Authentic Dorothy Draper

Few would argue with the statement that Dorothy Draper was the most influential American interior decorator of the past century. They might make a case for Elsie de Wolfe, who had banished heavy dark furnishings and finishes from late Edwardian-era rooms, or plump for Sister Parish, and her easeful gentrified look. But Draper simply was the face of decorating. Savvy, decisive and trim — she looked the part. And her 1939 book Decorating Is Fun! and a regular column for Good Housekeeping maintained that public image. As did, of course, her work.

Born to wealth in Tuxedo Park, New York, Draper received little formal schooling but did travel extensively in Europe, where she refined her eye and tastes. Draper invented the interior design style known these days as Hollywood Regency. She loved bold vibrant color, which she deployed in unusual combinations (pink paired with eggplant was a favorite). She had a penchant for black-and-white checkered floors.

Draper liked a room to have a statement piece on the wall, preferably a plaster scrollwork-framed mirror. But most of all Draper liked such things as huge moldings brimming with Baroque detail; upholstery fabrics with overscaled florals, such as her signature print called “Cabbage Rose.” Draper could keep it simple. Many of her chairs are unfussy slipper or club chairs, with maybe a little tufting. Her cabinets and other case pieces are equally elegant — the quiet España chest, which has three drawers with round brass pulls, has been a staple of classic decorating ever since Draper designed it in 1953.

During a heyday of production in the mid-1950s, Heritage entered into a partnership with Draper, while Frank Lloyd Wright created several lines of furniture for Henredon — the works by both designers, which included Draper's España line and Viennese furnishings group, were marketed under the Heritage-Henredon name owing to a cross-licensing agreement between the brands. 

Because of her passion for scale and grand gestures, most of Draper’s commissions were for hotels, resorts and apartment towers. In these spaces, she could follow her whim and produce such extravagances as the massive, playfully modernist chandelier in the lobby of the Greenbrier resort in West Virginia; the wildly Baroque fireplace in the lounge of New York’s Hampshire House; and the towering lacquered doors of the Arrowhead Springs Hotel in California. The woman thought big.

Browse a collection of vintage Dorothy Draper furniture on 1stDibs.

Of all the antique and vintage case pieces and storage cabinets that have become popular in modern interiors over the years, dressers, credenzas and cabinets have long been home staples, perfect for routine storage or protection of personal items. 

In the mid-19th century, cabinetmakers would mimic styles originating in the Louis XIV, Louis XV and Louis XVI eras for their dressers, bookshelves and other structures, and, later, simpler, streamlined wood designs allowed these “case pieces” or “case goods” — any furnishing that is unupholstered and has some semblance of a storage component — to blend into the background of any interior. 

Mid-century modern furniture enthusiasts will cite the tall modular wall units crafted in teak and other sought-after woods of the era by the likes of George Nelson, Poul Cadovius and Finn Juhl. For these highly customizable furnishings, designers of the day delivered an alternative to big, heavy bookcases by considering the use of space — and, in particular, walls — in new and innovative ways. Mid-century modern credenzas, which, long and low, evolved from tables that were built as early as the 14th century in Italy, typically have no legs or very short legs and have grown in popularity as an alluring storage option over time. 

Although the name immediately invokes images of clothing, dressers were initially created in Europe for a much different purpose. This furnishing was initially a flat-surfaced, low-profile side table equipped with a few drawers — a common fixture used to dress and prepare meats in English kitchens throughout the Tudor period. The drawers served as perfect utensil storage. It wasn’t until the design made its way to North America that it became enlarged and equipped with enough space to hold clothing and cosmetics. The very history of storage case pieces is a testament to their versatility and well-earned place in any room. 

In the spirit of positioning your case goods center stage, decluttering can now be design-minded.

A contemporary case piece with open shelving and painted wood details can prove functional as a storage unit as easily as it can a room divider. Whether you’re seeking a playful sideboard made of colored glass and metals, an antique Italian hand-carved storage cabinet or a glass-door vitrine to store and show off your collectibles, there are options for you on 1stDibs.