Antique Etchings

after Auguste RODIN Liberty MEDIUM : Etching/photogravure after the original drawing SIGNATURE

Medium: original etching. Printed on laid paper in 1919 and published in Berlin by Paul Cassirer

Medium: etching (etched by Leopold Flameng after the Sir John Gilbert painting). This impression on

Medium: etching and drypoint (after the painting). This beautiful piece was etched by Emile Lequeux

Suchet is an Etching realized by Lollet in 1837. Good conditions. The artwork is realized in a

Medium: etching. Catalogue reference: Sanchez and Seydoux 1892-13. Etched by Henri Guerard after

Medium: original etching. Published in London in 1868 for P. G. Hamerton's Etching and Etchers

Madrid is an etching print on paper realized in the late 19th Century. Titled on the plate Good

Workshop is an original artwork realized by an Unknown Artist, 19th century. Original etching on

Medium: original etching. This impression on Arches laid paper was printed in 1880 for Philip

Medium: original etching. This impression on laid paper was printed in 1880 for Philip Gilbert

Meeting is an original etching realized in 1771. Good conditions The artwork is depicted through

Medium: original etching. This impression on laid paper was printed by A. Salmon and published in

Medium: etching (after the painting). Etched by Charles Albert Waltner after Van Dyck. This

Medium: original etching. Printed in 1900 and published in Leipzig, Germany for Zeitschrift für

Medium: original etching. Catalogue reference Beraldi 218. Published in Paris in 1884 by Gazette

Medium: etching. Etched by C. Bertaut after Corot and published in 1890 in an edition of 200. This

Medium: original etching and drypoint. Printed 1921 at the Munich atelier of Franz Hanfstaengle for

Charming little mystery etching pencil signed but I cannot make it out. A French seen probably a

Medium: original etching. Signed in pencil by Rudolf Grossmann and printed in Germany in 1922 for

Masterfully executed etching which is signed but is illegible. The contrast of shadows and

Medium: original etching. Published in Vienna in 1901 by Vervielfaltigende Kunst for the "Kunst in

Medium: original etching. This is a rich, dark impression on laid paper with full original margins

Medium: etching (etched by Felix Bracquemond after Ingres). This impression on chine-colle paper

Medium: original etching and drypoint. A rich, dark impression on laid paper, printed in 1900 and

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare

Medium: original etching. This original Max Liebermann etching was published in Paris in 1901 by

Medium: original etching. This impression on laid paper was printed in 1880 for Philip Gilbert

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare

Medium: original etching. This impression was printed on laid paper and published in 1887 by the

Medium: etching. Etched by C. Bertaut after Corot and published in 1890 in an edition of 200. This

Medium: original etching. This impression on laid paper was printed in 1904 and published in Paris

Etching realized in 19th century in Italy, showing the technologies and methodologies in vogue at

Medium: etching (after the painting). Etched by Charles Courtry after Carolus Duran. This

Medium: original etching. This impression was published in 1880 by the American Art Review. The

Medium: etching. Etched by Paul Edme Le Rat after Mino da Fiesole. This impression on thin japon

Medium: etching (etched by Theophile Narcisse Chauvel after the Wilhelm von Gegerfelt painting

Medium: original etching and aquatint. Catalogue reference: Sanchez and Seydoux 1904-19. Printed in

John Raphael SMITH (1752-1812) Lady Stanhope Original etching after a painting of Joshua Reynolds

Black and white etching depicting a busy market day in an old world village by Georges Gobo, circa

Medium: original etching. This impression on laid paper was printed in 1909 and published in Paris

Medium: original etching. Catalogue reference: Schneiderman 21. Executed in 1859; this very nice

Medium: original etching. Printed in 1897 for the rare portfolio "Art et Nature" by Leon Roger

Medium: original etching. This impression on laid paper was printed in 1910 and published in Paris

Medium: etching (etched by James Fagan after the William de la Montagne Cary painting). Printed in

Medium: original etching. This impression on Arches laid paper printed in 1880 for Philip Gilbert

Medium: original etching. A nice impression on cream laid paper, published for the American Art

Medium: etching (etched by Edmond Hedouin after the Jean-Francois Millet painting). Catalogue

Medium: original etching and drypoint. This impression on wove paper was printed in 1908 and

Medium: etching. Etched by James D. Smillie after this charming pastoral composition by Barbizon

19th Century Etching "Master of Flutes" Etching After Robert Boissard Framed etching with

Louis Icart Dreaming Girl Original etching and stencil Printed signature in the plate On vellum 19

Portrait is an Etching realized in the 19th Century. Good condition.

Medium: etching. Etched by Jules Jacquemart after Frans Hals. This impression on laid paper was

Medium: original etching. This is a rich, dark impression on wove paper, printed in 1885 for the

Medium: original etching. Executed ca. 1880; this is a good impression with full original margins

From Histoire Naturelle, Quadrupèdes. Engraving on laid paper, plate 18, depicting a lively group of monkeys including the Saki, Pinché, Saimiri, Ouistiti, and Magot, each shown in ...