Text Prints and Multiples

This exquisite lithograph after Chaim Soutine (1893–1943), titled Le Coq (The Rooster), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Unsigned and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Le Coq (The Rooster), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Unsigned and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...

A finely detailed engraving with hand colouring by Samuel (1696-1779) and Nathaniel Buck (c.1695-c.1775) depicting St. Osyth's Priory in Essex. Signed within the plate. On laid.

The humor in Jerry Meyer's pieces taps into and gives voice to these worries, which are never too far from our awareness. “We have an incredible ability not to be in the moment…Hop...

Frank Stella b.1936 Mysterious Bird of Ulieta (from the Exotic Bird series) 1977 screenprint and lithograph in colors on Arches 88 sight: 33 h × 45¼ w in (84 × 115 cm) Signed, dated...

Philip Guston, Joan Mitchell, Cy Twombly, Jim Dine, Roberto Matta, Sam Francis, Mark Rothko, Franz Kline, Kenneth Noland, Robert Rauschenberg, Jasper Johns, Helen Frankenthaler, John Hultberg, Adolph Gottlieb, Paul Jenkins, Hassel Smith, Jack Youngerman, Ray Parker, Robert Motherwell, Louise Nevelson, Larry Rivers, Mark Tobey, David Budd, Hans Hofmann, Various Artists, Jackson Pollock, Arshile Gorky. La Grande Occassione Della Pittura Americana Milano (Hand Signed by Jim Dine), 1963 Offset Lithograph invitation poster (hand signed by Jim Dine) Hand signed by Jim Dine on the front -signed in person for the present owner, so provenance is direct. 12 1/4 × 16 3/4 inches Unframed Uniquely signed. The gallery acquired this historic 1963 invitation and then Jim Dine graciously signed it years later in black marker - as he was/is the only artist of the entire group who was still alive. We know of no other one in the entire world with any hand signature by any of the artists exhibited. This very rare invitation/poster was published on the occasion of this important 1963 exhibition of American painting at the Galleria Ariete, Mostra n. 94, in Milan, Italy. The roster of artists represented is literally a Who's Who of American Abstract Expressionists of the era. The Galleria dell'Ariete in Milan, Italy, opened in 1955, and ran an active exhibition until its closing in the mid-1980s. It was among the most important galleries in Italy for contemporary art, and had extensive connections with dealers, collectors, artists, and critics in Europe, the United States, and Japan. Beatrice Monti della Corte opened the Galleria dell'Ariete at Via San Andrea, 5, Milan, Italy in 1955, when she was twenty-five years old, principally as a showplace for modern art; Galleria dell'Ariete rapidly became one of the foremost Italian galleries...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Henri Matisse Nadia au visage rond 1948 Aquatint on Marais wove paper, Edition of 25 Paper Size: 60.2 x 46.4 cms (23 3/4 x 18 1/4 ins) Image Size: 44.4 x 34.7 cms (17 1/2 x 13 5/8 in...

Autor: Joan Miró Título: “Son Abrines II” Año: 1987 Técnica: Grabado H.C. Firma Estapillada Medidas: 91 x 70 cm. Enmarcado Catalogue raisonné Miró Engraver Vol.IV - Dupin 1303

Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Muse...

Letter N is an Etching hand watercolored realized by Luigi Vanvitelli in 18th century. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “...

Medium: original lithograph. Printed in 1969 for the art revue XXe Siecle (issue no. 33) and published in Paris by San Lazzaro. Size: 12 1/4 x 19 inches (310 x 480 mm). Not signed. ...

In 1973, Jean Dubuffet, a pioneer of the Art Brut movement, created an iconic poster to promote his interactive and innovative performance art piece, Coucou Bazar, at the Grand Palai...

Medium: original lithograph. Printed in 1967 for the art revue Derriere le Miroir (issue number 168) and published in Paris by Maeght. Size: 15 x 11 inches (380 x 277 mm). There is p...

This lithograph in colours is hand signed by the artist in pencil "Niki de Saint Phalle" in the lower left margin. It is also inscribed in pencil “E.A”, in the lower left margin. It ...

Charles Uzzell-Edwards aka 'Pure Evil' (*1968), John F. K.'s Nightmare, c. 2010. Color serigraph, 35.4 x 25 cm, signed in pencil lower right with artist's name and artist's signet, i...

Max Ernst (German, 1891 – 1976) L’Oiseau Mere (The Mother Bird) An etching and aquatint on Japan paper Numbered and signed ‘4/60 Max Ernst’ (under the plate) The plate measurements: ...

Pablo PICASSO Carmen, The Bull's Horns, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog...

Classic advert poster for the musical score, Black Cupid's Birthday: March- Two Step by Seneca G. Lewis published 1898 w/ Ivy League School Banners Image...

This exquisite lithograph by David Hockney (born 1937), titled Letter Q, Variation I, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition p...

Pablo Picasso, Spanish (1881 - 1973) - La Fosse Commune, Year: 1947, Medium: Etching on Arches, Image Size: 10 x 8.75 inches, Size: 11 x 17.75 in. (27.94 x 45.09 cm), Reference: Blo...

Created to accompany poetry in the book Si je mourais la-bas by Guillaume Apolliaire, this lovely woman detailed in a soft delicate profile we can only a...

Print by Takashi Murakami

I’d Rather Have a Live Woman than a Frozen Leopard by Julian Schnabel, American (1951) Date: 1990 Screenprint, signed and numbered in pencil Edition of 16/60 Size: 35.5 x 28.5 in. (9...

Jean COCTEAU (1889-1963) Spain, Captivating Flamenco, 1971 Original Lithograph Signed in the plate Limited edition of 200 unnumbered copies INFORMATION: Original lithograph publis...

Wolf Kahn (hand signed by Wolf Kahn), 2011 Hardback monograph with dust jacket (hand signed by Wolf Kahn) Hand signed by Wolf Kahn on the title page 13 × 12 × 1 1/2 inches This gorge...

Titled Vad är Människan?, this composition cleverly uses only question marks to create the illusion of an image. When viewed closely, the intricate arrangement reveals the outline of...

Screenprint in colours, 1996, on A.N.W. Crestwood Museum paper, signed in pencil and numbered from the edition of 200, published by American Image Editions, New York, 66 × 50.8 cm. (...

Letter R is an Etching hand watercolored realized by Luigi Vanvitelli in 18th century. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “...

Medium: original lithograph. This lithograph was printed in 1956 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

This exquisite lithograph and pochoir after Henri Laurens (1885–1954), titled Nature morte (Still Life), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (Cubis...

Woodcut print realized by Escher for the series "Emblemata", and published in 1931. Colophon of the edition. On Hollande van Gelder paper. Edition of 300. Unsigned, as issued. Exc...

Lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published in 1854. Good condition...

Image dimensions: 24.5 x 33.5 cm. Bottles Composition is an original offset print, reproducing the original watercolor by Giorgio Morandi. Signature by the artist is perfectly repr...

Plante aux Toritos is a linocut reproduction realized in smaller size after a linocut by Pablo Picasso of 1960. Good conditions, except for very minor foxing on edges. Not signed....

Antonio Lopez Garcia (Spain, 1936) 'Rosa y membrillo', 1992 lithograph on paper 24.7 x 35.3 in. (62.5 x 89.5 cm.) Edition of 250 Unframed ID: LOP2001-009 ...

Robert Indiana’s message of HOPE has been an important, poetic language spanning his long career. The Four Seasons of HOPE was created for his solo exhibition at the historic Four Se...

Image Sz: 6 3/8"H x 8 1/2"W Frame Sz: 10 1/4"H x 12 1/4"W w/ envelope laid-in on verso St. Valentine's Day greetings telegram, issued by the GPO 12 February 1937. Colour half-tone and letterpress, designed by Rex Whistler...

Unsigned screenprint on wallpaper, from the unpublished edition of unknown size, with the 'The Estate of Andy Warhol' and 'Authorized by the Andy Warhol Foundation for the Visual Art...

The 1993 poster "Nous vaincrons" by Ben Vautier, commonly known as Ben, represents a striking piece of socially conscious art dedicated to the fight against AIDS. Part of the "Images...

Lyonel Feininger, 'Church with Star (Kirche mit Stern)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W265. Annotated 'W 265' (Feininger catalogue number) and inventory no. '2808' in pencil, in the bottom right sheet corner. A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce. Image size 2 3/8 x 2 3/8 inches; sheet size 10 1/16 x 7 1/16 inches. Archivally sleeved, unmatted. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...

Signed and dated in pencil lower right, Ed Ruscha 91. Numbered in pencil lower left, #31/50 Workshop chop mark lower right; workshop number in pencil reverse lower left

This exquisite lithograph and pochoir after Georges Rouault (1871–1958), titled Solange (Solange), from the album Georges Rouault, Visages (Faces), originates from the 1969 edition p...

Etching on chamois-colored laid paper, realized in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand signed an...

David Shrigley Play it Loud, 2023 27 3/5 × 19 7/10 in / 70 × 50 cm Limited Edition of 350 published by Shrig Shop

Art Sz: 19 1/2"H x 21 1/2"W Frame Sz: 25 1/2"H x 26 7/8"W Each card measures 2 1/4" x 3 1/2" The Parker Games Co Ltd London Derby Day race game published by Parker Games’ English...

An 18th century color printed in addition to hand colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering amaranthus p...

JOAN MIRÓ 1893-1983 Montroig 1893-1983 Mallorca (Spanish) Title: Bougrelas and his Mother III, from: Series for King Ubu Bougrelas et sa Mère III, from: Suites pour Ubu Roi, 1966 ...

'William Wilberforce Esq'' Steel engraving by J Jenkins after George Richmond (1809-1896), circa 1850. William Wilberforce ( 1759 – 1833) was a British politician, philanthropist, ...

James Joyce Catalog raisonné: Schellmann 511 Offset 1984 In great condition

Silkscreen on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the album, Numbers, 1968. Published by the Edition Domberger, Stuttgart, and G...

Operazione 7000 Eichen is an original receipt realized in 1985  by Joseph Beuys in occasion of his solo exhibition held at the Marino Gallery (in Mignanelli Square, Rome)  In good c...

Screen print in colors on paper. Hand signed and numbered by the artist. Published by Over the Influence, Los Angeles. Edition of 80. Framed size 20.625 x 24 inches. Artwork is ...

TECHNICAL INFORMATION Ed Ruscha Main Street 1990 Lithograph 8 1/4 x 10 1/4 in. Edition of 250 Pencil signed, dated and numbered Accompanied with COA...

Medium: lithograph (after Matisse). Printed in sanguine ink on cream laid paper from the Papeteries Casteljoux and published in Geneva by Edito-Service in 1970. This reproduces one o...

Complete portfolio of 4 silkscreens on coventry archival rag paper. Each silkscreen is hand signed and numbered. Red portfolio binder also included. From the edition of 82. Each si...

Allegory of the four seasons. A pair of engravings. These engravings are framed in white gold covered french frames. From the publication published in Milan in 1782. "Different ornam...

Paper Size: 24 x 18 inches ( 60.96 x 45.72 cm ) Image Size: 15 x 15 inches ( 38.1 x 38.1 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping and H...

Linda Stein, Protection 430 - Black and White Signed Etching Limited Edition Fine Art Print Linda Stein has been practicing art for the last six decades. This limited edition etch...

This original 1967 exhibition poster was designed by the celebrated Swiss kinetic artist Jean Tinguely for his groundbreaking show Le Rotozaza at Galerie Alexandre Iolas, located at ...

Fred Sandback Untitled, 1976 Aquatint 21 1/2 x 25 3/4 ed. 35