Tree Art

Watercolor painting on canvas panel :: Painting :: Classical :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes...

This artwork masterfully captures an autumn landscape, brimming with rich, earthy tones. A symphony of russet, amber, and gold dominates the canvas, as deciduous trees stand tall und...

Artist: Vadim Zang Title: Workshop at Maggie’s Medium: Oil on Linen Year: 2011 Style: Figurative Impressionism Dimensions: 28" x 22" x 0.8" inch (71 x 56 x 2cm) Presentation: Unframe...

Seascapes 9, 2020 - Water over Trees in Woodland Forest in Natural Landscape by Ellie Davies Seascapes 9 by Ellie Davies is a stunning Digital C-Type Print on Fuji Maxima Matte pape...

Deb Komitor's (US based) "Deep in the Quiet" is an oil painting that depicts the shadows of dense thicket with sunlight streaking in through the canopy. Bio/artist statement: Deb K...

Title: Mid-20th Century Post-Impressionist Pastel Landscape with Cows Grazing by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 6.25 inches (heig...

Paper Size: 24 x 18 inches ( 60.96 x 45.72 cm ) Image Size: 8.5 x 12.5 inches ( 21.59 x 31.75 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...

This vintage silver gelatin print is signed and dated in pencil on the front of the mount, and again on the back of the mount. Printed in 1961 for inclusion in "Fifteen Photographs" ...

Giacomo Montegazza, 1983 - Italian Lakes Photograph Italian Garden Photograph by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "G...

CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017. Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience. Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly 
is the originator of art that is tactile, archival and organic. In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny...

Jim Beckner's (US based) "Roadway II" is an original, handmade oil painting on canvas that depicts a steep deep green Irish hillside, adorned with stone on the outskirts of Galway, I...

A large scale photograph of lush emerald green nature biotope, a highly detailed observation of the natural beauty of Northern California's coastal redwood forest Redwoods Study II ...

Artist Comments
A vibrant landscape stretches beneath soaring skies as an ibis perches on a slender tree stump, enjoying a moment of stillness. Bold colors and a clear, graphic...

V....Vaughan is known for impressionist paintings of wildlife, western themes, scenes in Italy, France and all things Texas . Her paintings are part of the permanent collection of...

Artist/ School: British School, late 19th century Title: Sunset over a Highland Loch. Most likely Scottish but possibly Irish. Medium: oil painting ...

'Pink Laurels in the Park, Côtes d'Azur', watercolour on art paper, by Tony Minartz (circa 1930s). The French Riviera is known for its beautiful parks, particularly in Nice, Menton,...

Marcel Fecteau, Canadian, b. 1927 Rivière, 2007 12 x 16 in (picture) oil on canvas Signed lower left; signed, dated and titled on verso framed For our US customers: 1) The artwork ...

A medium sized unique oil painting on stretched canvas, ready to hang. A mystical landscape in different shades of blue, framed with a light blue shadow frame. As the artist move th...

Painting: Acrylic, Oil on Canvas. "Rays through the foliage " - Impressionism OIL, ACR, CANVAS,, 70cm x 70cm, 27.5" x 27.5" in. 2023 Vibrant colors, rich textures and color tones a...

Classic Saratoga paddock walking ring enclosure by Robert Roche c1960 Art Sz: 14"H x 18 1/4"W Frame Sz: 18 1/2"H x 22 3/4"W Giclee

This painting captures the serene beauty of a snowy Vermont landscape. A stream winds gently through a forest, its dark, reflective waters contrasting with the bright, snow-covered r...

Artist/ School: Suzanne Crochet (French c. 1930), female French Impressionist artist Title: The old Provencal village lane, with red roofs and pale gr...

Title: Richmond Park landscape Painting View from Pembroke Lodge Autumn Trees By Tony Herbert (1927-2024) Signed: Lower right Medium: Watercolor on paper, unframed Size: 10 inches (h...

Figures in the Park by Claude Marin (French 1914-2001) signed and dated 88 oil on artist card stuck on board, unframed board: 7.5 x 9.5 inches Provenance: private collection, Paris, ...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

Original Oil on Canvas, Signed by the Artist. The piece measures 43 x 37 inches with frame. The image is in Good/Fair Condition-there are signs of wear due to age and handling (i.e. ...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2017 Style: Impressionism, Title: Winter, Size: 24" x 30" x 3/4'' i...

Olin Travis (1888-1975) Dallas, Tx. Image Size: 7.5 x 11.5 Frame Size: 15.5 x 19.5 Medium: Oil on Board "To a Good Friend A small token of appreciation" Biography Olin Travis (1888-1975) Travis, Olin Herman. 1888-1975. Dallas. Landscape, portrait, and Figure painter, graphic artist, muralist, teacher, writer.     Born and reared in Dallas, Travis attended public schools there.  in his youth he received instruction from R. Jerome Hill...

CZ’s Dogs 1955 - Slim Aarons Estate Stamped Mrs F C Winston Guest (1920 – 2003) (aka Cee Zee Guest) with her dogs in front of the Grecian temple pool on her ocean-front estate, Vill...

Morningstar Panorama (Study) Contemporary Oil Painting of Rural Landscape with Sheep Grazing and Red Barns Painted by Robert Goldstrom in 2022, 10 x 20 inches, 12.5 x 22.5 inches fra...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Panel Year: 2025 Style: Impressionism, Title: Amber Grove, Size: 25.5" x 37.5"...

Albert Heckman Woodstock Landscape Oil on board 8 1/2 x 10 1/2 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at ...

Aruna Rao is a Florida-based painter specializing in luminous coastal landscapes in oils. Her work captures the interplay of light, color, and atmosphere, evoking a sense of place an...

Impressionist landscape by George Renouard. Beautiful blues and mauves. Oil on academy board. Unsigned. George Renouard, was born in Rochester, New York and lived much of his life ...

Kawase Hasui (Japanese, 1883-1957) Snow at Hie Shrine, circa 1946 -1957 (dated in the publisher's seal) Woodblock Sheet size 37.5 x 26.0 cm (vertical oban) Frame size 51.3 x 38.5 x 2...

Exhibited, well painted,fall impressionist scene of Mt Greylock, Massachusetts painted by Holger Wenzel Jensen. Exhibition label attached verso. Exhibited, Chicago Galleries Associ...

This is an original exhibition poster for Livet Som Kunst ("Life as Art"), held from February 14 to June 22, 2003 at the prestigious Louisiana Museum of Modern Art in Humlebæk, Denma...

Wooden boat building in a village on the Mosquito Coast, Honduras, Central America 1980s. (photograph Alain Le Garsmeur) A gorgeously evocative s...

Slim Aarons Saint Kitts and Nevis 1984 (printed later) C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Horseback riding ...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

This artwork captures a serene coastal garden, blending lush foliage with the tranquil backdrop of the sea. Foregrounded by an array of vibrant wildflowers, including striking white ...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Once an order is placed we will arrange the VAT of 20% to be reduced to 5% Paysage de Provence by Moïse Kisling (1891-1...

Madrugada - 2022 20x25cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2022-2039. Not ...

Artist: Vahram Meliqsetyan Title: Armenian Church (Kecharis) Medium: Oil on Canvas Year: 2024 Style: Impressionism Dimensions: 25.5" x 20" x 0.8" inch (65 x 50 x 2cm) Presentation: U...

A detailed oil landscape depicting a scenic quarry lake with cliffs on either side and figures boating to the far left, under a dense line of fir trees. The oil has been presented in...

David T. Kessler, American (1950 - ) - Reflected Overhang III, Year: circa 1980, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 96/100, Image Size: 23.5 x 3...

Provencal Landscape by Claude Marin (French 1914-2001) signed and dated 83 oil on artist card stuck on board, unframed board: 7.5 x 9.75 inches Provenance: private collection, Paris,...

Birger Hjelm – Våreldar ("Spring Fires"), c. 1935-1938 Oil on board unframed 80 x 84.5 cm (31 ½ x 33 ¼ in) framed 82 x 87 cm (32 ¼ x 34 ¼ in) Signed “Birger Hjelm” lower right; titl...

Contemporary etching print by Polish artist Elzbieta Bocianowska. The print depicts landscape with trees on a different grounds with the most trees being in the background. The artwo...

Antique autumn landscape, 1920. Oil painting by August Westphalen. Dimensions without frame. Frame may have minor damage in places.

Motel Entrance II, photograph from Richard Heeps Salton Sea series. Classic mid-century architecture in this artwork from the Salton Sea California. Rich blues, palm trees with pops ...

Paul-Emile Lecomte (1877-1950) La Route de Naudy (The Road to Naudy) Signed lower left (titled on the verso of the sheet, but now hidden by the back of the frame) watercolor on paper...

Katie DeGroot This Way More Than That, 2025 watercolor on paper 50 x 60 in. (groo121)

Woodland Interior Oil on canvas 21 7/8 x 14 3/4 inches (55.6 x 37.5 cm) Framed dimensions: 32 7/8 x 26 inches Signed lower left: Wm. T. Richards Provenance The artist; James Bayard ...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

Arbre-monde III is a unique smoke-fired sandstone sculpture by French contemporary artist Cécile Raynal, dimensions are 85 × 44 × 25 cm (33.4 × 17.3 × 9.8 in). This sculpture is a unique piece signed by the artist and comes with a certificate of authenticity. This highly narrative sculpture depicts a tree inhabited by various symbolic elements perched among its branches—birds, a wolf, a hare, and even a human hand. In recent years, animals have become increasingly prominent in Cécile Raynal’s artistic universe: "All kinds of beasts and hybrid forms populate my work. Chimeras, constructed by elective affinities between animal figures and human," she writes in Memories of Embers (Éditions Privat, 2018). More recently, however, the vegetal world has found a place in her sculptures, through representations of trees or the “vegetalization” of human and animal forms with branching elements. This evolution plays a central role in the present work. “The title of this series naturally echoes the novel by Richard Powers...

A charming scene depicting a forest clearing in a mountain landscape, captured in loose, expressive brushwork and a tonal palette. Signed to the lower right. On canvas.

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Green Fields English School, early 1900's Original watercolor painting on artists paper, unframed Overall paper size: 8 x 11.25 inches From a large private collection of English wa...

Late 19th Century French Barbizon School oil on wood panel of poplar trees in a landscape by Richard. The painting is signed bottom left. The painting is on a quality chamfered panel. A very charming, almost impressionist, rendition of a line of iconic French trees in a landscape. Before them an earth drive has been ploughed up by the wheels of passing carts and horses. Richard has created a wonderful perspective that draws us in to the painting and he has created a contrast between the strong greens of the trees and fields against the whites and blues of the sky. The painting is reminiscent of the works of Monet from the 1890s. to whom the poplar trees were a continuing inspiration. The Barbizon school of painters was part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape paintings, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, colour, loose brushwork, and softness of form. The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest on the scene, first painting in the forest in 1829, but his work has a poetic and literary quality which sets him somewhat apart. Other artists associated with the school, often pupils of the main group, include: Henri Harpignies, Albert Charpin, François-Louis Français and Émile van Marcke. In 1824 the Salon de Paris exhibited works of John Constable, an English painter. His rural scenes influenced some of the younger artists of the time, moving them to abandon formalism and to draw inspiration directly from nature. Natural scenes became the subjects of their paintings rather than mere backdrops to dramatic events. During the Revolutions of 1848 artists gathered at Barbizon to follow Constable's ideas, making nature the subject of their paintings. The French landscape became a major theme of the Barbizon painters. Millet extended the idea from landscape to figures — peasant figures, scenes of peasant life, and work in the fields. In The Gleaners (1857), for example, Millet portrays three peasant women working at the harvest. Gleaners are poor people who are permitted to gather the remains after the owners of the field complete the main harvest. The owners (portrayed as wealthy) and their laborers are seen in the back of the painting. Millet shifted the focus and the subject matter from the rich and prominent to those at the bottom of the social ladders. To emphasize their anonymity and marginalized position, he hid their faces. The women's bowed bodies represent their everyday hard work. In the spring of 1829, Jean-Baptiste-Camille Corot came to Barbizon to paint in the Forest of Fontainebleau, he had first painted in the forest at Chailly in 1822. He returned to Barbizon in the autumn of 1830 and in the summer of 1831, where he made drawings and oil studies, from which he made a painting intended for the Salon of 1830; "View of the Forest of Fontainebleau'" (now in the National Gallery in Washington) and, for the salon of 1831, another "View of the Forest of Fontainebleau"'. While there he met the members of the Barbizon school: Théodore Rousseau, Paul Huet, Constant Troyon, Jean-François Millet, and the young Charles-François Daubigny. During the late 1860s, the Barbizon painters attracted the attention of a younger generation of French artists studying in Paris. Several of those artists visited Fontainebleau Forest to paint the landscape, including Claude Monet, Pierre-Auguste Renoir, Alfred Sisley and Frédéric Bazille. In the 1870s those artists, among others, developed the art movement called Impressionism and practiced 'plein air' painting. In contrast, the main members of the school made drawings and sketches on the spot, but painted back in their studios. The Post-Impressionist painter Vincent Van Gogh studied and copied several of the Barbizon painters as well, including 21 copies of paintings by Millet. He copied Millet more than any other artist. He also did three paintings in Daubigny's Garden. The Barbizon painters also had a profound impact on landscape painting in the United States. This included the development of the American Barbizon school by William Morris Hunt. Several artists who were also in, or contemporary to, the Hudson River School studied Barbizon paintings for their loose brushwork and emotional impact. A notable example is George Inness, who sought to emulate the works of Rousseau. Paintings from the Barbizon school also influenced landscape painting in California. The artist Percy Gray...