Antique Bears

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

The surface retains an attractive aged dark brown and greenish patina. The base bears the molded signature “L. CARVIN,” associated with French sculptor Louis-Albert Carvin (1875–195...

Genoa, Italy, early 19th century The bed bears a “WC” maker’s mark; the manufacturer has not been identified.

The underside of the base bears the words “Modèle déposé” (registered design), together with a model number.

The exposed glass allows the decoration on the opposite side to remain visible, creating depth within the intricate silver design. An oval reserve bears an engraved ornamental monogr...

The sterling silver shield-shaped mount on the front of the mull bears the monogram JM in lovely script and the date 1843.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

The flowing treatment of the fur gives the sculpture a remarkably naturalistic quality, while the silver-plated surface emphasizes the depth and movement of the modeling. The unders...

The apron is fitted with six legs, each face carved with a diamond-shaped quatrefoil rosette medallion and small cross-shaped bosses, joined by cusped, arch-cut openings in a Moorish...

They measure 4 1/2'' in height by 3'' in diameter, weigh 11.9 troy ounces, and bear hallmarks as shown. Please feel free to ask us any questions, and please see our other listings.

Georges LE MEILLEUR (1861-1945) Fisherman on the River, 1926 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of th...

Their ‘cloud designs’ defined an era and still bear the same intended luxe today.

It is unsigned but interestingly, bears Corot's signature in pencil on the back. On the verso is also a dat - 1850- and information about the site depicted in French, which I have un...

Presented with its original self-framed dark border with a warm, worn patina and scattered surface losses, the piece bears visible foxing, scratches, and spots consistent with long-t...

The mustard spoon is hallmarked Birmingham 1916 and bears the maker’s mark for George Unite, while the salt spoon is hallmarked London 1920.

The traces of gilding and the worn polychromy bear witness to the antiquity of the work and its devotional use.

The interior of each cover of the box bears the retailer's mark 'To his Majesty the King Edward, Diamond Merchants, 92 Buchanan Street, Glasgow', all below the Royal coat of arms.

The tureen was created in - and bears the marks of - the workshops of master silversmith Paul Canaux in Paris (30 Boulevard Malesherbes; registered April 12, 1892, with the maker's m...

The upper portion of the brooch bears two French cut diamonds and the lower portion bears three Old European cut diamonds, totalling 0.25ct, all claw set representing bud designs.

You are viewing a gorgeous hand carved Italian Renaissance oak bench Just look at the details to the carving, I hope the photos go some way in illustrating the quality Characterful c...

Their ‘cloud designs’ defined an era and still bear the same intended luxe today.

Their ‘cloud designs’ defined an era and still bear the same intended luxe today.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

The warm, irregular surface bears traces of prolonged use, with variations in tone, marks and wear preserved as part of its history.

This double-sided painting and drawing by Auguste Macke is titled in pencil ‘Tegernsee 1910 1912' and 'Knaben am Wasser 1911’, verso. The paper also bears the inkstamp from the artis...

Fully hallmarked, the piece bears official Portuguese assay marks from the Lisbon office, dating its creation between 1985 and 1998.

The pansy was a beloved motif during the Victorian and Edwardian periods, symbolizing remembrance and affectionate thoughts, making it a meaningful and enduring floral design. The r...

The locket opens to reveal an interior compartment with blue lining, intended to hold a photograph or small personal keepsake. The piece bears a Dutch 585 guarantee mark, indicating...

Decorated in cobalt blue underglaze atop a cool while field, the outer border is loosely brushed & stamped to resemble woven flower baskets with foliage, while the center bears the F...

The anterior surface bears a Ramsay family coat of arms of an eagle displayed, surmounted with the crest of a unicorn's head couped, armed, maned, and tufted, all above the motto 'Or...

Highly collectible, the set bears a double attribution: signed by the artist Pierre Laurel and stamped by the prestigious Parisian fondeur Marcel Guillemard alongside model number 16.

An eighteenth-century hand-colored copperplate engraving depicting The Corn Snake with Bahaman Orchid, plate LV (55), from the imagery of Mark Catesby’s The Natural History of Caroli...

The anterior panel of the cover bears the contemporary bright cut engraved monogram initials MAG.

The construction is direct and functional, with the individual boards, joints and structural elements remaining clearly legible. The surface bears extensive traces of age and use, i...

The front is signed with the engraver's initials and bears French hallmarks, and the reverse is stamped ARGENT.

Both the lid and base bear the distinguished Société Céramique Maestricht / Made in Holland lion mark, linking the piece to one of the celebrated historic pottery manufacturers of Ma...

A beautifully symbolic antique fob dating to 1840–1880, featuring a coiled snake rendered in 18K gold and wrapped around a grey chalcedony seal. The seal bears the French inscription...

The interior is lined in wood, with porcelain in the top, while the underside bears a small iron red lotus workshop mark. A wonderfully colorful decorative box for jewelry, keepsakes...

At over a metre in height, this is a substantial, gallery-scale piece. The reverse bears the trade label of G.H. Morton & Son Ltd, cabinet-makers of Bold Street, Liverpool, together...

Inside the bowl, the reverse contours of the raised ornament reveal the dimensional character of the repoussé work. The underside bears an elaborate engraved script monogram together...

Constructed with a wood shell and brass liner, this bears an elegant aesthetic.

The beautiful wooden frame has been turned and carved to resemble real bamboo—hence the term "faux bamboo"—and bears a lovely, weathered patina of age. The mirror glass shows oxidati...

The side panels are molded. It bears the stamp of cabinetmaker H. JORANT, flanked on either side by the JME guild mark for furniture made in Paris.

The balanced proportions and refined classical detailing give the pair a graceful and timeless appearance. The candlesticks bear Porto Crown silver hallmarks, including an assayer’s...

Pair of Rustic Black Forest (19th Cent) carved walnut open Armchairs with leaf and grape design filigree back and bear heads on arms with etched seat

Interestingly, it still bears the original OPEN CLOSED tag. Diameter 54 cm Thickness 13 cm Weight 34 Kg Ancient manufacturing source La Spezia Italia Maximum diameter 74 cm Mat...

Additional delicate flowers extend along the sides, allowing the pair to be enjoyed from multiple angles. The undersides bear handwritten initials, numerals, and markings, including...

This elegant and characteristically shaped upholstered Art Deco ottoman dates from the 1930s in Czechoslovakia and bears the unmistakable signature of prominent designer Jindřich Hal...

Its animated expression and sculptural form reflect the playful animal designs for which French barbotine pottery became celebrated during the late 19th and early 20th centuries. Th...

The deeply worn steps, irregular surface, fissures and beautifully eroded upper section bear witness to its long history. Particularly striking is the forked top, where natural weath...