Birch Paintings

"Blue Morpho" is a contemporary and parametric wall sculpture with gorgeous blue tones. Made from oil lacquer paint and carved Baltic birch wood, this ...

So Do I, Layered, Stained and Painted Birch Wood Artwork by Texas Artist, Mitch McGee. This female figurative Pop Artwork is 40" Round. She is a Brunette with Green Eyes. The in...

Contemporary bright blue toned abstract painting by Houston based artist Joseph Cohen. The work features a solid blue field that ends in drips off of the bottom edge of the piece. Si...

Andrey and Alexey Kulibin are self-taught artists who established their studio in 2020. The advertising industry seemed too bureaucratic and regulated to us, so one day in 2019 we si...

Made with the bark of the Paper Birch tree on a repurposed trophy plaque. The title was inspired by the song, "Scott Pilgrim," by the Canadian band, Plum...

Last One to Know, Layered, Stained and Painted Birch Wood Artwork by Texas Artist, Mitch McGee. This female figurative Pop Artwork is 30" Round. She is Blonde with Blue Eyes. Th...

Back to Me, Layered, Stained and Painted Birch Wood Artwork by Texas Artist, Mitch McGee. This female figurative Pop Artwork is 30" Square. She is a Blonde with Blue Eyes. The i...

"Unforgotten Series No 6" is an archival pigment print on fine art paper, mounted on birch panel and resin coated. This is a wonderful colorful abstract artwork with text and pink ba...

Puzzle 74 by David E. Peterson is part of an ongoing series featuring beautiful, exotic woods and abstract painting. David E. Peterson Artist Statement “Industrial Design informs my work. Inspiration might come from a brightly coloured sneaker, an eye- catching dress, an intricate watch...

Materials: acrylic painted paper on Birch panel Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her wor...

LOOK FOR FREE SHIPPING AT CHECKOUT. ARTIST EXPLANATION OF THE PAINTINGS: In Bloom measures 36" x 36" x 1.5" and is oil on birch panel . Ready to hang with wire on the back. Artist d...

LOOK FOR FREE SHIPPING AT CHECKOUT. IF NOT AVAILABLE GALLERY OFFERS FREE SHIPPING. ARTIST EXPLANATION OF THE PAINTINGS: Vintage Motorcycle: oil on cradled birch panel. Ready to hang with wire on the back They are blurred. So I paint them with a regular brush, let the paint get partially dry, and then I use a brush to go over it many times to blur the paint. Sometime if it gets too blurred I go back in and do some more painting to define an area, and then use a big special brush to blur the image again. Also seen in this listing are other available paintings by the artist which can be found in a separate listings. Joan Breckwoldt...

Rob Alexander's "Afternoon Sunlight" is an original, handmade oil painting that depicts blue, rocky mountains covered with snow and reflecting sunlight a...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

Oil on birch panel in excellent condition by Robin Reynolds. Abstract floral in vibrant colors, primarily green, with purple, blue and white. Robin Reynolds paints plein-air (outdo...

Materials: oil painting on custom cut Birchwood Abra Johnson's "Blue Ribbon Coffee" transforms a vintage tin into a mesmerizing work of art. This oil painting, painstakingly rendered...

A moody yet vibrant California sunset. Oil paintings on wood have a very different feel than on canvas. There is a smoothness from the layers of sanded white gesso underneath and the...

LOOK FOR FREE SHIPPING AT CHECKOUT. IF NOT AVAILABLE GALLERY OFFERS FREE SHIPPING. ARTIST EXPLANATION OF THE PAINTINGS: Bathers: 9"x12" oil on cradled birch panel. Ready to hang with wire on the back They are blurred. So I paint them with a regular brush, let the paint get partially dry, and then I use a brush to go over it many times to blur the paint. Sometime if it gets too blurred I go back in and do some more painting to define an area, and then use a big special brush to blur the image again. Also seen in this listing are Bathers 1 which can be found in a separate listing. Joan Breckwoldt is an American contemporary artist living in Houston, Texas. Her training has a foundation of traditional methods and she enjoys the challenge of using traditional painting methods to create contemporary works. Joan has studied at the University of Texas at Austin, The Art League of Houston, and the Konigs Schule in the Hague, the Netherlands. She is represented by the Jack Meier Gallery...

Acrylic on birch wood Kim Jandi is a female Korean artist born in 1987 who lives and works in Seoul, South Korea. She is the creator of the Uslung House project. It’s a sanctuary gu...

LOOK FOR FREE SHIPPING AT CHECKOUT. IF NOT AVAILABLE, GALLERY OFFERS FREE SHIPPING. ARTIST EXPLANATION OF THE PAINTINGS: Bathers: 12 x 9 oil on cradled birch panel. Ready to hang with wire on the back They are blurred. So I paint them with a regular brush, let the paint get partially dry, and then I use a brush to go over it many times to blur the paint. Sometime if it gets too blurred I go back in and do some more painting to define an area, and then use a big special brush to blur the image again. Joan Breckwoldt...

There is rarely any forward planning, materials and choices are made randomly, colors and mediums are selected in accordance with the needs of what transpires at the moment. At times...

"Unforgotten Series No 2" is an archival pigment print on fine art paper, mounted on birch panel and resin coated. This is a wonderful colorful and abstract urban inspired artwork. ...

Abra Johnson's "Saucy Strawberry" is a vibrant celebration of nature's sweetness, rendered with breathtaking realism on a custom-cut Birchwood panel. This bright 20" x 23" oil painti...

"Unforgotten Series No 1" is an archival pigment print on fine art paper, mounted on birch panel and resin coated. Colorful and misty, this is a wonderful urban abstract piece. Span...

This is an unframed original painting on birch panel. Unpainted edges. "Landscape provides Gregory Hardy with an inexhaustible source of mystery. His paintings are not representati...

"Unforgotten Series No 5" is an archival pigment print on fine art paper, mounted on birch panel and resin coated. This is a wonderful colorful and abstract urban inspired artwork fe...

"Unforgotten Series No 3" is an archival pigment print on fine art paper, mounted on birch panel and resin coated. This is a wonderful colorful and abstract landscape piece. Spanish...

This is an unframed original painting on birch panel. Unpainted edges. "Landscape provides Gregory Hardy with an inexhaustible source of mystery. His paintings are not representati...

Materials: acrylic painted paper on Birch panel Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her wor...

Acrylic on birch

Materials: acrylic painted paper on Birch panel Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her wor...

Materials: acrylic painted paper on Birch panel Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her wor...

Unframed Dimensions: 10 x 12 inches Framed Dimensions: 14 x 16 inches David Henry is a contemporary realist painter living in Philadelphia. He has devoted many years developing the ...

Oil on birch panel in excellent condition by Robin Reynolds. Abstract floral in vibrant colors, primarily orange, reds, with green and yellow. Robin Reynolds paints plein-air (outd...

Oil on birch panel in excellent condition by Robin Reynolds. Abstract floral in vibrant colors, primarily green, with purple, black and white. Robin Reynolds paints plein-air (outd...

I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the proces...

Materials: acrylic and painted paper on Birch panel Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her...

Materials: acrylic and painted paper on Birch panel Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her...

Annette Davidek creates paintings that look like gorgeous biomes full of naturalistic forms, enticing viewers to enter a domain that is as familiar as it is strange. Variously sugges...

Oil on birch panel in excellent condition by Robin Reynolds. Abstract floral in vibrant colors, primarily green, with purple, blue and white. Robin Reynolds paints plein-air (outdo...

Troy Smith’s "Smashing Pumpkins" is a vivid exploration of movement and energy in contemporary abstract form. The composition features powerful black...

Acrylic on birch wood Kim Jandi is a female Korean artist born in 1987 who lives and works in Seoul, South Korea. She is the creator of the Uslung House project. It’s a sanctuary gu...

Acrylic on birch wood Kim Jandi is a female Korean artist born in 1987 who lives and works in Seoul, South Korea. She is the creator of the Uslung House project. It’s a sanctuary gu...

Unframed Dimensions: 15 x 9 1/2 inches Framed Dimensions: 19 x 13 1/2 inches David Henry is a contemporary realist painter living in Philadelphia. He has devoted many years developi...

I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings. My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...

There is rarely any forward planning, materials and choices are made randomly, colors and mediums are selected in accordance with the needs of what transpires at the moment. At times...

I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings. My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...

I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the proces...

Original Oil Painting by Annette Davidek. Signed and dated on verso. Annette Davidek (b. 1957, Flint, MI) creates mysterious yet beautiful paintings that reference naturalistic form...

"I’ve turned a decidedly nontraditional eye to the world of flowers––those forms which constitute one of the most traditional and ubiquitous subjects in the history of art. Combining...

Original Oil Painting by Annette Davidek. Signed and dated on verso. Annette Davidek (b. 1957, Flint, MI) creates mysterious yet beautiful paintings that reference naturalistic form...

Original Oil Painting by Annette Davidek. Signed and dated on verso. Annette Davidek (b. 1957, Flint, MI) creates mysterious yet beautiful paintings that reference naturalistic form...

Materials: acrylic painted paper on Birch panel Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her wor...

CATCHING HOLD Size: 32 x 31.5 cm (including frame) Acrylic on birch panel A very appealing and restful contemporary abstract composition, painted in acrylic onto birch panel. The p...

"Endless Night" captures the viewer's attention with its dynamic composition of sweeping, interlaced brushstrokes in monochromatic black, white, and gray shades. The abstract paintin...

I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings. My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...

I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings. My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...

I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings. My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...

Original Oil Painting by Annette Davidek. Signed and dated on verso. Annette Davidek (b. 1957, Flint, MI) creates mysterious yet beautiful paintings that reference naturalistic form...

Original Oil Painting by Annette Davidek. Signed and dated on verso. Annette Davidek (b. 1957, Flint, MI) creates mysterious yet beautiful paintings that reference naturalistic form...