Antique Satyr

The openwork base is cast with scrolling brackets and shell motifs, centered on one side with a projecting satyr mask in high relief. The underside shows a fitted base plate secured ...

An impressive and richly carved English Neoclassical giltwood console table, the rectangular marble top resting above a deeply carved frieze centered by a satyr mask surrounded by fl...

The catalogue described the table as: ‘A William Kent gilt wood centre table, with marble top, the frieze carved all round with satyr masks supporting swags of fruit and flowers, an...

An Interesting Late 19th Century Gilt Bronze Mounted Louis XV Style Lamp Table The shaped Breche Verde marble insert top, above a bronze mounted frieze, on tapering bronze mounted l...

The legs are adorned at the corners with intricately crafted bronze satyr mascarons, adding a distinctive touch to the desk's design.

In this case, the cameo, datable around the eighteenth century, represents a ram – a symbol of strength and heroism, a satyr – symbol of lascivious and Apollonian pleasures and, fina...

Perched up behind the tree stump on which Silenus slumbers is a youth, probably Dionysus, leaning forward with his right hand placed on the satyr’s right shoulder and his left cuppin...

Above each Satyr are berried laurel vines centering the most decorative Vert de Patricia Marble body with an elegantly curved border, and pierced foliate wrap around crenulated Ormol...

The handle is formed as a powerful male caryatid or satyr, shown in contrapposto and physically supporting the vessel—an allegory of strength, abundance, and Dionysian excess.

The spouts are surrounded by three satyr masks crowned by flames. The pyramidal shaft is decorated with torchbearers in relief.

The cobalt bleu céleste ground is enriched with scrolling foliate gilt cartouches, and the sides are mounted with cast bronze satyr-mask handles suspending naturalistic garland-form ...

Each with ovoid marble body, three supports with satyr masks, on a circular matching marble base with turned feet.

An Excellent Quality Late 19th Century Louis XVI Style Gilt Bronze and Wedgwood Mounted Parquetry Vitrine The breakfront marble top above a scrolled frieze cast with motif depicting...

To each side are whimsical seated Satyrs with hoof feet, while holding circular wreaths above their heads.

In this instance, Silenus is shown as well as the mythological predecessor of Dionysius, frequently depicted with animal characteristics, from which traditionally the Satyrs and Nymp...

The scene captures the moment of passionate revelation and divine affection, accompanied by a young satyr holding grapes. The last print displays the handsome Hercules and his wife D...

A Fine Late 19th Century Gilt Bronze Mounted Louis XV Style Table The shaped oval leather top with a molded border, above a foliated frieze centered to the front and back by satyrs ...

Medium drawer centred with a female mask escucheon, flanked by a bearded mask and drawers, the backside with simulated drawers, the sides each centred by a satyr mask.

Pair of Louis XVI Style Ormolu Mounted White Marble Cassolettes All original, finely chased gilt-bronze with removable acanthus leaf tops, the three legs with satyr heads at the top...

The left and right vertical panels feature classical figures in niches and on elaborate fountains, including putti, muses, and satyrs, entwined with vegetal scrolls and festoons of f...

The sculpture depicts a playful Putti Child and a young Satyr, masterfully carved in fine white marble, showcasing the exquisite skill of Italian artisans from the period.

One side depicts a neoclassical bacchanal scene with dancing figures, while the reverse shows a vivid mythological tableau with satyrs and ancient offerings. The turquoise ground is ...

We wanted to recognize the traits of Juliette Drouet, his mistress, in the marble group Satyr and Bacchante who caused a scandal at the Salon of 1834.

The Ormolu socles above hold the cobalt blue Sévres Porcelain urns with Satyr heads at each side. Above are the six scrolled arms in the shape of branches with various flowers and en...

The body of each lamp is decorated with richly chased Ormolu satyr masks linked by fruited garlands leading up to the pierced Ormolu lid.

An Interesting Late 19th Century Louis XVI Style Gilt Bronze and Wedgwood Mounted Parquetry Vitrine The breakfront marble top above a scrolled frieze cast with motif depicting a pai...

This charming 19th century French 18-piece cased dessert silverware / flatware set, with its unique, slightly grotesque satyr mask motif and warm vermeil gold tone, carries an intere...

The lower tier continues the theme of mythological revelry with dancing nymphs and cavorting satyrs, again suggesting compositional elements from Nymphs and Satyr.

She is accompanied by a satyr, a half-human, half-goat companion of Bacchus, depicted with wild hair, holding two torches, and carrying a wineskin—symbols of uninhibited celebration.

The cast doré bronze structure, a stunning composition of acanthus, scrolls and satyr masks, adds to the chandelier’s subtle brilliance.

In the recess, a scene taken from antiquity, probably King Midas, within a landscape with figures, satyrs, and buildings. Produced in the Metauro area, with a trace of a manganese in...

The seats were realized in renaissance style in painted wood colored in walnut with high backs carved and shaped like a figure of satyr and coat of arms. Good conditions. This obje...

The work is distinguished by its four satyr masks and gilt thyrsi, staffs or spears tipped with ornamental pine cones and hung with goatskins, which were commonly carried by the foll...

An Exceptional Pair of Late 19th Century Louis XVI Style Gilt Bronze Mounted Consoles The demilune fleur de pecher marble top above matching bronze mounts depicting satyrs carrying ...

The urns display twin loped Satyrs mask handles and a decorative foliate freize to the deeply gadrooned bowl.

The glass with four satyr or Bacchus masks surrounded by grapes, vines and leafage, the gold cap and removable gold base, serving as a convenient cup, further engraved with grapes an...

A landscape with nymphs and satyrs revelling by a stream , 1628 Daniël Cletcher, Den Haag 1599 Died: Den Haag buried on 1632-11-25 Father: Thomas Cletcher sr. (?

Very large and beautiful pair of Louis XVI style candelabra in griotte red marble with chased and gilded bronze mounts, with three arms of light in flowering branches of carnations a...

According to mythology, Silenus descends from the dynasty of satyrs and nymphs, endowed with great wisdom and the gift of divination, he is often depicted with the features of elderl...

A circa 1900s Italian Grand Tour side table with satyrs and glass top. Measurements: Diameter: 24" Height: 26".

In classical mythology, the Arrotino is shown sharpening his knife in preparation to flay the satyr Marsyas, who dared to challenge the gods to a flute competition.

A Black Lacquered and Ormolu Mounted Bureuplat, 19th Century Description: An exceptionally fine black lacquered and ormolu mounted bureau plat in the style of Jacques Dubois, the to...

Large Bronze Grand Tour Jardiniere Planter by Barbedienne with neoclassical satyr masks and designs, after the original Borghese vase by Giovanni Zoffoli (1785-1845).

The armrests end in exquisitely carved satyrs, each figure portrayed with expressive musculature, curling horns, and a playful yet enigmatic presence, adding a mythological richness ...

The original models for these figurines are attributed to Clodion (for the young satyr) and to Louis Felix de la Rue (1730-1777) for the satyress.

Pair of exceptional candelabra in the Louis XVI Style each With five lights and of vasiform centering ribbon-tied blossoming garlands flanked by bearded satyr masks with scrolling ho...

The right candelabra depicts an infant satyr (follower of Dionysus) Condition Report This product is a rare find for collectors and enthusiasts alike.

A 19th century French Gien faience decorative charger or shallow bowl, hand-painted in orange, green and light blue on cobalt blue ground with Renaissance style imagery including a c...

At the two sides of the oblong oval urn are two whimsical Satyr faces with fruits and vines in their hair.

Bronze Pompeian Athénienne-Jardinière attributed to Sabatino De Angelis & Fils The present work was inspired by a Pompeian brazier that was buried in 78 A.D. and excavated later. as ...

Above are two elegant female busts flanking the mask of a Satyr. The five scrolled arms are spread over two levels and showcase richly chased acanthus leaves at the top and bottom le...

One with the figure of a triton with dolphin mask and rushes, and the other with a satyr decorated with goat mask and grape vines.

On such vessels, dionysiac groups of maenads and satyrs would carry grapevine branches and thyrsi, wands wound with grape leaves, carried during festivals and religious ceremonies.

The handles on each side are decorated with interlocking Ormolu dolphins that present the seat for the patinated Bronze satyr as he plays an Ormolu flute. The patinated Bronze body i...

The central frieze depicting a carved shell and with finely carved satyr masks to all four cabriole legs terminating on hairy lion paw feet.

Each plaque depicts a Bacchic scene of a maiden dancing with a young satyr. French, Circa 1870.

The apron is lavishly adorned with intricate **gilt doré mounts of satyrs, floral scrolls, and acanthus garlands**, each sculpted in high relief with superb detail.

The bronze figure depicts the Satyr fervorous and transfixed in dance, a cymbal in either hand, the right hand raised near to his head and the left hip level, his right foot placed u...

The reeded handles are strongly modeled with bearded satyr faces as terminals. General minor wear to gilt Dimensions: 15 inches high x foot 5 1/2 inches x diameter 12 1/2 inches.

With its architectonic torso handle—likely representing a Satyr or Bacchic figure—and Medusa-faced bowl, it represents the pinnacle of George Sharp’s output for J.E.