Weather Art

David Lee, Chinese (1944 - ) - Misty Mountains, Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 21 in. x 26 in. (53.34 cm x 66.04 cm), De...

Sunrise over a white ranch house in the Texas hill country :: Photograph :: Color :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Ha...

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

Title: Boat Yard with Green Dinghy and Barn Suffolk Coastal Scene April 1994 By Tony Herbert (1927-2024) signed lower right “Tony Herbert April ‘94”; unsigned verso Medium: Watercolo...

These are the foggy woods in the hills of Oakland, across the bay from San Francisco. Shortly after sunrise. The paths are crowded with towering eucalyptus, bay laurel and madrone tr...

"A dark horse rearing up with smoke rising and rock pinnacles in the backdrop Black and white image of a dark horse rearing up with triangular rock formations in the background and ...

"A dark horse rearing up with smoke rising and rock pinnacles in the backdrop Black and white image of a dark horse rearing up with triangular rock formations in the background and ...

Lost in Blue (Till Death Do Us Part) - 2005 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. ...

After spending the early part of her career in commercial photography and film, Dahlquist returned to her childhood proclamation and since 1998 has traveled and exhibited extensively...

'Nine Settlement Valley' Original artwork, unframed ____________________ We are all the stories of the journeys that have come before: of the migrations and movements, of the free a...

Leon Dolice Central Park Signed lower left Watercolor on paper 12 x 19 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the young ma...

The series 'Trespassing' explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded...

Edition of 10 C-Print 17.875 x 17.875 Framed in natural wood Michelle Buhler has a BFA from the University of Utah. She has studied photography at the International Center of Photography and cinematography at New York University. She currently lives in Idaho. Education: New York University, Cinematography, New York, New York, 2011 International Center of Photography, Advanced Color Photorgraphy with Liz Deschenes, New York City, 2007 University of Utah, BFA Photography, Salt Lake City, Utah, 2003 Articles and Awards 2012 Honorable Mention in the 2012 First Edition of Hey Hot Shot, Jen Bekman Gallery, NYC 2012 The Stone Mind, Open House: Art on Iowa by Justin Roth 2003 Red Magazine...

A sunset seen through an icy window :: Photograph :: Color :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes ...

Skydive (Vegas) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #541 Not mounted. Stefanie Schneider...

Winter - Limited edition archival pigment print - Edition of 5 Brighton, UK This image was captured on film in 1982. The negative was scanned creating a digital file which ...

Ancient Bridge Views (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 2494. Not mounted. St...

Brooklyn Bridge - Henry's Memory Sequence (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 249...

Hudson (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 1575. Not mounted. Stefanie Schne...

Blue Sky Palm Trees (Sidewinder) - 2005 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 196 pages, hardcover, published by snap Collective, 2024. 20x...

Hell (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 1573. Not mounted. Stefanie Schneid...

Alexandre Manuel Zhangjiajie 8, China, Lost in Abstraction, 2019 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (...

A unique, original silver gelatin black and white photograph. The Restaurant "A La Mère Fillioux," in Lyon, France, March 1927. A view of the facade of the famous Fillioux Restauran...

Valley Vista (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 864. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Max Epstein, Canadian (1932 - 2002) - Nostalgic Path, Year: 1978, Medium: Screenprint, signed and numbered in pencil, Edition: 295, AP, Image Size: 17 x 26 inches, Size: 23 in. ...

Amidst a dense, unyielding forest, twisted branches reach out like silent expressions of resilience. The Baltic pine, shaped by time and the elements, bends but does not break, adapting with a quiet defiance. Even in a harsh and limiting environment, where the sky is veiled in mist and the trees stand in rigid order, nature carves its own path—unruly, untamed, and free. The gnarled limbs, stretching in unpredictable directions, embody an organic rebellion, proving that even within constraint, there is movement, there is voice, there is becoming. Freedom is not the absence of boundaries, but the refusal to be defined by them. Limited edition of 20 Photographed in Lithuania, Giruliai forest using a 4x5 large format camera...

Alexandre Manuel Zhangjiajie 8, China, Lost in Abstraction, 2019 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (...

"Dark Clouds" Northwest Passage, 2017 Available sizes: 20 x 30 in / Edition of 6 - $4,500 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Editi...

Baker's Fen, nature photograph by Richard Heeps taken when documenting Wicken Fen. Richard has a love for the unique Fenland landscape around his Cam...

Alexandre Manuel 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (70x70cm) Mounted and framed with museum-quality...

Alexandre Manuel 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (70x70cm) Mounted and framed with museum-quality...

Alexandre Manuel 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (70x70cm) Mounted and framed with museum-quality...

Tussock, nature photograph by Richard Heeps taken when documenting Wicken Fen. Richard has a love for the unique Fenland landscape around his Cambrid...

A pretty, Winter's scene showing a view of Watling Street, St Albans, in the snow. The artist has wonderfully captured the yellow light of a snowy late afternoon in England's winter....

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21337 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Awe-inspiring photograph of elephants walking with Kilimanjaro in the distance A herd of elephants of all sizes walk across the dry planes of Amboseli and head towards Kilimanjaro ...

Palm Frond (Life on Mars) - 2023 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist Inventory 22308. ...

Red Shoes Dangling (29 Palms, CA) - 2007 24x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist Inventory ...

Palm Springs Palm Trees (Californication) - 2023 20x20cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

Palm Springs Palm Trees (Californication) - 2023 20x20cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

Palm Springs Palm Trees (Californication) - 2023 50x49cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

Palm Springs Palm Trees (Californication) - 2023 50x49cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

The Oasis (Sidewinder) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist Inventory 3000. Not mo...

This beautiful landscape painting by Jeroen Allart is part of his minimalist landscape painting he did in his home country the Netherlands. A farm stands...

Wood - Signed limited edition archival pigment print, 1981 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid- and lignin-free paper, Museum quality. The legacy of Ian is deeply woven into the fabric of our gallery. During his lifetime, Ian prepared all the archival pigment prints available in our gallery, leaving behind an unparalleled collection that stands as a testament to his skill and dedication. Today, those photographs are more than just artworks; they are tangible reminders of his passion and his commitment to excellence. We continue to honor his memory by preserving his work and sharing it. Please note. There are three sizes of this archival pigment print ; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested Signed + numbered by artist with certificate of authenticity , unframed Edition of 5 Archival pigment print available sizes ( Image size , the white margin is not counted): 40 x 53 cm / 15,75 x 20,87" - Edition of 5 56 x 75 cm / 22,05 x 29,53" - Edition of 5 75 x 100 cm / 29,53 x 39,37" - Edition of 5 Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. He produced images over a 35 year career, and in recent years used archival techniques to produce his prints. For most of his career he worked as both a Commercial and Fine Art photographer, and during his last years concentrated on his personal imagery. Towards the end of his life journey, Ian was reviving with his partner two 19th century printing techniques in their studio, Platinum Palladium and Gum Bichromate ( one-of-a-kind pieces). This culminated in a large retrospective exhibition in Barcelona which was sponsored by the Nando and Elsa Peretti Foundation. The Platinum and Palladium prints are particularly interesting as they printed them onto vellum paper therefore transparent and bonded pure gold or silver to the back of the prints ( every print is therefore a unique and timeless piece of art). They have created rare and personalized pieces with an artisanal technique. Ian Sanderson was one of only a handful of artists worldwide producing this type of work. Nowadays, Ian’s partner continues their work, she’s still creating Platinum Palladium prints but also silver gelatin photographs. Please note that prices increase as editions sell. categories : Black and white Photography, 20th. Century, Archival Pigment Print, Hospitality, Forest, Monochromatic Landscape Art...

' Tree ' by Ian Sanderson Signed limited edition archival pigment print, 2006 - Edition of 5 This print that is being offered is a high-quality Archival Pigment print which has b...

Each photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. Sarah Hadley's narrative work focuses on memory, place and the subconscious. She re...

This charming painting, painted by the artist from nature, captures a dynamic rural landscape with a winding dirt path running through lush meadows near the village of Karmanovo in t...

La Défense 1 - Signed limited edition archival pigment print, 2004 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gs...

Original Oil Painting signed by the Artist in the lower right corner.

Hidden (The last Picture Show) - 1999 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist In...

A wintry, impressionistic landscape, showing a meadow in St Albans, covered in snow and frost. The pretty, icy palette of mauve and blue enhances the chilly ...

The Mountain (Stranger than Paradise) - 2003 57x56cm, Edition 4/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist invento...

Hake's Drove, British landscape photograph from Richard Heeps series, 36 Minutes in Cambridgeshire. Richard Heeps was awarded a Millennium Year of the Artist Arts Council Grant to m...

Chromogenic print 16 x 20 inches, sheet 12.5 x 18.5 inches, image This photograph is offered by ClampArt, located in New York City. Jeff Mermelstein is an American photojournalist and street photographer known for his photographs of New York City street life, as well as September 11th...

Wood - Signed limited edition archival pigment print, 1981 - Edition of 5 The legacy of Ian is deeply woven into the fabric of our gallery. During his lifetime, Ian prepared all the archival pigment prints available in our gallery, leaving behind an unparalleled collection that stands as a testament to his skill and dedication. Today, those photographs are more than just artworks; they are tangible reminders of his passion and his commitment to excellence. We continue to honor his memory by preserving his work and sharing it. This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid- and lignin-free paper, Museum quality. Please note. There are three sizes of this archival pigment print ; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested Signed + numbered by artist with certificate of authenticity , unframed Archival pigment print available sizes : 40 x 53 cm / 15,75 x 20,87 in. - Edition of 5 56 x 75 cm / 22,05 x 29,53 in. - Edition of 5 75 x 100 cm / 29,53 x 39,37 in. - Edition of 5 Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. Over the course of a 35-year career, Ian crafted captivating images and in recent years used archival techniques to produce his prints. For much of his professional journey, he thrived as both a Commercial and Fine Art photographer eventually focusing on his personal artistic work during his final years. Towards the conclusion of his life's path, Ian and his partner revived two 19th-century printing methods in their studio - Platinum Palladium and Gum Bichromate - culminating in a significant retrospective exhibition in Barcelona sponsored by the Nando and Elsa Peretti Foundation. The Platinum and Palladium prints were particularly noteworthy as they were printed on transparent vellum paper with pure gold or silver bonded to the back, rendering each piece a unique and timeless work of art. Through their artisanal techniques, they created rare and personalized works. Ian Sanderson was one of the few artists worldwide specializing in this type of production. Now, Ian's partner continues their shared legacy, still creating Platinum Palladium prints as well as silver gelatin photographs. Please note that prices increase as editions sell. categories : Black and white photography, 20th. century, Archival pigment print, Hospitality, Forest, Monochromatic Landscape art...

A Mirage (The Last Picture Show) - 2006, 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist...

Fall (The Last Picture Show) - 2006, 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inv...

Four Corners (The Last Picture Show) - 2005 Edition 1/5, 58x57cm. Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on the original Polaroid. Artis...

Without You (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Invento...