Antique Camel

as the livery companies crest of a recumbent camel laden with spices. This silver box measures 2.5

, soft camel and beige hues, deep indigo blues, and muted reds, all derived from natural dyes that have

for his lineage. He sets off with a caravan of ten camels and precious gifts, and when he arrives

foliage and overgrown caves in the foreground. A group of figures surrounds two camels, possibly guides

curule base. Newly upholstered removable cushion in a camel mohair. Original iron finish shows nice age

people, tents, camels, buildings and potted trees representing Egyptian life. The designs are made from

camels across the sand in the foreground, while a town sprawls out in the distance, and mountains span

with a caravan of ten camels and precious gifts, and when he arrives at a well, tired and thirsty, he

, George 111rd Hepplewhite period, circa 1785. Camel back chairs of this date are popularly called

, women, children, pilgrims, camel drivers, and Berber horsemen.

, warm camel beige, chocolate brown, deep navy blue, soft sky blue, and muted rust accents. These earthy

regional fauna including camels and birds. These elements were designed not only to inform but to evoke the

reciprocal ivory and crimson floral motifs; a main border on a warm camel/gold ground carrying a bold stepped

time Expanses of camel and warm khaki tones, softened from their original deeper brown and aubergine

leveled horizontal field. The structural balance between the repeating rows of stylized birds, camels, and

high contrast shifts of sapphire blue ivory and soft camel. These rich and enduring tones achieved

composition featuring a monumental stylized lion or “leopard” figure accompanied by two camels anchored within

for high contrast shifts of madder red turquoise blue and camel. These rich and enduring tones

design features a rather impressive medallion on a camel field and terracotta border. Note the well fed

century productions. The inclusion of a sophisticated primary border on a light camel ground containing a

camel, pink, light blue, lilac, with dots of yellow. ref. nr. 1413 -

, cornflower blue, tangerine, camel and khaki. A statement piece with a soft wool pile. The Lesghi Star kazak

Camel, Red Rug, Circa Date: 1920s. This exceptional example of early 20th-century Chinese weaving

painted nomadic desert scenes with Bedouins on camels with palm trees and pyramids. Signed Noritake Japan

featuring a series of horizontal decorative bands anchored within an expansive natural camel hair and undyed

decoration covering the entire surface. Original camel-colored leather writing surface. Superb craftsmanship

A triangular forged iron chandelier with palm tree and camel motifs. With four candelabra sockets

is defined by a high-contrast interplay between a saturated camel ground and a crisp lexicon of ivory

balanced, featuring a primary camel-brown ground that serves as a dramatic canvas for high-contrast shifts

rug features a rare and visually soothing palette dominated by soft camel and ivory tones accented

secondary motifs. Accents of ivory, soft brown, and muted camel highlight the intricate detailing, while the

green, and warm camel, arranged in diagonal rows that fill the field from end to end with the controlled

village weaving. Dense, heavy, and hand-woven of thick camel and wool, this rug was made a century ago to

is set on a warm ivory/camel ground of great luminosity, filled with an all-over diagonal lattice of

in a striking palette of deep navy blue, dark red, and natural camel tones. Originating from the

, Camel Rug, Circa Date: 1920s. This exceptional circular piece, originating from the sophisticated

soft gold, light ivory, and celadon green—with intricate internal motifs rendered in camel, taupe, and

fluidity typical of Khotan drawing. The expansive outer field, in warm sandy and light camel tones, acts

Hanukkah lamp, camels, lizards, a rooster, and peacock Symbolizing strength, power, and blessings from a

deep indigo field surrounded by a camel border. A much sought after narrow size and some great

, earthy tones of light rust and camel, with ivory and brown accents articulating the medallions and their

The unusual camel field of this period Axminster carpet appears behind the in and out palmette

taupe, and light camel, with whispers of faded rust and beige lending depth and warmth. This nuanced

, pale camel, and muted tan, the design achieves a remarkable sense of calm and visual rhythm, making it

framework, squares of rich camel brown motifs contrast sharply with those featuring a central, stylized

decorative program. In the lower right, a striking scene of a camel caravan with figures in traditional dress

open ground. The field is rendered in warm camel and sand tones, with subtle ivory highlights and

brown lattice that crisply defines the geometry, set against a light camel and sand-toned ground. The

out in warm camel and light beige, producing a striking contrast that highlights the precision of the

into display. An object designed to be noticed from across the room. The vintage carved camel bone

warm taupe and sandy beige, with layered tones of soft brown, light camel, and pale walnut creating

, muted camel, and gentle blush tones, accented by deeper notes of brown and charcoal that articulate the

An accent-size Turkish Anatolian rug with floating swans on a soft brown camel color ground

weaving, created for use as a decorative camel trapping during wedding processions. Asmalyks are among the

camel tones. A series of contrasting borders surrounds the field, featuring classic Caucasian motifs

and a camel border. Measures: 5'4'' x 8'3''.

18th Century Irish mahogany wing chair with camel back headrest. Carved cabriole legs with stylised