poster beautifully combines the elegance of the Bugatti with the reliability of Castrol, making it a standout example of early 20th-century automotive advertising. The composition features a streamlined Bugatti car, symbolizing speed and luxury, set against a dynamic backdrop that emphasizes movement and modernity. The use of bold colors and clean lines reflects the aesthetic of the time, with a focus on both functionality and style. The poster’s typography is striking yet balanced, ensuring that the message about Castrol oil's superior performance is clear and compelling. This poster is printed on high-quality paper, showcasing the artistic and technical prowess of J. Pillod. The poster remains a cherished piece for collectors of vintage automotive memorabilia and those interested in the golden age of motoring. This 1933 Castrol-Bugatti poster...

WILLIAM HOGRATH (1767- 1764) THE BATHOS / Tail Piece 1764 (Paulson 1989: 216 I/I Paulson 1965/70: 216 I/I) Engraving Plate 12 7/8 x 13 3/8, sheet 17 ¾ x 18 ¾ Designed & Engrav’d by Wm Hogarth at left and Published according to Act of Parliam’t March 3, 1764 at right. Good condition on thick laid paper Small bit of tape on the left & right sheet edges small stan lower sheet edge all on recto. This Hogarth’s last print is fascinating as it is prophacy about death. Various institutions have interesting commentaries - to wit: Chicago Art Institute: Hogarth created The Bathos toward the end of his life. It is considered one of the bleakest artworks of the 18th century because it depicts the Apocalypse without an afterlife. The Angel of Death even collapses in exhaustion after having destroyed the world. In his hand is an execution decree and around him lies a mass of broken objects. Princeton: Hogarth’s last print, The Bathos,….. is filled with all manner of images denoting the end of life as we know it. Entry no. 216 in Ronald Paulson’s catalogue raisonne Hogarth’s Graphic Works, 3rd revised edition says “This print is the culmination of such pessimistic images . . . . [taking] his general composition, the configuration of objects, and some of the particular items, from Dürer’s engraving, Melancholia; but he also recalls Salvator Rosa’s Democritus in Meditation (which derives from Dürer’s print) with a scroll at the bottom of the etching: ‘Democritus the mocker of all things, confounded by the ending of All Things’ (Antal, p.168).” Newfields (Indianapolis Museum of Art): Hogarth intended this engraving to serve as the tailpiece to bound volumes of his collected engravings and, appropriately, it proved to be his last engraving. Father Time has died and his last will and testament has been witnessed by the three Fates. He is surrounded by a landscape of death, decay, and ruin. Hogarth aimed this print at dealers in “dark” Old Masters paintings who promoted the idea that ruins evoked sublime feelings in viewers—a sentiment, Hogarth wrote, that was reducing the world to ruin. British Caricature...

Pablo PICASSO Carmen, The Bull's Horns, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog...

Gary John has been a street artist since 1985, originally from Seattle Washington, then moving to Venice Beach selling his art on the boardwalk for 10 years before exploding onto the...

Justo Barboza (Argentina, 1938) '17 trazos', 1995 silkscreen on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 20 Unframed ID: BAR1437-011-025 Hand-signed by author

Complete set of 20 color lithographs in a beautiful burgundy board with ties, plate-signed by Magritte and numbered from the edition of 275. The lithograph features the dry stamps of the Magritte Foundation & ADAGP and is countersigned in pencil by Mr. Charly Herscovici, President of the Magritte Foundation, Chairman of the Magritte Museum and unique representative of the Magritte Succession. A proof of edition is printed on the back of the lithograph, guaranteeing its authenticity. Magritte was a Belgian surrealist artist whose witty and thought-provoking images challenged observers? preconditioned perceptions of reality. Magritte's work frequently displays a juxtaposition of ordinary objects in an unusual context, giving new meanings to familiar things.Magritte grew up in a simple and somewhat tragic household. His father was a modest tailor. His mother, who was mentally unsound, committed suicide in the year 1912. Magritte started drawing at a young age, and his first paintings, produced c. 1915, were Impressionistic in style.Magritte first worked as a draughtsman in a wallpaper factory and, in the year 1922, fell in love with and married Georgette Berger. In 1926, Magritte signed...

Artist: Pablo Picasso (Spanish, 1881-1973) Title: "Picasso: 60 Years of Graphic Works - Los Angeles County Museum of Art" *Signed by Picasso in the plate (printed signature) lower ri...

Medium: original lithograph. This lithograph is from the rare 1952 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spr...

Medium: original lithograph. Printed in 1960 and published in Paris by Maeght for the back cover of the art revue Derrière le Miroir (issue number 120). Size: 15 x 11 inches (377 x 2...

Medium: lithograph. Executed by Marino Marini especially for the cover of a rare exhibition catalogue. This impression on smooth wove paper was printed by Mourlot and published in Pa...

Marc Chagall Femme à l’oiseau Lithograph in colors Numbered 872/970 from the edition of 970 Signed in the plate From "Douze Contemporains" by Jacques Lassaigne and published by Editi...

Screen print on Lenox museum board. Hand signed lower front by Andy Warhol. Hand numbered 50/60 lower front (there were also 10 AP's, 3 PP's and 15 TP's). Each print is unique. P...

Artist: Jon Naar Title: Red Doc from Faith of Graffiti Year: 1974 Medium: Serigraph, signed and numbered in pencil Edition: 300 Size: 34 x 24.5 inches Printed by Circle Press, Chicago Published by Documentary Photos NYC Graffiti...

"Saying Farewell By The Lake Dianshan" by Li Sheng Published by New York Graphic Society, 1982 Printed in Italy Print measures 14 in x 34 in Good condition

The Courtesan Kashiwagi and the Kamuro Wakano - Japanese Woodblock Print Original Toyokuni III/Kunisada (Japanese, 1786 - 1864) Japanese Woodblock Print "The Courtesan Kashiwagi and...

Moses Parts the Red Sea & Receives the Ten Commandments - Leaflet from the 1497 'Pirate' Nuremberg Chronicles The Nuremberg Chronicles were first published in 1493 by Anton Ko...

Medium: original lithograph. Printed in Paris in 1957 at the Mourlot Freres atelier. Size: 8 3/4 x 6 inches (225 x 150 mm). Jean Cocteau executed this original lithograph to depict a...

Medium: original lithograph. Printed in 1970 for the art revue Derrière le Miroir (issue number 183) and published in Paris by Maeght. Sheet size: 14 3/4 x 22 inches (377 x 557 mm). ...

Paul Klee - Vintage Exhibition Poster is an offset print realized in 1979. Good conditions except for some foldings. The poster is realized for an exhibition in Rome in Palazzo Pal...

Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Muse...

Offset lithograph mimeograph on green apple paper Pencil signed and numbered 9/300 Provenance: Opus Art Limited This work has been elegantly floated and framed in a wood frame under ...

The 1992 original poster by René Gruau for the Centre de l'Affiche exhibition is a striking example of Gruau's minimalist yet powerful style, showcasing his unparalleled ability to c...

Color screenprint, color pencil on heavy white wove paper, 1971. 840x595 mm; 33 1/4×23 1/2 inches (sheet), full margins. Signed and numbered 47/175 in pencil, lower margin. Publishe...

Ex Libris PF is a woodcut print by Michel Fingesten, realized in 1936. Hand signed, included a white cardboard passpartout (30x24 cm). In excellent conditions: As good as new. Michel Fingesten (1884 - 1943) was a Czech painter and engraver of Jewish origin. He is considered one of the greatest Ex Libris artists in history. From an Austrian weaver father and a Jewish mother...

This original woodcut in colour is hand signed and dated in pencil "K. Haring 89" (Keith Haring 1989) at the lower right corner. It is also hand numbered 16 in pencil from the editio...

Ex Libris is a woodcut print created by Michel Fingesten in 1937. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech painter an...

Artist: Ellsworth Kelly Title: Composition (Axsom No. I-D) Year: 1964 Dimensions: 15in. by 11in. Mount Board Size Inches: 20 x 16 inches Mount Board Color: White/Black Print Border...

Antoni Tapies Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edition: 1000 Size: 10 x 7.325 inches (25.4 ...

This is the original, historic silkscreen poster from Robert Indiana's historic 1966 LOVE exhibition at the Stable Gallery in New York. The print itself was published in a very limit...

Workshop is an original artwork realized by an Unknown Artist, 19th century. Original etching on ivory paper. Good conditions. Image Dimensions: 10 x 7 / 14 x 11 cm

"Derrière le Miroir" (DLM) is a notable art publication series produced by Galerie Maeght in Paris, featuring original lithographs by renowned artists. The first edition lithograph y...