Antique Tack

rail, and leather panels secured with traditional nail-head tacks, characteristic of Spanish “frailero

anecdotal charm. The careful rendering of tack, anatomy, and labor reflects the artist’s deep familiarity

in an old wood frame with glass. Mounting: The piece is tacked to wooden board. Frame back sealed

wise, the frames have all been checked and secured with new hessian base covers hand nail tacked in

. Originally a tie tack, we’ve converted the piece into a pendant. It weighs just over 2 grams and measures 11

and tack. This print exemplifies Alken’s enduring appeal as the foremost visual chronicler of early

. The majestic, spotted horse is rendered in black and white tones with colorful, decorative tack. The

An excellent late 19th Century English Animalier bronze study of a tried hunter in full tack taking

floral fabric on a pale yellow background (roses, foliage), finished with upholstery tacks. The seat

upholstered in green velvet and finished with decorative tacks. The straight legs joined by stretchers and the

upholstered in green velvet and finished with decorative tacks. The straight legs joined by stretchers and the

upholstered in green velvet and finished with decorative tacks. The straight legs joined by stretchers and the

detail: the spectators positioned in the grass, the careful tack and costume, and the balanced

bun feet. It features individually hand-tacked brass studding, and the padding is the original

of the design which climb past the sides and back. Brass tacks all across the seams where the leather

. Featuring chocolate-brown leather seats with brass tacking. Carved backs, legs, feet. Stunning and rare set.

scrubbed and bleached. Upholstery reconfigured, with old tacking traces along the underside of the lumbar

four heavily carved mahogany legs, well carved ball and claw feet with brass tack nailhead trim

triple H stretcher supports with block feet. Mortis & tenon joinery, brass tack detailing; circa

folds as usual for academic art school drawings kept in a portfolio. Corners missing from tacking up for

wear, patina, fraying, and oxidized upholstery tacks—details that underscore its authenticity and long

Well tacked Great Lakes gun stock club with tapering hexagonal point. Recessed hand grip and shaft

foliate design, backed with white muslin. Tack slats are not new, but not original to the piece when in

at the top of cabriole legs. The chairs are accentuated with brass tack nailheads highlighting the

seats currently have simple muslin upholstery that has been tacked and stapled in place, making them

back and seat. Scrolled arms with brass tacks. Circular tapered legs with casters. Generous proportions.

with brass tack nailhead trim. The settee resting on four cabriole front legs with three saber form

at the top of cabriole legs. The chairs are accentuated with brass tack nailheads highlighting the

cut it down for oval format many hundreds of years ago. You can see evidence of original tack holes

, including hand-drilled tack holes and traditional joinery, further supports its 19th-century origin. The

Antique Victorian Carved Walnut & Green Leather Button Back Elbow Chair With Brass Tacks In the

is tacked with decorative nail heads in the shape of gorgeous flowers. The frame of the stool is

. Upholstery tacks show age appropriate tarnish. Flower motif upholstery is still nice. Lacquered wood is in

, possibly original, gilt covered wood frame with glass. Mounting: The sampler is tacked to a wood stretcher

linen fabric, tacked down with exposed nails and staples for an informal, deconstructed appearance. The

trim & brass nail heads or tacks are all original. The condition is remarkable. From handle to handle

English craftsman style design. Leather back is brass tacked to the coffin-shaped oak seat back. Arms are

tradition, the hide has been hand nail tacked in place using vintage antique brass studs, the boarder has

Klismos side chair with leather upholstered seat, brass tack trim, deep yoke back, and turned front

tack room, a work table for in the home, or a display piece in a shop/bar. This is an unusual piece

of chip-carved wood and embellished with brass tacks. The intricate geometric construction — built up

secured with small metal tacks. Attractive, naturally crackled surface with light soiling/patina on the

charming calico cotton backing, tacked in place—a detail that speaks to the authenticity and period

restored in our hand dyed British leathers, fully hand tacked with horse tail fill. Original springs have

original leather seats, original tacks, and original finish. All spindles are straight and not bowed. No

square at top of each fluted leg, upholstered in cut velvet silk, attached with upholstery tacks. Backs

carving, complete intact tack upholstery of soft sage green fabric that I believe to be original, the

, and are fitted to the interior with a tapered tack to secure the scarf/cravat in place. This gent's

Interesting chair. Usable, the joinery is tight. Paper Label tacked on bottom: Mr. John N Yeatts

center of each chair. Lovely reeded tapered legs and original brass tacking. These chairs are stunning in

although not in new condition. Brass tacks hold everything in place. Boldly scrolled armrests carved with

working history. Evidence of early front-edge tack holes indicates that the canvas was originally

. Features a mahogany frame covered with rich, distressed dark leather. The leather surfaces have brass tack

Wonderful scale with pristine stamped leather and well carved frame. Brass tacks with bronze patina.

tack, stable setting, and restrained palette give the work a formal, classical presence well suited to

is elegant and deliberate: the horse’s noble stance and careful tack convey status and pride, while

upholstery in a rich terracotta linen and brass tacks. The carved wood bears the original finish and has a