Aesthetic Movement Art

A modern urban scene brought to life in oil on canvas: a confident young woman walks her happy Golden Retriever along a city street lined with skyscrapers reflecting the sunset. The ...

The painting depicts a girl sitting on the seashore. She is wearing a white dress that flutters in the wind. The girl looks into the distance, on the horizon, where a yacht is seen, ...

This sensual oil painting captures a tranquil moment of connection between nature and the human form. A nude woman stands by the sea at sunset, looking out at the glowing horizon. T...

This oil painting captures a stunning natural phenomenon — a towering cumulus cloud formation rising over the tranquil expanse of the sea. The artist masterfully blends soft whites...

Moshe Oved (aka Edward Good) was a Polish-British, jeweler, artist, sculptor and Yiddish author and founder of the antique jewelry shop Cameo ...

André Hambourg (French, 1909-1999) Les fruits d'automne, 1957 Oil on canvas Canvas Dimensions: 9 x 13-3/4 inches (22.9 x 34.9 cm) Framed Dimensions: 14.75 X 20 X 2.5 Inches Signed lo...

‘Amor et Pietas’ by Ursula Wood S.W.A. (1868-1956). The painting – which depicts a group of children laying to rest their pet dog – is signed and dated by the artist. Ursula Wood’s ...

Provenance Private collection, St. Petersburg, Florida; Arthur and Holly Magill, Greenville, South Carolina, acquired from the above; Sotheby’s, New York, 30 November 2000, lot 11, s...

The painting depicts large clematis flowers against a light wall with a tiled texture. The flowers are rendered in rich shades of purple, with delicate yellow and white centers, whic...

Bisque bust with ploychrome enamel decorated with painted gilt and raised on a circular socle with a square plinth. After Albert-Ernest Carrier-Belleuse by Ferdinand and Bing Co. an ...

Moshe Oved (aka Edward Good) was a Polish-British, jeweler, artist, sculptor and Yiddish author and founder of the antique jewelry shop Cameo Corner. He le...

What do we know about ourselves? How deeply do we know our inner world? When I was creating this picture, I thought that the hustle and bustle of the outer world took a person far aw...

An early 20th century aesthetic movement allegorical oil on canvas painting of Leda and the Swan by Fernand Allard l'Olivier. Presented in plain wood frame. Leda and the Swan is a story and subject in art from Greek...

Roses from my garden Original watercolor painted on professional watercolor paper When I start a new watercolor, I go to my garden and try to find a new topic. Every day something u...

Emidio di Nola, original Italian pasta poster. Size 19" x 25.5". Professional acid-free archival linen-backed; in excellent condition; ready to frame....

The etching "The Game of Transformation. Butterflies" is an artist's play with meanings and associations. In this work, modern girls are presented in the form of glamorous fluttering...

Provenance Grand Central Art Galleries, New York; Samuel B. and Marion W. Lawrence Collection; Christie's, Important American Paintings, Drawings, and Sculpture, November 29, 2007, l...

The work "Farewell to winter. Hello spring!" tells us about the cherry blossom season. This time is the triumph of the sun and warmth after a long, lingering winter. Ahead of everyon...

Original Vintage Gelatin Silver Photograph by CARL VAN VECHEN of ballerina ALICIA MARKOVA autographed and inscribed to fellow Ballet Russes de Monte Carlo star dancer GEORGE (YURI) Z...

Full Bowl. Print on canvas Still life "Full bowl" is painted with oil paints on canvas. This work is a symbol of the fullness of life in all its manifestations. Pomegranate is an anc...

The picture "Walking in old Paris" is a nostalgia for traveling. The work is dedicated to memories of favorite places and is filled with symbols that connect the past, present and fu...

"Contentment, " Grey Japanese Bantams, by the British painter and printmaker John Robert Granville Exley (usually JR Exley) is more than about poultry. This male/female pair sit in c...

Physalis fruit painted with oil paints on a round canvas

I really love chestnuts. Their glossy surface glistens and glows in the sun. The dark brown skin is warm and inviting. Outside, they are covered with a bright green peel with thorns,...

The decorative panel Maritime history is dedicated to the well-known story of the little mermaid, written by the Danish writer Hans Christian Andersen. This work will immerse you in ...

Original watercolor LILIES IN SUMMER GARDEN painted on professional watercolor paper When I start a new watercolor, I go to my garden and try to find a new topic. Every day somethin...

Original watercolor painted on professional watercolor paper When I start a new watercolor, I go to my garden and try to find a new topic. Every day something unusual happens there,...

Paper Size: 39.5 x 27 inches ( 100.33 x 68.58 cm ) Image Size: 39.5 x 27 inches ( 100.33 x 68.58 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: Advertisement poster for an auction of 500 rare posters by Poster Auctions International, Inc. in 1993. hand signed and numbered out of 200 in white pencil by Jan Sawka...

“SHAKTI.” 50/70 CM. WATERCOLOR, PAPER. SERIES "MANIFESTATIONS OF DIVINE." A vivid fusion of the earthly and the cosmic—an attempt to convey the essence of the divine feminine energy ...

ANTOINE BLANCHARD (French 1910 - 1988) La Rue Tronchet et la Madeleine Oil on canvas Circa 1980 Signed lower right and signed and titled on verso 18 x 21.5 inches (47 x 54.5cm) ...

The column is the most important meaningful symbol that links the past, present and future. This is a symbol of strength, stability, support, constancy, ascent, aspiration, victory, strength, earthly and cosmic energy. In mythology, the column often appears in the meaning of the World Tree or the supreme deity. This is how I present the image of the column in my work. For me, this is the synthesis and triumph of human thought and the beauty and power of the natural world and the diversity of its forms. And it is in the columns of the Corinthian order...

Evelyn Grace Ince (British/Indian, c.1886-1941) Mary Mary Oil on canvas Signed `EVELYN INCE’ (lower left) and inscribed with title (on an old label to the reverse) 14 x 10.1/8 in. (3...

La serigrafia va firmada a plancha Se presenta enmarcada Medidas de la serigrafía: 68 x 52 cm. Medidas del marco: 83 x 63 cm. El estado tal cual se aprecia, con algunas faltas y ...

“BEAUTIFUL TEMPLE LOTUS." 50X50 CM. ACRYLIC, CANVAS. Series “The Language and Knowledge of Ancient Aesthetics.” Deep within temple architecture, among intricate ornaments and sacred ...

“DEVI.” 50X70 CM. WATERCOLOR, PAPER. SERIES "MANIFESTATIONS OF DIVINE." “Devi” in Sanskrit means Goddess, celestial, divine. Among the world’s religions, Hinduism has upheld the conc...

Anthony Thieme, Netherlands (1888-1954). Titled: 'Mackerel Fleet' oil on canvas, Circa 1930 Signed lower right A, Thieme and on verso Anthony Thieme / 1803B Mackerel Fleet. Mounted ...

Gustav Klimt (Austrian, 1862-1918) Frauenkopf nach rechts, 1916 Pencil on paper Dimensions: 22.5 x 14.75 Inches (57.2 x 37.5 cm) (sheet) Stamped lower right: GUSTAV / KLIMT / NACHLAS...

An exceptionally vibrant original oil painting of chrysanthemums, estimated late 1800s. The movement of the flowers contrasts beautifully with a charmingly naiive vase and table. Ye...

THEODORE ROUSSEL, RBA (1847-1926) Laburnums at Battersea Etching, signed in the plate, trimmed to the plate mark and signed and inscribed on the tab: Theodore Roussel Inv. Between...

“BY THE BODHI TREE.” WATERCOLOR, PAPER, 40×50 CM. SERIES "MANIFESTATIONS OF DIVINE." In the city of Kalutara, near the majestic Bodhi tree on the island of Sri Lanka, stands the sac...

“Water Hens Among the Lotuses.” 60×80 cm, acrylic, canvas. Series “The Language and Knowledge of Ancient Aesthetics.” In the treasury of world symbolism, birds often serve as guardia...

“ABSOLUTE.” 70Х70 CM. ACRYLIC, CANVAS. SERIES "IN UNITY AND LOVE." In the depths of existence, an eternal interaction unfolds between two fundamental principles—light and emptiness, ...

“SWANS. HAM & SA” 50×60 cm, acrylic on canva. Series “The Language and Knowledge of Ancient Aesthetics.” Since ancient times, from the distant East, a beautiful legend about a pair o...

Circa 1890-1920. This Neoclassical, Judaic, Egyptian revival, Orientalist Mizrach sign, was produced in British Mandate Palestine by the chromolithograph process at the beginning of the 20th century. It pictures vignettes of holy places. with a hand written memorial. It was for the Tzedakah charity fund for the century-old institutions in Jerusalem: The great "Torah Center Etz Chaim"; a Free Kitchen for poor children and orphans; the famous Bikur Cholim Hospital with its dispensaries and clinics and the only Home for Incurable Invalids in Eretz Israel. They also worked with Arthur Szyk and Alfred Salzmann.. The A.L. Monsohn Lithographic Press (Monzon Press, Monson Press, דפוס אבן א"ל מאנזאהן, דפוס מונזון) was established in Jerusalem in 1892 by Abraham-Leib (or Avrom-Leyb) Monsohn II (Jerusalem, c.1871-1930) and his brother Moshe-Mordechai (Meyshe-Mordkhe). Sponsored by members of the Hamburger family, the brothers had been sent to Frankfurt, Germany in 1890 to study lithography. Upon returning to Jerusalem in 1892 with a hand press, they established the A.L. Monsohn Lithographic Press in the Old City of Jerusalem. According to the Information Center for Israeli Art A.L. Monsohn "created complex decorations for documents and oriental calendars that combined the tradition of Jewish art with modern printing techniques such as photographic lithography, raised printing and gilding." The founders of the Monsohn press produced Jewish-themed color postcards, greeting cards, Jewish National Fund stamps, and maps documenting the evolution of the Jewish settlement in Eretz Israel in the nineteenth-twentieth centuries; religious material such as decorative plaques for synagogues, portraits of Old Yishuv rabbis such as Shmuel Salant, Mizrah posters indicating the direction of prayer for synagogues, memorial posters, and posters for Sukkot booths; color frontispieces for books such as Pentateuch volumes and the early song collections of Abraham Zvi Idelsohn (e.g., Shire Zion, Jerusalem 1908); artistic wedding invitations; and labels, packaging and advertisements for the pioneering entrepreneurs of Eretz Israel. The texts appearing in the Monsohn products were in several languages: Hebrew, Arabic, Yiddish, English, German (e.g., a c1920 trilingual Hebrew-English-Arabic "Malaria Danger" broadside warning the public of mosquitoes spreading malaria). Many of the brilliantly colored postcards and maps can be seen online as can the artistic invitations to his children's weddings which Monsohn published in the Jerusalem Hebrew press. For years, the Monsohn (later, Monson/Monzon) Press was considered the best and most innovative in the country—pioneering in such techniques as gold-embossing and offset printing, among others. Early items for tourists included collections of Flowers of the Holy Land (c. 1910–1918)—pressed local flowers accompanied by scenes from the Eretz Israel countryside and relevant verses from the Bible, edited by Jsac Chagise (or Itzhak Haggis), an immigrant from Vitebsk, and bound in carved olive wood boards. Shortly after World War I Monsohn (now spelled מונזון) used zincography to produce the prints included in the Hebrew Gannenu educational booklets for young children illustrated by Ze'ev Raban of the Bezalel Academy of Art and Design and printed in Jerusalem by Hayim Refael Hakohen (vol. 1, 1919; vols. 2–3, 1920). In 1934 Monsohn moved into the new, western part of Jerusalem, in a shop with four presses and 30 workers, including Abraham-Leib's sons, David, Yosef, Moshe and Shimon, and his daughter Raytse's husband, Abraham Barmacz. The concern did business with all sectors of the city's population, including Arabs, for whom they printed in Arabic. Among their clients were members of the Ginio, Havilio, and Elite families, and Shemen, Dubek, and other renowned national brands, manufacturing products such as wine, candies, oil, and cigarettes. They also printed movie and travel posters, and government posters, postcards and documents, hotel luggage labels...

“HOYSALA CEREMONIAL DECORATIONS.” 60X60 CM. ACRYLIC, CANVAS. Series “The Language and Knowledge of Ancient Aesthetics.” The Hoysala Kingdom—an illustrious dynasty that flourished in ...

“TEMPLE OF THE Great BUDDHA.” 50X70 CM. WATERCOLOR, PAPER. SERIES "MANIFESTATIONS OF DIVINE." Once, Siddhartha Gautama was an ordinary man, yet through countless lifetimes of virtue ...

Anthony Thieme, Netherlands (1888-1954). Oil on canvas 'Nets and Sails', Signed lower left and mounted in gilt decorative frame. Framed: 34.5 x 40.5 Canvas: 28.75 x 34.75 Condi...

Constantin Alexandrovitch Westchiloff (American/Russian, 1877-1945), untitled scene of a snowy far off meadow in the moon light. Oil on canvas, signed lower right Measures: Canvas: 20.85 x 27.75 inches Framed: 29 x 35.75 inches Condition: Excellent with no inpaint. Provenance: Christies Live...

PERIOD FRAMES c. 1915 American painting frame pair, (earlier Stanford White design), Newcomb-Macklin, New York makers, gold leaf, gray bole, gesso, on c...

“ENDLESS BLOOM” 70×90 CM ACRYLIC ON CANVAS Series “The Language and Knowledge of Ancient Aesthetics.” These flowers are a manifestation of my love for the eternal. They were painted...

«BLESSING OF SAGE AGASTYA” 60×80 cm acrylic on canvas Series “The Language and Knowledge of Ancient Aesthetics.” When the path of self-discovery becomes steep, we long for a reminde...

“BEYOND TIME” 70Х90 CМ. ACRYLIC ON CANVAS SERIES. "IN UNITY AND LOVE." The lightness of being is never hidden — it’s always here and now. By stepping back from the scattered flows o...

“JAVANESE GOAT KIDS FROM BOROBUDUR TEMPLE” 70×70 CM, ACRYLIC ON CANVAS. Series “The Language and Knowledge of Ancient Aesthetics.” On the walls of the majestic Borobudur Temple, stan...

In my expressive art, I convey the emotions that arise in a person at the moment of awareness. I try to capture the beauty of the "Now" moment, in which there is no past or future. A...

“TEMPLE LOTUS. WHITE AND RED.” 50×50 CM, ACRYLIC ON CANVAS. Series “The Language and Knowledge of Ancient Aesthetics.” In Buddhist and Hindu temple art, the lotus is more than just a...

“Blessed elephant calf.” 60X60 CM. Acrylic , Canvas . Series “The Language and Knowledge of Ancient Aesthetics.” This elephant calf is one of the many finely carved sculptures found...

“Ode to the Beloved. Divine Apsara” 100 × 80 cm, acrylic on canvas This work is inspired by the plasticity of the temple sculptures of Khajuraho — a sacred complex dating back to the...

As an aesthetic movement, Abstract Art has had its time, at least in terms of being the dominant style of modernism. Fine art can be recognisable again, and Realism is once again rec...