Art Deco
36
to
244
1,176
1,071
497
126
1,336
523
62
893
365
363
308
476
Overall Height
to
Overall Width
to
119,722
69,582
49,795
22,501
15,172
8,164
4,942
4,759
4,008
2,801
2,613
2,588
2,409
594
1,119
704
394
338
228
204
187
176
173
122
113
112
103
102
85
79
74
72
65
54
2
17
1,915
475
7
41
461
566
103
58
19
51
164
66
189
146
42
37
37
652
622
461
444
339
Style: Art Deco
Charles Paillet "Medaille D'or" Bronze of Two Playful Goats
By Charles Paillet
Located in Dallas, TX
A large Charles Paillet French (1871-1937) bronze of two playful goats "Medaille D'or"
Here we have a fun and whimsical statue sculpture of two young goats playing in the grass. One...
Category
1920s Art Deco
Materials
Bronze
Louis Icart, French, 1888-1950 Ladies in a Carriage Pastel on Paper
By Louis Icart
Located in Dallas, TX
Louis Icart (French, 1888-1950). Ladies in a carriage. Pastel on Paper.
20-5/8 x 18-1/2 inches (52.3 x 47.0 cm).
Louis Icart (French, 1888-1950).
Ladies in a carriage.
Pastel on ...
Category
1930s Art Deco
Materials
Paper
Raoul Dufy Fauvist Art Deco Nude Painting
By Raoul Dufy
Located in Dallas, TX
Raoul Dufy (French, 1877-1953)
Nu allongé sur canapé, circa 1939
China ink, gouache, and watercolor on paper laid on board
Sight: 16 x 19.75 inches (40.6 x 50.2 cm)
Signed lower righ...
Category
1930s Art Deco
Materials
Paper
On a Souvent Besoin.... Pochoir Print
By Ettore Tito
Located in Aberdeen Dyce, GB
Art Deco original pochoir print.
Please find the dimensions of the artwork:
20 x 15 cm - Dimensions of the image
26 x 20 cm - Dimensions of the paper
28 x 22,5 cm - Framed dimensi...
Category
Early 20th Century Art Deco
Materials
Paper
Still Life - Art Deco Flowers Pineapple & Greyhound Cup Antique Oil Painting
Located in Sevenoaks, GB
A beautiful signed and dated 1936 oil on canvas still life with flowers, pineapple, fruit and ceramic mug decorated with a pack of hounds, by Arthur Sleight. A striking and unusual A...
Category
1930s Art Deco
Materials
Oil, Canvas
Woman with Art Deco Dress - Lithograph (Artcurial edition)
Located in Paris, FR
Sonia DELAUNAY
Woman with Art Deco Dress
Lithograph after a painting
Printed signature in the plate
Numbered /600
On Arches vellum 40 x 30 cm (c. 15.7 x 11.8 in)
ArtCurial edition,...
Category
Late 20th Century Art Deco
Materials
Lithograph
Art Deco Greyhound Dogs Bronze Sculpture Statue by S. Bizard
Located in Oakland, CA
Two Greyhound Dogs is a nickeled bronze sculpture by French artist Suzanne Bizard. It is a stylized figural and accurate rendering of a pair ...
Category
1930s Art Deco
Materials
Bronze
Jozef Popczyk Cubist Art Deco Painting Female Forms of Geometric Shapes
Located in Oakland, CA
Jozef Popczyk, Cubist Art Deco Painting Female Forms of Geometric Shapes. Joseph Popczyk is a Polish artist known for his vivid palette and love of Cubism. In this case, the chevrons...
Category
1930s Art Deco
Materials
Canvas, Paint
Lucien Gibert Bronze Statue 'The Archer' French Art Deco Sculpture
Located in Oakland, CA
Master sculptor Lucien Gilbert's famous “The Archer” sculpture embraces the finest in French bronze detailing of the period. The size, quality, and weight of this piece are impressiv...
Category
1930s Art Deco
Materials
Bronze
"The Hare" Black Basalt Sculpture 8" x 6" x 4" inch by Alfons Louis
By Alfons Louis
Located in Culver City, CA
"The Hare" Black Basalt Sculpture 8" x 6" x 4" inch by Alfons Louis
Medium: black basalt
ABOUT THE ARTIST
Born in Cairo 1959- Graduated from faculty of fine art (painting) Alexandr...
Category
21st Century and Contemporary Art Deco
Materials
Stone
Hua Lian Still Life Original Oil Painting "Everything Goes Well"
Located in New York, NY
Title: Everything Goes Well
Medium: Oil on canvas
Size: 16 x 18 inches
Frame: Framing options available!
Condition: The painting appears to be in excellent condition.
Note: Thi...
Category
21st Century and Contemporary Art Deco
Materials
Canvas, Oil
MEDIEVAL NIGHT DREAMS Funny Creatures Original Purple Painting by Stasy Vo
Located in Sempach, LU
Abstract Middle Ages images are scattered across the canvas in the clouds of dreams.
By the word Middle Ages, we mean such different images. On the one hand, knights, castles, and ...
Category
2010s Art Deco
Materials
Canvas, Acrylic
Antique Art Deco Bronze Sculpture Statue Female Nude Dancer Josef Lorenzl 1925
Located in Portland, OR
A very elegant antique Art Deco bronze sculpture, statue by Josef Lorenzl, Austria, 1925.
This beautiful bronze sculpture portrays a beautiful young woman, she is modeled as a nude t...
Category
1920s Art Deco
Materials
Bronze
“Turtle-Back” desk lamp
Located in Miami, FL
Louis Comfort Tiffany
“Turtle-Back” desk lamp, 1905 ca.
Patinated bronze and marbled glass.
14 in high
Shade marked "Tiffany Studios", base stamped "Tiffany Studios, New York, 71452".
Category
Early 1900s Art Deco
Materials
Bronze
Paris, Luxembourg Garden - Original wooodcut, Handsigned and numbered /105
Located in Paris, FR
Emile BOIZOT
Paris, Luxembourg Garden - 1920
Original woodcut
Handsigned in pencil
Numbered /165
On vellum 32.5 x 25.5 cm (c. 13 x 10 in)
Bears the blind...
Category
1920s Art Deco
Materials
Woodcut
Sarah Burkhard
Located in Los Angeles, CA
Framed size 38 x 52 x 3 inches.
Philippe Henri Noyer
1917-1985
Philippe Henri Noyer was born on June 28, 1917 in Lyons, France. After a traditional education at the elite Ecole ...
Category
1980s Art Deco
Materials
Canvas, Oil
Oh la la, Mixed Media on Wood Panel
By Julia Hacker
Located in Yardley, PA
Oh-la-la is an original mixed media artwork on a wood panel. Julia Hacker used elements of fashion and uplifting colors of gold, pink, pale blue. A beautiful female face on the flora...
Category
2010s Art Deco
Materials
Mixed Media
Early 1940s Fashion Study for Elizabeth Arden's Nail Polish at Marshall Field
Located in Chicago, IL
An early 1940s fashion study featuring an advertisement for Elizabeth Arden's "Safari" nail polish at Marshall Field & Co. Provenance: Cornelia Steckl-Jurin, Founder of the Fashion ...
Category
1940s Art Deco
Materials
Paper, Pencil, Watercolor
An early 1940s fashion study/advertisement for Marshall Field & Company
Located in Chicago, IL
An early 1940s fashion study featuring and advertisement for Marshall Field & Company featuring cosmetic & perfume. Provenance: Cornelia Steckl-Jurin, Founder of the Fashion Departm...
Category
1940s Art Deco
Materials
Paper, Pencil
1937 original poster 16th Salon des Arts Ménagers at the Grand Palais - Paris
By Paul Colin
Located in PARIS, FR
In 1937, Paul Colin created an original poster for the 16th Salon des Arts Ménagers at the Grand Palais, Paris. This iconic artwork captures the essence of the event, which showcased...
Category
1930s Art Deco
Materials
Paper, Lithograph
1930 Art Deco Furniture Study Drawing by French L' Atelier 43 Studio
Located in Atlanta, GA
This stunning furniture study project drawing was designed by L' Atelier 43 Studio in Lyon, France, in the 1930s. The study features a project for a custom-made interior bar in a typ...
Category
1930s Art Deco
Materials
Paper, Gouache, Pencil
Art Deco ca. 1920. Portrait Of Lady With Bob Cut, Purple Dress And Fur Collar
Located in Firenze, IT
Portrait Of A Young Lady From The 1920s With Bob Cut And Fur Collar
Oil on canvas.
Early 20th frame in wood.
This portrait reveals very stylish image of a young woman from the 1920s...
Category
1920s Art Deco
Materials
Canvas, Oil
FIVE ARCHES I
Located in Aventura, FL
Screenprint in colors on paper. Hand signed, titled and numbered by the artist. Edition of 250. Image size 25 x 19.5 inches. Sheet size 35 x 27.5. Custom framed as pictured.
A...
Category
1980s Art Deco
Materials
Screen, Paper
1945 Brazilian Master, Art Deco Nudes Serigraph Woodcut Carnaval Bahia
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco
Materials
Woodcut
Panthers in the Jungle Art Deco Carved Gilt Wood Panel by N. R. Brunet
Located in Atlanta, GA
This sumptuous engraved wooden panel depicting panthers in the bush was created by N.R. Brunet (France, 20th Century). Art Deco design typical of the period, N.R. Brunet is known for...
Category
1930s Art Deco
Materials
Gold
untitled
Located in MADRID, ES
We consider this artwork one of the best available, if not the best, from Michèle Demedts. The unusual combination of strong greens and earth tones and...
Category
1990s Art Deco
Materials
Oil
Original Vintage Travel Poster Winter In Majorca Spain Carlos Puntis Art Deco
By Carlos Puntis Nebot
Located in London, GB
Original vintage travel advertising poster - Winter in Majorca Spain - featuring an Art Deco illustration of a lady in a red swimsuit sunbathing with a thermometer showing a warm tem...
Category
1930s Art Deco
Materials
Paper
Sailor’s Ball
By Margrete Levy
Located in Los Angeles, CA
Margrete Levy
1881-1962
Levy was a Danish artist; she worked in Paris from 1905-1911.
Levy was niece to the Danish master painter Kristian Zartmann.
She married French author Lou...
Category
1920s Art Deco
Materials
Canvas, Oil
1945 Brazilian Master, Art Deco Serigraph Woodcut Colonial Architecture Mission
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco
Materials
Woodcut
Geo Dorival 'Venise, Train Rapide Quotidien' Lithograph
By Geo Dorival
Located in Brooklyn, NY
Paper Size: 39 x 27 inches ( 99.06 x 68.58 cm )
Image Size: 39 x 27 inches ( 99.06 x 68.58 cm )
Framed: No
Condition: C: Several Signs of use and handling, some visible marks
A...
Category
1980s Art Deco
Materials
Lithograph
EARLY / MID 20TH CENTURY ENGLISH SCHOOL Oil Painting - Portrait Of Seated Lady
Located in Cirencester, GB
ARTIST: Early / Mid 20th Century English School
TITLE: "Portrait Of A Lady"
SIGNED: appears unsigned
MEDIUM: oil on canvas
SIZE: 77cm x 67cm inc frame
CONDITION: very good - ne...
Category
Early 20th Century Art Deco
Materials
Oil
Huntress with Borzoi
Located in Los Angeles, CA
A stunning French Art Deco figural group depicting a Huntress and her Borzoi.
The bronze has a beautiful warm patina and the base is two types of marble.
It is signed on the base and...
Category
1930s Art Deco
Materials
Marble, Bronze
Ivory and Ebony: two girls friends in a landscape. Art Deco
Located in Firenze, IT
Ivory and Ebony: two girls friends in a landscape. Art Deco
Circa 1930 - 1940.
Medium-large format painting from the Art Deco period.
The two girl friends.
Painting signed lower ...
Category
1930s Art Deco
Materials
Oil, Paint, Canvas
1945 Brazilian Master, Art Deco Clown Serigraph Woodcut
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: harlequin clown
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco
Materials
Woodcut
Art Deco Fashion Illustration Ink Drawing by G. Ferro
Located in Atlanta, GA
Original Art Deco fashion drawing, ink, and wash on Vellum paper by French artist G. Ferro. The artwork features a stylish male model with a typical Art Deco overcoat. The piece is s...
Category
1930s Art Deco
Materials
Paint, Paper, Ink, Watercolor
"Gondolier" figurative drawing, watercolors ink on paper
Located in Roscoff, FR
Gondolier in the canals of Venice
Category
2010s Art Deco
Materials
Ink, Watercolor
1945 Brazilian Master, Art Deco Nudes Serigraph Woodcut Carnaval Bahia
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco
Materials
Woodcut
Lucien Charles E. Alliot French Art Deco Bronze The Gazelles 1930
Located in Oakland, CA
Lucien Alliot French Art Deco Bronze The Gazelles 1930. The brown patina on a marble base signed on the bronze L Alliot and stamped bronze on the deer. This particular piece has exceptional rhythm where the two gazelles interplay in a movement depicting leaping over the hills or water—very three-dimensional treatment showing the movement of the animals.
Lucien Charles Eduoard Alliot (1877-1967), the sculptor, was born in 1877 in Paris, France. His work was part of the sculpture event in the art competition at the 1924 Summer Olympics. He exhibited regularly at the Salon des Artistes Français, was a member and the gold medal in 1920, out of competition, and was a member of the sculpture jury from 1934 to 1939. Alliot was well known for his figurative sculptures, which were exhibited for many years at the Salon de Paris. He received a third-place award in 1907 (which included funds for travel expenses) and a first-place award l in 1920. After he declared himself out of the artistic competition, he became a jury member at the Salon evaluating sculptural works from 1934 to 1939. Alliot created several allegorical groups: La Paix in 1939, and several religious illustrations: Sacré Cœur in 1924, La Vierge Marie...
Category
1930s Art Deco
Materials
Marble, Bronze
French Interior Decoration Project Study by Maurice Dufrene Studio, 1940s
Located in Atlanta, GA
This attractive French interior decoration study project drawing is attributed to Maurice Dufrene Studio. The project features the interior decoration for a typical 1930/40s upper-cl...
Category
Early 20th Century Art Deco
Materials
Paper, Pencil
"Women on scooter" figurative drawing, watercolors ink on paper
Located in Roscoff, FR
A woman with her scooter on the french riviera
Category
2010s Art Deco
Materials
Ink, Watercolor
Nude, arms raised
Located in Fairlawn, OH
Nude
Matchstick and ink drawing heightened with conte crayon
c. 1925
Signed with the Estate Stamp "B"
Provenance: Joseph A. Erdelac (1914 -2005), Cleveland
Acqu...
Category
1920s Art Deco
Materials
Ink
Original Vintage Travel Poster Bulgaria Balkans Angel Tilov Art Deco Bulgariya
Located in London, GB
Original vintage travel poster for Bulgaria featuring a scenic view of a steam train travelling through a tunnel on a rocky cliff above a river with a bridge linking a riverside town to the railway and trees and mountains in the distance. Artwork by the award winning Bulgarian watercolour...
Category
1930s Art Deco
Materials
Paper
Antique French Art deco Leaping Stag Bronze Statue Sculpture Bronze marble 1925
By Georges H. Laurent
Located in Portland, OR
A fine & large antique French Art Deco Bronze leaping stag sculpture/statue, by Georges H. Laurent (1880-1940), circa 1925.
Georges H. Laurent was known for his animal subjects and t...
Category
1920s Art Deco
Materials
Bronze
François-Maurice Roganeau (1883-1973) Portrait of young man 1947, watercolor
Located in Paris, FR
François-Maurice Roganeau (1883-1973)
Portrait of a young man, 1947
signed and dated lower left
Titled Guy Ernoult (name of the sitter) on the upper part
27 x 22 cm
in a beautiful f...
Category
1940s Art Deco
Materials
Watercolor, Pencil
Original Antique Advertising Poster Cycles Dilecta Georges Favre Art Deco Design
Located in London, GB
Original antique advertising poster for a French brand of bicycles - Cycles Dilecta - featuring a colourful dynamic Art Deco design depicting a stylised figure of a cyclist leaning f...
Category
1920s Art Deco
Materials
Paper
Original "Stufe Pagliero Michele" vintage Italian poster
Located in Spokane, WA
Original Stufe Pagliero Michele vintage Italian antique poster. Archival linen backed and ready to frame. Lithograph from 1929. Excellent condition, ready to frame. A conditio...
Category
1920s Art Deco
Materials
Lithograph
Original Vintage Advertising Poster Barcelona International Exposition 1929 Fair
Located in London, GB
Original vintage advertising poster for the Exposicion Internacional Barcelona International Exposition held from 20 May 1929 to 15 January 1930 featuring an Art Deco illustration of...
Category
1920s Art Deco
Materials
Paper
French Art Deco Cubist Monkey by Gabriel Beauvais 1930s Ceramic
Located in Oakland, CA
French modernist glazed ceramic monkey sculpture by Gabriel Beauvais,1930. This sculpture was made in a turquoise blue glaze ceramic, a stunning color most likely by Kaza Edition in ...
Category
1930s Art Deco
Materials
Ceramic
G Gori Bronze Female Nude Statue Classic Art Deco France
Located in Oakland, CA
G Gori bronze Female draped nude statue Classic Art Deco made in France. A verdigris green patinated bronze sculpture depicting a bare-breasted female stan...
Category
1920s Art Deco
Materials
Marble, Bronze
Art Deco Sculpture of a Bear by Martel
By Jan and Joel Martel
Located in Oakland, CA
This highly stylized modernist sculpture of a bronze bear provides a rare opportunity to own a piece by some of the most fascinating sculptors in history. Jan and Joel Martel were an...
Category
1930s Art Deco
Materials
Bronze
Yellow Ceramic
Located in Brookville, NY
Keith Day Pearce Murray was a New-Zealand-born British architect and industrial designer, known for ceramic, silver and glass designs for Wedgwood, Mappin & Webb and Stevens & Will...
Category
Mid-20th Century Art Deco
Materials
Ceramic
Art Deco Spanish Woman Fashion Illustration
Located in Wilton Manors, FL
Elegant and glamorous fashion illustration from the 1920's,
Original signed gouache painting on paper.
Monogrammed V.S. lower right.
Site: 10"x 7.75" Frame: 19.25"x 17"
Category
1920s Art Deco
Materials
Paper, Gouache
Bronze Eve - Contemporary Bronze Portrait sculpture, 2015
Located in PARIS, FR
Sculpture en bronze sur socle par l'artiste Pascale Hamelin.
Pascale Hamelin est une sculptrice française.
Ses visages et ses formes racontent le souv...
Category
21st Century and Contemporary Art Deco
Materials
Bronze
Pilze I (Mushrooms), German antique fungi botanical print
Located in Melbourne, Victoria
Chromolithograph, circa 1895.
245mm by 310mm (sheet).
Central vertical fold as issued.
Category
Late 19th Century Art Deco
Materials
Lithograph
1989 A.M. Cassandre 'L'Oiseau Bleu'
Located in Brooklyn, NY
Paper Size: 34.75 x 23 inches ( 88.265 x 58.42 cm )
Image Size: 31.5 x 19 inches ( 80.01 x 48.26 cm )
Framed: No
Condition: B-: Good Condition, Signs of Handling and Age
Supplemental...
Category
1980s Art Deco
Materials
Lithograph
Dance, Large Art Deco Painting by Giancarlo Impiglia
Located in Long Island City, NY
Artist: Giancarlo Impiglia, Italian/American (1940-)
Title: Dance
Year: 1987
Medium: Oil on Canvas, signed and dated
Size: 84 in. x 84 in. (213.36 cm x 213.36 cm)
Category
1980s Art Deco
Materials
Oil
Original Vintage London Transport Poster Green Line Coach Travel Horse Art Deco
By Jean Dupas
Located in London, GB
Original vintage London Transport poster promoting travel by Green Line Coach featuring stunning artwork by the notable French Art Deco designer Jean Dupas (1882-1964) depicting men ...
Category
1930s Art Deco
Materials
Paper
June
Located in Greenwich, CT
June is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 27 x 22 inches. From the edition of 650, the art is numbered 203/300 and estate-stamp...
Category
20th Century Art Deco
Materials
Paper, Screen
Art Deco art for sale on 1stDibs.
Find a wide variety of authentic art Deco available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Stefan Traloc, Erté, Gilbert Pauli, and Robin Morris. Frequently made by artists working with Paint, and Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Art Deco, so small editions measuring 0.25 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $425,000, while the average work sells for $1,655.
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