Birch Paintings

acrylic on birch panel

acrylic on birch panel

"Blue Grapes" by Daire Lynch (Ireland based) is an original oil on birch panel depicting a lush cluster of grapes. Dáire Lynch is a Dublin born artist who currently resides in West...

This is an unframed original painting on birch panel. Unpainted edges. "Landscape provides Gregory Hardy with an inexhaustible source of mystery. His paintings are not representati...

acrylic on birch panel

acrylic on birch panel

Two birds take flight against an expressive background. This painting is a study of how sanded wood and vibrant paint can create the illusion of movement, capturing the energy and li...

This is an unframed original painting on birch panel. Unpainted edges. "Landscape provides Gregory Hardy with an inexhaustible source of mystery. His paintings are not representati...

acrylic on birch panel

“Barnaby Fitzgerald’s outrageously gorgeous paintings are a guilty pleasure - yet the guilt is unnecessary, for they do not cloy or fatten us. They are as intellectually challenging ...

"Rob Alexander's ""Twilight Approaches"" is an original, handmade oil painting that depicts the pink and yellow twilight reflecting on a snow covered lan...

acrylic on birch panel

acrylic on birch panel

Katherine Bello Title : Til We Meet Again Materials : Oil on birch panel Date : 12/2020 Dimensions : 12x12x1.5 Description : Flat birch panel framed in white floater frame. Signed CO...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

LOOK FOR FREE SHIPPING AT CHECKOUT. ARTIST EXPLANATION OF THE PAINTINGS: Queen Elizabeth 2 30”x40” x 1.5" oil on birch panel . Ready to hang with wire on the back They are blurred....

This original oil painting on birchwood panel is painted in the shades of pale green wildflowers that one sees along forest paths and clearings as summer approaches. This is the silh...

David E. Peterson – Puzzle #119 (2022) Acrylic, Birch wood, Art Resin 32 x 13 x 3 inches Dynamic, architectural, and deeply textural, "Puzzle #119" by David E. Peterson seamlessly...

Annette Davidek (b. 1957, Flint, MI) creates mysterious yet beautiful paintings that reference naturalistic forms, from exotic plants and sea life to microscopic organisms. Combining...

Unframed Dimensions: 10 x 12 inches Framed Dimensions: 14 x 16 inches

Materials: acrylic painted paper on Birch panel Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her wor...

I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings. My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...

This painting captures a striking contrast between resilience and delicacy. A bluebird perches on top of a post wrapped in harsh barbed wire. The birds soft feathers and calm presenc...

Original Oil Painting by Annette Davidek. Signed and dated on verso. Annette Davidek (b. 1957, Flint, MI) creates mysterious yet beautiful paintings that reference naturalistic form...

Annette Davidek (b. 1957, Flint, MI) creates mysterious yet beautiful paintings that reference naturalistic forms, from exotic plants and sea life to microscopic organisms. Combining...

"I’ve turned a decidedly nontraditional eye to the world of flowers––those forms which constitute one of the most traditional and ubiquitous subjects in the history of art. Combining...

I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings. My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...

I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the proces...

I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings. My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...

Interested in communicating ideas of history, place and nature in her painting practice, Jennifer Wolf utilizes natural dyes and minerals to feature a historically significant palett...

Parthelion By Angela Lane 2022 Oil on birch plywood Signed and dated, reverse

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

Original painting by Annette Davidek

Gigi Mills was born in Ohio into the well known Mills Brothers Circus family. Both performing and the plastic arts were admired and encouraged. Holding a BFA in performing arts and a...

This 21.125" x 21.125" oil on birch panel painting by April Dawes focuses on the human figure, rendered in muted, earthy tones—primarily umber, beige, and hints of pale pink. The fig...

"Blue Dream" is a striking exploration of abstract expressionism that immerses the viewer in a dynamic interplay of colour and texture. The painting, composed on a Baltic Birch panel...

David A. Dreyer was born in Dallas in 1958, and earned his BFA and MFA at Southern Methodist University. He was a recipient of the Moss/Chumley Award from the Meadows Museum and has ...

Katherine Bello Title: When the Night Medium: mixed media on canvas Year: 2020 Size: 12" x 12" Birch panel in black floater frame Signed, dated and inscribed by hand COA provided (issued by representing gallery) Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing. Abstract, sbstract art...

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

“Barnaby Fitzgerald’s outrageously gorgeous paintings are a guilty pleasure - yet the guilt is unnecessary, for they do not cloy or fatten us. They are as intellectually challenging ...

“Barnaby Fitzgerald’s outrageously gorgeous paintings are a guilty pleasure - yet the guilt is unnecessary, for they do not cloy or fatten us. They are as intellectually challenging ...

Pink, indigo, purple, red, blue, yellow, green, brown, white and black painting on layered hand cut birch plywood panels that are stacked crea...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

This is egg-oil on Birch panel. A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking de...

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

The different darker and lighter layers of this painting are thin and sheer, each showing through the next, which gives a softness and glow. You can see the dark pencil lines outlini...

Anne Sargent Walker’s “Refuge” is a 16 x 16 inch mixed media painting in oil, acrylic, graphite and birchbark in dramatic tones of red, orange, soft black and green. Hands of birchb...

“Illuminated Branches Diptych” by Catherine Picard-Gibbs is a dynamic textural oil painting on board that depicts dappled sunlight filtered through the forest. A heightened palette o...

Sargent Walker's "First Fall" is a soft black, white and gray painting in oil, acrylic, birch bark and graphite. Softly falling snowflakes are collaged in birch bark. An upright hand in graphite summons, or sends, a small chickadee bird...

This is an unframed original painting on birch panel. Unpainted edges. "Landscape provides Gregory Hardy with an inexhaustible source of mystery. His paintings are not representati...

Oil on birch panel.

LOOK FOR FREE SHIPPING AT CHECKOUT. IF NOT AVAILABLE GALLERY OFFERS FREE SHIPPING. ARTIST EXPLANATION OF THE PAINTINGS: "Mona's Sister": oil on cradled birch panel. Ready to hang wit...

Painted on birch wood panel and framed in a 1.5 " deep white solid wood floater frame. The same frame is now on the other tree paintings this size by the artist, Afternoon Bay Laurel...

This figurative animal painting titled "Rain Dove" is an original artwork by Brin Levinson made of oil on birch panel. This piece measures 12"h x 12"w. "At the heart of it, my image...

This dog painting titled "Afghan Hound II (Somewhere in PA)" is an original artwork by Emily White made of acrylic paint on birch panel. This piece measures 13"h x 13"w. Emily White...

So Do I, Layered, Stained and Painted Birch Wood Artwork by Texas Artist, Mitch McGee. This female figurative Pop Artwork is 40" Round. She is a Brunette with Green Eyes. The in...

Contemporary gold toned abstract painting by Houston based artist Joseph Cohen. The work features a solid gold field that ends in drips off of the bottom edge of the piece. Signed an...

"Blue Morpho" is a contemporary and parametric wall sculpture with gorgeous blue tones. Made from oil lacquer paint and carved Baltic birch wood, this ...