Birch Paintings

acrylic on birch panel

"Rob Alexander's ""Twilight Approaches"" is an original, handmade oil painting that depicts the pink and yellow twilight reflecting on a snow covered lan...

Interested in communicating ideas of history, place and nature in her painting practice, Jennifer Wolf utilizes natural dyes and minerals to feature a historically significant palett...

"Blue Grapes" by Daire Lynch (Ireland based) is an original oil on birch panel depicting a lush cluster of grapes. Dáire Lynch is a Dublin born artist who currently resides in West...

Two birds take flight against an expressive background. This painting is a study of how sanded wood and vibrant paint can create the illusion of movement, capturing the energy and li...

Katherine Bello Title : Til We Meet Again Materials : Oil on birch panel Date : 12/2020 Dimensions : 12x12x1.5 Description : Flat birch panel framed in white floater frame. Signed CO...

acrylic on birch panel

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

“Barnaby Fitzgerald’s outrageously gorgeous paintings are a guilty pleasure - yet the guilt is unnecessary, for they do not cloy or fatten us. They are as intellectually challenging ...

acrylic on birch panel

acrylic on birch panel

This 50.25" x 37" oil paint on birch wood panel work by Oklahoma-based artist April Dawes depicts a woman, contemplative in her body language, with her eyes cast to the ground as the...

acrylic on birch panel

“Barnaby Fitzgerald’s outrageously gorgeous paintings are a guilty pleasure - yet the guilt is unnecessary, for they do not cloy or fatten us. They are as intellectually challenging ...

This is an unframed original painting on birch panel. Unpainted edges. "Landscape provides Gregory Hardy with an inexhaustible source of mystery. His paintings are not representati...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

A moody yet vibrant California sunset. Oil paintings on wood have a very different feel than on canvas. There is a smoothness from the layers of sanded white gesso underneath and the...

acrylic on birch panel

acrylic on birch panel

This original oil painting on birchwood panel is painted in the shades of pale green wildflowers that one sees along forest paths and clearings as summer approaches. This is the silh...

This is an unframed original painting on birch panel. Unpainted edges. "Landscape provides Gregory Hardy with an inexhaustible source of mystery. His paintings are not representati...

25th Street, by Elise Zoller, 24 x 30 in. oil on panel. Elise Zoller has recently embarked on a series of plein air paintings of sites around Salt Lake City and in the smaller towns of Utah from Hurricane to Huntsville. She has enjoyed meeting people along the road and learning about the history of the state. “Plein air work can be physically demanding, but there is no substitute for working from life. Light and shadow dance in subtle ways a photograph cannot capture. Even the wind and the fragrances it carries inform the work. Scenes come alive when you stand in one place for a few hours. You’ve got to get to know a spot,” Elise says. “While I work, all manner of people come up and talk to me about their towns and their lives. I’ve met a downwinder from Enterprise, pie bakers in Veyo, pony cart...

David E. Peterson – Puzzle #119 (2022) Acrylic, Birch wood, Art Resin 32 x 13 x 3 inches Dynamic, architectural, and deeply textural, "Puzzle #119" by David E. Peterson seamlessly...

LOOK FOR FREE SHIPPING AT CHECKOUT. ARTIST EXPLANATION OF THE PAINTINGS: Queen Elizabeth 2 30”x40” x 1.5" oil on birch panel . Ready to hang with wire on the back They are blurred....

Annette Davidek (b. 1957, Flint, MI) creates mysterious yet beautiful paintings that reference naturalistic forms, from exotic plants and sea life to microscopic organisms. Combining...

Original Oil Painting by Annette Davidek. Signed and dated on verso. Annette Davidek (b. 1957, Flint, MI) creates mysterious yet beautiful paintings that reference naturalistic form...

This painting captures a striking contrast between resilience and delicacy. A bluebird perches on top of a post wrapped in harsh barbed wire. The birds soft feathers and calm presenc...

I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings. My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...

I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings. My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...

"I’ve turned a decidedly nontraditional eye to the world of flowers––those forms which constitute one of the most traditional and ubiquitous subjects in the history of art. Combining...

Katherine Bello Title: When the Night Medium: mixed media on canvas Year: 2020 Size: 12" x 12" Birch panel in black floater frame Signed, dated and inscribed by hand COA provided (issued by representing gallery) Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing. Abstract, sbstract art...

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

"Blue Dream" is a striking exploration of abstract expressionism that immerses the viewer in a dynamic interplay of colour and texture. The painting, composed on a Baltic Birch panel...

"I’ve turned a decidedly nontraditional eye to the world of flowers––those forms which constitute one of the most traditional and ubiquitous subjects in the history of art. Combining...

I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings. My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

This is egg-oil on Birch panel. A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking de...

Unframed Dimensions: 18 x 16 in. Framed Dimensions: 25 1/2 x 23 1/2 in. David Henry is a contemporary realist painter living in Philadelphia. He has devoted many years developing t...

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

David A. Dreyer was born in Dallas in 1958, and earned his BFA and MFA at Southern Methodist University. He was a recipient of the Moss/Chumley Award from the Meadows Museum and has ...

This is an unframed original painting on birch panel. Unpainted edges. "Landscape provides Gregory Hardy with an inexhaustible source of mystery. His paintings are not representati...

“Illuminated Branches Diptych” by Catherine Picard-Gibbs is a dynamic textural oil painting on board that depicts dappled sunlight filtered through the forest. A heightened palette o...

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

“Barnaby Fitzgerald’s outrageously gorgeous paintings are a guilty pleasure - yet the guilt is unnecessary, for they do not cloy or fatten us. They are as intellectually challenging ...

Pink, indigo, purple, red, blue, yellow, green, brown, white and black painting on layered hand cut birch plywood panels that are stacked crea...

This 21.125" x 21.125" oil on birch panel painting by April Dawes focuses on the human figure, rendered in muted, earthy tones—primarily umber, beige, and hints of pale pink. The fig...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

Sargent Walker's "First Fall" is a soft black, white and gray painting in oil, acrylic, birch bark and graphite. Softly falling snowflakes are collaged in birch bark. An upright hand in graphite summons, or sends, a small chickadee bird...

LOOK FOR FREE SHIPPING AT CHECKOUT. ARTIST EXPLANATION OF THE PAINTINGS: In Bloom measures 36" x 36" x 1.5" and is oil on birch panel . Ready to hang with wire on the back. Artist d...

Andrzej Karwacki likes to create warmth within his work by using dark colours. Within this work, Andrzej has used: Black, Orange, Yellow and Red to create a very warm and comforting ...

The different darker and lighter layers of this painting are thin and sheer, each showing through the next, which gives a softness and glow. You can see the dark pencil lines outlini...

Back to Me, Layered, Stained and Painted Birch Wood Artwork by Texas Artist, Mitch McGee. This female figurative Pop Artwork is 30" Square. She is a Blonde with Blue Eyes. The i...

Parthelion By Angela Lane 2022 Oil on birch plywood Signed and dated, reverse

Oil on birch panel.

Anne Sargent Walker’s “Refuge” is a 16 x 16 inch mixed media painting in oil, acrylic, graphite and birchbark in dramatic tones of red, orange, soft black and green. Hands of birchb...

Abra Johnson's "Saucy Strawberry" is a vibrant celebration of nature's sweetness, rendered with breathtaking realism on a custom-cut Birchwood panel. This bright 20" x 23" oil painti...

LOOK FOR FREE SHIPPING AT CHECKOUT. IF NOT AVAILABLE GALLERY OFFERS FREE SHIPPING. ARTIST EXPLANATION OF THE PAINTINGS: Vintage Motorcycle: oil on cradled birch panel. Ready to hang with wire on the back They are blurred. So I paint them with a regular brush, let the paint get partially dry, and then I use a brush to go over it many times to blur the paint. Sometime if it gets too blurred I go back in and do some more painting to define an area, and then use a big special brush to blur the image again. Also seen in this listing are other available paintings by the artist which can be found in a separate listings. Joan Breckwoldt...

Last One to Know, Layered, Stained and Painted Birch Wood Artwork by Texas Artist, Mitch McGee. This female figurative Pop Artwork is 30" Round. She is Blonde with Blue Eyes. Th...

This figurative animal painting titled "Rain Dove" is an original artwork by Brin Levinson made of oil on birch panel. This piece measures 12"h x 12"w. "At the heart of it, my image...