Antique Altar

a sanctuary or altar space. The accompanying elevation drawing shows the columns and classical

decoration of antependia (front of an altar), imitating precious altar cloths, is typical for Portugal. The

Probably more than likely from a Japanese home altar, this is a folk art rendition of Hachiman

motifs on feral feet. Used as a small altar, of contained dimensions. Florentine manufacture from the

from a grand altar.

We are pleased to present this extraordinary antique Chinese altar fruit stack, a masterful work of

commissioned altars, balustrades, and furnishings from local marble workers. The expertise acquired in

A stunning pair of antique 18th-Century Italian silvered wood tripod pricket altar candlesticks

missing, however this is very decorative piece and a welcome addition to a collection or small Altar

Altar. he organic nature is an asset to any space. Please note that the platform’s price guidance tool

displays, altar spaces, or as a statement accent piece in any room. The durable wool weave ensures

: the upper carved bible holder can be unscrewed and used separately on a tabletop or altar, as shown in

larger, 2-piece altar frontal panel.

This large, circa 1860, Victorian Ecclesiastical Gothic Revival altar table is crafted from solid

(front of an altar), imitating precious altar cloths, is typical for Portugal. The panel may be in one

(front of an altar), imitating precious altar cloths, is typical for Portugal. The panel may be in one

(front of an altar), imitating precious altar cloths, is typical for Portugal. The panel may be in one

beautifull. Additional information: Material: Porcelain Type: Altar Dish Region of Origin: China Period

perfect for enhancing a meditation room, home altar, or art display. Its historical significance and

, meditation spaces, spiritual altars, or historical art collections, this antique Burmese Buddha statue is a

religious figure with timeless emotional resonance, perfect for altars, chapels, or classic European

centrality of faith in 19th-century Italian life. The green curtain draped to the side reveals an altar or a

19th century pair of Italian ecclesiastic altar brass candleholders in good vintage condition.

pigments. These Temple Guard Statues would be kept close to an Ancestral Altar in order to help lead their

the marble high altar designed by the sculptor François Girardon for the Saint-Jean-au-Marché church

medieval parallels in Central Italian "Cosmati"-work of inlaid marble floors, altars and columns. The

, God had compassion and stopped the plague at the threshing floor of Araunah. David built an altar

Lovely Chinese Porcelain pre Bencharong / Pre Nyonya small altar plate. We call this style Pre

of the Darmstadt Art Association (years 1837-1838). He mainly painted paintings for altars but also

Bencharong / Pre Nyonya small altar plate. We call this style Pre Bencharong because it has many features of

presents a railing and recessed altar space, designed to house ancestral tablets, deities, or ritual

pair of Italian altar candlesticks in the shape of a torch; they were made completely by the technique

above a commode, altar table or side chest.

-le-Duc. This is not mere decorative furniture, but a devotional object—an altar to craft, scale, and

inlaid marble floors, altars and columns. The technique is known in English as pietra dura, for the

. Originally crafted as a Bible lectern for the altar of a Christian church, this piece likely represents Saint

Dated to the late 19th century, this vibrant red coffer was likely used as both an altar for

or altar. however, also a great compliment to any side table, cocktail table or small collection of

reduced dimensions of the statuette, designed to be placed in a niche or on an altar. The work is made in

floral offerings - kuge - to Buddhist altars and stupas. The ambassador Ono no Imoko became the priest

Outstanding 18th century, Italian carved and giltwood altar sticks with circular tops, carved

Pair of altar fragments or niches made of carved pine wood that are decorated with a series of

taken to the church to display floral decorations on the altar during the marriage ceremony. The vase

ceremony before a raised altar. A pale blue-green celadon glaze cloaks the exterior with a glassy finish.

altar and is meant to burn constantly day and night as a symbol of God’s continuing presence

focal element of the composition: a raised wooden tribunal bench or altar-like structure with Gothic

An antique Chinese Ming Dynasty style red lacquered altar console table from the 19th century, with

, two women, their attention focused on a book, enter a room containing an altar table laden with

bird’s-eye plan of the Tabernacle in the Wilderness, complete with the Ark of the Covenant, the altar of

were often positioned as a pair flanking the foot of the central deity on the altar. Made mostly from

tables and to a slightly lesser extent altar type side tables. One of the reasons these types of items

18th Century front panel of an altar. This panel is originally from the private chapel of an

praying figures appear to face the same invisible altar, reinforcing the narrative unity of the pair.

Superb church altar candlestick of the Romantic period. Decorations in gold leaf and blue and white

tables, nests of tables and to a slightly lesser extent altar type side tables. One of the reasons these

Central Italian "Cosmati"-work of inlaid marble floors, altars and columns. The technique is known in

church to display floral decorations on the altar during the marriage ceremony. The vase would then be