Antique Copper Engravings

. Technique: Copper engraving Maker: Frederik Ludvig Norden, Copenhagen, circa 1755

medium to dark wood frame enhances the earthy tones. Technique: Copper engraving with original hand

the plate mark and give the sheet a refined, scholarly presence. Technique: Copper engraving Maker

. Technique: Hand-colored copper engraving Maker: European School, published in 1749

: Copper engraving Maker: Frederik Ludvig Norden, Copenhagen, circa 1755 Keyword block: Nile, Egypt

to scale. Technique: Copper engraving with original hand-coloring Maker: European School, circa 1749

. Technique: Copper engraving with original hand-coloring Maker: European School, circa 1749

and interior inspiration only and may not always be to scale. Technique: Copper engravings with

rare and finely detailed 17th-century copper engraving depicts the bay and fort of Solor Island, part

inspiration only and may not always be to scale. Technique: Copper engraving Maker: Jacques Nicolas Bellin

temple’s form. Technique: Copper engraving Maker: Anonymous Dutch engraver, Netherlands, circa 1800

the Apostle with his martyr’s cross. Executed in detailed copper engraving, both prints showcase the

presentation and interior inspiration only and may not always be to scale. Technique: Copper engraving with

to scale. Technique: Copper engraving with original hand coloring Maker: Arnoldus Montanus, Dutch

unusually large copper engraving comes from Bernard de Montfaucon’s landmark archaeological publication

London in 1720, this original hand-colored copper engraving forms part of Eleazar Albin’s celebrated work

, this original hand-colored copper engraving forms part of Eleazar Albin’s influential work A Natural

set of two original hand-colored copper engravings was created by Eleazar Albin for his landmark work

engraving is executed using the copper engraving technique, renowned for its precise linear detailing, cross

. Executed with precision using the copper engraving technique, this print showcases fine linear detailing

Temple of Philae on the Nile – Antique Egypt Ruins Engraving by Norden, c.1755 This impressive

declaration of being the way to the Father. Executed with precision using the copper engraving technique, the

the copper engraving technique, known for its precise lines and detailed shading, allowing for

Italian print maker Marco Gregorio Carloni ( 1742-1796 ). These copper engravings were based on the

Italian print maker Marco Gregorio Carloni ( 1742-1796 ). These copper engravings were based on the

Italian print maker Marco Gregorio Carloni ( 1742-1796 ). These copper engravings were based on the

maker Marco Gregorio Carloni ( 1742-1796 ). These copper engravings were based on the drawings made by

. Technique: Copper engraving Maker: After Gaspard Duché de Vancy, French, published Paris, 1797–1798

Brass copper engraving gold silver Condition Good condition, original condition unaltered, some

, global cultures, Bartele Gallery, decorative wall art, collectible print Technique: Copper engraving

plants in India. This copper engraving was published in Frankfurt in 1600 by W. Richter as part of the

Title: Westminster Abbey Monuments – Five English Engravings after Gravelot c.1730 Description

contemporary interiors. Technique: Hand-coloured copper engraving Maker: Giulio Ferrario, Milan, 1815

spacing at eye level for a balanced and elegant presentation. Technique: Copper engraving Maker: Alain

executed 18th-century copper engraving portrays Robert Dudley, Earl of Leicester (1532–1588), a prominent

center "AD" Copper engraving on laid paper “Whatever was mortal in Albrecht Dürer lies beneath this

/early-18th-century botanical copper engravings with period hand-colour, attributed to Augustus Quirinus

/early-18th-century botanical copper engravings with period hand-colour, attributed to Augustus Quirinus

Luke, each printed in 1735 and executed using the copper engraving technique. The prints reflect the

copper engravings. This development permitted a printing of up to 1,500 mezzotints of excellent quality

engravings superseded copper engravings. This development permitted a printing of up to 1,500 mezzotints of

engravings superseded copper engravings. This development permitted a printing of up to 1,500 mezzotints of

copper engravings. This development permitted a printing of up to 1,500 mezzotints of excellent quality

copper engravings. This development permitted a printing of up to 1,500 mezzotints of excellent quality

copper engraving work. Each print captures a distinct and significant biblical event, rendered with

Antique print titled 'Divers Habillemens des Femmes de Sibérie (..)'. Copper engraving of Siberian

garment, creating a museum-quality presentation. Technique: Copper engraving with original hand coloring

was produced using the copper engraving technique, prized for its fine linework and clarity. Published

emphasizes contrast and depth. Technique: Copper engraving with original hand coloring Maker: Jonathan Carl

The image is a historical copper engraving from 1673, taken from the German edition of Arnoldus

can enhance depth and focus attention on the figure. Technique: Hand-colored copper engraving Maker

scale. Technique: Hand-colored copper engraving Maker: European School, published in 1749

elevated, library-style presentation. Technique: Copper engraving Maker: After classical antiquities

Habits et Maisons des Floridiens, Early Florida Ethnography – French Engraving, c.1757 This rare

Falls of Niagara, River St. Lawrence, Canada – Engraving Published in 1816 This early 19th-century

: Copper engraving Maker: Grignon, France, late 18th century

interior. Technique: Copper engraving Maker: Anthony Walker after a 1632 portrait prototype, England, 18th