Antique Satyr

A Pair of French Ormolu-Mounted Red Marble Lamps Constructed from a deep red 'Rouge Languedoc' marble, the ovoid vases decorated with fine gilt bronze mounts including the laurel wr...

Its design includes classical motifs such as Bacchic (related to Bacchus, the god of wine) figures, grapevines, and satyrs. The handles are particularly notable, shaped like entwined...

Decorated with lions protruding from either side, the lamp holders in the form of bearded, horned satyr or Pan heads. This exuberant example of Roman ingenuity and decorative art is ...

The urn is flanked by extended Ormolu handles ornamented with a satyr and a foliate berried headdress. At the top is a richly chased Ormolu border and top cap.

The pair are of playful satyrs and winged cherubs. The Satyrs are attempting to ride a donkey that is just waking up, while the other has a mischievous winged cherub in a chariot bei...

The lower cabinet doors feature a painted satyr with urns and leafy acanthus scroll-work and flowers.

A superb pair of large French faience vases, decorated in the Moustiers style, of compana form with bearded satyr heads, both sides of each vase painted with mythological scenes, on...

The handle part forms as a satyr, possibly representative of bacchus, the god of wine making, fertility and festivity.

Mythological scenes of men and satyrs.  

The serpentine top with a gadrooned border, the pierced acanthus and c-scroll apron centred by a laughing satyr mask. Medium size will fit any decor or room.

The group depicts two nymphs and a satyr in a dancing movement, with a cornucopia filled with grape clusters at the base.

The porcelain group depicts a youthful Bacchus, leopard skin draped across his lap, with a glass of wine raised above his head and a group of attendants, a semi-nude Bacchante, a bab...

The handles, frequently fashioned in the form of dragons or satyrs, added a playful yet sophisticated touch, while the use of silver-gilt accents highlighted key elements of the desi...

The wonderfully executed plaque depicts a richly sculpted scene of a Bacchanalian satyr disrobing a beautiful maiden.

A very good quality 19th century patinated bronze figure featuring the satyr Marsyas playing the flute. He is standing against a column, partially covered with his own skin, which re...

Silenus, often portrayed as an aged satyr with a corpulent body and a crown of ivy, embodies the joyful excess and philosophical irony of Bacchic mythology.

Above each satyr are berried laurel vines centering the most decorative Rouge Griotte marble body with an elegantly curved border and pierced foliate wrap around Ormolu band.

A Beautiful and Great Quality Late 19th Century Gilt Bronze Cartel Clock The large bronze clock topped by an urn above a large mask of Apollo with a sunburst, two scantily clad wome...

This 1920s white metal table lighter and ashtray features a Devil/Satyr bust above a smoking nymph with her bare breasts exposed capturing the story of temptation in the garden of Ed...

Immediately after the mask of a satyr. Italy circa 1840.

Renowned for his Rococo terracottas, Clodion’s work often featured lively mythological subjects such as nymphs, satyrs, and putti. This marble piece beautifully embodies that legacy,...

France, circa 1870, almost certainly Parisian work, exceptionally executed in Renaissance Revival taste, featuring an ornate sculptural pair of brass cast chenets / andirons / firedo...

Hand-painted opaline glass vase with pâte de riz applied satyr masks, gilding, turquoise bands and floral bouquets, attributed to Jean Francois Robert (1778-c1855) for Baccarat, circ...

This corpus reflects his keen interest in mythological and sensual subjects, often populated by fauns, satyrs, and putti, rooted in a reimagined antiquity.

The urn is of baluster form with ormolu satyr mask handles flanking either side. Two winged putti are seen hanging floral garlands from up above to down below where one putti rests ...

The top crown is centered by a satyr below a large pierced reserve with a smooth blue cabochon and flanked by similarly designed masks at each side.

Made from high-quality wood, it features a decorative mural of grapes and a festive scene of a Satyr and a Maenad. The fitted stand can be separated and showcases a dove carving on t...

In this set: Bacchus wrestles playfully with a satyr in a moment of drunken abandon; a nude woman straddles a man in bed, rendered with tender intimacy; Apollo seizes a nymph, having...

With arabesques and satyr mask.

Both satyrs are based on the model of Claude Michel (known as Clodion) presented in marble at the Paris Salon of 1773 as "Satyre enfant courant avec un hibou".

An impressive early 19th Century French bronze & ormolu Clock Garniture comprising a pair of campana shaped Urns with satyr mask carrying handles supported on red marble plinths with...

The fanciful and expressive back plate is of a grinning satyr. The satyr is surrounded by richly detailed grape clusters and vines.

MANNER OF CLODION FIGURAL PATINATED CANDELABRA Manner of Michel Claude Clodion (French 1723-1814), pair of French Louis XVI style six light gilt and patinated bronze figural candelab...

They are adorned with: – Mythological figures such as satyrs, sirens, and cherubs – Architectural motifs including volutes, columns, and pediments – Botanical flourishes with styliz...

., stepped cornice with egg-and-dart molding, above a carved crest of a satyr mask, central pair of cabinet doors forming a pointed arch, flanked by side cabinets with protruding hea...

Figurine carving in the form of chimera and satyr masks. Probably from a South German castle.

A pair of 19th century bronze & ormolu French Moderateur oil lamps in the form of bulbous vases, with embossed leaf decoration and satyr mask handles, supported on scrolled feet.

A highly decorative round occasional/centre table in the Louis XVI style; the Breche d’Alp marble top has a gilt bronze border above a skirt of Tulipwood decorated in the round with ...

An Exceptional Late 19th Century Gilt Bronze Mounted Louis XVI Style Vernis Martin, Marquetry and Parquetry Cabinet By Beurdeley Louis Auguste Alfred Beurdeley The serpentine shape...

The original mirror plate is framed within a thick mottled ebony frame with richly carved giltwood satyrs at each corner.   

At the center sits a female figure in classical drapery, holding a goblet, surrounded by scenes of mythological revelry, dancing nudes, satyrs, and pastoral vignettes. These are set ...

The largest design at left integrates shields, satyr masks, urns, and cherubic figures amidst an interwoven web of acanthus and arabesque patterns on a stippled red background.

Playful putti dance among scrolling acanthus and vine leaves, while satyrs, fauns, and hybrid beasts intermingle with heraldic lions, eagles, and winged creatures.

The cover finished with a satyr form finial. The body mounted with a silver plaque near the mouth that reads: "Gesang Verein Schillerbund (Schillerbund Singing Society) / New York /...

Fauns were an example of spirits of untamed woodland, often connected to Pan and Greek satyrs by Romans, or followers of the Greek god of wine and agriculture, Dionysus.

Additional gilt bronze mounts in the form of acanthus leaves and satyr masks are affixed at the sides. The covers of the vases feature gilt bronze mounts with scrolling edges and are...

On either side of the dial, two female satyr figures are positioned, each holding an arrow, with one also grasping a small, captured bird.

Résignation Française is an satyrical original lithograph realized by the italian illustrator and engraver Giuseppe Tarantino in 1888.

The reverse with a conforming dummy frieze drawer the legs headed by Bacchanalian masks, the sides centered by satyr masks. Prov. Christies Interiors London. 17th february 2015.

Each of elongated urn form with satyr mask handles and a loose domed cover with a bud finial, decorated on the front side with a reserve painted with an 18th century courtship scene,...

The central motifs include putti, satyr masks, and panels featuring mythological scenes framed by garlands and shells.

At the front center is an impressive and finely carved pierced Giltwood satyr mask set on a patinated background and flanked by recessed carved circular patterns and rich rosettes wi...

Doré bronze and marble fountain with three Satyrs attributed to Caldwell made into lamp. With silk shade.

This “theme” clock is typical of the period & focuses on Bacchus. A satyr & a wood nymph celebrate the harvesting of the grapes giving praise to Bacchus.

The onyx bodies display impressive richly chased bearded satyrs with horns, grapes and grape leaves in their hair.

A pair of early 19th century bronze campana-shaped urns, having leaf and berry beaded rims, above scrolled satyr mask handles, raised on fluted stems, supported on sienna marble plin...

Large, hand-engraved, detailed, silver plated serving tray with satyr-head handles.

Crafted by the famed Joseph Preedy, it is expertly fashioned from 21 pounds of sterling silver and gilding, featuring seven cut glass bowls with intricate Bacchanalian designs, inclu...

Our work illustrates the musical contest between Apollo, god of music, and the satyr Marsyas. This mythological episode is recounted by the Roman poet Ovid in his Metamorphoses.

Cameo or intaglio showing the tied satyr Marsyas, Apollo standing and holding the lyre, and kneeling Olympus.