Text Prints and Multiples

With a swirly goatee and whimsical line work, the figure in this vibrant color lithograph reflects Picasso’s child-like spirit and joyful composition. Created as an advertisement for...

Antoni Tàpies, 1981 “Signic” Engraving with carborundum and resins. Signed and numbered by hand Bona tiré copy 50 copies Edited by galerie Lelong (Paris) Printed by Joan Barberà (...

Medium: original lithograph. This lithograph was printed in 1956 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 111 (Plate 111), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates fro...

CB Hoyo, Stand in front and pretend you’re into art, 2022 Giclée print on 300gsm BFK Rives Ilford Fine Art Smooth Pearl fine art paper 40 x 60 cm (16 x 23.5 in) Edition of 188/212...

Ronald SEARLE (1920-2011) The Book Lover, 1973 Original lithograph Signed in the plate On paper 60 x 45 cm (c. 23.6 x 17.7 in) INFORMATION : Lithograph produced for the poster of t...

The Wrath of Elihu. 'I Am Young, And Ye Are Very Old, Wherefore I Was Afraid'. 1823-25. Engraving. .Binyon catalog 117 state ii, Bindman catalog 632. Image 7 7/8 x 5 15/16; plate 8 ...

Artist: Robert Rauschenberg Title: Features from Currents, #57 Year: 1970 Medium: Hand-Printed Screenprint on Aqua B 844 Paper, signed and numbered in pencil Edition: 50 Paper Size:...

Ex Libris de Francisco Camp Rodon Valer is an Artwork, woodcut print on ivory-colored paper. The work is glued on cardboard. Total dimensions: 20.5 x 15 cm. The artwork represents...

Artist: Joan Miro Title: Joan Miro (Plate 6) Medium: Original lithograph Portfolio: Joan Miro Year: 1956 Edition: Unnumbered Framed Size: 15 1/2" x 14 1/4" Sheet Size: 9" x 7 3/4" Si...

1956 colophon for "The Bible", hand signed by Marc Chagall in china ink. On papier Montval. Excellent condition.

Paper Size: 29 x 21.75 inches ( 73.66 x 55.245 cm ) Image Size: 29 x 21.75 inches ( 73.66 x 55.245 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additi...

Lithograph realized by Raffet in 1838. Signed and dated on plate. Printed by Bertauts, Paris. A fine original lithograph by Auguste Raffet, one of the foremost French lithographers...

Medium: original lithograph. Printed in 1955 and published in Milan by Groupe Espace for the rare Documenti d'Arte d'Oggi. Size: 12 1/2 x 8 1/2 inches (318 x 218 mm). Signed in the p...

The 1970 original exhibition poster by Enzo Mari, titled "Contenir Regarder Jouer," serves as a captivating invitation into the world of design and creativity. Created for the exhibi...

Complete set of 20 color lithographs in a beautiful burgundy board with ties, plate-signed by Magritte and numbered from the edition of 275. The lithograph features the dry stamps of the Magritte Foundation & ADAGP and is countersigned in pencil by Mr. Charly Herscovici, President of the Magritte Foundation, Chairman of the Magritte Museum and unique representative of the Magritte Succession. A proof of edition is printed on the back of the lithograph, guaranteeing its authenticity. Magritte was a Belgian surrealist artist whose witty and thought-provoking images challenged observers? preconditioned perceptions of reality. Magritte's work frequently displays a juxtaposition of ordinary objects in an unusual context, giving new meanings to familiar things.Magritte grew up in a simple and somewhat tragic household. His father was a modest tailor. His mother, who was mentally unsound, committed suicide in the year 1912. Magritte started drawing at a young age, and his first paintings, produced c. 1915, were Impressionistic in style.Magritte first worked as a draughtsman in a wallpaper factory and, in the year 1922, fell in love with and married Georgette Berger. In 1926, Magritte signed...

This is one of the illustrations of Dizionario di scienze naturali Natural sciences dictionary edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds of e...

Lithograph on paper, signed in the plate. A highly atmospheric frontispiece from Raffet’s celebrated travel album documenting his expedition through Southern Russia, Crimea, Hungary...

Bright orange leaps up like flames, or swaying grass, over which hovers a large-eyed bee sketched in black and orange. Over the fire-red in neat handwriting Ron Padgett...

LeRoy Neiman, American (1921 - 2012) - Springfield Museum of Fine Arts (Tennis), Year: 1974, Medium: Poster, Size: 24.5 in. x 34 in. (62.23 cm x 86.36 cm), Frame Size: 31 x 37 in...

Original EXPO ’74 World’s Fair Spokane, USA calendar. Archival linen backed and in excellent condition, ready to frame. As a World’s Fair calendar, you would expect this item to be r...

COMPOSITION RED is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed using traditional hand lithography techniques on archival printmaking pap...

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

Original vintage 1950s Haller Chocolate Bars German Advertising Poster – A Retro Collectible Masterpiece. Professionally archival linen-backed in excellent condition and ready to fr...

"Things to teach our parents" is a limited edition print by Jordan Plain printed on archival paper. This piece measures 20"h x 20"w framed and is shipped in the pictured white frame....

'Sir Walter Raleigh' Steel engraving, by H Robinson after Zucchero. Sir Walter Raleigh (c. 1553 – 1618) was an English statesman, soldier, writer and explorer. One of the most nota...

Medium: original lithograph. This lithograph is from the rare 1952 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spr...

David Shrigley The Paper Weighs Nothing, 2014 Lithograph on paper 22 2/5 × 15 in 57 × 38 cm Edition of 100 Hand-signed and numbered Published...

This exquisite lithograph by David Hockney (born 1937), titled Letter U, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...

Pour les Pauvres is a black and White etching realized in the Late 19th Century.  Titled in the lower Image Size: 35x26 Very good impression. Realized by Cadart for the "Société ...

Mystery Artist(s) Art Gallery of Ontario, c. late 20th century Lithograph Framed: 14 1/2 x 11 1/2 x 1 in. Inscribed lower left: "Gallery School Print #1"; numbered 6/75 and initialed...

La Tentation de Saint-Antoine is a complete set of 24 original lithographs realized by Odilon Redon and published by Ambrose Vollard in 1896, This is the...

This exquisite lithograph by David Hockney (born 1937), titled Letter F, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...

Sku: BK7053 Artist: Jean-Paul Riopelle Title: Riopelle (ETE) Year: 1967 Signed: No Medium: Book Paper Size: 8.75 x 7.5 inches ( 22.225 x 19.05 cm ) Image Size: 8.75 x 7.5 inches ( 22...

Spray paint and gloss on paper 6 layer stencil Edition of 4 70 x 50cm *Due to the nature of the painting process each piece will differ slightly

Harvey Daniels Parrots - 1966 Print - Lithograph 24.25'' x 19.25'' in. Signed in pencil and marked 11/15 Harvey Daniels trained at Willesden School of Art and the Slade School, Lon...

Joan Miró’s Ubu aux Baléares is a luminous example of the artist’s late graphic work, bringing together his unmistakable visual language—playful, instinc...

Nicolas de Staël (after) Paris : Seine River with Eiffel Tower Stone lithograph after a painting Printed in Mourlot workshop On Arches vellum 50 x 65 cm (c. 20 x 26 inch) Excellent...

Woodcut on mulberry paper, variable edition. 18½ x 24½ inches. Edition of 6. Framing is additional $350.

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled Dans le village (In the Village), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of ...

This exquisite lithograph after Chaim Soutine (1893–1943), titled Nature morte a la pipe (Still Life with Pipe), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 20 x 26 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Nature morte a la pipe (Still Life with Pipe), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 20 x 26 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...

This exquisite lithograph after Chaim Soutine (1893–1943), titled Lievre pendu (Hanging Hare), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Signed in the plate and unnumbered as issued The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Lievre pendu (Hanging Hare), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...

This exquisite lithograph after Chaim Soutine (1893–1943), titled Le Lievre au volet vert (The Hare at the Green Shutter), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Le Lievre au volet vert (The Hare at the Green Shutter), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...

MORIN-JEAN (1877-1940) Poem : The Happiness of this World, 1929 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of...

Jiri Kolar (Jiří Kolář) Analphabetogramme - Signatur Objekt Nr. 23 (Collages, Assemblages, Poetry, Surrealism) Analphabétogramme (hand-pressed copper print) with matte Year: 1995 Size: 12×11.6×0.6in Edition: 756 of 990 Signed, numbered by hand Publisher: First Edition, Verlag Rommerskirchen, Rolandseck - Germany COA provided Ref.: 924802-1933 White original cardboard in a Plexiglas slipcase, signed and numbered, number 756 of 990. 28 pages in block book form, texts and colored illustrations of collaged sculpture photographs, 1 loosely enclosed hand-signed original hand-pressed copper print ("Analphabétograms") under passepartout. The cardboard cover is cut out like a passe-partout so that the title illustration is visible when the book is hung on the wall as an art object using the acrylic glass frame provided. Tags: Czech artist,Poet,Visual artist,Political activist,Collages,Assemblages,Poetry,Surrealism,Dada...

Paper Size: 19.75 x 15.75 inches ( 50.165 x 40.005 cm ) Image Size: 14.5 x 11.75 inches ( 36.83 x 29.845 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Titled Abstract from DLM Number 169, this is a lithograph page from an issue of Derrière le Miroir, the renowned French art periodical founded by Aimé Maeght in the late 1940s and pu...

Artist: Romare Bearden, American (1911 - 1988) Title: The Olympics Year: 1976 Medium: Serigraph on BFK Rives, signed and numbered in pencil Edition: 200 Paper Size: 40 x 25 in. (101....

This exquisite lithograph and pochoir after Georges Rouault (1871–1958), titled Benigne (Benign), from the album Georges Rouault, Visages (Faces), originates from the 1969 edition pu...

Medium: original lithograph. This lithograph is from the rare 1950 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1950 Spr...

Thierry Noir, Crocodile, 2013 Screenprint in colours on 300gsm Somerset Textured paper Edition 5 of 50 60 x 60 cm (23.62 x 23.62 in) Hand-signed and numbered from an edition of ...

Map Traiectvm ad Mosam is original etching realized by Georg Braun and Franz Hogengerg between the end of the 16th and the first years of the 17th Century. Dimension: 40 x 54 The ...

In this delicate, dreamlike lithograph, Édouard Vuillard lends his poetic sensibility to the printed program for the French premiere of Rosmersholm by Henrik Ibsen, presented by Lugn...

"Ghosted" is a limited edition print by Jordan Plain printed on archival paper. This piece measures 21"h x 21"w framed and is shipped in the pictured white frame. Edition of 5. Jor...

Keith Haring Secret Pastures 1984: Rare original 1984 Keith Haring designed poster for the historic, "Secret Pastures" show at The Brooklyn Academy of Music (BAM) in 1984. The very 1980s performance also featuring Haring set design. A well-sized original 1980s Haring collectible sure to standout in any setting. Off-set lithograph. 25 x 37.75 inches. Fair overall vintage condition. Surface markings; mild creasing; moderate signs of handling; small pin-holes to each corner; otherwise intact with well-preserved colors (no rips or tears). Printed signature ‘K.Haring 1984...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Manoletina (Manoletina), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean Cocteau),...

Men, photograph by Richard Heeps, from his Jersey Shore series. Taken in Wildwood, the historic Doo-Wop Town of New Jersey, this kitsch signage is perfect Pop Art and is typical of R...

"Somebody is trying to take your rhythm but not know your blues" is a limited edition print by Jordan Plain printed on archival paper. This piece measures 21"h x 21"w framed and is s...

Linda Stein, Profile Flying 446.042 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.042 is from Linda Stein's Profiles series--drawings, collages and paintin...

Street Artist Karlos Marquez was watching Game of Thrones and it inspired him to create XO.