Antique Imp

On the lower left, below the image, “Gazette des Beaux-Arts” is printed; on the lower right “Imp. D’Art A. Clot, Paris”; on the lower center “Portrait/ Lithographie de M.

James Abbott McNeill Whistler (1834-1903), DRURY LANE, etching, 1880-81, signed with the butterfly and inscribed imp in pencil [also with the butterfly upper right in the plate], on...

Theodore Roussel (1847-1927), Chelsea Children, Chelsea Embankment, etching, 1889, signed in pencil on the tab and inscribed “imp” [also signed in the plate]. Reference: Hausberg 32,...

A rich impression printed on cream wove paper wo hinge stains in the left-hand margin, well away from the image; otherwise fine condition. Signed 'Peter Platt imp' by the printer. S...

Richter del et lith" lower left. "Walter, Imp." lower right. Original text description on verso, has multiple tears and age toning.

This print was printed by Myers personally (hence the imp annotation, Latin for impressit), using different plates for the coloring.

Alphonse Mucha (Czech, 1860-1939) Flirt Biscuits Lefevre Utile. 1899, Lithograph in colors on wove paper. Linen backed. Imp F. Champenois Paris. Measures : sheet: 24.75 x 11.75 inche...

The bottom of the poster contains the imprint of the printer, Imp. Clamaron-Graff, noting its location on Rue de Vaugirard, Paris.

Theodore Roussel (1847-1926), The Gate, Chelsea; etching and drypoint, 1889-1890, signed on the tab and inscribed imp [also signed in the plate lowere right]. Reference: Hausberg 33,...

James Whistler (1834-1903), The Little Mast, etching, drypoint and burnishing, 1879-80, signed in pencil with the early shaded butterfly lower left and annotated “imp”. References: G...

James Whistler (1834-1903), Old Putney Bridge, 1879, etching and drypoint, signed in pencil with a large, elaborate shaded butterfly, lower right and inscribed imp (also signed with ...

Artist: Firmin Bouisset (1859-1925) Title: Chocolat Poulain Date: vers 1898 Size: 36.6 x 50.8 in / 93 x 129 cm. Printer: Imp. H.LAAS E. PECAUD & Cie, Paris Materials and Techniq...

. / 160 x 119 cm. Printer : Imp L. Revon et Cie, 93 rue Oberkampf, Paris Materials and Techniques: Colour lithograph on paper Linen backing: Yes Condition: A - (Normally designat...

Outstanding 19th century French oak exquisitely carved "Allegorical" sideboard, liquor cabinet or bar, server, or buffet~~barley twist posts with lion capitals and exquisitely carved...

Signed lower left, numbered (15/30) lower right and inscribed imp (printed by the artist); also titled lower left near the edge in pencil [also with initials and date in the plate].

A glowing impression, printed by the artist on antique cream wove paper. Signed and annotated 'imp' in pencil. Housed in a 20 x 16-inch archival mat proof printed by the artist. $8...

Annotated '6th trial proof' and signed 'Martin Lewis imp' in pencil, indicating an impression printed by the artist.

Theodore Roussel, Laburnums and Battersea, etching and drypoint, 1889/1890 and 1898; signed in the plate lower right, and signed in pencil on the tab, with the inscription IMP. Hausb...

Signed 'Sybil Andrews pinx et imp' annotated 'No 3' and titled in pencil. Printed by the artist.

On the left corner the written "Imp. Lemercier à Paris". Titled on the lower margin.

Titled on the lower central margin; "Supplement de Paris-Noel" at the bottom; "L. Eudes Imp. Paris" on the lower right corner. Signed and dated on plate on the upper left margin; "Lo...

Signed 'Theodore Roussel imp' indicating a proof printed by the artist.

Rayon des Soierie Ref: Opera, 17; Publisher: Imp. Chaix, Pairs. Maurice Dufrene was born in Paris in 1876.

Great design featuring the record breaking cyclist zooming along on his bike behind a motorcycle with 125kil. 815m dans l'heure marked behind him and a steam train locomotive above, ...

He exhib­ited paint­ings, given by artists such as Matisse, Picasso, Modigliani, Kisling etc. but also let­ters and doc­u­ments that will become of his­tor­ical impor­tance; like the...

Signed 'Sybil Andrews pinx et imp' and titled in pencil. A superb, painterly impression, with fresh colors, on heavy cream wove paper; the full sheet with margins (5/8 to 1 3/4 inche...

R. du Croissant, 16' and 'Imp. d'Aubert & Cie'. Very good conditions. Les Canotiers Parisiens is an original Modern Artwork realized in the 1843 by Honoré Daumier (in full Honoré-...

Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”.

Jean-Emile Laboureur (1877-1943), La Receveuse, engraving, 1919-1920, signed in pencil lower left, numbered (2/38) lower right and annotated ”imp” [also with initials and the date 19...

Annotated: Peter Platt imp (Platt was an early, and one of Sloan’s favorite, printer).

Theodore Roussel (1847-1926), Study From the Nude of a Girl Lying Down, 1890, drypoint with plate tone, signed with the tab and inscribed “imp” [also signed in the plate upper left]...

Artist is: F. Capelli. Printer: Imp. N. Weill, Paris The image of a couple with their child on a bicycle ride out in the countryside of France, all in art nouveau clothing and hats...

A fine impression printed on Swedish cream wove paper with full margins. Signed and annotated "imp" in pencil, indicating a proof printed by the artist.

Jean-Emile Laboureur (1877-1943), Negres Americains a Saint-Nazaire, 1917-1920, engraving on cream wove paper, signed in pencil lower left, titled lower left margin edge, and numbere...

Theodore Roussel (1847-1926), The Sleeping Model or The Sleeper, etching and drypoint with additional pencil coloring, signed on the tab and inscribed “imp”, also inscribed “to Hetty...

Image Dimensions: 32.8 x 25 cm Chez Aubert Ol. de la Bourse 29, on the lower left. Imp. d'Abert & C.le, on the lower right. Titled the top center.

James Whistler (1834-1903), The Traghetto, etching and drypoint, 1879-80, signed with the butterfly on the tab and inscribed “imp”. Reference: Kennedy 191, fourth state (of 6), Glasg...

John Sloan (1871-1951), Subway Stairs, etching, 1926, signed, titled and inscribed “working proof 1;” also with the notation “JS imp” in pencil bottom margin [with the name and date ...

James McNeill Whistler (1830-1903), Lagoon: Noon, etching and drypoint, 1879-1880, signed with the butterfly and inscribed “imp” on the tab [also signed with the butterfly in the pla...

Jean-Emile Laboureur (1877-, Souper a New York, etching on zinc, 1907, signed in pencil bottom left margin; also annotated “No 11/20 imp” bottom margin. Reference: Sylvain Laboureur ...

James McNeill Whistler (1834-1903), Bridge, Amsterdam, etching, 1889, printed in brown ink on thin laid paper, signed with the butterfly on the tab and annotated “imp”, also signed w...

Theodore Roussel (1847-1926), A Street in Ventnor, Isle of Wight, etching, soft ground etching, drypoint, 1912, signed in pencil on the tab and inscribed “imp” (printed by the artist...

A very rich impression with drypoint burr and plate tone, printed on [Men]pes countermarked laid paper. Signed and annotated 'imp' in pencil indicating a proof printed by the artist.

Signed 'Sybil Andrews pinx et imp' annotated 'No 2' and titled in pencil. A superb, luminous impression, with undiminished, ethereal colors, on heavy cream wove paper; the full sheet...

Jean-Emile Laboureur (1877-1943), Printemps Breton, 1926, drypoint, roulette, aquatint, etching; signed in pencil lower left and numbered lower right (37/50) with the imp inscription...

Theodore Roussel (1847-1926), The Street, Chelsea Embankment, etching, 1888-9, signed in pencil on the tab and annotated “imp” [also signed lower left in the plate]. Reference: Hausb...

James Whistler (1830-1903), Battersea Morn (also Battersea Dawn), drypoint, 1875, Kennedy 155, signed in pencil with the butterfly and inscribed “imp”. Kennedy 155, first state (of ...

John Sloan etching Schuylkill River, 1894, signed, titled, annotated “100 proofs” [only 25 were printed], also signed by the printer “Peter Platt imp’ in pencil lower left margin. F...

James Whistler (1834-1903), The Beggars, etching and drypoint, 1879-80, signed with the butterfly and inscribed “imp”. Reference: Glasgow 190, seventh state (of 17), Kennedy 194, f...

The original box is lithographed with the clowns performing and markings "Les Acrobates" "Made in France" "P.F. No. 450", "IMP. G. Doloy. Paris". Dimensions: 19" high (with acrobats...

John Sloan (1871-1951), Anshutz on Anatomy, etching, 1912, signed titled and inscribed “100 proofs” by the artist, and also signed “Ernest Roth imp” by the printer. Reference: Morse ...

Approaching near his mossy bed, Soft whisp'ring to herself she said:– "Thou little imp, whose potent art Bows low with grief the feeling heart; Whose thirst insatiate, loves to si...

"; lower right below the image: "Imp. d'Aubert & Cie."; lower center below the image: "UN TRIOMPHE DE BOTANISTE.

Signed and annotated 'Drypoint. Ltd Ed. Del. et imp.' in pencil. Titled in pencil, in the bottom center sheet edge.

Signed with the butterfly and inscribed imp on the tab (also with an exceedingly light butterfly lower right in the plate).

The consoles between each drawer bear tormented wincing masks, showing horns as if they were fauns or imps. The upper body is framed by two male terms characterised by a strong a...

James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotate...