Tree Art

The combination of warm and cold colors creates a picturesque landscape. The depth in the picture is cool and the effect of magic is hidden in this.

Artist: Doug Webb, Turkish (1946 - ) Title: Faucet Year: 1985 Medium: Screenprint, signed and numbered in pencil Edition: AP 54/75 Size: 29.5 in. x 36 in. (74.93 cm x 91.44 cm) Frame...

Rich red and orange naturalistic landscape painting by Houston based artist Nancy Paris Pruden. The work features a serene path that winds through a forested area that is rich with v...

Peter Hoffer portrays trees. He invites the audience to take a closer look at their posture, their details and their expressions. The subject is as important as the technique: the way trees grate...

Cy Twombly Earle and Carolyn Brown at the Stevenson's in Brewster, 1955 Identified and inscribed on the reverse by the sitter Carolyn Brown Photograph on paper 8 x 8 inches Provenance Gift of the artist Estate of Carolyn Brown, New York, 2025. Cy Twombly gained fame for his art that combined cultural, historical, and poetic elements—particularly those from classical antiquity—with abstract shapes and his distinctive script. Born Edwin Parker Twombly, Jr. on April 25, 1928, in Lexington, Virginia, he began his artistic journey under the guidance of Pierre Daura and Marion Junkin at Washington and Lee University. This initial training was complemented by his formative experiences at the Arts Students League of New York and Black Mountain College, where he established enduring friendships with influential figures like Robert Rauschenberg, John Cage, and Merce Cunningham. A pivotal moment for Twombly was his 1952 trip to Italy and North Africa with Rauschenberg, funded by a grant from the Virginia Museum of Fine Arts. This journey allowed Twombly to engage deeply with the rich cultural history that would inform his future artistic endeavors, leading to the creation of significant early pieces. Twombly made his way back to Italy in 1957 and 1958, during which he presented his first solo exhibition in Italy at Galleria La Tartaruga, owned by Plinio De Martiis. In 1959, he married Luisa Tatiana...

"The Mastic Trees Embrace" is a stunning, elegant painting depicting lush green branches intertwining and embracing, surrounded by a rich golden background. Artist Anastasia Gklava i...

Artist: Jack Graves III (American, 1988-) Title: "Anniversary" Series: Americana *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2023 Medium: Original Acrylic Painting on Canvas Canvas size: 36" x 30" Condition: The stretched canvas was custom built by the artist himself. In mint condition Biography: Jack Graves III is an American artist, born in 1988 in Jacksonville, Florida. He grew up surrounded by inspiration having an art dealer as a father, John Graves Jr., who founded 'The Collector's Exchange' in St. Augustine, FL in 1978, (today Graves International Art...

American photographer Julius Shulman’s images of Californian architecture have burned themselves into the retina of the 20th century. A book on modern architecture without Shulman is...

Contemporary naturalistic painting by Texas-based artist Jennifer Lively. The work features a woman riding a horse bareback set against a lush grove of trees and foliage. Signed in t...

Original Oil painting by the Artist.

This luminous oil painting by William R. Davis captures a fleeting moment of peace and stillness at the close of day. Titled Becalmed, the composition is masterfully restrained. A sa...

Tim Southall Snow on the Hill Limited Edition Screen print Edition of 50 Size: H 40cm x W 60cm Sold Unframed (Please note that in situ images are purely an indication of how a piece ...

Autumn Embers, 2021

Peter Hoffer portrays trees. He invites the audience to take a closer look at their posture, their details and their expressions. The subject is as important as the technique: the way trees grate...

Junichiro Sekino (Japanese, 1914-1988). TEAHOUSE AND WILLOW TREE. Color woodblock print, not dated. Edition size not known. Signed in pencil and with the a...

The present hand-colored lithograph presents the viewer with a hunting scene in a picturesque landscape. In the foreground, a man approaches two partridges as his two pointers prepare to flush them out. Beyond, a white fence draws our eyes to the homestead in the distance. Images like this one show how people in the United States were trying to identify themselves as a new nation in the North American landscape - as separate from their European counterparts but with similar similar and specific wildlife and magesties of nature. It also identifies hunting in this landscape as an American pastime. 9.25 x 12.5 inches, artwork 18.38 x 22 inches, frame Entitled bottom center "Partridge Shooting...

Ernst Fuchs (1930 Vienna - 2015 ibid), The Lost Trace, 1972. Vernis mou and aquatint etching, 46.8 x 36.4 cm (plate), 66 x 50 cm (sheet), 69.5 x 53.5 cm (frame), WVZ Hartmann no. 185...

ROBERT KENNETH WHITE (b. 1950) – “THE LINKS” Oil on Canvas ⚜ Hand Signed Lower Right & Titled on Verso ⚜ Frameless Display A LUMINOUS COASTAL LANDSCAPE WHERE SPORT AND NATURE C...

BACKLAND is an original hand drawn limited edition lithograph(not a photo reproduction or digital print) by the realist painter, Peter Sculthorpe (b.1948 Ontario, Canada) printed usi...

Tim Southall Winter Woods Limited Edition Screen print Size: H 40cm x W 60cm Sold Unframed (Please note that in situ images are purely an indication of how a piece may look). Winter...

A stunning photograph of light. Hand printed by the artist. Edition 3/15 Gum Bichromate over Platinum / Palladium

Standout 19th Century French La Belle Époque life size plant sculpture handcrafted in iron having a palm plant on a distinctive Art Nouveau style wrought iron base, all with a time e...

Image Size: 5" x 3" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2015

Start of the Dance by Denny Haskew Figurative Bronze of a young Native American Boy at Pow Wow 21x22x30" limited edition of 21 "Life's a dance. You...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Karl Hagedorn (1889 - 1969) The Villa Malcontenta, Venice Watercolour and ink 33 x 50 cm Signed and dated 1958 lower right (dated August 23rd to reverse). A watercolour of the Villa Malcontenta in Venice, nestled between willow trees. The River Brenta flows serenely in the foreground. Villa Foscari is a patrician villa in Mira, near Venice, northern Italy, designed by the Italian Renaissance architect Andrea Palladio. It is also known as La Malcontenta ("The Discontented"), a nickname which - according to a legend - it received when the spouse of one of the Foscaris was locked up in the house because she allegedly did not live up to her conjugal duty. Karl Hagedorn was a painter and illustrator. He was educated in Berlin, and at the Manchester School of Technology, Manchester School of Art, and Slade School of Fine Art (where he later taught), before training in Paris under Maurice Denis. Hagedorn showed regularly at the Society of Modern Painters in Manchester, and then (from 1913 onwards), at the Royal Academy and the New English Art Club. He became a British citizen in 1914, and served in the British Army during World War I. During World War II, he sold pictures...

Romantic sunset 1995. Cardboard, oil, 90x83 cm The painting portrays a romantic scene featuring a captivating red sunset. The artist skillfully utilizes oil paints to capture the v...

The artist painted this fairytale-themed painting in a spruce forest near Abramtsevo. Enchanted by the winter enchantress, the spruce forest, covered in frost and snow, is covered in...

Original painting signed by the Artist on lower right.

Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...

Gaston Rebry, Canadian, 1933-2007 Quebec Landscape, 1988 Oil on canvas 16 x 12 in (image) Signed lower right; signed and titled on the artist stamp verso; framed For our US custom...

FREE SHIPPING Dusk at Bayou Bend is contemporary oil landscape painting on canvas that is 18" x 18".Dusk at Bayou Bend was painted in 2026 by Texan artist Steve Parker The locat...

John Gordon Signed recto, oil painting on canvas John Gordon was an American painter working in the mid- to late twentieth century, known for landscape compositions that emphasize li...

Winter Fresh by Lu Haskew Oil 8x10" image size Snowy Landscape Painting This painting is unframed, canvas on gator board, the price reflects that it is unframed. Shipping price inc...

Edition #2/9 - Original bronze sculpture by Dan Chen. Signed on bronze sculpture.

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo...

Samuelle Green’s work has always been multidisciplinary. Throughout all her mediums; painting, drawing, sculpture, and installation, there is a common thread of subject matter – that...

Hand printed silver gelatin photograph dry mounted on board. Mat with a texture. Signed in pencil lower right.

Cherry blossoms are very loved by the Japanese people, so in fact they exist as a symbol and the national flower of Japan. For the Japanese, Sakura zensen symbolizes beauty, fragil...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

original plein air winter landscape :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed...

A beautiful antique impressionist painting by American artist Joseph Varga

Stanley Cosgrove, 1911-2002, Canadian Oil on canvas 14 x 18 in Signed and dated '89 lower right framed Stanley Cosgrove Biography (1911 - 2002) Canadian Group of Painters, RCA Bor...

Artist Commentary: This is an acrylic painting of a serene moment in Central Park. The leaves turn as fall moves in. Keywords: fall, autumn, central park, New York City,landscape,w...

Platinum/Palladium (there was no pull down for this) Print Date 2014 Hand printed by artist Edition 1/15 Corner Mounted Outer Dimensions 28x32"

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

One of the sketches with poplars was painted in the open air in early spring. This is a wonderful time of the year when everything wakes up after winter. The snow has just melted, but there are no leaves yet. I painted a few small sketches...

This beautiful landscape painting by Jeroen Allart is part of his minimalist landscape painting he did in his home country the Netherlands. In all of his...

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirtie...

edition 1/3 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

I wait for spring to come when nature awakens about being filled with energy. As soon as the snow melts and the sun is very hot, this is a short time when there is still no bright greenery, and the color in nature is very gentle. Exhibition: 2009 Exhibition at the Game of Imagination Gallery in the Press Centre of the Izvestiya Publishing House, Moscow. 2011/12 “Visible Images”, exhibition at the exhibition hall of the Russian Auction House in Gostiny Dvor, Moscow. 2016 The personal exhibition "Without formulas" in the gallery of the Transfiguration Cathedral, the State Vladimir-Suzdal Museum-Reserve. (Suzdal) «The Great People’s Country». Exhibition at Cultural Center «Ozerov House». (Kolomna) 2017 The exhibition "The attraction of realism" (The Art of the Young) in the School of Watercolor by Sergei Andriyaka.(Moscow) 2018 Exhibition "In Search of Color". Plyos State Historical-Architectural and Art Museum-Reserve. "Museum of the landscape". (Plyos) Publication: Златоверховникова О.Н. Семён Кожин. – М.: Белый город, 2009. – 64 с. – (Мастера живописи. Русские художники). ISBN: 9785779317184. Page 22 Семён Кожин. Зримые образы: [каталог персональной выставки] / Российский аукционный дом. – СПб.: Рекламное агентство MCMG, 2012. – 32 с. Page 29...

Abstract ca. 1970 vintage painting replicates the 1967 photographic image by Minor White: Untitled, Dark Canyon Lake, LaSal Mountains, Utah by Minor White, taken in 1967. Oil on ...

Oil on board Image size: 19 x 14 inches (48.25 x 35.5 cm) Contemporary style handmade frame

This painting is signed on the back, the frames are made of oak A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements,...

"On Watch" is an original oil painting on canvas by Raymond Suchomel. The artist signed the painting in the lower right. It depicts a bald eagle on a tree branch surveying the bright...

Acrylic on canvas Yeju Kwon is a Korean artist born in 1993 who lives and works in Seoul, South Korea. She mainly works with acrylic and oil paints, drawing inspiration from nature,...

Oil paint and mixed media on canvas. This work is the second painting in a series of trees from Parade St. Park.

A detailed realistic/surrealistic acrylic painting on canvas.

Title: Morning In The Mountains Medium: Oil on canvas Size: 23 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Yea...

Archival Pigment Print Mounted and Framed Museum Standards Available sizes: 40 x 60 inches edition of 7 48 x 72 inches edition of 7

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 31, plate #035. Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph B...