Antique Etchings

Medium: etching (after the painting). Etched by Charles Courtry after the Corot painting.

Landscape is an artwork realized in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes.

Georges ROUAULT (1871-1958) Circus, 1927 Original etching Signed in the plate Limited to 225 copies (Not numbered) On BFK Rives vellum 33 x 25 cm (c. 12.9 x 9.8 in) Excellent condi...

Medium: etching (etched by Leopold Flameng after the Sir John Gilbert painting).

Medium: original etching. This impression on japon-style paper was printed in 1904 and published in Paris by the Revue de l'art ancien et moderne.

Suchet is an Etching realized by Lollet in 1837. Good conditions.

Madrid is an etching print on paper realized in the late 19th Century.

Medium: etching and drypoint (after the painting). This beautiful piece was etched by Emile Lequeux after Renoir, and published in Paris in 1904 by Gazette des Beaux-Arts; and is ref...

Meeting is an original etching realized in 1771. Good conditions The artwork is depicted through confident strokess.

Medium: original etching with drypoint. Catalogue reference: Schneiderman 98.

Medium: original etching. Printed in 1900 and published in Leipzig, Germany for Zeitschrift für Bildende Kunst.

Condition: trimmed margins, not affecting the etching itself.

Medium: etching. Etched by E. Bolvin after Jean-Francois Millet and published in 1890 in an edition of 200.

Charming little mystery etching pencil signed but I cannot make it out. A French seen probably a park in Paris with children playing.

Medium: original etching. Published in London in 1868 for P. G. Hamerton's Etching and Etchers.

Medium: original etching. This impression on Arches laid paper was printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers".

Medium: original etching. Printed on laid paper in 1919 and published in Berlin by Paul Cassirer.

Background figures could be Dutch. Etching measures 7 1/2 inches high by 6 1/2 wide.

Medium: original etching. This impression on laid paper was printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers".

Medium: original etching. This impression on laid paper was printed by A.

Medium: etching (after the painting). Etched by Charles Albert Waltner after Van Dyck.

Workshop is an original artwork realized by an Unknown Artist, 19th century. Original etching on ivory paper. Good conditions. Image Dimensions: 10 x 7 / 14 x 11 cm

Medium: original etching. Catalogue reference Beraldi 218. Published in Paris in 1884 by Gazette des Beaux-Arts.

Medium: original etching. This impression on japon paper was printed in 1902 and published in Paris by the by Gazette des Beaux Arts.

Medium: etching. Etched by C. Bertaut after Corot and published in 1890 in an edition of 200.

Medium: original etching and drypoint. Printed 1921 at the Munich atelier of Franz Hanfstaengle for the Ganymed portfolio "Das dritte Jahrbuch der Marees Gesellschaft" and published ...

Medium: original etching. Signed in pencil by Rudolf Grossmann and printed in Germany in 1922 for the very rare "Die zweite Ganymed-Mappe" portfolio of "Das vierte Jahrbuch der Maree...

Medium: original etching. This is a rich, dark impression on laid paper with full original margins, printed by A.

Medium: etching (etched by Felix Bracquemond after Ingres).

G. Hamerton's "Etching and Etchers". Plate size: 3 1/4 x 4 1/4 inches (83 x 108 mm).

Medium: original etching. This impression on laid paper was printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers".

G. Hamerton's "Etching and Etchers". Plate size: 7 1/8 x 8 inches.

Medium: original etching. Published in Vienna in 1901 by Vervielfaltigende Kunst for the "Kunst in Wien" portfolio.

Medium: original etching. This original Max Liebermann etching was published in Paris in 1901 by Gazette des Beaux-Arts (reference number Sanchez & Seydoux 1901-13).

Medium: original etching. This impression was printed on laid paper and published in 1887 by the New York Etching Club.

Medium: original etching and drypoint. A rich, dark impression on laid paper, printed in 1900 and published in Paris for the Revue de l'art ancien et moderne.

Black and white etching depicting a busy market day in an old world village by Georges Gobo, circa 1920.

Medium: etching. Etched by C. Bertaut after Corot and published in 1890 in an edition of 200.

Medium: original etching. This impression on laid paper was printed in 1904 and published in Paris for the Revue de l'art ancien et moderne.

Medium: etching (after the painting). Etched by Charles Courtry after Carolus Duran.

Etching realized in 19th century in Italy, showing the technologies and methodologies in vogue at the time for managing production in various manufacturing plants.

Medium: original etching. This etching was printed in 1880 and published by the American Art Review.

Medium: etching. Etched by Paul Edme Le Rat after Mino da Fiesole.

Medium: original etching and aquatint. Catalogue reference: Sanchez and Seydoux 1904-19.

Medium: original etching. This impression on laid paper was printed in 1880 and published by the American Art Review.

Medium: etching (etched by Forberg after the Jean-Baptiste Greuze painting.

Medium: original etching. This impression on Arches laid paper printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers".

Medium: etching (etched by Theophile Narcisse Chauvel after the Wilhelm von Gegerfelt painting).

Medium: original etching. Catalogue reference: Schneiderman 21. Executed in 1859; this very nice impression on thin laid paper is from the Gazette des Beaux Arts edition of 1864.

Medium: original etching. This impression on laid paper was printed in 1909 and published in Paris for the Revue de l'art ancien et moderne.

Medium: original etching. This impression on laid paper was printed in 1910 and published in Paris by the Revue de l'Art ancien et moderne.

Medium: original etching. A nice impression on cream laid paper, published for the American Art Review in 1880; the American Art Review was a lavishly produced revue featuring origin...

Medium: original etching. Printed in 1897 for the rare portfolio "Art et Nature" by Leon Roger-Miles and published in Paris by Boudet in an edition of 525.

Medium: etching (etched by James Fagan after the William de la Montagne Cary painting).

19th Century Etching "Master of Flutes" Etching After Robert Boissard Framed etching with neoclassical elements After Robert Boissard (1570-1601) Dimensions 7.25" wide x 12.75" hi...

Medium: original etching. One of two etchings of the same subject executed by Falguiere in 1876, this impression was printed in 1902 at the Louis Fort imprimerie and published in Par...

Medium: etching. Etched by James D. Smillie after this charming pastoral composition by Barbizon artist Charles Emile Jacque.

Medium: original etching and drypoint. This impression on wove paper was printed in 1908 and published in Paris by the Revue de l'Art ancien et moderne.

Medium: original etching. This impression on Arches laid paper was printed in 1880 for Philip Gilbert Hamerton's scarce "Etching and Etchers".

Medium: original etching. This impression on laid paper was printed in 1880 and published by The American Art Review.