Antique Lotus

gracefully into a conical lid, topped by a large finial in the shape of a lotus bud, a motif for purity and

serving as handles. The base features lotus petals in a fleur de lys pattern, a flared and detailed

Egyptian lotus flowers in bloom. Both likely served as containers for ointments. Taking on a similar shape

flowers and one lotus leaf form pad. Marked underneath.

bloom. The overall silhouette evokes an opening chrysanthemum or lotus, giving the piece a distinctly

and base. From each opening emerges a constructed arrangement of gilt wood elements modeled as lotus

Chinese Famille Verte Glazed Porcelain Vase, globular form hand-painted with lotus flower motif

in meditation on a tiered lotus base, framed by a sharply arched mandorla carved with radiating

20th century. The Buddha stands gracefully upon a lotus pedestal, his robe richly decorated with

Vase known as " Beijing Glass " by Emile GALLE (1846-1904) Double layer glass vase with red Lotus

flanked by two wadjet serpents, set over a stylized lotus flower. The scarab is finely preserved, set in

artisans. The halo at the back is missing. In addition, the lotus flower or ritual object that was likely

caparisoned elephant, elevated on a double lotus pedestal and framed by a pierced foliate aureole. The figure

cartouche forms flanked by ankhs and lotus elements, executed with deliberate symmetry and graphic clarity

dragons, there are 8 other symbols, such as the lotus flower, the endless knot of fate and the carp. The

Buddha in a seated position on a giant lotus flower. The flower represents a symbol of fortune, meaning

Ravio (1759-1814), with urn forms with green patinas, decorated with gilt lotus flower mounts at the

lotus sprays with fish and blossoming prunus branches within circular medallions. The surrounding ground

. Lhasa women wore this type of ear ornament, which mostly has the shape of lotus buds. They hung at

with an intricate network of stylized floral and symbolic motifs lotus blossoms, rosettes, and abstract

garden setting, carefully tending to a lotus plant. Well presented in a gilt-effect frame. Unsigned. On

. 1700. (Kangxi 1662-1722). This small Kangxi teapot is decorated with panels in the form of lotus

massive carved lotus-leaf topped lion's paw feet concealing original brass castors. While both sides are

pair of waterfowl gliding gently among stylized lotus blossoms and reeds, rendered with a delicate

-balanced overall pattern of vases and floral sprays flanked by spandrels with lotus flowers within an

featuring three large scale blooming lotus or peony blossoms anchored within a deep midnight indigo field

inches high on its integral lotus base (5" W x 5" D), the sculpture is substantial and exquisitely

intricate three-tiered designs of lotus and teardrop pattern. Their weight required support from a cord that

Bronze incense-burner depicting a kingfisher with an elongated beak, resting on a lotus flower that

resembling abstracted trees, lotus forms, and botanical emblems extend horizontally, creating a harmonious

with rhythmic, flowing lines that evoke natural harmony. The flowers resemble exotic lotus blooms or

mounts with lotus-form candle cups, complementing the neoclassical aesthetic. Originally produced as

two varieties of lotuses and blossoming tree paeonies occupy three of the corners. A poly-chrome rock

silver ritual lamp stands from the Tibetan cultural region, decorated with lotus-petal trays and

figure from circa 1920. The figure is seated in a meditative pose on a lotus base. The bronze has

Life & Light’, shown seated upon a double lotus pedestal base attired in a flowing robe, his face

, likely a qilin, amidst clouds and a border of stylized lotus petals. Provenance: Private Melbourne

supporter and a yellow “coin” peeks out into the border at one corner. Paeonies and lotus along with other

lotus plinths. Tamil Nadu, Southern India, 19th century. Dimensions: 7" W x 5-1/2" D x 20" H (Parvati

acanthus and lotus leaf cast details and having three scroll detailed supports and standing on triparte

milgrain detail and scrolling volute motif profile Flanked by engraved lotus motif shoulders and

lotus flower rooftop. Kasuga lanterns are frequently seen at entrances to Japanese tea gardens and as a

milgrain detailing throughout and lotus motif at shoulders Completed by an engraved orange blossom motif

. Features a minimalist brown field framed by deep indigo, adorned with lotus, vases, and birds. A rare 20th

. Notably, the donor’s name is engraved on the back of the lotus base, offering valuable insight into its

banner of victory, the conch shell, the lotus, the treasure vase, the endless knot, the wheel of life and

represent auspicious symbols and good luck charms. The flowers represent every season: the lotus in summer

is rare. Finely carved, we see the Buddha seated in ‘Hellenistic pose’ on a lotus base, with the

large open lotus flowers, stylized plant scrolls, and three quatrefoil reserves, also featuring stylized

blue over ivory, and a wider outer band featuring abstracted lotus blossoms and foliage, all in

with geometric and floral motifs, while the domed cover is surmounted by a lotus bud finial, lending

, swords, lotus pods and other auspicious symbols, some details enamelled, the rim marked Dian Nan Tian Bao

idyllic water garden unfolds, populated by stylized lotus pads, flowering vines, and tall grasses

stylized lotus blossoms. Each floral motif—rendered in both dark and pale blue—connects through sinuous

define and enrich a transitional space. The design features stylized lotus blossoms and aquatic foliage

graceful Padmapani form, holding the lotus that symbolizes compassion and spiritual purity. Measuring 48.5

diamond-shaped medallions, each containing a botanical spray of plum blossoms, peonies, or lotus flowers