Aesthetic Movement Art

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

The art of hedonism in miniature is the subject of Olga Afanasyadi's new painting. Aesthetic and gastronomic pleasure are a combination of the material and spiritual aspects of life....

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

Evelyn Grace Ince (British/Indian, c.1886-1941) Mary Mary Oil on canvas Signed `EVELYN INCE’ (lower left) and inscribed with title (on an old label to the reverse) 14 x 10.1/8 in. (3...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This is the most summery still life of all the artist's works. In addition, this painting has a prototype, a painting with a blue chair, which was presented at World Art Dubai in 201...

The elephant is a profoundly sacred image that, across various ethnic traditions of the world, symbolizes strength, wisdom, protection, sovereignty, and connection to the divine. Its...

«BLESSING OF SAGE AGASTYA” 60×80 cm acrylic on canvas Series “The Language and Knowledge of Ancient Aesthetics.” When the path of self-discovery becomes steep, we long for a reminde...

“JAVANESE GOAT KIDS FROM BOROBUDUR TEMPLE” 70×70 CM, ACRYLIC ON CANVAS. Series “The Language and Knowledge of Ancient Aesthetics.” On the walls of the majestic Borobudur Temple, stan...

“TEMPLE LOTUS. WHITE AND RED.” 50×50 CM, ACRYLIC ON CANVAS. Series “The Language and Knowledge of Ancient Aesthetics.” In Buddhist and Hindu temple art, the lotus is more than just a...

“Water Hens Among the Lotuses.” 60×80 cm, acrylic, canvas. Series “The Language and Knowledge of Ancient Aesthetics.” In the treasury of world symbolism, birds often serve as guardia...

“Blessed elephant calf.” 60X60 CM. Acrylic , Canvas . Series “The Language and Knowledge of Ancient Aesthetics.” This elephant calf is one of the many finely carved sculptures found...

“Ode to the Beloved. Divine Apsara” 100 × 80 cm, acrylic on canvas This work is inspired by the plasticity of the temple sculptures of Khajuraho — a sacred complex dating back to the...

“FLORA OF The BOROBUDUR TEMPLE.” 60X80 CM. ACRYLIC, CANVAS Series “The Language and Knowledge of Ancient Aesthetics.” Among the 2,672 bas-reliefs of the 8th-century Borobudur Temple ...

“THE ESSENCE OF PURE BEAUTY.” 60х60 CM. ACRYLIC, CANVAS. Series “The Language and Knowledge of Ancient Aesthetics.” Lotus (Sanskrit: Padma) is one of the most ancient and sacred symb...

“SWANS. HAM & SA” 50×60 cm, acrylic on canva. Series “The Language and Knowledge of Ancient Aesthetics.” Since ancient times, from the distant East, a beautiful legend about a pair o...

“BELLS.” 55X70 CM. ACRYLIC, CANVAS. Series “The Language and Knowledge of Ancient Aesthetics.” This painting is a contemporary reinterpretation of the refined perception of feminine ...

“HOYSALA CEREMONIAL DECORATIONS.” 60X60 CM. ACRYLIC, CANVAS. Series “The Language and Knowledge of Ancient Aesthetics.” The Hoysala Kingdom—an illustrious dynasty that flourished in ...

“BEAUTIFUL TEMPLE LOTUS." 50X50 CM. ACRYLIC, CANVAS. Series “The Language and Knowledge of Ancient Aesthetics.” Deep within temple architecture, among intricate ornaments and sacred ...

“TEMPLE OF THE Great BUDDHA.” 50X70 CM. WATERCOLOR, PAPER. SERIES "MANIFESTATIONS OF DIVINE." Once, Siddhartha Gautama was an ordinary man, yet through countless lifetimes of virtue ...

“LIFE FROM THE HEART.” 29X39 CM. WATERCOLOR, PAPER. SERIES "MANIFESTATIONS OF DIVINE." Paramatma, from Sanskrit meaning “Supersoul,” is the localized aspect of the Supreme, residing ...

This painting is dedicated to courage, strength and beauty. Men and horses, interaction and love. A powerful and restrained color. • Linen canvas, high-quality oil paints. • Two coat...

Oil on canvas Anne Pélissier alias BERG is a French painter born in 1953 who lives and works in Paris, France. Under the pseudonym "Berg," meaning mountain in Goethe's language, lie...

Judith Brenner Rich Seated 2 Original Figurative Painting Mixed Media on Paper Size: H 84.1cm x W 59.4cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look. Rich Seated 2 is a contemporary nude painting by Judith Brenner. This is an original drawing from life on paper using acrylic, pan pastel , ink and watercolour pencil. The idea is to capture the essence of the pose using line and wash...

The painting depicts large clematis flowers against a light wall with a tiled texture. The flowers are rendered in rich shades of purple, with delicate yellow and white centers, whic...

Oil on canvas Anne Pélissier alias BERG is a French painter born in 1953 who lives and works in Paris, France. Under the pseudonym "Berg," meaning mountain in Goethe's language, lie...

Can't Stop, Can't Hold The work is devoted to the struggle of the Belarusian people against the dictatorship. Hundreds of thousands of citizens took to the streets to express their ...

"Flying Brush" is an improvised expressive drawing conveys an impulse born in the space of sensations. Artwork is done in ink and blue pastel on white paper. "Every time I draw suc...

"Three Lines" is an improvised gestural drawing conveys an impulse born in the space of sensations. Artwork is done in ink and ocher pastel on thick white paper. "Every time I dra...

Autumn gives us a lot of bright colors and shades, as well as unusual forms of gifts of nature. There is no more romantic season than autumn... The first month of autumn is my favori...

Still life "Paradise life or paradise lost?" is painted with acrylic and oil paints on canvas. The work is dedicated to independent Ukraine. The main colors of the work are yellow a...