Antique Amphora

depict a set of Neoclassical Wedgwood amphora vases. Both prints are on cream paper, and the vases have

This pair of simulated marble covered urns are amphora-shaped, raised on gilt hoof feet on a

after the ancient Greek examples he admired. This vessel is an excellent replica of an amphora made

Early Art Nouveau royal bone porcelain decorative Amphora style vase with scrolls gilt handles and

. The amphora shape of the coral is beautifully carved, a symbol of plenty. Button coral suspends

and see them first! 19th century electrified brass desk lamp in Empire style with an Amphora resting

'embroidered' tasselled penants and floral swags and enclosing a triple-handled amphora with central band cast

and drinking bowl and amphora decoration. In the background, there is a corridor and a narrow section

Vases. Each vase is of amphora form with a wide upper mouth that extends downwards to a slender neck

amphora-inspired urn. Patterns like the present composition were celebrated throughout Europe

centrepieces ("Surtout de Bacchaus"). Bacchante holds an amphora, a vase of fruits at her foot while faun

tendrils. On the table, bowls full of grapes and a decorated flask. On the foreground, a great amphora

Amphora-Style Diskometal Vase made by Just Andersen in the 1920s. * Diskometal vase with lugs and

and glory, while a small amphora in his right, representing wine and celebration. The sculpture

. Charming and finely detailed Bacchanalian putti are dancing with cymbals and amphora in their hands beside

design with lovely pierced ormolu mounts of a decorative amphora amidst fine foliate movements. Above are

woman holds a terracotta amphora vase filled with flowers in both hands. The maiden, gazing slightly to

robes with an amphora gracefully held aloft in one hand. The work displays a remarkable level of detail

figure Greek amphora. Dating from the late 18th or possibly the early 19th Century, this oil on canvas

executed flowing period attire while holding amphora’s adorned with Greek keys on their shoulders. The

chased surface detail and and good naturalistic colour, signed with the Bergman 'B' in an amphora vase

A good Belle Epoche bronze modeled as a young boy beside a large amphora or vase. Stylistically

use motifs taken from antiquity. Likewise, the shape of the handles is inspired by Greco-Roman amphora

expression draped in classical attire carrying an amphora on her shoulder with ribbons in her hair. All

this exclusive composition, magnificent amphora-like vessels burst with stylized flowers—an homage to

this exclusive composition, magnificent amphora-like vessels burst with stylized flowers—an homage to

this exclusive composition, magnificent amphora-like vessels burst with stylized flowers—an homage to

Franz Bergman Amphora monogram inside the Geschutzt foundry stamp. These pieces are as rare and

garlands, supporting an Amphora with floral finial issuing a central candelabrum and three scrolled

correspondence to the well. The shape takes inspiration from the basins associated with the metal forged amphora

classical attire and carrying amphora on their shoulders with ribbons in their hair. The arms above display

around the neck, handles, bases, and center medallions. The vases are of a slender amphora form with hand

candelabrum having a finely cast vasiform amphora-shaped body with incised detailing and angular supports

Pair of 19th Century Neoclassica gilded bronze urns from Italy. A pair of amphora shaped vases in

male and female sprites, each standing on a gilded sphere and carrying an Amphora. Their torsos are

border, a necklace and decorative head scarf. The beautiful Rachel is holding an amphora and Jacob's hand

Amphora-shaped vase and in the Empire style, circa 1920, France made of earthenware with a marine

. Stamped to the underside of one foot 'H. PICARD'. Each candelabrum having a finely cast amphora-shaped

chased surface detail and good naturalistic colour, signed with the Bergman 'B' in an Amphora vase

. Each piece is of Amphora form with a gorgeous 24K gold matted, burnished, and shiny front and backside

is of Amphora form with elongated raised handles with Wedgwood blue ground and white jasperware

, and patinated bronze—takes the shape of an Amphora vase form case above a cylindrical stem and a

. Signed and dated on plate on the lower central margin (on the amphora): F.Bac 1922. Original Lithograph

setting: their clothes are classical in style, and elements set on the terrace, such as the amphora, are

-amphora. Technique : Copper-line engraving with original hand-colouring Background information : From

exquisitely crafted with an amphora-shaped body adorned with intricate mythological figures, exemplifying the

, and pitchers use Greek and Roman amphoras and urns as their models. Subdued decoration joins pure

amphoras issuing five scrolling candleholders, each supported on conforming onyx bases. The dial of the

amphora. The skill alone of J-J de Gault gives pleasure; he adds to it with a bit of artful teasing

Renaissance style, shaped like Greek Amphora vases, and painted with classically-inspired scenes. The

executed array of intricately inlaid scrolled foliate designs of amphora, vessels, musical instruments

. The porcelain vase is of classical Amphora form, with a slender elongated neck, a large ovoid body

from the mouths of classical twin-handled Amphora vases, which have been crafted from patinated bronze

painting a black figure on the surface of the amphora while she is standing tall at the doorway and

gilt pink ground baluster form amphora - pithos form body surmounted by patinated brass final topped

vase is shaped like stylised loutrophoros-amphora vessel with an ovoid body and elongated neck, fitted

takes an amphora shape and has twin handles in the form of lion's heads. The underside of the vase bears