Antique Etchings

Skeleton is an etching realized in 1771 by Louis Legrand (1723-1807). Signed in plate. The

Chauve- souris is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on

.  Etching and drypoint Edition of 200 print Good conditions.

.  Etching and drypoint Edition of 200 print Good conditions.

.  Etching and drypoint Edition of 200 print Good conditions.

.  Etching and drypoint Edition of 200 print Good conditions.

The Skeleton is an etching realized by Jacques Baron in 1771. The artwork Belongs to the suite

This map of Netherlands is an etching realized in 19th century. The state of preservation of the

Roman Statue is an original etching on paper realized by an Anonymous artist of the XIX century in

Man & Beast by Orovida Pissarro (1893-1968) Etching 27 x 22 cm (10 ⁵/₈ x 8 ⁵/₈ inches) Signed and

Angels is an etching realized by Nicholas Cochin in 1755. Good conditions. The etching was

.  Etching and drypoint Edition of 200 print. Good conditions.

Medium: original etching. Printed in 1900 and published in Leipzig, Germany for Zeitschrift für

Landscape is an etching realized by Nicholas Cochin in 1755. Good conditions. The artwork is

.  Etching and drypoint Edition of 200 print, Including a Passepartout Good conditions.

.  Etching and drypoint Edition of 200 print, Including a Passepartout Good conditions.

.  Etching and drypoint Edition of 200 print, Including a Passepartout Good conditions.

.  Etching and drypoint Edition of 200 print, Including a Passepartout Good conditions.

.  Etching and drypoint Edition of 200 print, Including a Passepartout. Good conditions.

.  Etching and drypoint Edition of 200 print. Including a Passepartout. Good conditions.

.  Etching and drypoint Edition of 200 print, Included a Passepartout. Good conditions.

Etching Plate Size: 6 1/4" x 8 1/2" Housed in a 1/2" Frame Overall Size: 12 3/4" x 15 1/2" Housed in

"Pompeii" is an original hand-watercolor etching on ivory paper by Anonymous Artist of 19th Century

Mily POSSOZ The church of Fontenay MEDIUM : Etching SIGNATURE : Handsigned LIMITED : 75 copies

The Skeleton is an etching realized by Herisset and printed in 1771. The artwork Belongs to the

Medium: original etching. This impression on laid paper was printed in 1880 for Philip Gilbert

Mily POSSOZ Lily of the valley MEDIUM : Etching SIGNATURE : Handsigned LIMITED : 60 copies PAPER

Mily POSSOZ Girls with a parrot MEDIUM : Etching SIGNATURE : Handsigned LIMITED : 75 copies PAPER

Mily POSSOZ Girl with an umbrella MEDIUM : Etching SIGNATURE : Handsigned LIMITED : 45 copies

Mily POSSOZ Entry of the village MEDIUM : Etching SIGNATURE : Handsigned LIMITED : 60 copies PAPER

Etching on laid paper Signed in plate lower left: Armand Gautier Published by Cadart & Luquet

Portrait is an etching realized by Jean Francois Poletnich in 1755. Signed in the plate. Good

French Castle is an original etching artwork realized by an anonymous engraver of the 19th Century

Maurice de Vlaminck - Original Handsigned Etching Title: L'Oise à Cergy Reference: Catalogue

The Embroiderer is an original etching realized by Heimieli Wolff (1815-1940). Good condition

Medium: original etching. François Nicolas Augustin Feyen was known as Auguste Feyen-Perrin. This

Etching on wove paper. A finely executed steel engraving depicting a tranquil lakeside view of the

Pobrecitas is a black and White aquatint, drypoint, and etching printed in blue-black ink on laid

Duendecitos is a black and White aquatint, drypoint, and etching printed in blue-black ink on laid

Portrait of Man is an original Etching realized by an unkown artist in late-19th century. Very

Medium: original etching. Printed in Paris by Porcabeuf and published in 1898 by Gazette des Beaux

Etching realized in 1923. Hand signed in pencil, unreadable. Very good condition.

A finely detailed etching of Isfield Place in East Sussex by Marcel Schuette. Signed, dated, and

Etching on laid paper. Signed in the plate; publisher’s credit to Cadart & Luquet, Éditeurs

: Janssonius, 1650. Technique is etching and they are hand watercolored, with coeval watercoloring. First

: Janssonius, 1650. Technique is etching and they are hand watercolored, with coeval watercoloring. First

: Janssonius, 1650. Technique is etching and they are hand watercolored, with coeval watercoloring. First

Etching and drypoint realized in 1920s. Hand signed in pencil lower right, not readable. Very

Map is Hand-colored etching, with coeval watercoloring. Good conditions with slight foxing. From

Map is Hand-colored etching, with coeval watercoloring. Good conditions with slight foxing. From

Arch is original Hand-colored etching, realized by Luigi Rossini (1790–1857) with description on

Medium: original etching. A fine impression on japon paper, printed in Paris in 1926 for the Revue

Etching on laid paper Sheet size: approx. 65 × 50 cm Signed in plate lower left: F. Bracquemond

Etching realized by Antoine Dezarrois in 1900, after P. Baudry. Proof on Japan paper, not signed

The Prisoner is an original etching realized in the late 19th Century by an anonymous Artist. Good

Paul Jouve Jaguar Catching a Snake, c. 1926 Original etching Unsigned proof On vellum 59 x 80 cm

, the huntsmen follow behind on horses. Rolling hills and greenery form the background of this etching