Art Nouveau

Laurent Marcel Salinas, After Toulouse-Lautrec, Egyptian/French (1913 - 2010) - Nude on Bed, Year: circa 1977, Medium: Lithograph on Arches, Museum Stamped and numbered in pencil, ...

Rare and stunning antique oil on wood of oysters and lemon. This is a traditional oil painting, beautifully painted and would look fabulous in a kitchen. It's on a smooth wood boar...

Armand Point Golden Age (Légende dorée), 1897 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithograph...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Original Alphonse Mucha decorative panel. Linen backed in very good condition A-/B+ condition. This lovely poster looks just like an oil painting. It is a rare design by Alphonse ...

Louis Icart, After, French (1888 - 1950) - Coursing 3, Medium: Offset Lithograph on paper, signed in plate, Image Size: 14.5 x 23.75 inches, Size: 16 x 25 in. (40.64 x 63.5 cm), D...

Original French poster: Cycles Clement Motocycles, La Plus Vaste Usine de Monde; artist: PAL, (Jean de Paléologue) 1860-1942, c. 1895 original stone lithograph; archival linen backe...

This artwork titled "Letter Q" from the suite "Alphabet" 1976, is an original colors lithograph and serigraph on Wove paper by renown Russian/French artist Erte, AKA Romain de Tirtof...

The 1900 original poster "La Topaze" by Alphonse Mucha, part of the renowned "Les Pierres Précieuses" series, is a quintessential example of the Art Nouveau movement. This work, prin...

Lucia Ponga degli Ancillo (Venice 1887 - 1966) - Venetian Capriccio. 25 x 35 cm without frame, 44.5 x 55 cm with frame. Old oil painting on panel, in a wooden frame. - Signed lowe...

Louis Icart, After, French (1888 - 1950) - Eve, Year: circa 1990, Medium: Giclee Print, Size: 8.75 x 11 in. (22.23 x 27.94 cm), Frame Size: 14.5 x 17 inches

"Fantasia of Arabian Horseman" dated 1903 André Chaumière (French, XlX-XX) Oil on canvas Handcrafted original wood frame with bronze applique 20 3/4 x 12 3/4 (28 1/2 x 20 frame) inc...

Original 1918 WWI French Poster by Maurice Romberg - Compagnie Algérienne Liberation Loan, linen-backed, Grade A- This exceptional and authentic 1918 vintage lithograph is a large-f...

Imponente gruppo in marmo bianco raffigurante "Innocenza tormentata da Amore", firmato Luca Madrassi. Scuola francese, fine XIX secolo, periodo Art Nouveau. Questo splendido grupp...

Around 1900, Swiss artist Mary Golay created a stunning lithograph titled Le Paon (The Peacock), a vivid example of Art Nouveau's fascination with nature, beauty, and flowing organic...

Louis Icart, French (1888 - 1950) - La Dame aux Camélias, Year: 1927, Medium: Aquatint Etching, signed in pencil lower right, Image Size: 16.5 x 20.5 inches, Frame Size: 25.5 x 2...

Paul César Helleu Shy Red Hair Woman, 1913 Lithograph and watercolor stencil Printed signature On vellum 26 x 20 cm (c. 10.5 x 8 inch) Very good condition

Henri de Toulouse-Lautrec's "Jane Avril, Jardin de Paris" poster, created in 1898, is an emblematic piece of poster art at the time. It is part of the "Maîtres de l'Affiche" collecti...

Wonderful Art Nouveau "Ebrezza" bronze sculpture of a woman lying on a bed of roses. It bears at the base the signature Barbella and the wording “Rome Palm Sunday 31 III 1912” Brand...

The original 1898 lithography entitled "Le Concert" by Henri de Toulouse-Lautrec is a work of great artistic finesse, capturing both the artist's distinctive style and the elegant scene of society at the time. This lithograph features a well-dressed, wealthy couple in a red theater box. The gentleman is Gabriel Tapié de Céleyran and the lady is Émilienne d'Alençon. The woman is dressed in fur and wears an elaborate black hat, exuding undeniable elegance and sophistication. Lautrec meticulously captures the details of their clothing and expressions, creating a striking depiction of 19th-century high society. This lithograph was commissioned from Toulouse-Lautrec by Ault and Wiborg, American manufacturers of lithographic ink. It was part of a limited edition printed in Paris, with the original zinc plates subsequently shipped to America for printing in the main edition. The four original zinc plates are now housed at the Art Institute of Chicago. This work is all the more remarkable as it is believed to be the only lithograph Lautrec...

A lithographic reproduction of Henri de Toulouse-Lautrec's "Moulin Rouge Bal La Goulue", created for Les Maîtres de l'Affiche as plate number 122, is an outstanding example of the po...

In creating this piece, I infused the canvas with a warmth that transcends the ordinary. I mixed oil with heart, choosing golden hues that speak of cherished memories, and silvery to...

Artists tend to peak quite young, and I often love their early work. It tends to have an infectious enthusiasm, great vigour, originality, imagination and a sense of fun. René Marie...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Louis Icart, French (1888 - 1950) - Paresse, Year: 1925, Medium: Etching, Image Size: 15 x 18.75 inches, Size: 23.5 in. x 27.5 in. (59.69 cm x 69.85 cm)

The poster was designed by Théophile Alexandre Steinlen in 1896 to promote the touring performances of the Le Chat Noir cabaret troupe led by Rodolphe Salis. It has since become one ...

Vase with Narcissus by DAUM A vase raised on pedestal with a narcissus plaques decor Multilayer blown-molded glass, colored by vitrification of powders With an acid-etched decor in...

Three iconic Leon Bakst costume designs for Le Dieu Bleu ( The Blue God ) a ballet choreographed by Michel Fokine and written by Cocteau. The ballet premiered in Paris in 1912. It tells the story of a girl who tries to dissuade her fiancé from becoming a priest and is thereafter tormented by demons; but she is eventually saved by the Blue God, a part performed by Vaslaw Nijinsky, the greatest male dancer of his time. Fokine’s choreography and Bakst’s costumes drew upon Siamese dance and Hindu sculpture. These three prints are vintage reproductions quite unlike the reproductions of today. They each have the look of original watercolors and are backed on heavy grey rag paper with a hand painted gold border. Properly framed they will definitely look like the original drawing. The size of the actual prints varies slightly but the background paper size is consistently 10.5 x 15.5. Born in Russia in 1866, Léon Bakst belonged to a young generation of European artists who rebelled against 19th-century stage realism, sparking a revolution in theatre design. His fame lay in the sets and costumes he designed for Serge Diaghilev’s (1872 – 1929) legendary dance company the Ballets Russes, and his huge pageant spectaculars for the dancer and patron of the performing arts, Ida Rubinstein...

An authentic pair of watercolours featuring hunting dogs in their original frames, untouched since the 1880's. Very delightful and expertly drawn. The first, larger painting is of ...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Charles Rennie Mackintosh was a Scottish architect, designer, and visual artist. His artistic approach had much in common with European Symbolism. His work, alongside that of his wife Margaret Macdonald, was influential on European design movements such as Art Nouveau and Secessionism and praised by great modernists such as Josef Hoffmann. Mackintosh was born in Glasgow and died in London. He is among the most important figures of Modern Style (British Art Nouveau...

Stone lithograph in custom frame by artist Gail Potocki. Artist insignia in lower right corner.

Louis Icart, After, French (1888 - 1950) - Summer, Year: circa 1990, Medium: Giclee Print, numbered in pencil, Edition: 57/500, Size: 10 x 7.5 in. (25.4 x 19.05 cm), Frame Size: ...

Painting of a Lynx in a Tree Charles Livingston Bull (American, 1874-1932) Oil on canvas Signed on reverse 13 1/2 x 19 1/2 ( 20 3/4 x26 3/4 frame) inches Charles Livingston Bull (1...

Ludwig von Hofmann (1861 Darmstadt - 1945 Pillnitz), Female nude from the back, around 1900. Red chalk drawing on watermarked drawing paper, 36 cm x 44 cm (sheet size). Artist's liga...

Bronze 67,5 cm signed restored Partina original Émile Louis Picault (1833–1915) was a French sculptor known for his dynamic bronze works, often depicting mythological, allegorical,...

Plate 37 from Alphonse Mucha's Figures Decoratives, a folio of forty color lithographic plates published by Librairie centrale des beaux-arts in 1905. Issued during a period of incr...

Louis Welden HAWKINS Women Enjoying a Book, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithogr...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Edouard Benedictus, 'Poppy' from the portfolio 'Relais', plate 14, color pochoir, 1930. Signed in the matrix, in the center bottom margin. A superb, richly-inked impression, with fresh, vibrant colors, including metallic gold and silver inks, on heavy, cream wove paper; the full sheet with margins (1 3/8 inches), in excellent condition. Published by Éditions Vincent, Fréal et Cie, Paris. The pochoir production is by Jean Saudé, the French printmaker known for his mastery of the technique and the author of the first how-to book on the pochoir process. Matted to museum standards, unframed. Image size 14 3/8 x 11 inches (365 x 279 mm); sheet size 17 1/4 x 13 7/8 inches (438 x 352 mm). Impressions of this work are held in the following museum collections: Cooper-Hewitt National Design Museum Library (Smithsonian), Metropolitan Museum of Art, Minneapolis Institute of Art, New York Public Library, Toledo Museum of Art, Victoria and Albert Museum (London), Virginia Museum of Fine Arts. ABOUT THIS WORK The Pochoir process is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by virtue of its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique. ABOUT THE ARTIST Edouard Benedictus (1878 -1930), artist, designer, composer, and chemist, was born and died in Paris. A highly-regarded designer and art critic of the Art Nouveau era, Benedictus gained renown as a colorist and creator of Art Deco-inspired geometric and floral motifs. His work had a significant influence on international fashions in clothing, home furnishings, graphic design, and decorative objects of the period, earning him commissions from leading European design firms. In 1925 he was invited to represent Art Deco textile design...

Large scale French society portrait from the 1920s featuring a lady in a 'flapper' dress before a castle and it's garden by Georges Gaudy. Signed bottom left and dated, 1925. The painting is by repute of La Comtesse de Blacas, in front of her home Château d'Ussé. Ussé was the subject of a French railroad poster issued by the Chemin de Fer de Paris à Orléans in the 1920s which may have been designed by Gaudy and this may be where the commission for this painting came about. Presented in very fine custom carved wood, gilt Florentine frame. The early 1900s were the zenith of 20th century society portraiture by the likes of Philip de László...

Cecil Charles Windsor Aldin. English ( b.1870 - d.1935 ). Trotting Horses Harnessed To A Lightweight Four Wheel Cart Trap. Chalk On Paper. Signed Lower Right. Image size 19.3 inche...

Antoine CALBET L'inconnue Original lithograph Printed signature in the plate 1897/98 Printed on paper Vélin Size 40 x 31 cm (c. 16 x 12") INFORMATION : Published by 'Estampe Mode...

Joseph FELON (1818 - 1897) The Bath of Venus Original stone lithograph, enhanced with watercolor Printed signature in the plate On vellum 28 x 44 cm (c. 11 x 18 inch) Excellent con...

Henri de Toulouse-Lautrec's "Divan Japonais, 75 rue des Martyrs" poster, created in 1896, is an emblematic example of the poster art of the period. It is part of the "Maîtres de l'Af...

Louis C. Tiffany Twelve-light Lily table lamp, ca. 1910 Patinated and acid-etched bronze and hand-blown favrile glass 20 x 16 x 16 in Provenance: Private Collection, California. Li...

English moth chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there is an ...

This captivating artwork presents a striking blend of classical form and vibrant color. At its center is a seated figure, delicately positioned with limbs folded, embodying a serene ...

Alfred Pierre AGACHE (1843-1915) Imperia (Caprices of Verlaine), 1899 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) ...

Alphonse Mucha worked mainly as a poster artist and became an influential figure of Art Nouveau in late 1890s, when poster illustrations were emerging as popular art form and new pri...

Louis Icart, After, French (1888 - 1950) - Speed, Medium: Lithograph, facsimilie signature, Image Size: 14.5 x 24.5 inches, Size: 22 x 30 in. (55.88 x 76.2 cm), Description: A gh...

Louis Icart, After, French (1888 - 1950) - Lillies, Year: 2000, Medium: Giclee on paper, numbered in pencil verso with printers stamp, Edition: 8/375, Size: 45 x 31 in. (114.3 x ...

Style of Arthur B. Davies Untitled (Muses), c. 1920 Reverse glass painting 19 x 24 in. Reverse glass painting is a form of art that consists of applying paint to a piece of glass t...

Alphonse Mucha Seasons: Autumn, 1903 Original lithograph Printed signature in the plate Printed on paper 71 x 31 cm (c. 27.9 x 12.2 inches) On paper linen on canvas, 75 x 35.5 cm (c...

Alphonse MUCHA (1860-1939) Belle-Epoque Woman with a Beer, 1899 Original Lithograph Printed signature in the plate Published in "Les Maîtres de l'Affiche" Authenticated by the blind...

English moth chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there is an ...

CLINIQUE CHÉRON is a fine art lithographic re-creation after the original 1905 vintage French advertising poster created by Théophile Steinlen for the veterinary CLINIQUE CHÉRON Fran...

Wonderful vintage impressionistic still life with burgundy and white African daisies (Osteospermum) in brass cache pot with statue by Marie Michael (Am...

Delovincourt: biography Delovincourt, is a poster artist. Delovincourt was an art nouveau artist. He was mainly active during the modern period. Delovincourt: his main works Delovinc...

Edouard Bisson. French ( b.1856 - d.1939 ). La Rémanence (The Afterglow). Oil On Board. Signed Upper Left. Image size 9.8 inches x 7.9 inches ( 25cm x 20cm ). Frame size 13.8 inches ...