Antique Satyr

hidden from public view. In this set: Bacchus wrestles playfully with a satyr in a moment of drunken

This 1920s white metal table lighter and ashtray features a Devil/Satyr bust above a smoking nymph

terracottas, Clodion’s work often featured lively mythological subjects such as nymphs, satyrs, and putti

following up to the handle. The handle part forms as a satyr, possibly representative of bacchus, the god of

pierced acanthus and c-scroll apron centred by a laughing satyr mask. Medium size will fit any decor or

central motifs include putti, satyr masks, and panels featuring mythological scenes framed by garlands and

a long single drawer centered to the front by satyrs and musical trophies entwined with grape vines

. On either side of the dial, two female satyr figures are positioned, each holding an arrow, with one

scenes of men and satyrs.  

side, centered with a finely detailed clock dial and the base with a satyr mask. Details: Height – 32

intricately detailed Bacchanalian satyr masks adorned with scrolled horns and grape clusters, each connected

A very good quality 19th century patinated bronze figure featuring the satyr Marsyas playing the

Jardiniere, attributed to ROBERT FRÈRES. The urn is of baluster form with ormolu satyr mask handles flanking

Michelangelo Maestri. The pair are of playful satyrs and winged cherubs. The Satyrs are attempting to ride a

a Bacchanalian satyr disrobing a beautiful maiden.

satyr mask, central pair of cabinet doors forming a pointed arch, flanked by side cabinets with

at rest. Immediately after the mask of a satyr. Italy circa 1840.

Pair of bronze tazzas on round marble bases with relief depiction of satyrs and heroes on the wall

and fine ornamentation in chased and gilded bronze of female masks, ibexes and young satyrs among

bronze mounts in the form of acanthus leaves and satyr masks are affixed at the sides. The covers of the

grotesque ornament: winged cherubs, dolphins, sphinxes, fountains, floral scrolls, satyr heads, urns, and

, griffins, satyrs, and palmettes, all executed in a palette of crimson, cobalt, ochre, and emerald. Human

. Made from high-quality wood, it features a decorative mural of grapes and a festive scene of a Satyr

carved pierced Giltwood satyr mask set on a patinated background and flanked by recessed carved circular

Hand-painted opaline glass vase with pâte de riz applied satyr masks, gilding, turquoise bands and

campana shaped Urns with satyr mask carrying handles supported on red marble plinths with applied wreaths

pierced and adorned with three-dimensional satyr masks framed by scrolls and palmettes. The extensive use

VERY FINE PAIR OF CANDELABRA WITH SATYR PUTTO EACH RAISING FOUR-LIGHTS Cast by Henry Dasson after

century, depicting a male and female satyr each holding a cornucopia transforming into acanthine arms, and

Bacchanalian designs, including satyrs, grapes and flowers. Hallmarked 1801, the epergne bears an inscription

With arabesques and satyr mask.

represent Muses, personifications of the arts, or classical goddesses. The energetic cherub or satyr-like

music, and the satyr Marsyas. This mythological episode is recounted by the Roman poet Ovid in his

satyrs are beautifully sculpted, displaying exceptional attention to detail. Stretchers adorned with

three-arm sconces. The fanciful and expressive back plate is of a grinning satyr. The satyr is

top has a gilt bronze border above a skirt of Tulipwood decorated in the round with gilt satyr’s masks

of untamed woodland, often connected to Pan and Greek satyrs by Romans, or followers of the Greek god

Solid wood carved and poliment sheet-gilded. Figurine carving in the form of chimera and satyr

, with embossed leaf decoration and satyr mask handles, supported on scrolled feet. (Now converted to

framed within a thick mottled ebony frame with richly carved giltwood satyrs at each corner.   

frame featuring a vine design with two satyrs playing flutes with a small sunburst top.

- 1814), depicting a young female faun/satyr playing with two Bacchante cherubs, one holding a goblet

drawer the legs headed by Bacchanalian masks, the sides centered by satyr masks. Prov. Christies

of a sculpted satyr head. The painting is still vivid in colour, despite its age and there is lovely

. At the front center is an impressive and finely carved pierced Giltwood satyr mask set on a patinated

With rich lapis and jewel-like bronze mounts, satyr mask handles and garlands of flowers centered

Each of elongated urn form with satyr mask handles and a loose domed cover with a bud finial

, flowers, acanthus leaves, musical instruments and mythological figures such as gods, putti and satyrs

swags and terminating in satyr masks. The tapering necks showcase panels of figures playing instruments

tied satyr Marsyas, Apollo standing and holding the lyre, and kneeling Olympus. Compare the piece with

perfectly. This “theme” clock is typical of the period & focuses on Bacchus. A satyr & a wood nymph

bold Mannerist style, distinguished by kneeling satyrs supporting grotesque masks at the corners of

bas-relief bronze plaque of a Family of Satyrs in the manner of Clodion ca. last quarter of the 19th

Goujaterie Allemande et... Résignation Française is an satyrical original lithograph realized by

satyrs and shapes that recall the natural world, the base with geometric decorations. Early 1900s

within a satyrs mask trying to get his own reaction. Behind him another boy is stripping a fresh sapling

gilt accents, complementing the warm tones of the bronze mounts. Ornate satyrs head handles on each