Antique Morris

Intact order, with some light marks but remarkably presentable for age and intended use - occasional pressed leaves throughout Superb frontispiece in colour, redolent of contemporary...

Constant Troyon (French, 1810-1865) Vache en prairie Oil on canvas Canvas: 19 x 15 inches (48.3 x 38.1 cm) Framed: 28.75 x 24.75 x 3 Inches Artist's estate stamp lower right: Vente /...

An example of Betts’s impressionistic work is The Yellow Parasol (circa 1925, held at the Morris Museum in Augusta, Georgia), which uses the bright colors, loose style, and cheerful ...

The essays of John Ruskin and William Morris, The Arts and Crafts movement, concern for aesthetic sensitivity especially among a Brotherhood self-described as the "Pre-Raphaelites" i...

The butterflies presented in these hand-colored plates from the 1890 edition of 'A History of British Butterflies' by Morris include: 1. **Large Meadow Brown (likely Maniola jurtina...

The prints are from "A History of British Butterflies" by Morris, which are quite collectible and historically significant.

The sixth edition of 'A History of British Butterflies' by Morris is notable for its detailed, hand-colored plates which provide both an artistic and scientific record of these speci...

The butterflies depicted in the images represent species from the British Isles, from 'A History of British Butterflies' by Morris. They are original hand-coloured antique prints.

The images are hand-colored plates from "A History of British Butterflies" by Morris, showcasing three distinct butterfly species: the Clouded Yellow, the Pale Clouded Yellow, and th...

(the fabric worn in places). See Morris, Barbara 'Liberty Design', p. 51 (illustrated to the left) and p.52 (illustrated to the right) for comparable examples.

He believed that the production of exquisitely designed and produced books was not the preserve of the private press predicated upon the example established by William Morris's Kelms...

A perfect example of this approach can be seen in William Morris's Red House, designed by architect Philip Webb and described by Rossetti as 'more a poem than a house'.

These gifts were both functional and beautiful, fulfilling William Morris’ dictum, “Have nothing in your house that you do not know to be useful, or believe to be beautiful.”

Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California.

They sold high-quality artisan products such as William Morris ceramics. The painting has been framed in an English Swept hand-made frame.

What makes these butterflies particularly interesting in the context of 'A History of British Butterflies' by Morris is the historical perspective they provide on the biodiversity of...

The neck is decorated with a contrasting, almost Morris-like enamel motif. The vase is signed on the base "H.

Reference: Beraldi 65 Wentworth 74, published state Tissot 76 Condition: Excellent Plate/Image size: 14 1/4 x 11 inches Sheet size: 19 1/2 x ...

Ashbee's individual viewpoint It was founded "in the hope to keep living the traditions of good printing that William Morris had revived" and was manned by former employees of the Ke...

Mazell, J. Miller, T. Morris, J.S. Müller, F. Patton and T. White after designs by Paine.

In 1920 he came to London, was demobilized there, and was a contributor to the journal Renesans (Renaissance), edited by Leo Kenig, and to the daily newspaper Di tsayt, edited by Mor...

In 1920 he came to London, was demobilized there, and was a contributor to the journal Renesans (Renaissance), edited by Leo Kenig, and to the daily newspaper Di tsayt, edited by Mor...

In 1920 he came to London, was demobilized there, and was a contributor to the journal Renesans (Renaissance), edited by Leo Kenig, and to the daily newspaper Di tsayt, edited by Mor...

In 1920 he came to London, was demobilized there, and was a contributor to the journal Renesans (Renaissance), edited by Leo Kenig, and to the daily newspaper Di tsayt, edited by Mor...

In 1920 he came to London, was demobilized there, and was a contributor to the journal Renesans (Renaissance), edited by Leo Kenig, and to the daily newspaper Di tsayt, edited by Mor...

In 1920 he came to London, was demobilized there, and was a contributor to the journal Renesans (Renaissance), edited by Leo Kenig, and to the daily newspaper Di tsayt, edited by Mor...

In 1920 he came to London, was demobilized there, and was a contributor to the journal Renesans (Renaissance), edited by Leo Kenig, and to the daily newspaper Di tsayt, edited by Mor...

In 1920 he came to London, was demobilized there, and was a contributor to the journal Renesans (Renaissance), edited by Leo Kenig, and to the daily newspaper Di tsayt, edited by Mor...

In 1920 he came to London, was demobilized there, and was a contributor to the journal Renesans (Renaissance), edited by Leo Kenig, and to the daily newspaper Di tsayt, edited by Mor...

In 1920 he came to London, was demobilized there, and was a contributor to the journal Renesans (Renaissance), edited by Leo Kenig, and to the daily newspaper Di tsayt, edited by Mor...

In the late Victorian period, the RSN made large-scale embroideries to the designs of Edward Burne-Jones: Musica and Poesis and designs for William Morris and Walter Crane.

In Wales in 1875, he received an artistic education first at his father's studio and then at the atelier of the famous artist William Morris. In 1884, his passion for art received a ...

He exhibited at the British Institute from 1851 and the Royal Society of British Artists from 1861.Much of his work consisted of genre scenes and enigmatic portraits of ordinary wome...

We are  delighted to offer for sale this lovely antique Arts & Crafts Victorian metamorphic library steps chair in oak with period upholstered Carpet steps A very charming and hi...

A very charming and highly collectable piece, designed as an at home library steps and reading chair, these are used to add a sense of grand occasion to a standard bookcase I don'...

These are original plates coloured by hand from the sixth edition of the publication with title: 'A History of British Butterflies' by Morris. Published in London in 1890. . These i...

Here is a more detailed description of each one based on the context of "A History of British Butterflies" by Morris, and offer a general description along with what makes them inter...

Although he encountered opposition from Reginald Marsh, Boardman Robinson, and Kenneth Hayes Miller at the league, Vytlacil gave a series of public lectures on modern art that had la...

From the action of Art & Crafts point of view, it experienced a major boost in 1861, when William Morris founded the firm Morris, Marshall, Faulkner Company, commonly known as the Mo...

It was published in London in 1890. F. O. Morris's works were an important contribution to the natural history literature of the Victorian era.

He believed that the production of exquisitely designed and produced books was not the preserve of the private press predicated upon the example established by William Morris's Kelms...

The green background is very unusual and indicates it may have been commissioned for an English home with a William Morris sensibility. From Joseph Carini's Private Reserve Collect...

From April 2-May 31, 1983, he had a one-man show, "The World of Emil Lindenfeld," at the Morris Museum of Arts and Sciences in Morristown, New Jersey.

In 1892 he married the artist Catherine Morris Wood, who also exhibited at the RA – but from 1880 until the 1920s.

Cobden-Sanderson who was a friend of William Morris and a staunch supporter of Arts and Crafts ideology.

Cobden-Sanderson who was a friend of William Morris and a staunch supporter of Arts and Crafts ideology.

'If this one happens to live, there will be many long years ahead of us for that." Morris Weiss collection - Initialed center right - oil on board Published most likely in Cosmopoli...

Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, M...

Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, M...

The essays of John Ruskin and William Morris, The Arts and Crafts movement, concern for aesthetic sensitivity especially among a Brotherhood self-described as the "Pre-Raphaelites" i...

Her work on the friezes was a collaboration with her husband Morris, who had served in France during the First World War and had created the drawing for the frieze, some of them from...

Influential painter William Morris Hunt, a champion in America of contemporary French painting, advised him to study in Paris rather than in Munich, Germany, traditionally a magnet f...

In the late 1920s, he lived in Paris in Jan Matulka's studio close to other modernists including Alexander Calder, Isamu Noguchi, and Morris Kantor. Then he returned to New York Cit...

In the late 1920s, he lived in Paris in Jan Matulka's studio close to other modernists including Alexander Calder, Isamu Noguchi, and Morris Kantor. Then he returned to New York Cit...

He also studied in the school of designer William Morris, where he devoted particular attention to stained glass.

That was the perfectly frank, friendly manner in which his employer and this outcast woman greeted each other, the earnestness with which they conversed, and the effect of the woman'...

After returning to London, he continued his studies at the City and Guilds School, Kennington, then again lived in Cornwall, where he shared a studio with Cedric Morris in Newlyn. Hi...

The other side of the wooden games board is for a popular Medieval game called Muhle (some versions of this game, also called "Nine Man Morris" date back to the Roman Empire and earl...

J P Seddon exhibited a similar style armchair on the Morris, Marshall, Faulkner and Co stand at the 1862 International Exhibition, illustrated in Jeremy Coopers Victorian and Edwardi...

In the late 1920s, he lived in Paris in Jan Matulka's studio close to other modernists including Alexander Calder, Isamu Noguchi, and Morris Kantor. Then he returned to New York Cit...