Antique Etchings

Medium: original etching. Published in Berlin by Bruno Cassirer in 1904 for Kunst und Kunstler.

Horseman is an original etching artwork on paper realized in 1875 by Alphonse Edouard Enguérand Aufray de Roc'Bhian (French, Paris 1833– 1887).

Medium: original etching. Executed in 1883; this is a rich, dark impression on heavy cream wove paper, from the "Original Etchings by American Artists" portfolio, published in 1883 b...

Medium: etching (after the painting). Etched by French artist Frederic Auguste Laguillermie after the Corot painting.

Medium: original etching and drypoint. This rich, dark impression on heavy cream wove paper is from the Sylvester R.

Koehler portfolio of etchings and published by Cassell & Company. Plate size: 5 7/8 x 8 3/4 inches (152 x 225 mm).

Character is an etching realized by a Flemish artist of 17th century.

Medium: original etching. Printed in 1913 and published in Paris by the Revue de l'art ancien et moderne.

Medium: original etching. This impression on wove paper was printed in 1885 for the Sylvester R.

Medium: etching. Etched by Joseph Benwell Clark after the George Frederick Watts painting.

Medium: original etching. Printed in 1908 and published in Paris by Revue de l'art ancien et moderne.

Medium: original etching. Executed in 1634. The impression offered here is printed on wove paper; this is the final state and the date of printing is unknown.

Medium: etching (etched by Paul Rajon after Rembrandt). This impression (with retroussage) was printed in 1885 for the Sylvester R.

Medium: original etching. Published in 1883 for a deluxe portfolio of American etchings, this is a fine, dark impression on wove paper.

Auguste RODIN (1840–1917) (after) Lovers, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (16.7 x...

Auguste RODIN (1840–1917) (after) Purgatory, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (16....

Auguste RODIN (1840–1917) (after) Lust, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (16.7 x 1...

Auguste RODIN (1840–1917) (after) Mercury, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (16.7 ...

Medium: original etching. This impression on laid paper was printed in 1912 and published in Paris by the Revue de l'Art ancien et moderne.

Medium: original etching. This impression was printed in 1888 for the "Ten Original Etchings by the Best American Artists" portfolio and published by Estes and Lauriat.

Medium: original etching and drypoint. The English translation of the German title is "The Hug".

Medium: original etching. The full title is "An Italian Macaroni of the Eighteenth Century".

Medium: original etching. This impression on cream laid paper was printed in 1875 at the Alfred Salmon Imprimerie and published in Paris by L'Art.

Medium: etching. Etched by Henri Guerard after Corot. Printed in 1880 on laid paper by Eudes and published in Paris by the Gazette des Beaux-Arts.

Medium: etching. Etched by Jules de Goncourt after Paul Gavarni.

Medium: original etching. This impression on laid paper was printed in 1907 and published in Paris by the Revue de l'Art ancien et moderne.

Etching on paper realized by an unknown italian master in the early 16th century after Battista Franco.

Romantic black and white etching of a pair of ballet dancers performing on stage by artist Ernst Oppler (1867-1929), circa 1920.

Medium: etching. Etched by C. Bertaut after Corot and published in 1890 in an edition of 200.

Medium: etching. Etched by Jules de Goncourt after Paul Gavarni.

Medium: original etching. Executed in 1873, this is a portrait of the impressionist artist Armand Guillaumin.

Venice is a beautiful etching on paper realized after Tintoretto in 1870.

Medium: original etching and drypoint. Catalogue reference: Delteil 86.

Medium: original etching. This impression on cream laid paper is from the edition printed for "French Etchers", published in New York in 1884.

Etching realized in 19th century in Italy, showing the technologies and methodologies in vogue at the time for managing production in various manufacturing plants.

Medium: etching. Etched by H. Lefort after Rousseau and published in 1890 in an edition of 200.

Medium: original etching. Printed on laid paper in 1919 for Genius.

Max Liebermann (20 July 1847 – 8 February 1935) was a German painter and printmaker of Ashkenazi Jewish ancestry, and one of the leading proponents of Impressionism in Germany. The ...

Medium: original etching. Catalogue reference: Beraldi 14. This impression on chine colle paper was published by the Gazette des Beaux-Arts in 1903.

Medium: original etching. This impression was printed in 1888 on cream laid paper and published by Estes and Lauriat.

Medium: etching. Etched by William Unger after Van Ostade.

Medium: original etching. Catalogue reference: B53 iii/iii. This impression on laid paper was printed in 1868 for Philip Gilbert Hamerton's very scarce first volume of "Etching and E...

Early Modernist Judaica, Etching on Paper.

Portraits of men is an etching artwork realized after Schilutter for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", Londo...

Medium: original softground etching and aquatint. Executed in 1919, this impression on laid paper was printed ca. 1929.

Auguste RODIN (after) Castor and Pollux, 1897 Etching enhanced with watercolor On vellum 42.5 x 31 cm (c. 16.7 x 12.2 inches) Edition limited to 125 copies, send with the certificat...

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert Hamerton's "Etching and Etchers".

Medium: original etching. This impression on laid paper was printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers".

Satyr from the series "Antiquities of Herculaneum", is an etching on paper realized in the 18th Century. Monogrammed on the plate.

Medium: original etching. This etching from "The Hawthorne Portfolio" was printed in 1884 and illustrates a scene from Nathaniel Hawthorne's novel "The Marble Fawn.

Medium: original etching and drypoint. Catalogue reference: Delteil 16.

Landscape is an original color etching realized by Sarah Green in 1793. The print represents a landscape in a well-balanced composition.

This work is hand signed in pencil in the lower right margin "Feder". And also signed in the plate with the artist initials "AF"at the lower left of the image. This wok was probabl...

Not signed The hand-colored etching plates by Johann Wilhelm Weinmann, from Phytanthoza Iconographia (1737–45), present carrot and primrose with a detailed balance of structure and v...

Medium: original etching. Published in 1912 by Gazette des Beaux Arts.

Antonio Macchia is an etching artwork realized in the 19th century. Good conditions.

Medium: original etching and drypoint. Catalogue reference Delteil 24.

Medium: original etching. Published in 1880 by the American Art Review.

Medium: original soft ground etching. Catalogue reference: Delteil 12. Executed in 1906, this is a lifetime impression published in 1909 in Berlin by Cassirer for "Kunst und Kunstler".

Medium: original etching. This impression was published in Boston in 1887 by Estes and Lauriat for the "Nature and Art" portfolio and is printed on cream laid paper.