Art Deco

The Garden of Prayer II is the most popular Thomas Kinkade series. This 24” x 30” edition size is limited in Standard Numbered to 4950 Impressions on canvas. This Painting is #4691/4...

Oil on Canvas by B. Robert, France, circa 1930. This exquisite oil painting by B. Robert, created in France around 1930, captures the serene beauty of a young nude woman reclining. T...

Beautiful antique reclining nude oil painting on canvas, signed in the top right by French artist Léonie Humbert-Vignot (1878-1960) This gorgeous nude on a relatively smooth canvas i...

Oil on canvas by Robert Louis Raymond DUFLOS (1898-1929), France, 1920s. Naked woman lying in front of her mirror. With frame: 95x61.5 cm -...

Beautiful original bronze sculpture of a female nude dancer in the Art Deco period. Circa 1930. The artist is the well known American sculptor, Allan Clark. Signed in the base by th...

Beautiful Art Deco illustration by unknown artist. Ink and gouache on faux wood grain illustration board. Image field measuring 14 x 18 inches on a 17 x 21 inch illustration panel...

Laura M. GREENWOOD (1897-1951). Portrait of Woman in Winter Coat Oil on canvas, 18 x 24.5 inches. Signed lower left. Excellent condition. Would beneifit from a cleaning. Origina...

Tamara de Lempicka, After, Polish (1898 - 1980) - Portrait of Ira Perrot, Medium: Poster, Image Size: 34.5 x 26.25 inches, Frame Size: 41.5 x 33.5 inches

Artist: TARKAY, ITZCHAK Title: LAKE CAFE Year: 2000-2010 Size: 36 X 48 INCHES Medium: ORIGINAL ACRYLIC ON CANVAS Edition: ORIGINAL 1/1 Description: Hand signed by the artist. The art...

Original Vintage 1981 Cappiello Exhibition Poster held at the Paris Grand Palais. Celebrating the Iconic Artwork of Leonetto Cappiello. Linen backed in very good condition without an...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. There are already individual lava stones in th...

ABOUT Beautiful and impressive Art Deco statue of a dancing woman with cymbals. Circa 1935. Original title "Danseuse Aux Cymbales". Signed “Fayral” on base which is the pseudonym of...

This artwork titled "After Dinner Relaxation" c.1980 is an original color serigraph on paper by Israeli artist Itzchac Tarkay 1935-2012. It is hand signed and numbered 426/450 in pe...

Boris Lovet-Lorski, Untitled (Portrait of an African Woman), lithograph, edition 250, 1929. Signed and numbered 13 in pencil. Number 13 of Volume 2, a series of 10 lithographs publis...

Antique portrait of a woman, 1920's French school, signed in the bottom left by French artist, Louis Faille (1878-1964). This is a very attractive old portrait in beautiful natural h...

Unsigned Work on canvas Gilded wooden frame 70,5 x 48 x 4,5 cm

Jean Cocteau ( 1889 - 1963 ) " Orphée " . terre blanche. circa 1958 . pendentif terre blanche en relief . dimensions : 9,7 x 9 cm Ref: RB6 . page 215 du catalogue raisonné Poter...

Boris Lovet-Lorski, 'Untitled (Black Woman Crouching)', lithograph, edition 250, 1929. Signed and numbered 16 in pencil. Number 16 of Volume 2, a series of...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Woman Laying, circa 1930-1940, Giorgio Rossi (1894-1981), Tuscan sculptor Period: Circa 1930-1940 Artist: Giorgio Rossi (1894-1981) Material: Terracotta Dimensions: Height 39 cm Scho...

Emile BOIZOT Art Deco : The Mirror, 1927 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the editor 'Imagier de...

Engraved Art Deco Panther Panel by N.R. Brunet (20th Century, France) A striking and seldom-seen example of Art Deco artistry, this richly engraved wood panel by French sculptor N.R...

This beautiful one-of-a-kind chess set designed by artist Cyrice Griffith using found objects to create a luxury art deco inspired functional piece of art. The artist utilizes the c...

This reproduction of the iconic vintage Italian champagne advertisement "Contratto" was originally designed by the legendary poster artist Leonetto Cappiello. Published by Bruce Tele...

The Seaside Memories II is a popular Thomas Kinkade's series. This painting titled "A Light in the Storm", 24” x 20” edition size is limited in Standard Numbered to 395 Artist Pr...

This elegant reproduction of Erté's Directoire beautifully captures the refined and sophisticated fashion of the Directoire period, a time marked by the transition from the opulence ...

A City of Lights II is a popular Thomas Kinkade's series. This large painting titled "Paris, Eiffel Tower, 27” x 18” edition size is limited in Standard Numbered to 2750 S/N on c...

Marc-Luc (French, active 1920s-30s). Boys Fashion Illustration, ca. 1920s. Watercolor and pencil on paper, image measures 8 x 11 inches on panel measuring 12.5 x 18 inches. Signed lo...

Mid 20th Century painting on ceramic of two circus acrobats by Italian artist Giovanni Lombardi. The work is painted on 14 ceramic tiles which have been mounted on board, signed bottom left, in original period oak frame. A wonderful energetic and vibrant work very much in the 1940s 'Modern' style showing a scene of two acrobats practising with a circus tent, carousel, Punch and Judy Show...

Balancing Elephant Louis-Albert Carvin (France, 1875-1951) Bronze, marble Circa 1930s, Art Deco 8 x 7.5 x 2 (4 1/4 x 7 1/2 x 1 7/8 figure) inches Artist Louis-Albert Carvin, born in Paris in 1875, was exposed to art from an early age through his painter father. Carvin's formal education in art began at the École des Beaux-Arts, where he studied under artists like Émmanuel Frémiet and Georges Gardet. Over the years, artist Louis-Albert Carvin became a renowned sculptor, dedicating his life’s work to the modeling of human and animal figures. He studied under Fremiet and Gardet and became a member of the Société des Artistes Français, exhibiting at the Salon des Artists Francais from 1894 until 1933 winning the Medal of Honor in his first year in 1894. Remarkably, he sculpted La Muse de l’Aviation, the bronze trophy...

Shipping costs on request German Steel Fireplace "Blossom II" d = 55 cm with medium conus base 80 cm. This fire blossom is the eye-catcher in your garden. Due to the good air suppl...

Our Gallery acquired the estate of a Northern California artist, Thelma Terrell. Terrell lived in Oakland and was an illustrator and profes...

This exquisite reproduction of Erté's Gala captures the essence of 1920s glamour, epitomizing the opulence and sophistication of the Art Deco era. The artwork portrays a figure adorn...

Tomorrow afternoon is a contemporary artwork realized in 1951 by Erté (Romain de Tirtoff). Mixed colored gouache on paper. Hand signed on the lower margin. Titled and numbered "1...

Portrait of a Woman, 1940s-50s. Signed Vera d’Angara, Italian-Russian actress Technique: Oil on panel Dimensions: Height 59 cm x Width 58 cm Frame: Painted wooden frame The portrait...

Oil on canvas by Yves Dieÿ (1892-1984), France – The Nude. A striking oil on canvas by the renowned French artist Yves Dieÿ (1892-1984), depicting a sensual and elegant nude. This wo...

Paul JOUVE (1878-1973) Soldat apercevant la panthère, c. 1949 Gravure originale à l'eau-forte (atelier Haasen) Non signée Sur vélin 32.5 x 25 cm INFORMATION : Gravure créée pour le...

Daysi - Fancy Pants, Year: circa 1950, Medium: Graphite Drawing on Paper, signed top left, Size: 15.5 x 16 in. (39.37 x 40.64 cm), Frame Size: 19 x 19.5 inches, Description: Thi...

An extraordinary outdoor cuboid for floating pots in your garden. Customization possible and designed in 2010. Also available to order in stainless stee...

Jean Cocteau ( 1889 - 1963 ) " Visage poisson " circa 1962 . signé Jean Cocteau ( Bon à tirer ) framed : 60 x45 cm image : 46 x32 cm

Stunning, original Art Deco bronze of a male archer by the well known French sculptor, Pierre Le Faguays. Condition is very good. Verde green finish over bronze patina. Slight rubbed...

This is an original poster printed in lithography by the famous poster artist Leonetto Cappiello. Leonetto Cappiello was an Italian and French poster ar...

Au Japon Pochoir (Stencil Print), 1925 Signed by the artist in pencil lower right (see photo) Signed in the image lower left (see photo) Stamped verso: Made in France Note: The artis...

Barbara Shermund (1899-1978). Showgirls Cartoon for Life Magazine, 1934. Ink, watercolor and gouache on heavy illustration paper, matting window measures 16.5 x 13 inches; sheet measures 19 x 15 inches; Matting panel measures 20 x 23 inches. Signed lower right. Very good condition with discoloration and toning in margins. Unframed. Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ. For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony. In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques. He found that talent in Barbara Shermund. For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice. Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence. “Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League. In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.” “While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund. And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral home...

Gabriel BELOT Illusion : Boy, Cat and Soap Bubbles, 1922 Original woodcut Handsigned in pencil Numbered /154 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the ed...

A stunning exhibited 1934 nude female portrait by Dora Crocket (Countess Lewenhaupt). The portrait depicts a nude woman reclining in a sensual pose against a background of red and bl...

Outdoor light "Globe" for the garden or entrance area. This luminaire captivates by its unique shadow projection. The ball is supplied in galvanised steel optics. The built-in lamp ...

Planter round. Customization possible and designed in 2010. Also available to order in stainless steel. Here you will find a sturdy and high quality planter for use in your garden a...

A 1930s, Art Deco etching & aquatint of the Palmolive Building in Chicago by notable print maker S. Chester Danforth. Image size: 14 1/4" x 8". Archivally matted to 20" x 14". S....

Antique French Art Deco Bronze bust sculpture of a beautiful young woman, by Marcel Andre Bouraine (1886-1948), and cast by the Etling foundry, Paris, circa 1920. The bronze depicts...

A 1920s, Art Deco etching & aquatint of Lake Shore Drive -- Chicago, by notable print maker S. Chester Danforth. Image size: 8 1/4" x 10 1/4". Archivally matted to 14" x 16". Mandel Brothers...

Jean Baptiste VETTINER (1871-1935) On the Beach : Bather in the Wind, 1928 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the bli...

Extraordinary wire sculpture "Horse" on a quadratic oxidised oak pedestal for your garden. The mane is made of stainless steel. We produce this object in our own locksmith's shop, ...

This superb Royal Academy Art Deco exhibited portrait oil painting is by artist Walter Westley Russell. It was painted in 1927 and exhibited the same year entitled Mrs Guy Houlder, p...

An impressive French Art Deco sculpture of a semi nude male holding a trident. Cast in patinated French spelter and sits on a marble base. We believe Bezin may be a pseudonym for ano...

Banjo. Art Deco era musical instrument to be restored in inlaid wood. Signed on the handle Achille Jacomoni, the signature is made with the pyrographed technique. Materials: Wood, ...

WAITING FOR THE BOYS by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on arch...

Margrete Levy 1881-1962 Levy was a Danish artist; she worked in Paris from 1905-1911. Levy was niece to the Danish master painter Kristian Zartmann. She married French author Louis Nicolai Levy in 1911. She applied for technical school at Charlotte Sode and Julie Meldahl's school before applying for admission to the Academy of Fine Arts for Women, where she studied at Viggo Johansen 1900-1902. In 1902 she traveled to Florence as a nanny for a Danish family, giving her the opportunity to study the old masters of the art collections. When she returned home, she continued her education in 1904-05 at Bertha and Dorph's painting school. In 1905, she traveled to Paris and taught at various drawing schools while studying the collections of the Louvre, especially Leonardo da Vinci, who inspired her for the symbolic painting Five Sisters , 1905, which she debuted at the Charlottenborg Spring Exhibition the following year. 1906-07 she was a student at the French Academy in Rome. With a few interruptions she exhibited at Charlottenborg's Spring Exhibition 1913-43, and on several occasions she also participated in Charlottenborg's Autumn Exhibition and the Artists' Autumn Exhibition. She had several personal exhibitions, including 1910 in Ole Haslunds Hus, 1919 and 1923 in Kunstforeningen, 1927 at Møntergården and 1945 in Alfred Andersen's Art Shop. She participated in several foreign exhibitions, for example Modern Danish Artists in Brighton, England 1912, and Exposition présentée par le Club international Féminin , Paris 1958. She was often represented at exhibitions reserved for women, for example Nine Painters in Admiral Gjeddes Gaard, in 1936 and Nordic Artists in Stockholm 1948. She participated in the Women's Artists Retrospective Exhibition in 1920, which was organized by the Women's Artists Society, on whose board she sat. Along with 18 other members, including Anna and Helga Ancher, Christine Swane, Elisabeth Neckelmann and, Olivia Holm-Møller, she exhibited at the Kunstforeningen in 1930. For the painting Three Sisters , she was awarded 1931 Carlson's Prize by the Academy. The painting shows both back to the old masters and to the new realists such as Niels Strøbek...

Jean Cocteau ( 1889 -1963 ) " Bouc Trois Faces " . circa 1958 . coupe 36cm Terre Blanche engobes : noir et fer rouge Tirage : 20 exemplaires Ref: R 306 page 76 du catalogue rais...

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: Abstract Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...