Aesthetic Movement Art

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

«Sacred Family» 80×80 cm, acrylic on canvas The painting is inspired by the architectural grandeur of the Borobudur temple complex(7th–9th century, Java), built in the form of a man...

This is the most summery still life of all the artist's works. In addition, this painting has a prototype, a painting with a blue chair, which was presented at World Art Dubai in 201...

The most feminine still life is in yellow-orange, lilac and red shades, full of feminine symbols and feminine beauty and strength. The book of the most feminine Spanish director Pedr...

A boys face straight from the Renaissance down the centuries to the studio of Sax Berlin. Created in Medieval style this portrait could quite easily belong in the Uffizi collections ...

The elephant is a profoundly sacred image that, across various ethnic traditions of the world, symbolizes strength, wisdom, protection, sovereignty, and connection to the divine. Its...

«BLESSING OF SAGE AGASTYA” 60×80 cm acrylic on canvas Series “The Language and Knowledge of Ancient Aesthetics.” When the path of self-discovery becomes steep, we long for a reminde...

“JAVANESE GOAT KIDS FROM BOROBUDUR TEMPLE” 70×70 CM, ACRYLIC ON CANVAS. Series “The Language and Knowledge of Ancient Aesthetics.” On the walls of the majestic Borobudur Temple, stan...

“TEMPLE LOTUS. WHITE AND RED.” 50×50 CM, ACRYLIC ON CANVAS. Series “The Language and Knowledge of Ancient Aesthetics.” In Buddhist and Hindu temple art, the lotus is more than just a...

“Water Hens Among the Lotuses.” 60×80 cm, acrylic, canvas. Series “The Language and Knowledge of Ancient Aesthetics.” In the treasury of world symbolism, birds often serve as guardia...

“Blessed elephant calf.” 60X60 CM. Acrylic , Canvas . Series “The Language and Knowledge of Ancient Aesthetics.” This elephant calf is one of the many finely carved sculptures found...

“Ode to the Beloved. Divine Apsara” 100 × 80 cm, acrylic on canvas This work is inspired by the plasticity of the temple sculptures of Khajuraho — a sacred complex dating back to the...

“FLORA OF The BOROBUDUR TEMPLE.” 60X80 CM. ACRYLIC, CANVAS Series “The Language and Knowledge of Ancient Aesthetics.” Among the 2,672 bas-reliefs of the 8th-century Borobudur Temple ...

“THE ESSENCE OF PURE BEAUTY.” 60х60 CM. ACRYLIC, CANVAS. Series “The Language and Knowledge of Ancient Aesthetics.” Lotus (Sanskrit: Padma) is one of the most ancient and sacred symb...

“SWANS. HAM & SA” 50×60 cm, acrylic on canva. Series “The Language and Knowledge of Ancient Aesthetics.” Since ancient times, from the distant East, a beautiful legend about a pair o...

“BELLS.” 55X70 CM. ACRYLIC, CANVAS. Series “The Language and Knowledge of Ancient Aesthetics.” This painting is a contemporary reinterpretation of the refined perception of feminine ...

“TEMPLE LOTUS. FIERY.” 50х60 CM. ACRYLIC, CANVAS. Series “The Language and Knowledge of Ancient Aesthetics.” Mandala is a sacred symbol found in many spiritual and religious traditio...

“HOYSALA CEREMONIAL DECORATIONS.” 60X60 CM. ACRYLIC, CANVAS. Series “The Language and Knowledge of Ancient Aesthetics.” The Hoysala Kingdom—an illustrious dynasty that flourished in ...

“BEAUTIFUL TEMPLE LOTUS." 50X50 CM. ACRYLIC, CANVAS. Series “The Language and Knowledge of Ancient Aesthetics.” Deep within temple architecture, among intricate ornaments and sacred ...

“TEMPLE OF THE Great BUDDHA.” 50X70 CM. WATERCOLOR, PAPER. SERIES "MANIFESTATIONS OF DIVINE." Once, Siddhartha Gautama was an ordinary man, yet through countless lifetimes of virtue ...

“LIFE FROM THE HEART.” 29X39 CM. WATERCOLOR, PAPER. SERIES "MANIFESTATIONS OF DIVINE." Paramatma, from Sanskrit meaning “Supersoul,” is the localized aspect of the Supreme, residing ...

Evelyn Grace Ince (British/Indian, c.1886-1941) Mary Mary Oil on canvas Signed `EVELYN INCE’ (lower left) and inscribed with title (on an old label to the reverse) 14 x 10.1/8 in. (3...

The painting depicts large clematis flowers against a light wall with a tiled texture. The flowers are rendered in rich shades of purple, with delicate yellow and white centers, whic...

Can't Stop, Can't Hold The work is devoted to the struggle of the Belarusian people against the dictatorship. Hundreds of thousands of citizens took to the streets to express their ...

"Flying Brush" is an improvised expressive drawing conveys an impulse born in the space of sensations. Artwork is done in ink and blue pastel on white paper. "Every time I draw suc...

Autumn gives us a lot of bright colors and shades, as well as unusual forms of gifts of nature. There is no more romantic season than autumn... The first month of autumn is my favori...

The painting "The Birth of story" tells us about the amazing process of the birth of a literary work. The writer begins work and from under his pen appear unexpected mysterious chara...