Text Prints and Multiples

"Things to teach our parents" is a limited edition print by Jordan Plain printed on archival paper. This piece measures 20"h x 20"w framed and is shipped in the pictured white frame....

Etching with engraving on cream laid paper with a Garden of Holland or Maid of Dort Pro Patria watermark, 11 x 14 1/4 inches (278 x 361 mm), thread margins. Lettered with the title in a cartouche at the top-center sheet, continuing "a Latere Occidentali Prospeus AD MDCCXXXIX," with numbers over the image at right that correspond to a key 1 to 29, and with publication details: "Georgius Vertue Londini delineavit et Sculpsit anno MDCCXXXIX". Multiple expert repairs, notably a Y-shaped, expert paper tape repair on the verso. Handling creases, toning. All issues are consistent with age. An impression of this work may be viewed in the permanent collection of the British Museum, registration No. 1880,1113.3963. A bird's eye view of the college in Broad Street, London, showing the courtyard, adjoining stable yard to the right, and the buildings at the back. This work was included in Frederick Crace...

Lyonel Feininger, 'Church with Star (Kirche mit Stern)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W265. Annotated 'W 265' (Feininger catalogue number) and inventory no. '2808' in pencil, in the bottom right sheet corner. A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce. Image size 2 3/8 x 2 3/8 inches; sheet size 10 1/16 x 7 1/16 inches. Archivally sleeved, unmatted. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...

Antonio Lopez Garcia (Spain, 1936) 'Rosa y membrillo', 1992 lithograph on paper 24.7 x 35.3 in. (62.5 x 89.5 cm.) Edition of 250 Unframed ID: LOP2001-009 ...

Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...

Street Artist Karlos Marquez was watching Game of Thrones and it inspired him to create XO.

The 1964 original lithograph by Joan Miró, created for Barcelona’s Sala Gaspar, is an exquisite example of the artist’s innovative use of printmaking to express his distinct surreali...

This signed lithograph by Saul Steinberg is numbered out of 150 in pencil, adding to its collectible value. Initially trained as a political scientist and philosopher, Steinberg achi...

" looked over in the uber and you were sleep" is a limited edition print by Jordan Plain printed on archival paper. This piece measures 21"h x 21"w framed and is shipped in the pictu...

Snail Rider is original etching on paper, realized by the French artist and print-maker master Mario Avati (1921-2009). Hand-signed on the lower right and numbered on the lower left...

Beuys' Exhibition "meeting with Beuys" is a poster realized for the Marino Gallery - Galleria Art Center  (in Piazza Mignanelli, Rome) where Joseph Beuys' Exhibition was held in 1985...

Ofill Echevarria (Cuba, 1972) 'El mundo de los vivos - The real world', 2013 engraving, sugarlift on paper Guarro Biblos 250g. 20.5 x 28.6 in. (52 x 72.5 cm.) Edition of 30 ID: ECH-1...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré a Steinberg, Derrière le miroir, N° ...

Miguel Castro Leñero (Mexico, 1956) 'Caballo de Batalla II', 2020 engraving on paper Intaglio 300 g. 29.8 x 47.3 in. (75.5 x 120 cm.) Edition of 30 ID: CAM-102 Unframed

"IT WILL NOT DISAPPEAR IF WE JUST IGNORE IT," Al Diaz, 2022 Silkscreen on 290 gram Coventry Rag paper with hand deckled edges Dimensions: 18" x 37" An edition of 10 Signed and numbered by the Artist Note that the edition number you receive may be different than the one in the photograph. Al Díaz’s career spans five decades. Born and raised Puerto Rican in New York City, by age 15 he was an influential first-generation subway graffiti artist known as “BOMB-ONE.” His friendship and artistic collaboration with high school schoolmate Jean-Michel Basquiat on SAMO, (a late 70s Avant-garde graffiti tag project) has been noted often in contemporary art history. Díaz later contributed percussion to numerous musical recordings and performances, including Basquiat’s historic 1983 record, “Beat Bop,” (considered to be one of the earliest hip-hop albums). Díaz is sought-after as an expert of New York City counterculture art. He appears often in publications, as a highlighted speaker for a variety of panel discussions at universities and museums (including Smithsonian Institution, the Brooklyn Museum, The New School and Christie’s Education), and has been featured in several films, including Boom for Real: The Late Teenage Years of Jean-Michel Basquiat, BBC’s American Masters — Basquiat: Rage to Riches and Jean-Michel Basquiat: The Radiant Child. In 2018, Díaz authored "SAMO …SINCE 1978", an in-depth, color illustrated history of the street art legacy that he began with Basquiat in the late 70s. A notebook that Díaz made with Basquiat in his teens is currently held in the collection of the Yale University Beinecke Library.

Knox Martin Untitled Offset lithograph Year: 1977 Size: 21 x 14 in Edition: 1,500 Signed in the plate Publisher: HMK Fine Arts, New York COA provided Ref.: 924802-924 Knox Martin (born February 12, 1923) is an American painter, sculptor and muralist. Born in Barranquilla, Colombia, he studied at the Art Students League of New York from 1946 till 1950. He is one of the leading members of the New York School of artists and writers. He lives and works in New York City. Collections: Martin's work is included in the collections of Whitney Museum of American Art,[15] Museum of Modern Art,[16] Hirshhorn Museum and Sculpture Garden,[17] Art Students League of New York, Brooklyn Museum of Art, National Academy of Design,[18] National Arts Club, New York University, Addison Gallery of American Art, Albright-Knox Art Gallery, Art Institute of Chicago, Art Museum of Southeast Texas, Baltimore Museum of Art, Berkeley Art Museum, Blanton Museum of Art, Boca Raton Museum of Art, Chrysler Museum of Art, Corcoran Gallery of Art, Dallas Museum of Art, Davis Museum at Wellesley College, Denver Art Museum, Hand Art Center, Herbert F. Johnson Museum of Art, Heckscher Museum of Art, Hofstra University Museum, Indianapolis Museum of Art,[19] Ithaca Museum, Lowe Art Museum, George Washington University, Montclair Art Museum, Minneapolis Institute of Arts,[20] Newark Museum, Oklahoma City Museum of Art, Portland Art Museum, Provincetown Art Association and Museum,[21] Reading Public Museum, Southern Alleghenies Museum of Art, Springfield Art Museum, The Museum of Fine Arts, Houston,[22] Toledo Museum of Art, University of Kentucky Art...

Bernard BUFFET (1928-1999) Women's Games : Ode en son Honneur, 1970 Original lithograph Unsigned On vellum 75 x 55 cm (c. 30 x 22") References : Bernard Buffet - Lithographe / Mou...

Medium: Lithograph on vélin du Marais paper Year: 1957 Paper Size: 14.5 x 11 inches Catalogue raisonné reference: Cramer, illustration 84 Inscription: Inscription: Unsigned and unnum...

Tracey Emin Strangeland (Hand signed, dated and inscribed by Tracey Emin), 2005 Hardback monograph with dust jacket (hand signed, dated and inscribed for Ann by Tracey Emin) Hand sig...

Medium: original lithograph. This lithograph was printed in 1955 for the "Improvisations" portfolio, and published by the Artists Equity Association of New York in an edition of 2000...

Jeff Koons Lavishly illustrated 592 page monograph (hand signed by Jeff Koons), 2009 Hardback monograph with dust jacket (hand signed by Jeff Koons) Boldly signed and dated 12/1/14 o...

Lord Fauntleroy House Labels in Yellow 241206-02 High Gloss Metal Print with Float Mount Hanger Year: 2024 Size: 12 inches diameter Signed: On Label Edition: 7 COA provided Lord Fau...

Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...

Lithograph. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable plants o...

"Le dragon des mers" is an illustrated book realized by Tsuguharu Foujita and Jean Cocteau in 1955 and published by Georges Guillot Editions, Paris. The sheets are engraved with ill...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper ...

Interior of Animals is an etching realized by Juste Chevillet in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet...

Victor Vasarely (1906-1997) - Sicomar Silkscreen / Serigraph from 1989. Edition of 250. Dimensions of work: 28 x 22.5 cm The work is in Excellent condition. Fast and secure ship...

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...

Insurance Certificate is an original offset print on cardboard by an anonymous artist of the xx century. The state of preservation of the artwork is very good except for some small ...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre 1915-16, 19...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre 1915-16, 19...

Give me the Earth is an Offset and screen print realized by Pouchard in the 1970s. Hand signed on the lower left in pencil Good condition.

This vibrant and engaging poster, designed around 1930 by French illustrator M. Pineau, served as a dynamic invitation to join the Touring Club de France (TCF), one of France’s most ...

Il Mio -Mine is an Offset and screen print realized by Pouchard in the 1970s. Hand signed on the lower left in pencil Good condition.

Ex Libris Giorgio Balbi is an artwork realized by Alberto Martini in 1942.  Representation of the Maritime Republics, with passage from Hell: Ai Genovesi, uomini diversi d'ogni cost...

Robert Irwin Being and Circumstance Notes Toward a Conditional Art, 1985 Hardback monograph with dust jacket (hand signed and dated 2015 by Robert Irwin) Boldly signed and dated May...

Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...

Mario AVATI Aeolus and Sailboat in the moonlight Original black manner etching Handsigned in pencil Numbered / 100 copies On BFK Rives vellum 30 x 19.5 cm (c. 12 x 8 in) Excellent ...

Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giuseppe Aloja in the 18th Century. Signed on the plate. Good condit...

This 1958 lithograph, titled Maison de la Pensée Française, is a work by Pablo Picasso produced by Mourlot in Paris. The lithograph is referenced in the following catalogues: Czwikl...

Capital letter for the Antiquities of Herculaneum Exposed, original etching from the end of the 18th century, made by Various Old Masters. In very good condition, except for some st...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré a Steinberg, Derrière le miroir, N° ...

Paper Size: 8 x 5.75 inches ( 20.32 x 14.605 cm ) Image Size: 8 x 5.75 inches ( 20.32 x 14.605 cm ) Framed: No Condition: A: Mint Additional Details: Original silkscreen first ...

Caviar20 is thrilled to present the work of inimitable Louise Nevelson. Although Nevelson is best known as a sculptor, like many of her contemporaries, Nevelson expanded her practi...

This original exhibition poster was produced for Red Grooms' 1977 show at Galerie Roger d’Amécourt in Paris. Printed by the famed Mourlot Studios, known fo...

Medium: original lithograph. Printed in 1956 for the second volume (1956-57) of the very rare Documenti d'Arte d'Oggi, published in Milan by Groupe Espace. Size: 12 1/2 x 8 1/2 inche...

A rare and original illustrated boxed folio of The Journals of Susanna Moodie, arguably Margaret Atwood’s finest work of poetry. In it, she adopts the ...

Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...

Medium: Lithograph on vélin du Marais paper Year: 1957 Paper Size: 14.5 x 11 inches Catalogue raisonné reference: Cramer, illustration 84 Inscription: Inscription: Unsigned and unnum...

Artist: Joan Miro Title: Joan Miro (Plate 6) Medium: Original lithograph Portfolio: Joan Miro Year: 1956 Edition: Unnumbered Framed Size: 15 1/2" x 14 1/4" Sheet Size: 9" x 7 3/4" Si...

Medium: original lithograph. This lithograph was printed in 1958 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Medium: original lithograph. This lithograph was printed in 1958 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Medium: original lithograph. This lithograph was printed in 1956 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Medium: original lithograph. This lithograph was printed in 1957 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Medium: original lithograph. This lithograph was printed in 1956 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Medium: original lithograph. This lithograph is from the rare 1951 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spr...

José Miguel Díaz Pérez (Mayimbe) (Cuba, 1974) 'Untitled (La Huella Múltiple)', 2002 engraving on paper 8.1 x 8.1 in. (20.5 x 20.5 cm.) Edition of 300 ID: HUE-231 Hand-signed by author

Letter V is an Etching realized by Luigi Vanvitelli in 18th century. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (ori...