Weather Art

Ed. of 6, includes white frame with white mat. Known for his minimalistic black & white landscapes as well as his bold fashion and celebrity portraiture dating back to‬‭ the late 19...

Edition of 45 Signed, titled, negative date, print date, and numbered. Sepia toned gelatin silver print Michael Kenna's black and white photographs are powerful and alluring. Hi...

oil on canvas

Watercolor on paper Atmosphere -masses of evaporating water in the air- describes Ekaterina Smirnova's paintings best. Working in watercolour, Smirnova has a unique approach to this ...

This piece can be framed for an additional $1,500. 4" white border

chromogenic print mounted on aluminum with UV ultra non-glare plexiglass
 editions of 10 available in: 
16 x 16 in. $4000 
20 x 20 in. $5000
 24 x 24 in. $6000
 30 x 30 in. $8000
 42...

A painting by Gregory Sumida. “Immutable Torso” is a landscape painting, watercolor on watercolor board in an earth-tone palette by American artist Gregory Sumida. The artwork is sig...

Observing and understanding the world around us are the foundations of her reflections. Her approach to the world of Art has been largely influenced by the diversity of media underwr...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series ‚ murmuration‘, 2010 Lambda print Medium 33 × 50 cm (13 x 19 3/4 in.) Large 66.7 × 100 cm (26 1/4 x 39 3/8 in.) Edition of 6 P...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'The river embraced me', 2016 C–type print Medium 80 × 100 cm (31 1/2 x 39 3/8 in.) Large 120 × 150 cm (47 1/4 x 59 in.) Editi...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'Cui Cui', 2005 C–type print 30.5 × 25.4 cm (12 × 10 in.) Edition of 6 Print only, Signed by the artist This photograph belon...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'Ametsuchi', 2013 Lambda print Medium Sheet 64 × 80 cm (25 1/5 × 31 1/2 in.) Large Sheet 148 x 185 cm (58 1/4 x 72 7/8 in.) Ed...

Ed. of 6, includes white frame with white mat. Known for his minimalistic black & white landscapes as well as his bold fashion and celebrity portraiture dating back to‬‭ the late 19...

Jean-Pierre Brissart Centenary olive tree 2, 2017 Walnut husks, pigments and inks on paper 100 x 70 x 3 cm Artwork sold with invoice of the gallery and certificate of authenticity Wo...

Observing and understanding the world around us are the foundations of her reflections. Her approach to the world of Art has been largely influenced by the diversity of media underwr...

Born in 1951, Eishin Yoza was largely inspired by the 1970s growing up. The art sphere of the 1970s was epitomized by a desire to evolve and strengthen its...

Observing and understanding the world around us are the foundations of her reflections. Her approach to the world of Art has been largely influenced by the diversity of media underwr...

For me, art begins with the sensation of being uplifted by the sheer beauty of nature. The colors grab my attention and move me to translate this feeling I get when I see a luscious ...

Artist Commentary: This image is drawn from my imagination and imagery that I am inspired by. Keywords: Landscape Artist Biography: Judith grew up 15 miles north of Milwaukee in t...

Artist Commentary: This image was taken in a wintry day in Ann Arbor , Michigan. You can really sense the cold and the snow by looking at this image. I like the solid layer of snow at the bottom of the image. It's a very moody image. Keywords: tree, infrared, photo, black and white, branch, branches, winter, snow, winter tree...

Artist Commentary: How often do you see a rainbow, let alone a double rainbow, over Paris with the Louvre and the Musee d'Orsay in the background? Wor...

Artist Commentary: A double rainbow in the wilderness... how cool is that? Words that describe this piece: Rainbow desert spring colors renewal Artist Biography: Harold Davis is ...

Artist Commentary: From the crest of the Sierra Nevada looking towards the great Central Valley of California! Words that describe this piece: Mountains, sunset, purple Artist Bio...

Artist Commentary: Using ICM (In-Camera Motion) and a long-duration shutter speed, I created this collection of impressionistic landscapes through a moving bus window while visiting...

Artist Commentary: Using ICM (In-Camera Motion) and a long-duration shutter speed, I created this collection of impressionistic landscapes through a moving bus window while visiting...

Artist Commentary: Using ICM (In-Camera Motion) and a long-duration shutter speed, I created this collection of impressionistic landscapes through a moving bus window while visiting...

Artist Commentary: Using ICM (In-Camera Motion) and a long-duration shutter speed, I created this collection of impressionistic landscapes through a moving bus window while visiting...

Artist Commentary: Using ICM (In-Camera Motion) and a long-duration shutter speed, I created this collection of impressionistic landscapes through a moving bus window while visiting...

Artist Commentary: How often do you see a rainbow, let alone a double rainbow, over Paris with the Louvre and the Musee d'Orsay in the background? Wor...

Artist Commentary: I have been asked numerous times by my loyal customers to create more holiday winter cards of my paintings. As I was looking outside my window in this month of March, the snowy scenes in front of me were an ideal inspiration for me. And to make things even better for my creative juices, Paris had just been covered a few weeks before by a couple inches of snow. This happens very rarely and the whole city was paralysed. Parisians were unhappy, as always, but Paris under the snow is magnificent. I asked my good parisian friend to share with me the pictures she took of Paris under the snow. Between the winter view from my window and my friend’s pictures, I had enough material to immerse myself into this project. In 3 weeks, I created 8 paintings and I had the best time of my life!!! I wish I could do that all the time. I painted holiday lights, ornaments, some snow, and I even had an american cardinal in snowy Paris!!! I felt right at home between my 2 countries: France and the US! What wintery scenes or holiday scenes do you find magnificent? Words that describe this piece: winter, snow, Paris, France, tree Artist Biography: Life is basically a huge collection of moments. Sometimes you have no idea how everything will end up tying together - Marion Buricatu...

Daisuke YOKOTA (*1983, Japan) Not titled yet, 2024 Archival Pigment Print Comes with a signed artist label Small 14 4/5 × 19 7/10 in / 37.47 × 50 cm Ed...

"A native of Los Angeles, California, Sean Lotman (b. California) grew up frequenting the movie theaters of southern California, dazzled by their stories, sets, and vivid colors. Ini...

"A native of Los Angeles, California, Sean Lotman (b. California) grew up frequenting the movie theaters of southern California, dazzled by their stories, sets, and vivid colors. Ini...

"A native of Los Angeles, California, Sean Lotman (b. California) grew up frequenting the movie theaters of southern California, dazzled by their stories, sets, and vivid colors. Ini...

"A native of Los Angeles, California, Sean Lotman (b. California) grew up frequenting the movie theaters of southern California, dazzled by their stories, ...

"A native of Los Angeles, California, Sean Lotman (b. California) grew up frequenting the movie theaters of southern California, dazzled by their stories, sets, and vivid colors. Ini...

"A native of Los Angeles, California, Sean Lotman (b. California) grew up frequenting the movie theaters of southern California, dazzled by their stories, ...

"A native of Los Angeles, California, Sean Lotman (b. California) grew up frequenting the movie theaters of southern California, dazzled by their stories, sets, and vivid colors. Ini...

The painting captures an instant frozen in time, where nature is clothed in the white mantle of snow. In "Snow in the Park II", the artist invites us to e...

"A native of Los Angeles, California, Sean Lotman (b. California) grew up frequenting the movie theaters of southern California, dazzled by their stories, sets, and vivid colors. Ini...

Syoin KAJII (*1976, Japan) Untitled from the series of NAMI II, V01-V02, 2024-2025 Lambda Print with Diasec Face, Diptych (two works) Small: Sheet 63 x 168 cm (24 3/4 x 66 1/8 in.) ...

Syoin KAJII (*1976, Japan) Untitled from the series of NAMI II, N01-N02, 2024 Lambda Print with Diasec Face, Diptych (two works) Small: Sheet 63 x 168 cm (24 3/4 x 66 1/8 in.) Large:...

Syoin KAJII (*1976, Japan) Untitled from the series of NAMI II, N01-N02, 2024 Lambda Print with Diasec Face, Diptych (two works) Small: Sheet 63 x 168 cm (24 3/4 x 66 1/8 in.) Large:...

Ed. 4/5, archival pigment print on handmade Japanese Awagami paper. Includes white frame. "Fern & Wildflowers" is from Joyce Tenneson's Radiant Beings series from 2021 which emphas...

Ed. of 10, includes white frame. "Driftwood II" is part of Christophe von Hohenberg's ongoing series of minimal, dreamlike images captured on the beaches of America’s Northeastern s...

Cotton Plantation is a limited-edition black & white photograph by contemporary artist Tadeusz Zych from the series entitled Black and white states. The photo was taken during a trip...

Michael Falco created this series of Coney Island images using film and building the images with double and triple exposures. This dream like landscape of an iconic amusement park- Coney Island feels universally American and Summer fun. Most States have amusement parks with ferris wheels. Wonder Wheel opened in 1920. It is an official NYC landmark. This photograph is printed on aluminum and is frameless. You can order it as a photograph printed on paper. I can offer framing options. Michael Falco is a freelance photographer who has worked for a number of publications including, the National Geographic, The New York Times, Harper's Bazaar, and W Magazines. His first book, “Along Martin Luther King Travels on Black America’s Main Street”, published by Random House in 2003, is a collection of photographs spanning two years documenting life along streets named after Dr. Martin Luther King in America. The Museum of Modern Art purchased one of his panoramic images of the Fresh Kills Landfill for its exhibit, “Groundswell: Constructing the Contemporary Landscape” 2005. Selected by the New York City Art Commission, he installed a 10 x28 foot glass mural...

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 5/6 on verso. In the series ‘Weights & Measures’ (2003) Andrew George turns...

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 2/2 on verso. In the series ‘Weights & Measures’ (2003) Andrew George turns...

Oil, Wax, Pigment, Charcoal, and Graphite on Canvas Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotati...

Ink and collage on paper Unique work Hand-signed by the artist

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a ...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

From the series Evaders