Art Deco

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

This elegant work by Jean-Gabriel Domergue (1889–1962) perfectly captures the glamour and sophistication of the Parisian woman that made the artist famous. Often called the painter o...

Giancarlo Impiglia, Italian/American (1940 - ) - The Party Is Over, Year: 1982, Medium: Screenprint, signed, titled, numbered and dated in pencil, Edition: 94/165, Image Size: 29...

Jean Cocteau ( 1889-1963 ) " la voix Humaine " . 1939 . dessin original de jean Cocteau . signé . avec l'étoile . 19 x 12 cm . encadrement : 39 x 32 cm. certificat de Madame Annie...

Jacques Camus The Yellow Castle, 1933 Original lithograph and stencil Unsigned On paper 39 x 29 cm (c. 15.3 x 11.4 inch) INFORMATION : This lithograph is part of the "Idées" portfo...

This rich and vibrant Scottish still life oil painting is by noted Scottish artist Andrew Law. It was painted circa 1920 and has a Glasgow Club exhibition label verso entitling the p...

Jean-Gabriel Domergue (1889–1962) was a renowned French painter and engraver, celebrated especially for his portraits of elegant women or, more precisely, a feminine figure in a styl...

Erte (Romain de Tirtoff) Russian/French 1892-1990. Pencil Signed lower right, numbered 17/300 LL. One of the most recognizable of Erte's work along with its sister piece, "Symphony ...

Here you will find an extraordinary and high quality lamp, which conjures a beautiful shadow pattern on the wall or ceiling. Customization possible and designed in 2010. This ball l...

This artwork titled "Cozy Corner" c.1980 is an original color serigraph on paper by Israeli artist Itzchac Tarkay 1935-2012. It is hand signed, titled and inscribed E.A. in pencil b...

May is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 27 x 22 inches. From the edition of 650, the art is numbered 171/300 and estate-stampe...

With its rustic aesthetic, this privacy screen will not only protect your privacy, but also give your outdoor area a special charm. The rusty surface gives each element an individual...

This lovely British 1930's Art Deco floral still life oil painting is by much exhibited Slade School female artist Grace English. Painted in 1930 the composition is of a mixed floral...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

This enigmatic portrait oil painting is by noted Slade School artist John Cecil Stephenson. In 1929, when Portrait of Elizabeth Allison was completed...

Stefanie Trautweiller (1888 - 1976) was an Austrian Female Still life Painter This work for sale is probably her most beautiful vivid work! she sal...

George Bertrand Mitchell was born in East Bridgewater, Massachusetts just before America’s Centennial. He initially worked in Lowell and Provincetown, where he befriended numerous a...

Portrait of a Woman, 1940s-50s. Signed Vera d’Angara, Italian-Russian actress Technique: Oil on panel Dimensions: Height 59 cm x Width 58 cm Frame: Painted wooden frame The portrait...

Two goudou antelopes « Two friends » by Rembrandt BUGATTI (1884-1916) Group in bronze with a nuanced brownish black patina Signed on the base "R.Bugatti" A lost wax cast by "A.A. Hé...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 9.5 x 5.5 inches P...

Jacques Camus The Palm Tree under the Sun, 1933 Original lithograph and stencil Unsigned On paper 39 x 29 cm (c. 15.3 x 11.4 inch) INFORMATION : This lithograph is part of the "Idé...

Art Deco sculpture titled “Folie” by Denis, with Le Verrier foundry stamp. Dancer with flowing veils and arms outstretched. Patinated metal figure on a marble base. Model circa 1930....

Richard Heeps series A Short History of Milan began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has become popular with art buye...

This original lithographic cover was created in 1961 by master printer Charles Sorlier at Mourlot, serving as the dust jacket for the Affiches de Toulouse-Lautrec catalogue raisonné....

French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of birds. 195mm by 265mm (sheet)

Artist: Erte, Russian (1892 - 1989) Title: Her Secret Admirers Year: 1982 Medium: Screenprint, signed and numbered in pencil Edition: 300 Image Size: 33 in. x 24 in. (83.82 cm x 60.9...

Shipping costs on request German Steel Fireplace "Blossom II" d = 55 cm with medium conus base 80 cm. This fire blossom is the eye-catcher in your garden. Due to the good air suppl...

Henry Ottmann (1877-1927) Bust-length portrait of a woman signed lower right pastel on paper 53 x 43 cm Framed 74 x 64 cm This bust portrait of a woman shows us another aspect o...

Original 1926 Mistinguett Moulin Rouge Poster - Linen Backed, Professionally Restored with fold marks, ready to frame. It seems that most of this specific poster was folded when rele...

Erté designed Golden Fleece for a Folies-Bergére scene entirtled "The Golden Fleece" and a 1926 George White's Scandals scene entitled "La Toison d'or." Erté, whose artistic style was influenced in part by a childhood admiration of classic Greek art, was always drawn to a good story with a sense of drama – typified by Greek tragedy. Catalogue - Erté: The Last Works (Dutton, pgs. 115, 207). From the total edition of 462; numbered 207/375 (there were also 50 Roman and 37 AP). Referring to the legend of Jason and the Argonauts, the Golden Fleece sculpture depicts an elegant woman in a classic Greek garment. The curled horns of the ram style her headdress, elegant in appearance and yet fierce in battle. Descending from these horns is the golden fleece itself, its curly mane covering the woman to her toes. Her gown, a gracefully draped toga, is designed to leave one breast bared, in the folkloric tradition of the Amazon tribe of women warriors...

A stunning portrait oil painting of Violet Ann Gilbert which was painted by James Peter Quinn in 1929 and was exhibited at The Paris Salon of that year. A beautiful portrait of a young woman from the nineteen twenties. In excellent condition and framed in the original period frame. This is a fine painting by a noted listed artist and a great example of an early 20th century portrait painting. Signed lower left. Provenance. Exhibited at the Paris Salon 1929, labels verso. Condition. Oil on canvas in excellent condition, image size 40 inches by 30 inches. Housed in its original gallery frame, framed size is 47 by 37 inches. Excellent condition. James Peter Quinn (1869-1951) was born on 4 December 1869 at 60 Bourke Street, Melbourne, third son of John Quinn, restaurant-keeper born in Antigua, West Indies, and his English wife Ann, née Long. Little is known of Quinn's childhood and early education; both parents died when he was young. His guardians apprenticed him to an engraver, but he undertook part-time studies at the school of design, National Gallery of Victoria, under Frederick McCubbin in 1887-89, and at the school of painting under George Folingsby and Bernard Hall in 1890-93. Awarded several student prizes, he won the gallery's travelling scholarship in 1893. Quinn went to London in 1894 but quickly left for Paris where he studied at the Académie Julian, at the Académie des Beaux-Arts under Jean Paul Laurens, and with Colarossi and Delécluse. He returned to London about 1902 and married fellow art-student Blanche Louise Guernier there on 29 September. By 1904 he had exhibited with the Royal Academy of Arts and went on to establish a reputation as a highly successful portrait painter. His finest and most sensitive work was produced before 1910. His family were the subjects of many paintings, including 'Mère et Fils', awarded an honourable mention at the Old Salon, Paris, in 1912. He also painted many self-portraits. His many commissioned works included portraits of Joseph Chamberlain, the Duchess of York and, later, the Duke of Windsor. In 1918-19 he was an official war artist with the Australian Imperial Force in France, and exhibited war paintings at the Grafton Galleries, London. In 1919, with George Coates, he was an official artist to the Canadian War Records. He was a council-member of the London Portrait Society, and a member of the Royal Society of Portrait Painters and the Royal Institute of Oil Painters, exhibiting regularly with them and the Royal Academy, and in Paris with the Old and New salons. Quinn's sudden return to Australia in December 1935, alone, followed the death of his gifted artist-son René. He held exhibitions at the Fine Art Society's Gallery, Melbourne, in 1936 and the Royal South Australian Society of Arts Gallery the next year. Quinn ostensibly returned as an acclaimed artist, was invited to rejoin the Victorian Artists' Society he had joined first in 1888, and was its president (but for one year) in 1937-50. Yet a coolness existed. Though he had little in common with the modernist painters of the period, his commitment to a tolerant brotherhood of artists found no allies among the aggressively conservative old guard. In 1937 he clashed publicly with (Sir) Robert Menzies who in opening a V.A.S. exhibition denigrated modern art. In spite of the affection felt for him by many artists and students, Quinn was somewhat isolated. He continued to exhibit, winning the Crouch prize, Ballarat Fine Art Gallery, in 1941. In the mid-1940s he taught briefly at the National Gallery school. A lover of good food, wine and conversation, Quinn delighted in mixing with all classes. Frequenting the haunts of journalists, writers and the more Bohemian fringe, he was easily recognizable with his bow tie, grey curly hair and cigarette dangling from the corner of his mouth. Survived by one son, he died of cancer on 18 February 1951 at Prahran and was buried in St Kilda cemetery. His war portraits are held by the Australian War...

A Second One This graphite pencil drawing ‘Art Deco Nude – 06-08-22’ follows one day after the first, done with my new pencils. In fact, immediately after the completion of the first one I started the second in my studio at Brugman Art. However, finished a day later but within an hour in total. Surely this shows my enthusiasm. The Pitt Graphite Matt pencils and the Ingres paper to me are a perfect match. You have to know that I like to search for new ways to quickly put my ideas on paper. Charcoal simply is too stainy, even though it is quick and easy to correct. Pastel is also quick but falls off the Ingres paper quite easy without fixation. They are not very handy to carry around in my backpack as well. Pencils I easily can carry with my in my handy Derwent pencil folder. Deco Again This Deco title is a bit of a laugh really. Art Deco is a pre World War II art...

Demetre Haralamb Chiparus (also known as Dumitru Chiparus) (16 September 1886 in Dorohoi, Romania - 22 January 1947 in Paris, France) was a Romanian Art Deco* era sculptor who lived and worked in Paris. He was born in Romania, the son of Haralamb and Saveta. In 1909 he went to Italy, where he attended the classes of Italian sculptor Raffaello Romanelli. In 1912 he traveled to Paris to attend the Ecole des Beaux Arts* to pursue his art at the classes of Antonin Mercie and Jean Boucher. Demetre Chiparus died in 1947 and was buried in Bagneux cemetery, just south of Paris. The first sculptures of Chiparus were created in the realistic style and were exhibited at the Salon of 1914. He employed the combination of bronze and ivory, called chryselephantine*, to great effect. Most of his renowned works were made between 1914 and 1933. The first series of sculptures manufactured by Chiparus were the series of the children. The mature style of Chiparus took shape beginning in the 1920s. His sculptures are remarkable for their bright and outstanding decorative effect. Dancers of the Russian Ballet, French theatre, and early motion pictures were among his more notable subjects and were typified by a long, slender, stylized appearance. His work was influenced by an interest in Egypt, after Pharaoh Tutankhamen's tomb was excavated. He worked primarily with the Edmond Etling and Cie Foundry in Paris administrated by Julien Dreyfus. Les Neveux de J. Lehmann was the second foundry which constantly worked with Chiparus and produced the sculptures of his models. Chiparus rarely exhibited at the Salon. In 1923 he showed his Javelin Thrower, and in 1928 exhibited his Ta-Keo dancer. During the period of Nazi persecution and the World War II, the foundries discontinued production of work by Chiparus. The economic situation of that time was not favorable to the development of decorative arts and circumstances for many sculptors worsened. Since the early 1940s almost no works of Chiparus were sold, but he continued sculpting for his own pleasure, depicting animals in the Art Deco style. At the 1942 Paris Salon, the plaster sculptures Polar Bear and American Bison were exhibited, and in 1943 he showed a marble Polar Bear and plaster Pelican. Sculptures of Dimitri Chiparus represent the classical manifestation of Art Deco style in decorative bronze ivory sculpture. Traditionally, four factors of influence over the creative activity of the artist can be distinguished: Serge Diaghilev's Ballets Russes, ancient Egyptian art, and French theatre. Early motion pictures were among his more notable subjects and were typified by figures with a long, slender, stylized appearance. Some of his sculptures were directly inspired by Russian dancers. Quite often, Chiparus used the photos of Russian and French dancers, stars and models from fashion magazines of his time. After the tomb of Tutankhamun was discovered in 1922, the art of ancient Egypt...

Beautiful contemporary oxidized sheet steel Garden Wall or privacy screen. Customization possible. With this garden wall you'll conjure up an atmospheric ambience in your garden. Id...

Cornucopia pays homage to the great goddesses of abundance and fortune, with a modern twist – rather than showing the bounty of the earth overflowing from the horn, this Cornucopia o...

Marcello Dudovich (1878–1962) Vermouth Bianco Martini & Rossi, Torino Framed Poster This striking poster design by celebrated Italian illustrator Marcello Dudovich exemplifies the e...

Robin Morris, American (1953 - ) - Twins, Year: circa 1990, Medium: Lithograph, signed and numbered in pencil lower right, Edition: 148/350, Image Size: 28 x 20 inches, Size: 29...

Art Deco 1925 1980 Silkscreen Paper size 33½" × 21"inches Signed in pencil and marked 234/300 Michael Knigin was born in 1942 in Brooklyn, NY. He attended and graduated from Tyler S...

Reggatas day (tribute to Seurat), by Fabio Hurtado, is an oil painting on canvas which was created in 1995 and which obtained the Honorary Medal at the C...

An extraordinary outdoor cuboid for floating pots in your garden. Customization possible and designed in 2010. Also available to order in stainless stee...

Jean Cocteau ( 1889 - 1963 ) " J'emporterai le feu " original signed Jean Cocteau . partially glazed terracotta plate ( 36cm ) conceived in 1963 . in an edition of 25 . numbered 13/25. Edition Madeline -Jolly (underneath) literature : Annie Guedras . Jean Cocteau céramiques .Paris 1989...

Art Deco Vanity Fair Magazine Illustration in pen and ink on paper to illustrate an article about the pursuit of true love. Female illustrator Anne Harriet Fish depicts floating Cupi...

Grand Pasteur is a symbolic art deco advertisement by C. Villot. The artwork was produced c. 1935 for a furniture store located in Chambery in south-eastern France. The artwork is de...

This elegant circa 1930 original tourism poster attributed to Atelier Prof. Kirnig was produced to promote travel to Austria, highlighting the country’s spectacular Alpine landscapes...

Artist: Erté Title: Aphrodite Year: 1985 Medium: Embossed Serigraph with foil stamping, signed and numbered in pencil Edition: 185/300 Image Size: 32 x 22.5 inches Size: 35.5 x 25.5 ...

" Femme de profil au téléphone " .pen , India ink and wash paper . signed Jean and dated . executed in 1930 . original drawing certified by Madame Annie Guedras .

An original silver gelatin photograph capturing a timeless black and white street scene in Paris, France, circa 1930—a rare and authentic glimpse into the rhythm of a bygone era. Fea...

THE COUPLE by the woman artist Robin Morris, is an original hand drawn limited edition lithograph printed using hand lithography techniques on archival Arches paper, 100% acid free. THE COUPLE is a modern Art Deco styled portrait of a sophisticated, elegantly dressed urban couple formally poses for their portrait, an attractive woman with her short blonde bob hairstyle is seated wearing a fashionable purple and magenta ensemble and 1920's style flapper hat...

French school of the 20th century, portrait of elegant, oil on canvas monogrammed and dated E.B. 1931 lower left. The monogram E.B. is also repeated on the back of the canvas. The...

MAX THE SAX by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Arches paper, 100% acid free. MAX THE SA...

This exquisite reproduction of Erté's Gala captures the essence of 1920s glamour, epitomizing the opulence and sophistication of the Art Deco era. The artwork portrays a figure adorn...

Fernand Blondin (1887-1967) was a Swiss painter and teacher, celebrated for his depictions of idyllic rural life, interiors, female nudes, portraits, still-lifes, religious subjects ...

This is an original oil painting on canvas by R.Young, depicting a ballerina sitting on the floor and wearing pointe shoes. Signed in a lower right corner R.Young. The painting has ...

Louis Icart Faust : Margueritte and Devil Original etching with aquatint Signed in pencil Blind stamp of the editor on the bottom left corner On vellum 62 x 45 cm (c. 25 x 18 in) ...

This gouache is a museal and historical piece. Gouache and charcoal on paper stuck on panel by Henri Rapin, France, 1924-1928. "Fructidor". With frame: 80x114x3 cm - 31.5x44.9x1.2, w...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...

Antique Pair of Russian Wolfhounds/Borzois Dog Portrait Sculptures by Scalini (aka Scali; Italian, 20th century) circa 1930's Patinated spelter 9 x 14 inches (on bases) Though rath...

An Art Deco bronze with a rich chocolate brown patina of a figure of a goalkeeper. The figure is stretching up to parry away the football, on an integral hexagonal base. C. 1925, sig...

Épouse-la – Original Vintage Poster by R. Laroche (1923). Professionally preserved on acid-free archival linen backed and ready to frame. Vibrant colors. Excellent condition with no ...

Wilhelm Andreas Leipzig 1882 - 1951 The Will Bronze, signed Height including base 26.7 cm Authenticity confirmed in writing Wilhelm Andreas studied at the Leipzig Academy of Fine Arts from Easter 1899 to Easter 1903 as a full-time student and was again a student of Adolf Lehnert from 1919 to 1920. In the meantime, he spent ten years in Berlin working in the arts and crafts and continued his self-taught education on study trips that took him to Rome and Paris. He then settled in Leipzig as a freelance artist. He lived at Zeitzer Straße 2a (now Karl-Liebknecht-Straße). His studio was located in the Künstlerhaus (artists' house) on Nikischplatz. After its destruction on December 4, 1943, he and Johannes Hartmann used...