Antique Camel

Spanish Renaissance style (17th Cent) large oak camel top floor trunk with wrought iron trim.

caravan, with figures riding atop camels or walking alongside mules. Two dogs race at the front of the

African and Indian wildlife, including lions, tigers, jaguars, camels and elephants using granite and

diamond latch-hook medallions on a camel field within an amber rosette border. The vivid red color seen

corner resolution is impeccable. Its ocher ground color is matched perfectly with the light camel ground

together fine straw reeds obtained from the panicum turgidum plant with strips of camel leather, the latter

. On the Design: Camel tone beige-browns underscore an elaborate, dense all over floral pattern of

Suitcase by Louis Vuitton, dated 1910 circa. Engraved latch, brown and camel leather.

camel of a nomadic caravan, to show off the skills of the family's weavers.

Charge,” Girardet presents an army of Arab camel riders starting the battle. The painting is a masterful

) An elegant late 19th century Amritsar antique carpet, the camel field with a luxurious overall design

A Minimalist Arts & Crafts carpet characterized by a completely open camel background, framed by a

and the back. It features cartouches motifs allover the ivory primary field, with camel outer border

animals decor for power protection, the top straight neck spout is made out of carved camel bone, the top

camel flat-woven (soumak) ground. handwoven

flowering vine and enlarged palmettes within a camel border with delicately-drawn floral motifs. A rare

figures, some sitting on the cobbled stones whilst others process through the street. A large camel in the

from all angles. The fabric features a woven flower bouquet pattern on a camel colored linen

the bordering Arax river. The camel-tone field is zig-zagged or stepped on its edge, fitted within

tops and handles decorated with trees and gentlemen riding camels in the desert. Very decorative

of the Rug : Light green, Coral color, Gray, Camel color, Ivory, Light blue, Navy blue, Yellow, Brown

) A late 19th century Indian Amritsar antique rug, the camel field with a large-scale design with an

tendrils in a gorgeous palette of red, light blue, camel brown, dark khaki and cream. The regal look of the

, each with a distinct design. The light brown color is most likely camel hair which Baluch weavers often

medallion made of florid elements setting over the soothing camel field making it perfect for both

1785. Camel back chairs of this date are popularly called Hepplewhite because very many chair

palette - the soft brown bands are most likely un-dyed camel hair. Rug is very sturdy, clean and in

A camel back long sofa, with serpentine seat rail raised on dark stained four cabriole front legs

camel next to a beautiful palm tree. The totems on the sides are two chandeliers, which, accompanying

. Moreover it uses an incredible range of browns, sepia and camel. This kilim has been professionally washed

symbolic elements overlaid in an abrashed field. Camel striations and ivory hues blend seamlessly from one

. The hardwood, possibly red walnut, frame has a camel back with a well carved central vase shaped splat

during his tiring journey. When Rebecca came to get water, she offered it to the old man and his camels

create a dynamic yet harmonious visual rhythm. The colour palette—deep indigo, soft camel, brick red

camel driver on the back of a dromadere. The theme, the composition, the use of color and light, all

composition depth and grounding. The final edge is bound with a narrow Greek key motif in camel and espresso

Orientalist Watercolour Painting of a Man Riding a Camel by Alphons Leopold Mielich Austrian, late

EMILE PINÉDO French, 1840-1916 Guerrier Arabe Sur un Dromadaire - Warrior On a Camel Signed

rich indigo blue against a soft camel ground. This interlocking design, derived from the traditional

A very good quality late 19th century George II style wing armchair, having wonderful camel back

palette of camel, indigo and celadon within a camel stylized leaf border. The production of antique

stranger, who draws water from a well for him and all his camels. Recognizing her kindness, he identifies

standing and on a camel, through soft and precise strokes, the artwork is created by vivid and bright

costumes, rest on a hillside In the foreground with their camels, weapons and presumably goods for sale and

original hanging cords at the sides. These torba were used to decorate the side of a camel during a Turkmen

. These weavings are often considered to be dowry weavings as they were used to decorate the camel during

together fine straw reeds obtained from the panicum turgidum plant with strips of camel leather, the latter

Eastern architectural passageway with colourfully clad figures and camels. The painting is signed 'D. F

The shaped pale camel open field is dramatically set off by a tall oval medallion with black

central caravan of camels. On either side of the open space, Melling frames the Hippodrome with

' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed

front of the stand is carved with camel motifs, which is a typical symbol of Silk Road's many camel

entire tin is decorated with a desert vignette with a camel and rider at dusk. This tin is in very good

lend the piece a quiet elegance and rhythmic grace. Rendered in a muted palette of pale camel, ivory

' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed

side of the camel that the bride would ride on in the procession.

century Indian Amritsar carpet, the camel field with a faint all-over palmette and vinery trellis with