Antique Camel

name. Handwoven with reeds and camel leather in Mauritania circa 1950-1960, its natural materials enjoy

name. Handwoven with reeds and camel leather in Mauritania circa 1950-1960, its natural materials enjoy

and claw form feet with green leather upholstery with tufted seat back with camel back and loose

floral medallion in shades of indigo, camel, and sky blue. Corner spandrels with scrolling blossoms add

flowerhead vine, an outer brick-red border with polychrome bold hooked motifs, plain camel-brown outer stripe

French giltwood camel crested mirror with carved interwoven rope and floral design flanked by cove

geometrical design on an unusual camel field and deep indigo border. Beautiful secondary colours of greens

tones form the primary ground, punctuated by camel brown and deep brick red bands that add contrast

, prosperity, and harmony. Set against a soft camel-toned ground, the symbol radiates an air of balance and

piece with camel coloured knitwear.

two men on camels and others walking approach from the right. This duotone lithograph is printed in

camel-brown broad stripe. Persian Serab rugs, originating from the Serab region in northwestern Iran

Egyptians with camels is proceeding from the right and other groups of Egyptians are also seen in the

allegory. One depicts the allegory of Asia, represented by a woman seated on a camel — one of the

mother-of-pearl, camel bone, and fine marquetry, topped with a white Carrara marble slab. Crafted in the

chairs, circa 1920. These unusual gilt chairs or side chairs have been recently upholstered in camel

flanked by geometric motifs, all set against a warm, earthy field. Subtle tones of camel, walnut brown

rosettes and floral blossoms in muted shades of apricot, camel, and ochre, contained within multiple

dragonfly wings and unique camel heads terminating in a foliate-inspired dish pan and candle holder, over

Superb quality pair of early 20th Century English antique camel back sofas or settees. Each

radiant rosette, unfurling like the first bloom of dawn across a sun-washed field of soft camel and

daily life at the threshold of a Middle Eastern city. At the centre of the composition, a man on a camel

and the upper part ends with a desk with camel-colored leather embossed in gold. This secretaire opens

′.10"x3′.5" (269×104 cm) This extremely decorative Shirvan runner with its unusual golden camel ground

medallions on a terracotta field and camel border. Lovely secondary colours of pink, light blue and gold

soft beige or camel tone creates a serene visual space, framed by intricate floral and vine motifs hand

intensity—which contrasts beautifully against the luminous, camel-toned field. The generous scale of this

border features a continuous pattern of bold palmettes and curled tendrils set against a soft camel

progressions, each element rendered in golden amber, sage green, and dove blue against warm camel grounds. The

makes them suitable for both day and evening. With neutrals like ivory, black, navy or camel, the coral

medallion on a plum field flanked by camel corner spandrels within amber cloud band and reciprocal trefoil

Human and Animal Locomotion. Plate 736. Egyptian camel; racking. 14 x 20 inch original vintage

village scene with figures, camels, palm trees, whitewashed architecture, and a mosque set against a vivid

features a large hexagonal medallion on a plain (ish, more of which later!) camel field surrounded by an

Servant, Rebekah is seen offering water to the servant and his camels as a true test of Rebekah's kindness

Antique Sarab Rug 3'7'' x 8'. A study in camel tones, ecru and darkest brown, with two hexagonal

behind him. To the right, a camel and handler create a perfect visual counterbalance. Lush palms, reeds

figures at the center—especially camels—bear symbolic traces of desert life, while the black, red, white

, featuring deep burgundy reds, soft ivory/beige, warm camel tones, touches of olive green, and vibrant

winged sphinx rests across the front while camels lie on either end and a sarcophagus flanks each corner

item mounted on camel caravans, chuvals like this were woven by Tekke nomads and now serve as

, disjoint medallions in dark brown and camel, with a sand border of ashiks and separator bars. Coarse weave

century egyptian scene ottoman egypt artwork islamic architecture egypt print camel horse procession

medallions alternate in shades of camel, ivory, and soft blue, framed by a deep brown ground that heightens

, latch hooked diamonds in blue, cream, green and camel. Secondary squares with short extensions

Wonderful camel leather bag from Maison Lancel from the 1990s. This magnificent Lancel handbag is

right, a group of people quietly talk, while their camels rest nearby and a woman fills a flask with

name. Handwoven with reeds and camel leather in Mauritania circa 1950-1960, its natural materials enjoy

tones, the design is set against a warm camel-beige background. The flat-woven texture and gentle wear

four-pointed star defined by bright red lines and a camel-colored background. The outermost eight

ford, with camels draped in red textiles and figures in traditional North African or Middle Eastern

: Albatross Scout, Sopwith Camel, The Rumpler, Gotha and Handly-Page. All done in black water color on paper

reputedly depicts the story of Rebecca and the Camel Test. Depicted to the central panel are various figures

background being composed of an orthogonal intersection of shades of ivory, camel and brown in a Cubist-like

. Handwoven with reeds and camel leather in Mauritania circa 1950-1960, its natural materials enjoy beige

beige, camel, and brown, with striking deep red and soft pink details woven throughout. Each medallion

geometrical design on a deep chocolate field encased by a simple camel coloured border. Lovely wool quality