Antique Shawls

Shawl. Hand painted pyrography. Dimensions: 9.75 Inches high and 8.6 inches wide. Signed in small

vibrant blue cloak and pink dress, her head and neck cover in a cream shawl. The image stand out

A romantic gouache water color of a beautiful young woman poised with a jug at her hip and shawl by

is dressed in a checked blue skirt with a pale pink apron, a brown bodice, and a plaid shawl draped

, loosely draped shawl and a red kerchief tied about her dark hair. Her skin is rendered with luminous

over a slow-moving river, where a woman in a red shawl engages in her daily routine, adding a human

rustic wicker basket. A standing woman looks on, wearing a striped skirt, shawl, and headscarf. The

derived from Kashmir shawl textiles. The crown prince or other heir apparent to the Shah, it is generally

not only a protective case for a prayer shawl but also a richly expressive piece of personal and

: tunics, trousers, robes, and shawls, all shown in folded or draped form to highlight texture and cut

finely detailed portraits of women dressed in elegant Empire-style attire, one with a crimson shawl and

shawl, and blue jacket with a patterned scarf at the collar. Her hair is neatly tied and she stands with

-yellow blouse, and a red shawl draped around her shoulders. Her simple brown cap frames her youthful face

girl holding a wicker basket of flowers. She is clothed in a white dress and beautiful blue silk shawl

large striped wool shawl, a practical yet visually striking element. She wears a clasped belt and

meticulously detailed, with objects such as a fringed shawl draped over a chair, decorative plates, and

backed in cotton twill. Shawl collar with 2 pockets. Suitable for men or women. 1860's USA.

portrait oil painting in a fine gilded oval frame with Madam van Robais in a white dress and red shawl

traditions. The intricate details – from headscarves and shawls to aprons and boots – reveal the skilled

other Germanic figures. * **Florence Nightingale** – Shown in nurse’s cap and shawl, likely near a

represented with his signature curly hair and shawl of camel's hair, both rendered with an astonishing

accents, while one of the two “Rome” figures is shown with a simple side bun and green shawl, and the

animated gestures. Dressed in colorful traditional attire, including a yellow shawl, red apron, and green

by a woven shawl draped over her shoulder and red shoes that peek out from beneath her skirt. Her

A Victorian white painted terracotta bust of a young woman, wearing a draped shawl over a bodice

Lima, seated gracefully in an elaborate lace dress with a shawl, reflecting her social status and

shawl, stands with upturned hands in a relaxed, casual shrug. Her expression matches the caption “Non

orange gown and a long black shawl, with one hand raised lightly in farewell. Her caption reads “A

belt around her hips with a long, softly falling shawl draping around her legs, a helmet-like headdress

shawl about her. Behind her on one side is a rich green drape, and on the other side a classical column

adorned in Victorian-era attire, complete with an elaborate hat and a gracefully draped shawl. The

Portrait of girl with a shawl on her head in an ivory frame. The back is an early piece of French

19th century oil on canvas portrait of Mary Harris Stretton, with bonnet and shawl A Delightful

Two fragments of parsley shawl lovely framed in acrylic shadow boxes on linen background and

garbed in a pink dress with green shawl and the other in yellow dress with red shawl. Both rest atop a

A delightful Art Nouveau Bronze figure of a young beauty scantily dressed with only a shawl draped

fashionable long black dress with flowers on her and a fur shawl around her shoulders, holding a paper in her

dress contrasts with the other patterned materials around her on the chair, her shawl and drape and

A large Nazca-Wari woven textile panel known as Llika or Awayo (shawl) from Ica Valley on the south

woman in a scarlet shawl clinging, her cheek against his." Story illustration for "Scarlet: The Story of

, a wall hanging, or even to wear as a shawl. Mythical characters, lizards, horses and birds

Versatile due to its size, this shawl pattern kenare (runner) shows 19 rows of one way-facing curvy

seeming young women, often costumed in somewhat exotic gowns or shawls. An examples is her painting, The

that it has been used to accentuate the tie or the shawl of a fashionable lady or gentleman. It is made

shawl and elaborate lace bonnet. The rich tapestry on the sleeves of her shawl, the delicate lace work

British poster artist Frank Newbould (1887-1951) depicting a lady wearing a shawl and carrying a basket in

medal for three works, one of which, The White Shawl, was illustrated in Paul Schulze's memorial article

Century when Kashmir was annexed by Maharaja Ranjit Singh. Kashmir was a major weaving center of shawls at

A charming 19th Century watercolour depicting a Fisherman's wife wrapped in a tartan shawl holding

serene and blissful smile on his face. Shown seated with a floral shawl over one shoulder, on a

atop a shawl, hinting at the world of play just briefly paused. The setting is intricately detailed

vibrant sarongs, simple blouses, and shawls, are shown alongside Burmese individuals, some with

seated in an upholstered armchair, dressed in sober but elegant attire—a dark shawl and a crisp white cap

skillfully pole their boats through the calm waters, while women wrapped in shawls tend to the produce. The

having a simple meal. The mother, dressed in a yellow shawl and standing next to her husband is passing a

her “Radha” dance This ceramic can be found in many different painted shawls. Ora Pinhas (2006

, a shawl draped over her shoulders, and a bonnet adorned with feathers. She holds a small red