Antique Shawls

dress. Her hair style and puffed sleeved dress are fashions of the 1830s. Her hair and shawl are

) depicting an image of a family walking in the foreground, the mother holding her baby covered with a shawl

Lady wearing traditional Spanish clothing, a shawl over her lap and holding a fan, within a parchment

of black trimmings cords appliqued to the shawl collar adorned with knotted fringes and slender

features a hairstyle known as the Ingénue with a straw hat and a large feather. A blue shawl, held in place

shawl and an ornate bonnet. She sports a pocket watch chain adorned with ornate keys to the right side

, reflecting neoclassical influences of the period. Draped over her head and shoulders is a light shawl or

shawl tied across her chest, with a broad-brimmed hat completing her attire. The composition captures

elegant blue shawl over a pink dress. A freshly picked rose is tucked into her bodice. This color

pink and green scrolls. Over her dark bodice she drapes a white shawl, edged with a delicate fringe and

sash encircles her waist, while a green shawl drapes elegantly over one arm. Her elaborate headdress

her shoulders and dress, a richly detailed black lace shawl cascades down in intricate patterns

fringed sash and shawl draped over his shoulder. A wide-brimmed hat adorned with tassels and a musket

covering her shoulders in a shawl, she gazes out away from the viewer with glistening eyes. It is clear

A very well carved alabaster bust of a young Mid 19th century child, with crochet shawl and holding

wrapped in a flowing yellow shawl with deep crimson and ochre accents. His gaze, direct yet enigmatic

neighbor. The fragment is likely part of a mantle shawl or tunic indicated by the overall size and the

shawl, carries a ritual staff, while his wife, in a bright yellow skirt and red blouse, gestures in

neatly folded laundry atop her head, wrapped in a vivid yellow skirt and blue striped shawl. Nearby, a

vendor) leads his horse-drawn cart, while a femme de Valence stands wrapped in a dark shawl and pink

a Renaissance style chair. Her dress includes the embroidered shawl and laced corset of traditional

, depicting a man dressed as a sailor and a woman with a yellow hat and striped shawl. Black wood base

craftsmanship, likely originating from the Kashmir or Punjab regions, where shawl weaving and intricate

colorful shawls—symbolizing both modesty and local craftsmanship. Their postures, calm and dignified

boots and tasseled belts to the women’s embroidered shawls and veils. Behind them, townsfolk gather near

of a fine Persian shawl. The large almost monumental scale of drawing compounded by fine and subtle

under black light). The paint is strong with a green robe under a red shawl and a yellow top and crown

members and loved ones. Kimonos, tablecloths, shawls, paintings, calendars, and Christmas cards could be

A charming portrait study of a Victorian lady wearing a black mourning shawl. A white dress with a

to be part of a large shawl/mantle or tunic indicated by its size and the presence of bottom fringes

shawl or mantle indicated by its size and the presence of bottom fringes. Woven from different fine wool

trees beyond her. She is dressed in a vibrant floral blue dress with a black lace shawl and a white mop

fancy clothes wearing a green shawl over4 a black and orange dress as she is clutching a fan, perhaps

small clock, fireplace accoutrements, a very detailed Oriental rug, and a shawl draped over the sofa

of a simple flowing garment or shawl. Bust rests on on a white pedestal. Weight is 71.5 pounds.

energetic pose lifting her shawl which is wrapped around her midriff. The bronze figure with excellent

ceremonial dress. The woman wears a gold hoop earring and a striped shawl, emphasizing her social and

shawl or tunic indicated by its size and the presence of bottom fringes. It is woven from fine wool of

cream background. It is tailored to a loose fit with a panelled construction. The shawl collar is

woman, as evidenced by her elaborate hairstyle and tasseled shawl over a blouse with ruff collar. The

by a very good hand. Dressed in a beautiful orange dress and covered with a shawl certainly of

be part of a large Mantle shawl indicated by its size and the presence of bilateral fringes. It is

Burmese women of the time. Her wraparound skirt and striped blouse are complemented by a draped shawl, and

trimmed with lace, is complemented by a sheer white shawl and a lace-edged cap that frames her face in a

shawl, seated within a doorway (or beside an open window) with a wooded landscape in the background

shawl textiles. Small rosters inhabit the ivory field corners. An ivory angular Meander encloses

decorated with horizontal stripes and complemented by a dark shawl draped across her shoulders. Red ribbons

charming painting, from the outfits and the tartan shawl to the eager looking dog on the pathway

fan. She is dressed in a richly patterned long skirt and a delicate shawl draped diagonally across her

beside him with her head gently leaning against his shoulder, her hair covered with a long shawl, evoking

half length portrait, painted as an oval, of Rachel in a sumptuous blue satin dress with a gold shawl

shawl, starched headscarf, and vivid red skirt—instantly recognizable as the traditional dress worn by

Spanish Shawl and Nude with Yellow Shawl. In 1928 he took part in the exhibition of contemporary French

shawl. The painting was shown at the Royal Academy and sold for the benefit of the Red Cross and then

dressed in a delicate blue dress and blue shawl with her hair tied up away from her face. The composition

her right. A vibrant green shawl flows gracefully, while her winged sandals signify strength. Below, a

female figure is wrapped in a thick shawl with her long hair loose, evoking both dignity and quiet